Spider-Man – Page 3 – Author Carlo Carrasco

A Look Back at Peter Parker, The Spectacular Spider-Man #131 (1987)

October 29, 2025October 29, 2025carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1987 to examine a small part of the Marvel Comics shared universe through a tale of the Peter Parker, The Spectacular Spider-Man monthly series.

For this particular review, we will explore the 3^nd chapter of classic storyline Kraven’s Last Hunt. The storyline started in Web of Spider-Man #31 (read my retro review by clicking here) and progressed further in Amazing Spider-Man #293 (read my retro review by clicking here) and creators J. M. DeMatteis and Mike Zeck crafted it to last six chapters.

With those details laid down, here is a look back at Peter Parker, The Spectacular Spider-Man #131, published in 1987 by Marvel Comics with a story written by J. M. DeMatteis and drawn by Mike Zeck.

Early story

The story begins inside a facility in New York City on a rainy night. Men inside work quietly moving heroin from one vehicle to another. Suddenly Kraven – wearing a black costume believing he is Spider-Man – breaks in and fearlessly attack the men who are already armed. Using very violent force, Kraven beats the men and killed the last one. Eventually, police officers and detectives broke into the facility which compels Kraven to get away fast and leaves them no opportunities to catch up. One of the detectives mentions that fifteen suspects have been hospitalized because of the individual they perceive as Spider-Man.

After climbing to the top of a building, Kraven takes his mask off. He thinks deeply about his victory over Spider-Man and becoming him. He believes he has consumed the spider’s prey and proved himself to be superior in every way. Regardless, Kraven’s obsession continues as he seeks the final proof.

Elsewhere in the city, Vermin pulls a woman into an alley and then comes out on the street as a police car approaches him…

Quality

*A key scene showing how Mary Jane and Joe Robertson react to the absence of Peter Parker who was buried alive by Kraven.*

In this 3^rd chapter of the Kraven’s Last Hunt storyline, the iconic Spider-Man is absent again but his presence is still felt through the way people perceive him and through two notable characters who personally knew Peter Parker. At this point in the storyline, Kraven truly believes he has not only replaced Spider-Man but became even more significant than him. Kraven’s obsession with achieving both greatness and significant placed him on a collision course with Vermin, and I can say that the conflict between the them is a powerful feature of the story. Once again, DeMatteis proved how compelling his script really is and Mike Zeck easily brought the said script to life with strong imagery.

As with the previous two chapters, the darkness and grittiness of the storyline are lively which resulted in a very atmospheric reading experience. The DeMatteis-Zeck duo knew exactly how to engage readers using a powerful script and images that range from being action-packed to looking very disturbing.

Speaking of character development, Mary Jane here shows how the continued absence of her husband is wearing herself down and making her even more worried. Mary Jane is a lively symbol about how we readers miss Spider-Man and how uncertain we feel about the future of comic book storytelling without the iconic superhero.

Conclusion

*Without any concern whatsoever, Kraven’s Spider-Man brutally hits the criminals with powerful strikes.*

Peter Parker, The Spectacular Spider-Man #131 (1987) is a powerful 3^rd chapter of the Kraven’s Last Hunt storyline. At this point, Kraven continues to not only be Spider-Man but make others feel his impact as he strives to be greater than the genuine Spider-Man. Vermin has turned more prominent in this comic book and the big conflict between him and Kraven is a huge pay-off to what was built-up since Amazing Spider-Man #293. Right now, I am looking forward to the next chapter of Kraven’s Last Hunt.

Overall, Peter Parker, The Spectacular Spider-Man #131 (1987) is highly recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Spider-Man #3 (1990)

October 20, 2025October 12, 2025carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Marvel Comics shared universe through a tale of the Spider-Man monthly series.

I previously reviewed issues #1 (click here) and #2 (click here) which were also the first two chapters of the Todd McFarlane-led Torment storyline. McFarlane had this grand vision of a dark and more violent concept of telling a Spider-Man story and it involved another rematch with the Lizard (Dr. Connors) and some connections with the Kraven’s Last Hunt saga of 1987 (read my retro reviews by clicking here and here). McFarlane’s vision was daring but his writing style and the sub-par quality of his storytelling really brought down the overall quality of Spider-Man #1 and #2.

With those details laid down, here is a look back at Spider-Man #3, published in 1990 by Marvel Comics with a story written and drawn by Todd McFarlane. This is the 3rd chapter of the Torment storyline.

Early story

The story begins at the rooftop of a building in New York City. Up there, the Lizard relentlessly attacks Spider-Man causing some damage on the building. Having recovered previously, Spider-Man manages to hold his ground and punches a solid structure that hit the Lizard hard.

Meanwhile at another part of the city, the evil Haitian Voodoo priestess Calypso communicates with the Lizard telling him to take the fight against Spider-Man easy, avoid killing him and make him suffer first. Calypso is obsessed with making the webslinger an example to the world.

The fight between Spider-Man and the Lizard continues causing even more damage. Spider-Man, who has been poisoned, is having trouble concentrating as the Lizard keeps attacking him violently. Spider-Man wonders why the Dr. Connors’ (the Lizard) blood lust is so consuming…

Quality

*Todd McFarlane’s way of visualizing Spider-Man’s origin.*

To get straight to the point, this comic book is simply a natural progression of the hard-hitting conflict between Spider-Man and the Lizard that started in the previous issue. In fact, this comic book shows the resumption of the battle (after a pause happened in the late stage of issue #2 showing the fight temporarily halting which gave Spider-Man some minutes to rest).

At this stage, Spider-Man has gotten even more vulnerable and damaged. Apart from struggling with the very violent attacks of the Lizard, his own spider sense becomes a major hindrance on his mind (he could not concentrate) as the sounds of “doom-doom-doom” caused by Calypso’s sorcery becomes very unbearable. Like the previous issue, Spider-Man gets close to death and if there is anything new here it is showing the iconic superhero messed up in the garbage.

Along the way, this comic book sheds some spotlight on Mary Jane Parker (Spider-Man’s wife) who has been spending time in the city dealing with the absence of her husband. The Mary Jane scenes felt more like filler to the script by McFarlane.

Conclusion

*This comic book shows the resumption of the violent battle between the Lizard and Spidey.*

Apart from continuing the story, Spider-Man #3 (1990) does not have much to show. Todd McFarlane’s visuals are great and consistently remained high (and even gory) on details, but his weak writing made this one a chore to read through. Being the 3^rd chapter of the Torment storyline, this one is predictable and the pay-off is minimum. At this stage, it is clear that something huge is coming up on the last two chapters of the storyline.

Overall, Spider-Man #3 (1990) is satisfactory.

+++++

A Look Back at Amazing Spider-Man #293 (1987)

September 19, 2025July 26, 2026carlocarrasco

For this particular review, we will explore the 2^nd chapter of classic storyline Kraven’s Last Hunt. The storyline started in Web of Spider-Man #31 (read my retro review by clicking here) and creators J. M. DeMatteis and Mike Zeck crafted it to last six chapters.

With those details laid down, here is a look back at Amazing Spider-Man #293, published in 1987 by Marvel Comics with a story written by J. M. DeMatteis and drawn by Mike Zeck.

Early story

The story begins on a rainy night as a tall figure wearing a black costume and mask stands over the grave stone that read “Here lies Spider-Man slain by the Hunter.” The figure takes off his mask revealing Kraven who delightfully laughs believing he has achieved greatness by defeating Spider-Man, burying him and taking over his identity.

Elsewhere in New York City, a woman struggles with walking down the sidewalk during the rain. As a rat runs near her, she loses her balance and falls on the road. Suddenly, a manhole near her opens revealing the hand of an unseen creature which pulls the lady down to the sewer. Moments later, she finds herself surrounded with rats and toxic materials. Slowly, the Vermin approaches her…

Quality

*This is Kraven’s Spider-Man in action!* *How people perceive Spider-Man is an emerging theme in this storyline.*

Considering what happened in Web of Spider-Man #31, it is not a spoiler to point out that the iconic Spider-Man is not really present in this very comic book. That being said, writer J. M. DeMatteis shifted the spotlight on Kraven – now in a Spider-Man costume and being the webslinger we know – while leaving some of it for Mary Jane Parker and Vermin.

Following what was established in the first chapter of Kraven’s Last Hunt, Kraven here continues with his obsession over his destiny while remembering lessons he learned not only from his personal past but also the legacy he inherited from his family. In his other obsession of becoming Spider-Man, Kraven went to the extreme being with countless spiders, consuming green liquid believing that spiderness will come into him, and more. Some may perceive him as a mad man while others might see him being mystical somewhat.

The DeMatteis-Zeck duo excelled in developing Mary Jane in this story as she feels uneasy over her husband’s absence. She really feels the weight of inconveniences and loneliness that come being married to a superhero who is far away doing something or being captured by a capable enemy. Mary Jane’s personality here shows signs of fragility too.

Vermin – the rat-like monster – is portrayed as an eater of human beings who turns out to be afraid of Spider-Man and he still remembers his past conflict not only with him ut also with Captain America. Vermin is a tragic character and the presence of rats in different parts of the story suggest that his presence in the storyline will only grow stronger. Some readers might find Vermin an abomination while there might be others who could get sympathetic towards him.

The plot itself has a strong structure and builds up nicely on what was established in the first chapter of this storyline. This time around, Kraven becomes Spider-Man and how he is perceived by others – who do not know the truth that Peter Parker is temporarily gone – is an emerging theme of the storyline.

Conclusion

*Alone in the apartment, Mary Jane took action against the rat.*

Filled with gritty darkness, drama and suspense, Amazing Spider-Man #293 (1987) is an engaging 2^nd chapter of the Kraven’s Last Hunt storyline. Even though Spider-Man is not present here, the DeMatteis-Zeck duo succeeded in making the tale compelling to read from start to finish. What they did to develop Mary Jane and Vermin added depth not only to this comic book but to the storyline as well. Right now, I am convinced to read the next chapter of this storyline.

Overall, Amazing Spider-Man #293 (1987) is highly recommended.

+++++

Retro Gaming Ads Blast – Part 34

September 1, 2025August 24, 2025carlocarrasco

Welcome back readers, fellow geeks and electronic gaming fans!

In this edition of the Retro Gaming Ads Blast (RGAB) series, we will take a look at another batch of retro gaming print ads – including arcade flyers – from the 1970s to the 1990s.

For the newcomers reading this, Retro Gaming Ads Blast (RGAB) looks back at the many print ads of games (console, arcade, computer and handheld) that were published in comic books, magazines, flyers, posters and newspapers long before smartphones, social media, the worldwide web and streaming became popular. To put things in perspective, people back in the 1980s and 1990s were more trusting of print media for information and images about electronic games and related products.

With those details laid down, here is the newest batch of retro gaming print ads for you to see and enjoy…

1. North American Pac-Mania arcade flyer

Released in 1987, Pac-Mania became a big hit among critics, fans and casual arcade gamers which added a lot to the enduring popularity of the Pac-Man game franchise. As it featured a new game design with an oblique perspective and a more 3D feel, Pac-Mania was a very serious attempt on reinventing the Pac-Man formula. For the American market, Namco licensed the game to Atari which in turn came up with the above arcade flyer that had a pretty eye-catching front cover artwork showcasing the iconic Pac-Man jumping out from a maze with the line “I’m back,…and bouncing.” The arcade cabinet was also shown and a clear message about the 3D feature of the game was shown. The other side of the flyer showed screenshots and details that are worth reading. This arcade flyer still looks attractive and informative by today’s standards.

2. Japanese Missile Command arcade flyer

*Cocktail arcade tables were popular in Japan and Taito brought Missile Command with the format.*

Missile Command is a true arcade classic which I always enjoy replaying (read my retro review by clicking here). It was an instant hit in arcades in America and after Atari licensed the game to Sega and Taito for the arcades of Japan, it also achieved huge success there. Along the way, Taito released Missile Command with an cocktail arcade table format which is common in Japan. The arcade flyer Taito came up with had a very simplistic presentation of details, an image of the cocktail arcade table and one screenshot of the game. The Japanese arcade flyer clearly lacks excitement but at least it gave gamers and arcade operators a clear idea of what to expect with Missile Command.

3. Atari 2600 print ad

When the Atari 2600 was first launched in 1977, it was officially called the Atari Video Computer System (Atari VCS). The Atari company really aimed high to sell a lot of consoles to as many households as possible and they came up with a print ad like this one from 1978. While the Atari 2600 and its games were displayed, the image of a father, mother and daughter showed that the company not only targeted American families but also want to change home entertainment to be more interactive. This old ad is truly an inspired piece of work.

4. Kool-Aid Man video game print ad

*I never played the Kool-Aid Man video game.*

There was a time when Kool-Aid was such a popular drink, the character Kool-Aid Man debuted in 1974 after initially starting as the Pitcher Man. A short time later, merchandising featuring the character followed and in 1983 the official Kool-Aid Man video game was released on the Atari 2600 and the Intellivision. This particular print ad appeared in some comic books I read a very long time ago and it offered customers the opportunity to get the game free by sending 125 proof-of-purchase points to the company by mail. This old ad was visually striking and was a creative way to boost sales of the drink.

5. Spider-Man Atari 2600 game print ad

*Spider-Man and Green Goblin with the Atari 2600 and the TV.*

Even though the controls were rough and the game’s difficulty really went high with each new session, my friends and I still enjoyed playing the Spider-Man video game on Atari 2600 from Parker Brothers. Apart from the comic book-style print ads they came up with to promote the game, Parker Brothers went on to make this particular ad featuring Spider-Man and the Green Goblin with a TV set, the game and the Atari 2600 together all presented with a totally different art style. This is still a fun ad to look at.

6. Phoenix game print ad

After playing shooter-type games like Space Invaders and Centipede on the Atari 2600, my friends and I experienced something familiar yet fresh with Phoenix. Atari secured from Taito the rights to make the Atari 2600 port of the game, and they came up with a dark print ad that showcased the official painted art work, a portion of the video game’s box and the line “Arm Your Missiles…Charge Up Your Shields! Phoenix is coming!” Having played the game many times, those highlighted words really captured the essence of Phoenix gameplay.

7. Sunset Riders North American arcade flyer

Released in arcades in 1991, Sunset Riders was a critical and commercial hit raking in more success to Konami. For the American arcades, Konami came up with this print ad showing a creepy looking cowboy carrying a bag of money (related to the “strike it rich” line) with his donkey with him. The rear of the ad shows another photograph of 3 cowboys on their horses, the four screenshots and the creative text description. Too bad we don’t see flyers like this anymore.

8. Parker Brothers’ 6-game print ad

Quite arguably, Parker Brothers was the 2^nd most prominent publisher of video games on the Atari 2600 console next to Atari itself. Out of the six games presented in this old print ad, I only played Spider-Man and Super Cobra. Each game’s box had a unique art style and collectively they made this ad look exciting. Times were really different back in the 1980s.

+++++

A Look Back at What If #85 (1996)

August 18, 2025August 14, 2025carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1996 and explore a part of Marvel Comics’ universe through the reimagined tales emphasized in the What If monthly series.

Back in 1993 – the year that Marvel Comics celebrated the 30^th anniversary of the X-Men – the definitive rival of the X-Men, Magneto, made a major comeback and he was so resourceful as a threat to everyone. With the massive space station Avalon as his lair, Magneto sent out Exodus to lure mutants to join him. As time passed, Magneto’s own force grew and arrogantly disrupted the funeral of Illyana Rasputin in the presence of the X-Men, X-Force, Excalibur and X-Factor (as told in Uncanny X-Men #304). As the conflict went on, Colossus betrayed the X-Men to join Magneto.

Can you just imagine what would it be like had Magneto became the ruler of mutants?

With those details laid down, here is a look back at What If #85, published in 1996 by Marvel Comics with a story written by David Michelinie and drawn by Arnie Jorgensen.

Early story

The story begins inside Avalon with Magneto and Colossus watching recorded footage of Charles Xavier announcing his decision to stop opposing the ascension of Avalon. It turns out, Xavier’s decision paved the way for mutants to relocate to Avalon (orbiting Earth) in return for assurance that those who remain in it will do so unmolested. With the intention to let Avalon’s residents achieve their full and glorious potential, Magneto allowed the mutants to rule themselves without any dictatorship by him.

Through the years, division between Avalon’s mutants – Acolytes who believe in isolation and the Acolytes who believe in annihilation – intensified and proved that the spirit of mutant unity has faded away. As violence between the mutants went on, the number of explosions inside Avalon kept increasing…

Quality

*A magnificent view for Magneto, Colossus and the readers.*

What I like most about this What If tale is its core concept exploring what would have happened had Magneto ruled the mutants specifically those living in his own realm (Avalon). Writer David Michelinie (best known for writing Amazing Spider-Man stories) wrote a really inspired script that emphasized Magneto’s vision of mutant utopia isolated from the twisted and complicated societies of Earth (which still has lots of people who are afraid of and hostile towards mutants) while leaving room for conflict in the form of ideological division between mutants on Avalon. As the growing division and violence are shattering Magneto’s vision of mutant utopia, the birth of an infant whose presence adds to the tension and fear of Avalon’s inhabitants.

The good news here is that Michelinie’s script is pretty solid and Arnie Jorgensen did a good enough job visualizing it all. The characters, mainly Magneto, Colossus and Beast, were portrayed clearly in character and to see the master of magnetism struggling with maintaining order on Avalon is a nice portrayal of his human side which makes him have a lot more in common with his opposite Professor X when it comes mutant matters. Considering Magneto’s long history of intense evil and obsession with leading humanity, his portrayal of insecurity, doubt and weakness is very believable to read.

Colossus, whose betrayal of the X-Men in Uncanny X-Men #304 remains unforgettable, is the loyal and sensible servant of Magneto. Beast, meanwhile, remains the very bright and insightful mutant scientist as he has always been which makes Michelinie’s writing really impressive.

Also at the heart of the story is mutant order. Apart from the division between Avalon mutants who want full separation from humanity and those who want to conquer Earth by eliminating all human beings, the very fabric of mutant society got shaken all because of an infant who was born there on Avalon (Avalon’s first natural birth ever). I like the way this sub-plot added tension to the mutant division because it is, in some ways, socially relevant to this day. It will remind you that certain groups of people out there who would go as far as committing murder only because they are so obsessed with their foolish, worldly beliefs. Look at the Palestinian terrorists, the Iranian terrorists and the woke mobs in many parts of the world.

Conclusion

*Remember Fabian Cortez and the Acolytes?*

With a very solid script filled with intrigue, social relevance and portrayals, What If #85 (1996) is a pretty engaging read. As it is strongly focused on Magneto and his mutants on Avalon, this comic book gives readers a fine dramatization of its core concept as well as developments on what would have happened had mutant utopia been realized far away from human society. I should state that for every build-up in the story, the payoff is fortunately solid. Consider this comic book a dramatic portrayal of mutants of Magneto without the involvement of the X-Men.

Overall, What If #85 (1996) is recommended.

+++++

A Look Back at Spectacular Spider-Man #88 (1984)

August 6, 2025August 4, 2025carlocarrasco

Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1984 to examine a small part of the Marvel Comics shared universe through a tale of the Spectacular Spider-Man monthly series.

In issue #87, Spider-Man revealed his secret identity to Black Cat. That was a turning point on not just the romance between the two but also on their combined efforts of stopping crime and helping others in the city. This opens up opportunities for creative teams of Marvel to explore where Spidey and Black Cat’s relationship will go to next.

With those details laid down, here is a look back at Spectacular Spider-Man #88, published in 1984 by Marvel Comics with a story written by Bill Mantlo and drawn by Al Milgrom.

Early story

The story begins inside a secret facility wherein several armed guards are preparing themselves for an unseen incoming force. They are guarding a convict known as The Cobra (Klaus Voorhees) who warns them that the one person after him will find some way of killing him.

Suddenly, Mister Hyde breaks through the metallic gate and demands that Cobra should be given to him. The guards used tranquilizer gas to take Hyde out but it turned out useless. Cobra and his handlers secretly moved to the rooftop of the facility to try to escape by helicopter. Suddenly, Hyde emerges, brings down a solid tower and crashes the helicopter with it. He then grabs Cobra who only slithered away.

Meanwhile in New York City, Spider-Man is inside the apartment of Felicia Hardy (Black Cat) and he feels that something dreadful is going to happen…

Quality

*There is a lot of action scenes to enjoy here. Spider-Man and Black Cat have their own moments taking on Hyde.*

I will go straight to the point here. This Spectacular Spider-Man tale sure is packed with a lot of action and intrigue balanced by the romance of Spider-Man and Black Cat (who is now living with the knowledge that Peter Parker is Spider-Man). The conflict between Mister Hyde and the Cobra here is preceded by their past collaboration of getting revenge upon Thor. In fact, Spider-Man had encountered both characters sometime prior and his personal knowledge of Thor’s encounter with them added some depth to the new conflict in this comic book. Spidey here became cautious as he knows the extent of the savagery of Hyde.

As this tale took place after Black Cat learned Spider-Man’s secret identity, the dynamics between the two during battle became intriguing when the former took the initiative to strike the dangerous Hyde even though she was told to protect Cobra. This forces the iconic webslinger to put himself at risk by aggressively hitting Hyde while keeping Black Cat out of the way.

The big battle involving the four notable characters is quite extensive and intense to follow. There are a few strong twists between the scenes and it is entertaining to read. When it comes to character development, I enjoyed how the creators portrayed Spidey being concerned about Black Cat’s wellbeing and her lack of super powers while simultaneously portraying her as being determined to so something significant on solving problems.

Conclusion

*The romance between the two is worth following.*

Spectacular Spider-Man #88 (1984) is not only a good follow-up to the previous issue, it is also a worthy showcase of Spidey and Black Cat’s relationship as Cobra and Hyde engage in a new conflict. As this is an action-packed story, it is not surprising that the character development scenes are fewer. This is a fun read.

Overall, Spectacular Spider-Man #88 (1984) is recommended.

+++++

A Look Back at Action Comics #436 (1974)

June 18, 2025June 20, 2025carlocarrasco

Welcome back superhero enthusiasts, 1970s arts and culture enthusiasts, DC Comics fans and comic book collectors! Today we go back to the year 1974 to take a close look at a part of the DC Comics universe through a tale of the Action Comics monthly series.

If you know the Superman lore in comics, you should be aware that Perry White (first appeared in 1940) is the editor-in-chief of the Daily Planet and is the superior of Clark Kent (Superman), Lois Lane and Jimmy Olsen. As Perry White got race-swapped (a woke move that’s also idiotic) and presented as a black man in Zack Snyder’s Man of Steel and James Gunn’s Superman (2025), be aware that the long-lasting character originated in the comics as a white man who symbolized dedication and management consistently. I still remember the live-action versions of Perry White played by Jackie Cooper in the 1978 movie and by Lane Smith in the TV series Lois & Clark: The New Adventures of Superman.

I read a lot of Superman comic books and many times Perry White appeared as a supporting character. He also appeared in the memorable crossover comic book Superman and Spider-Man, interacting with Peter Parker (Spider-Man). As a supporting character in Superman tales, Perry White occasionally provides journalistic direction or a challenge to Clark Kent who in turn tackles problems in his civilian identity or as Superman.

But what if Perry White overshadows Superman himself?

With those details laid down, here is a look back at Action Comics #436, published in 1974 by DC Comics with a story written by Elliot S. Maggin and drawn by Curt Swan.

Early story

The story begins deep within Metropolis when the Daily Planet’s editor Perry White enters the Galaxy Building. White does not realize that he is being watched by two adults who turned out to have special abilities and together they levitated a gift for him before he reaches his office. The gift for Perry White was their response to the help he provided to them – the mutants – to escape the influence of Calixto sometime before. The two adults then vanished.

As White arrives in his office, Superman discreetly flies into the Galaxy Building and changed into his civilian form as Clark Kent. With his enhanced hearing, Kent heard the phone in his office ringing and quickly rushes to it. Through the phone, White (who was notified he won the Pulitzer Prize again) tells him that Edge Morgan has something big happening on both TV and on paper, and they should fly out to New York to work together…

Quality

*Superman and Perry White fly towards an enemy.*

To get straight to the point, this Superman tale shows the wild concept of Perry White overshadowing the Man of Steel in terms of capabilities instead of journalistic power. On paper it sounds crazy but the good news is that the wild concept was told nicely and it is actually fun to follow without ever going over the top.

*With witnesses around, Perry White uses his super powers.*

Apart from the story’s outlandish idea, the plot shows a new dimension of Perry White transforming from a supporting player (in the form of a newspaper editor) into a more heroic figure. Instead of being a helpless witness of events happening, White becomes more involved and contributes something to the prevention of disaster and even tackling evil head on. That being said, this situation allowed the creative duo to show a new side of White’s personality as he himself realizes the sudden weight and pressure that comes with having super powers, and he still has journalistic standards to live up to.

Conclusion

*Superman is surprised to witness Perry White fly and prevent a small plane from crashing.*

A product of its time, Action Comics #436 (1974) has a short story that had a zany concept which turned out to be an entertaining read. It is nice to see Perry White actually becoming super while the storytelling done by the Maggin-Swan team never became too outlandish. Think of this comic book – which also has a short story of Green Arrow – as a bout of fun focused on Superman and Perry White. I first read this comic book as a young boy and now as an adult, it is still enjoyable to read again. No woke garbage and no Zack Snyder-style darkness here. This is classic Superman.

Overall, Action Comics #436 (1974) is recommended.

+++++

For burgers and arcade fun in BF Homes, visit Hackensack

April 18, 2025April 17, 2025carlocarrasco

Along the stretch of Aguirre Avenue inside BF Homes subdivision, Barangay BF Homes, Parañaque City is the 1950s-inspired diner Hackensack. To be clear, it is the BF Homes branch of the business whose other branch is located in Quezon City.

I had my first-ever visit there this past February for a lunch reunion and meeting with a dear friend of mine. We both had rice meals and drinks, and we had a nice chat while seating comfortably.

*Daytime shot of a portion of the interior at Hackensack’s BF Homes branch. Comfortable seats and sufficient space for customers.*

*Through the window, customers can watch their food getting cooked.*

I carefully examined Hackensack as it was my first time back then. I noticed they have sufficient parking spaces – spacious enough to allow double-parking – for motorists outside. Upon entering, the 1950s vibe was clearly present through the interior design and the carefully placed decorations. With the nice interiors, cool aircon system and sufficient walking space between the chairs and tables, Hackensack’s BF Homes branch is nice and comfortable to be in.

Recently, I had a 2^nd visit at Hackensack in BF Homes and this time it was dinner with my family.

Food

*This is the Deluxe “Smashed” Cheeseburger and Fries Combo. The cheeseburger had two Angus beef patties.*

During my 2^nd visit, I had the Deluxe “Smashed” Cheeseburger (double-patty) and Fries Combo and a Chocolate Milkshake. The cheeseburger itself came with two Angus beef patties, two wide tomato slices, lettuce and cheese, and it tasted really good. I’m glad I had the cheeseburger as I was getting tired of the cheeseburgers from the more popular burger-and-fries fast food restaurants. Meanwhile, the fries were well cooked and satisfying to eat.

As mentioned above, I had the Chocolate Milkshake although I ordered at least 30 minutes after I finished my cheeseburger and fries combo meal. Hackensack’s milkshake tasted mildly sweet (given the chocolate flavor) but more importantly, it also tasted freshly made.

*The chocolate milkshake was tasty and satisfying.*

Other food that my family enjoyed include the 1950s Onion-steamed Cheeseburger and Fries Combo, the Fried Onion Strings, Fries, the Philly Cheesesteak, Chicken Wings, and the Classic BLT (Bacon, Lettuce and Tomato). I can clearly say that my family enjoyed the food and what was served exceeded expectations.

*The Fried Onion Strings was a delicious appetizer and also ideal when eating with a group of companions.*

*The 1950s Onion-steamed Cheeseburger and Fries Combo*.

Hackensack’s menu offers lots of food and drink options that customers can choose from such as the Chicken Salad Sandwich with Chips combo meal, Clubhouse Sandwich with Chips combo meal, Waffle Fries, New York Frank and Fries combo meal, Mom’s Baked Spaghetti, Monty Brewster and Fries combo meal, Homemade Apple Pie, Steak and Eggs rice meal, Rootbeer Float and more.

Arcade games plus notable comic book artworks

While Hackensack has a strong 1950s vibe with its food, interiors and atmosphere, the place with the two arcade cabinets (where players can stand in front of and play games) is something else. If you know your entertainment history, you should be aware already that arcade games in America (electronic games played on machines) did not exist during the 1950s.

That being said, the two arcade cabinets allow users to pick games from a wide selection of titles from the 1970s to the 1990s. The beauty about have these arcade cabinets is that you can play games absolutely free! No need to insert coins or tokens at all!

The two arcade cabinets inside Hackensack. Each machine contains lots of classic arcade games and the great thing is that customers can play those games for free. Simply select the game, press the button and start enjoying retro gaming fun.

*A few of the many retro games to choose from.*

During my two visits at Hackensack in BF Homes, I had retro gaming fun with Galaga, Elevator Action, X-Men vs. Street Fighter, Pac-Man, the X-Men arcade game from Konami, and Donkey Kong to name some. Other arcade classic available for gamers to choose from include Street Fighter II, Battle City, 1942, Contra, Rambo III and RoboCop to name a few.

In addition to the existing retro gaming vibe the arcade cabinets provided, there were these very notable comic book covers and artworks displayed on the walls near them. Having read and collected superhero comic books in the 1990s, I recognized a lot of notable artworks there such as WetWorks by Whilce Portacio, X-Men by Jim Lee, Youngblood by Rob Liefeld, Spider-Man by Todd McFarlane, and Superman by Dan Jurgens.

*Are you a 1990s comic book enthusiast? Check out the selected comic book materials displayed as decorations.*

With good food, a comfortable retro place and retro gaming fun, Hackensack really stands out nicely among the many food joints inside BF Homes. As of now, it is the one place in the entire South Metro Manila where you can enjoy meals and arcade games together.

To learn more about Hackensack, visit their Facebook page by clicking https://www.facebook.com/hackensack.ph. To visit their BF Homes branch right now, click the Google Maps location link at https://maps.app.goo.gl/EHAAteZTZXwgeggw9

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For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagement, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673

Retro Gaming Ads Blast – Part 29

April 9, 2025April 3, 2025carlocarrasco

Welcome back readers, fellow geeks and electronic gaming fans!

In this edition of the Retro Gaming Ads Blast (RGAB) series, we will take a look at another batch of retro gaming print ads – including arcade flyers – from the 1980s and 1990s.

With those details laid down, here is the newest batch of retro gaming print ads for you to see and enjoy…

1. G.I. Joe: A Real American Hero arcade flyers

*G.I. Joe: A Real American Hero arcade flyer for the Japanese market.*

*The North American arcade flyer of G.I. Joe.*

Back in the 1980s, my friends and I saw lots of episodes of G.I. Joe: A Real American Hero on TV and there were lets of toys of it available. I also read some comic books of G.I. Joe. While there were G.I. Joe video games, I never got to play its early 1990s arcade game from Konami. By comparing the two arcade flyers of G.I. Joe: A Real American Hero, the American flyer excels visually showing the characters with a powerful war-themed background. The Japanese flyer had smaller space for the same artwork and displayed the arcade cabinet (take note of the controls laid out to accommodate up to four players). Between the two, I prefer the American arcade flyer.

2. Alien 3 Japanese arcade flyer

*With this arcade flyer, Sega clearly showed arcade operators what to expect when ordering machines of Alien 3: The Gun.*

Watching Alien 3 inside the cinema in 1992 was one of the worst moviegoing experiences I ever had. By the time video games based on the movie were released, I was surprised to see how action-packed and entertaining they looked. The one Alien 3 game that captivated me was Sega’s Alien 3: The Gun in the arcades as its design and concept contradicted the essence of the film. The Japanese arcade flyer has this aggressive approach on laying down the details, displaying the arcade machine and displaying carefully selected screenshots to excite both gamers and arcade operators. This arcade flyer still looks good today.

3. Super Cobra arcade flyer

*A great artwork emphasizing the concept of Super Cobra.*

First released in Japanese and America arcades in 1981, Super Cobra is a 2D side-scrolling shooter in which players pilot an armed helicopter through tight caverns while facing enemies capable of firing. The American arcade flyer has great artwork that almost perfectly captures the essence of the game. This is another old arcade flyer that has aged well.

4. The Amazing Spider-Man vs. The Kingpin print ad

*Back in 1993, animated sequences included in video games were still new and even exciting.*

Moving forward to the year 1993, gamers in America who owned a Sega Genesis console were being motivated by Sega to upgrade their gaming experience with the Sega CD add-on. Along the way, Sega really ramped up efforts to have more games supporting the Sega CD and one of them was The Amazing Spider-Man vs. The Kingpin. The Amazing Spider-Man vs. The Kingpin on Sega CD was actually an updated version of the original 1991 game and Sega’s team included several improvements to take advantage of the CD-ROM technology of the add-on. This print ad showed Sega’s hard work on selling the game.

5. Soulstar print ad

*The artwork of this print ad has very strong sci-fi vibes.*

Released in 1994 for the Sega CD (Mega CD in other markets), Soulstar was sci-fi 3^rd-person shooter that delivered amazing visuals, fun gameplay and an immersive experience of space travel to gamers. This European market print ad is a very effective way to promote the game using carefully selected screenshots, amazing artwork and a cleverly written text description. Still a fine print ad to look at.

6. Batman Returns print ad

This print ad effectively promoted both the game and the movie. In retrospect, the line “Our new Batman game is anything but tame” turned out to be true as lot of parents who brought their kids to the cinemas for Batman Returns were turned off by the adulterated elements.

In 1992, Batman Returns played in a lot of cinemas but its very dark tone and adulterated elements prevented it from matching the huge box office success of its 1989 predecessor. Regardless, a lot of licensed video games based on the movie were released and in early 1993, Konami released a Batman Returns video game on the aging Nintendo Entertainment System (NES). This print ad used a photograph from the filming of an scene that actually had Michelle Pfeiffer as Catwoman, dominating over the iconic Batman. Also displayed were screenshots, the game’s box cover (showing Pfeiffer, Michael Keaton and Danny DeVito as their respective characters) and the text description. Even if you did not like the movie, this old print ad is a solid way of promoting both the game and the movie. The line “Our new Batman game is anything but tame” strangely turned out very true.

7. The Terminator games print ads

Released in cinemas in 1984, The Terminator was a surprise hit as well as a career-booster for Arnold Schwarzenegger and James Cameron. What is very notable is the fact that several video game adaptations of The Terminator were released on consoles in the early 1990s. I can only guess this was done to capitalize on the resurgence of the Terminator franchise in connection with Terminator 2: Judgement Day’s much-anticipated release in cinemas. The Sega Genesis version print ad features a digitized close-up of Schwarzenegger’s Terminator while the 2-page Sega CD version print ad used a lot of the space for large text (with an incomplete shot of Schwarzenegger’s Terminator on the edge of the 2^nd page) emphasizing “He’s Back” and “The Terminator” while leaving little space for text descriptions and screenshots. Between the two, I find the Sega Genesis ad more effective with its promotion of the game.

8. Defender arcade flyer

*More choices of a very successful game for arcade operators also means more ways for players to play it.*

Even though it had a soft start in the early 1980s, the classic game Defender went on to become a massive commercial success in the arcades. Being a major attraction in America’s video game industry, Williams unsurprisingly went on to release this particular arcade flyer to sell to operators different types of Defender arcade machines that could fit into their respective joints while providing gamers choices on how to play the game. Some players preferred to stand in-front of a tall arcade cabinet while others prefer to play the game looking down on the screen. This flyer is an example as to how a company can keep their biggest success moving on while offering business clients more choices.

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What to watch on YouTube right now – Part 68

April 7, 2025April 7, 2025carlocarrasco

Welcome back my readers, YouTube viewers and all others who followed this series of articles focused on YouTube videos worth watching. Have you been searching for something fun or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?

I recommend you check out the following topics and the related videos I found.

#1 Ashleigh Burton reacts to Mr. Holland’s Opus – If there is anything that comes to my mind about the actor Richard Dreyfuss, it is his involvement in Steven Spielberg’s classic films Jaws and Close Encounters of the Third Kind. He is truly is a great actor and appeared in many films through the decades. Then in 1995, his name become prominent again in Mr. Holland’s Opus and his performance in that film earned him the nomination for the Academy Award of Best Actor. Recently I saw Ashleigh Burton’s reaction video of the said movie and it is a must-see.

#2 Radiant Silvergun revisited – In 1998, the sci-fi shooter Radiant Silvergun was released in arcades and on the Sega Saturn console, and it turned to be a very cleverly designed game which resulted in a positive reception with both players and game critics. The game made its debut in the West through Xbox Live Arcade in the form of an Xbox 360 port. Recently The SEGAGuys posted an in-depth, retrospective video about Radiant Silvergun which retro gaming enthusiasts should watch.

#3 Popcorn in Bed reacts to 1991’s JFK – With the recent release of previously confidential documents related to the 1963 assassination of US President John F. Kennedy, it is not surprising that a resurgence of public interest in the 1991 movie JFK happened. I saw that film on DVD a number of times and by today’s standards, it has not aged well and it is historically flawed. The movie’s biggest selling point is not the star Kevin Costner but its concept that Kennedy was the target of a conspiracy by certain forces within the US government at the time. Recently, YouTuber Popcorn in Bed posted a reaction video and the movie has its moments of engaging her.

#4 You, Me and the Movies react to The Andromeda Strain – Do you enjoy watching science fiction thrillers from the 1970s? The Andromeda Strain was one of those films from the said decade that was designed to intrigue viewers with its concept and style of presentation. It is also one of the early cinematic works written by the late Michael Crichton. It was directed by the late Robert Wise who would later direct Star Trek: The Motion Picture. You, Me and the Movies recently posted their reaction video of it and it is entertaining to see.

#5 A warning about the next Spider-Man movie becoming woke – YouTuber Ranting for Vengeance recently posted a video warning us that there are signs that the next Spider-Man live-action movie starring Tom Holland will turn out woke. If that happens, I definitely will stay away from it and I certainly will not spend time and money on any woke crap produced by Communist Hollywood (Commiewood). Ranting for Vengeance hit all the points precisely and he has in-depth explanations for each. Watch the video and share it to others. Thanks.

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