To the gamers who are craving for new role-playing experiences and some more action, get ready as 505 Games confirmed that Eiyuden Chronicle: Rising (the spin-off game to 2023’s Suikoden-inspired Eiyuden Chronicle: Hundred Heroes) will be released on Xbox Series X, Xbox Series S, Xbox One and Windows PC (via Steam) on May 10, 2022, and it will also launch on both Xbox Game Pass (XGP) and PC Game Pass that same day!
To put things in perspective, posted below is the excerpt from 505 Games’ announcement. Some parts in boldface…
Global publisher 505 Games in collaboration with Rabbit & Bear Studios, headed by Yoshitaka Murayama, a creator of Suikoden, and NatsumeAtari today unveil the release date for Eiyuden Chronicle: Rising, the fast-paced 2.5D action RPG with town-upgrading elements serving as a companion prequel game to the upcoming Eiyuden Chronicle: Hundred Heroes. Rising’s pre-war tales begin May 10th, 2022 on PlayStation 4 and PlayStation 5, Xbox Series X|S, Xbox One, Nintendo Switch and PC via Steam, Epic and GOG. Eiyuden Chronicle: Rising will also be available day one via Xbox and PC Game Pass.
After a massive earthquake revealed Runebarrows deep below a town on the remote frontier of the Allraan known as New Nevaeh, fortune-seeking adventurers and merchants from across the world arrive. Among those hoping to find treasure, three star-crossed heroes come together. CJ, the Venerable Scavenger, and Garoo, the Beastman Mercenary, hope to mine the Rune Lens, a source of magic hidden underground. Isha, the Young Deputy Mayor, wants to rebuild her town.
Delve into the ruins and master Rising’s satisfying combat. Dash in quick and strike with CJ’s climbing axes, sling sorcery from afar as Isha, and punish foes with Garoo’s gigantic sword. Topple imaginative bosses by swapping between each character and unleashing devastating Link Attacks combining each hero’s specialty, all while platforming through gorgeous 2.5D environments.
Scavenge dungeons and earn materials to reconstruct New Nevaeh to its former glory and reap benefits applying to Hundred Heroes when it releases in 2023. Cross content includes special cosmetic items, valuable equipment, and trade goods. Make a personal mark on the world of Eiyuden Chronicle by naming certain weapons and delicacies in Rising that will carry over to Hundred Heroes next year.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, superhero fans, 1990s arts and culture enthusiasts and comic book collectors! Today we revisit the Ultraverse of Malibu Comics and examine one of its many stories told through an issue of the Ultraverse Premiere series.
For the newcomers reading this, Ultraverse Premiere was a series of comic books published by Malibu Comics that showcased several tales of the Ultraverse and its characters. These stories were made to expand the lore of the UV, emphasize key characters and give fans a lot of content to enjoy. Certain issues of Ultraverse Premiere served as flip comic books which are thick (a lot more than the normal 32 pages) and allow you to read Ultraverse Premiere tales on side and read another UV comic book on the other side. The Ultravere Premiere comic book I am about to review here had The Strangers #13 on its flip side.
With those details laid down, here is a look back at Ultraverse Premiere #4, published by Malibu Comics in 1994 with stories written by Len Strazewski and Kurt Busiek, and drawn by Frank Gomez and Kris Renkewitz.
The cover.
Early stories
Story 1 – the story begins with Prime making several appearances protecting innocent people from gangs, muggers, thieves and natural disasters. Specifically, his presence is making an impact on the lives of many neighborhoods and its people.
Sometime later, inside a private facility, the figure identified as Prime turns out to be fake and was designed as a human-shaped suit that was piloted inside by Sy Bernstein. He is personally determined to make an impact on crime in his local community with the fake Prime as his main tool.
Story 2 – the story begins with Lady Killer privately viewing a cartoon preview based on her team – The Strangers – with an executive of Imagine-Arts. Shortly after, Lady Killer meets with more executives of the said company and she is told that Imagine-Arts and Labrava Company (Lady Killer’s own enterprise) make a business deal match and they offer to buy her out. Lady Killer tells them that her company and herself are not for sale…
Quality
Lady Killer talking hard on business.
As far as storytelling goes, this comic book’s two tales succeeded in expanding the lore of the Ultraverse through Prime (as a figure to certain members of the public) and Lady Killer, the leader of The Strangers. The Prime-related story offers a nice take on one small part of the Ultraverse that deals with a local community tainted with crime and how Prime’s influence on the ordinary people impacts the said community in varied ways. Of course, these are all executed not with Prime/Kevin Green himself but rather with someone who happens to have the means to pose as Prime and pretend to be the ultrahero himself. Having read a lot of the adventures of the real Prime, this Prime tale is a really nice take although I should say that the art by Frank Gomez has that very rough look all throughout.
The second story meanwhile is an interesting side-story of The Strangers specifically limited to Lady Killer. She gets into business talk with one company which only leads to an intriguing turn of events which creatively emphasizes capitalism to be corrupt and twisted. In some ways, the anti-corporate theme of the story overshadows the plot itself and as the story progressed, Lady Killer slightly becomes less relevant. To be fair to the creative team, this side-story happens to be the first portion of a storyline that involves J.D. Hunt. To say the least, this tale is worth reading even though its protagonist lost some relevance due to a plot twist that started before reaching the end.
Conclusion
Something very odd here.
Ultraverse Premiere #4 (1994) indeed carries enough entertainment and literary value on its two UV tales alone. Just consider The Strangers #13 as a notable additive thanks to the flip side feature. Prime fans will most likely be intrigued and even entertained with the first story while The Strangers fans might end up dissatisfied with the story centered on Lady Killer not because it is the first chapter of a multi-part story but more on its storytelling quality. At least the art of the Lady Killer tale done by Kris Renkewitz is good to look at.
Overall, Ultraverse Premiere #4 (1994) is recommended.
To put things in perspective, posted below is the excerpt of the Xbox.com announcement written by SEGA Europe Junior PR Manager Joseph Knoop. Some parts in boldface…
Watch out for Two Point Campus on Xbox consoles and Windows PC via Xbox Game Pass this August.
Like a freshman dreading their 8 a.m. class, Two Point Campus needs just a little more time. Two Point Campus’ release date has been pushed back from May 17 to August 9. As always, we appreciate the patience of our wonderful community and all your support throughout development.
In better news, you can check out the first hands-on media impressions of Two Point Campus at some of your favorite gaming outlets today. We’re excited to hear what everyone thinks of the game thus far and what you’re anticipating most. While the decision has been made to delay the release of Two Point Campus by a few months, the vision for the game has remained the same.
Two Point Campus lets you build the university of your dreams (or nightmares, we don’t judge), shepherd students from freshman year to graduation, and let them run wild with outlandish classes like Knight School, fossil-digging archaeology, or even baking giant pizzas in Gastronomy and much more. In Two Point Hospital, players couldn’t spend much time with patients, considering they either healed up and went on their merry way or, you know, died. Two Point Campus lets you really dig into each student’s life, and guide them on their social and academic journey. You can offer them a wealth of life-enriching experiences, be it clubs, social events, or more Cheesy Gubbins vending machines.
You’ll do it all on a campus designed by your very own hand, down to the very last desk and tree, offering way more customization than ever before. Maybe you’ll build a jousting arena for your gallant Knight School students and a tower to practice dragon-slaying from – or maybe you want something a little more cutting edge, and your campus will be a haven for budding mad scientists and building giant robots.
If that all sounds like a good time to you, you can pre-order Two Point Campus now and get some exclusive in-game items for both Two Point Campus and Two Point Hospital.
To order Two Point Campus online, click here. For the Two Point Collection Early Adopter Bonus, click here.
In closing this piece, posted below are Xbox-related videos for your viewing pleasure.
Welcome back, my readers and fellow Christians! In this newest edition of my Christian Music Appreciation (CMA) series, we will focus on Now I’m Alive, another original worship song from New Life Music. For the newcomers reading this, the previous New Life Music worship song I examined and analyzed was Touch From Heaven.
If you want to discover more about New Life Music, I encourage you to click here (Facebook page) and here (YouTube). New Life Music is part of New Life Philippines whose main church is located inside Alabang Hills Village in Muntinlupa City, Philippines. To know more about New Life Philippines, visit https://newlife.ph/
To get started with Now I’m Alive, watch this official lyric video from New Life Music.
Before getting into the analysis of the Biblical relevance of Now I’m Alive, posted below for your reference are the lyrics composed by Faith Tugano, Kate Naranjo and Solomon Pagapong.
VERSE 1
Oh what love You have shown me
At the cross You have bled for me
My sins You erased
I am saved by Your grace
VERSE 2
I was lost but You found me
Broken – You delivered me
Forgiven I stand
Forever held in Your hands
CHORUS
Jesus, You have brought me back to life
Made righteous, pure and now redeemed in Christ
Jesus, You have brought me back to life
Now I’m alive
Now I’m alive
VERSE 3
No more fear No more shame
No longer bound No longer a slave
Jesus, You have won it all for me
CHORUS 2
Jesus, You have brought me back to life
Made righteous, pure and now redeemed in Christ
Jesus, You have brought me back to life
Now I’m alive
Now I’m alive
Jesus, You have brought me back to life
Made righteous, pure and now redeemed in Christ
Forgiven, set free, I’m alive in Christ
Now I’m alive
Now I’m alive
BRIDGE 1
Your love knows no end
Your love knows no bounds
Nothing can separate me from Your love
BRIDGE 2
No sin, No fear
No power can separate me
From Your love
From Your love
To begin with, let’s take a close look at the lyrics of Verse 1 of the song: Oh what love You have shown me, At the cross You have bled for me, My sins You erased, I am saved by Your grace.
The Verse 1 lyrics are truthful as they clearly reference the sacrifice of Jesus whom God sent to save us from sin. Jesus is our Redeemer, our Lord and Savior. For anyone who is still lost and unsaved, the way to establish a relationship with the Lord and get redeemed/saved is by getting born again. Learn from the following holy scriptures below…
For here is the way God loved the world—he gave his only, unique Son as a gift. So now everyone who believes in him will never perish but experience everlasting life.
John 3:16 (TPT)
Jesus responded and said to him, “Truly, truly, I say to you, unless someone is born again he cannot see the kingdom of God.”
John 3:3 (NASB)
For sin’s meager wages is death, but God’s lavish gift is life eternal, found in your union with our Lord Jesus, the Anointed One.
Romans 6:23 (TPT)
If we confess our sins, He is faithful and righteous, so that He will forgive us our sins and cleanse us from all unrighteousness.
1 John 1:9 (NASB)
And they answered, Believe in the Lord Jesus Christ [give yourself up to Him, take yourself out of your own keeping and entrust yourself into His keeping] and you will be saved, [and this applies both to] you and your household as well.
Acts 16:31 (AMPC)
Moving forward, take a close look at the following lines from the Chorus of the song: Jesus, You have brought me back to life, Made righteous, pure and now redeemed in Christ, Jesus, You have brought me back to life, Now I’m alive, Now I’m alive.
In my analysis, the Chorus lyrics emphasize the redemption and sacrifice Lord Jesus made to save us. Before the redemption happened, people were trapped by sin, idols, unbelief, rebellion, hopelessness and death. Jesus truly freed people from the darkness that clouded them. Remember that the Lord is always working on all things for our good and we only need to be faithful to Him, follow Him and believe in Heavenly things that are coming. Learn from the bible scriptures below…
Since we are now joined to Christ, we have been given the treasures of redemption by his blood—the total cancellation of our sins—all because of the cascading riches of his grace.
Ephesians 1:7 (TPT)
Little children, you can be certain that you belong to God and have conquered them, for the One who is living in you is far greater than the one who is in the world. They belong to this world and they articulate the spirit of this world, and the world listens to them. But we belong to God, and whoever truly knows God listens to us. Those who refuse to listen to us do not belong to God. That is how we can know the difference between the spirit of truth and the spirit of deceit.
1 John 4:4-6 (TPT)
But God shows and clearly proves His [own] love for us by the fact that while we were still sinners, Christ (the Messiah, the Anointed One) died for us.
Romans 5:8 (AMPC)
Jesus explained, “I am the Way, I am the Truth, and I am the Life. No one comes next to the Father except through union with me. To know me is to know my Father too.
John 14:6 (TPT)
He saved us, not on the basis of deeds which we did in righteousness, but in accordance with His mercy, by the washing of regeneration and renewing by the Holy Spirit,
Titus 3:5 (NASB)
Yahweh, you’re the bedrock beneath my feet, my faith-fortress, my wonderful deliverer, my God, my rock of rescue where none can reach me. You’re the shield around me, the mighty power that saves me, and my high place.
Psalms 18:2 (TPT)
For the grace of God that brings salvation has appeared to all men, teaching us that, denying ungodliness and worldly lusts, we should live soberly, righteously, and godly in the present age, looking for the blessed hope and glorious appearing of our great God and Savior Jesus Christ,
Titus 2:11-13 (NKJV)
The Lord is close to the brokenhearted;
he rescues those whose spirits are crushed.
Psalm 34:18 (NLT)
Moving forward, take a close look at the following lines from Bridge 1 of the song: Your love knows no end, Your love knows no bounds, Nothing can separate me from Your love.
The Bridge 1 lyrics are about the love of the Lord which is very great and eternal for the faithful. To understand the meaning of the said lyrics and what His love is about, read the following scriptures below…
Love is large and incredibly patient. Love is gentle and consistently kind to all. It refuses to be jealous when blessing comes to someone else. Love does not brag about one’s achievements nor inflate its own importance. Love does not traffic in shame and disrespect, nor selfishly seek its own honor. Love is not easily irritated or quick to take offense. Love joyfully celebrates honesty and finds no delight in what is wrong. Love is a safe place of shelter, for it never stops believing the best for others. Love never takes failure as defeat, for it never gives up.
1 Corinthians 13:4-7 (TPT)
Who could ever divorce us from the endless love of God’s Anointed One? Absolutely no one! For nothing in the universe has the power to diminish his love toward us. Troubles, pressures, and problems are unable to come between us and heaven’s love. What about persecutions, deprivations, dangers, and death threats? No, for they are all impotent to hinder omnipotent love, even though it is written:
All day long we face death threats for your sake, God.
We are considered to be nothing more
than sheep to be slaughtered!
Yet even in the midst of all these things, we triumph over them all, for God has made us to be more than conquerors, and his demonstrated love is our glorious victory over everything! So now I live with the confidence that there is nothing in the universe with the power to separate us from God’s love. I’m convinced that his love will triumph over death, life’s troubles, fallen angels, or dark rulers in the heavens. There is nothing in our present or future circumstances that can weaken his love. There is no power above us or beneath us—no power that could ever be found in the universe that can distance us from God’s passionate love, which is lavished upon us through our Lord Jesus, the Anointed One!
Romans 8:35-39 (TPT)
Just as the Father has loved Me, I also have loved you; remain in My love.
John 15:9 (NASB)
In this last analysis of the lyrics, I want you all to focus on the title – Now I’m Alive. As Christians, we are living under the watch, guidance and love of the Lord. We are alive – even spiritually – because Lord Jesus saved us and His spirit – the Holy Spirit – is in our hearts! We are the living faithful children of God dedicated to follow Him through His Word and the Truth! We are no longer trapped by darkness and sin because we chose to be saved by Jesus and accepted Him as our Lord and Savior! Learn from the following scriptures below…
Guard and keep [with the greatest care] the precious and excellently adapted [Truth] which has been entrusted [to you], by the [help of the] Holy Spirit Who makes His home in us.
2 Timothy 1:14 (AMPC)
But Christ (the Messiah) was faithful over His [own Father’s] house as a Son [and Master of it]. And it is we who are [now members] of this house, if we hold fast and firm to the end our joyful and exultant confidence and sense of triumph in our hope [in Christ].
Hebrews 3:6 (AMPC)
For this reason I bend my knees before the Father, from whom every family in heaven and on earth derives its name, that He would grant you, according to the riches of His glory, to be strengthened with power through His Spirit in the inner self, so that Christ may dwell in your hearts through faith; and that you, being rooted and grounded in love, may be able to comprehend with all the saints what is the width and length and height and depth, and to know the love of Christ which surpasses knowledge, that you may be filled to all the fullness of God.
Now to Him who is able to do far more abundantly beyond all that we ask or think, according to the power that works within us,
Ephesians 3:14-20 (NASB)
And it’s true: “Everyone who calls on the Lord’s name will experience new life.”
Romans 10:13 (TPT)
Indeed, the lyrics and title of Now I’m Alive are holy and anointed! While I am clearly not involved with the composition of the song, it is evident that New Life Music wrote it to be true to the Word of God. Musically speaking, Now I’m Alive is beautiful and solemn to listen to. Very obviously, it is a great song for Sunday worship as well as special church events. Now I’m Alive is also an ideal worship song to help the faithful strengthen their faith in the Lord.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Sharing this Christian piece means spreading the good news of the Lord to others. It can help you save the unsaved and the lost souls out there.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero fans, 1990s arts and culture enthusiasts and comic book collectors! Today we continue revisiting Jim Lee’s flagship title under the Image Comics label – WildC.A.T.S: Covert Action Teams!
Previously, I reviewed WildC.A.T.S #11 which served as a build-up issue with the titular team and their place within the WildStorm universe in mind. Considering how much the narrative in issue #10 was driven through Zealot’s struggles and her meeting the Huntsman (his debut), issue #11 was alienating as the two mentioned characters had significantly lesser exposure. Of course, it is noted that issue #11 saw the rather heavy entry of Tapestry, an eroticized and highly manipulative villainess who not only encountered the fearless Zealot ages prior but also scared her deep inside. Out of fear and desperation, Zealot summoned her long-time ally Savant who in turn reached out to Soldier (who also knew Zealot) and Mr. Majestic (only mentioned by name). Issue #11 also saw the rise of the Troika (Attica, Slag and H.A.R.M.) in terms of exposure and even character development.
At this stage, it was clear that franchise creator Jim Lee literally gave author Chris Claremont the driver’s seat to develop the WildC.A.T.S franchise significantly and lead it to a new, bold direction. It was clearly the most unconventional WildC.A.T.S story published at the time!
With those details laid down, here is a look back WildC.A.T.S: Covert Action Teams #12, published by Image Comics in 1994 with a story written by Chris Claremont and drawn by Jim Lee.
The cover.
Early story
The story begins with the Huntsman driving the high-tech motorcycle with Miranda and an ailing Zealot seated in the side-car. They are being chased and attacked by the Troika from above (Attica and Slag riding on H.A.R.M. in its aircraft form) firing several rockets at them. While the rockets caused huge explosions on the city street, Attica states he will consider the attack on their targets successful only he sees their dead bodies.
Meanwhile inside a facility, Tapestry continues to deeply manipulate the mind of Warblade among the captured WildC.A.T.S members. Already Jacob Marlowe and even the cybernetic Spartan have been manipulated to do her bidding. As Tapestry continues working on Warblade in the presence of Soma and the others, the Raksha-possessed Voodoo hungers for new meat.
Moments later, as Voodoo goes out agonizing over the craving, a vehicle – with Jacob Marlowe’s loyal assistants Jules and Stansfield – arrive. Deep inside Voodoo, a conflict between her and the Raksha occupying her body begins…
Quality
Mr. Majestic is the WildStorm universe’s parallel to DC Comics’ Superman!
Like issue #11, this comic book continues to build-up the WildC.A.T.S lore but with notable differences. For one thing, the story moved forward more while also having the intensity build up constantly leading to the set-up of the upcoming conflict between Tapestry’s troops (along with the manipulated WildC.A.T.S) and Zealot with Hunstman (and the incoming reinforcements). To put it short, the exposition in this story was less and the plot noticeably progressed more.
When it comes to the significance of the characters, this time the narrative’s spotlight shifted back more on Zealot and Huntsman which was the right move pulled off by the creators as Tapestry was already established as the new force of evil for the good guys to deal with. As for the new characters introduced in the previous issue, Tapestry has a smaller share of the spotlight while Savant and Soldier are present again but only after much of the action had passed. It is also in this issue that Mr. Majestic appears at last marking the start of his involvement in the conflict.
As for Zealot and the Huntsman, their alliance in this story has progressed more as well. Under Chris Claremont, the fearless Zealot was portrayed to be struggling very hard as she became more vulnerable than ever! This is Zealot that has to be seen! As for Huntsman, he truly is an effective fighter. So much so, he sure can fit into the WildC.A.T.S and keep up with their action. Still, Huntsman is indeed an honorable man as he still dedicates himself in protecting Miranda (who is a lot more than she appears) while making his moves to help Zealot at her most vulnerable time.
When it comes to the visuals, this is one Jim Lee-drawn comic book that I found unusually alienating to look at. His penciled art are still here but in certain pages, they looked odd as they were inked by other people. The ink work done on page 17 really stood out with a very high contrast look.
Conclusion
By this point of the storyline, Zealot and Huntsman are clearly the major characters.
While it is essentially a build-up issue, the entertainment value in WildC.A.T.S: Covert Action Teams #12 (1994) went up as the story progressed more, the spotlight shifted more on Zealot and Huntsman (clearly the two major characters for this storyline) and the exposition and explanations were lessened. The ironic thing is that readers will see less of the titular team (as most of them were captured and being manipulated by Tapestry) here. The presence of Savant, Soldier and Mr. Majestic here is pretty light which is understandable as the focus on Zealot and Huntsman was deeper this time. Ultimately, this comic book sets the readers up to for the inevitable big battle in the next issue.
If you are seriously planning to buy an existing hard copy of WildC.A.T.S: Covert Action Teams #12 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $20 while the near-mint copy of the newsstand edition costs $60.
Overall, WildC.A.T.S: Covert Action Teams #12 (1994) is highly recommended.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, superhero fans, 1990s arts and culture enthusiasts and comic book collectors! Today we revisit the Ultraverse of Malibu Comics and examine one of its many stories told through an issue of the Sludge comic book series.
In my previous Sludge retro comic book review, the stakes were raised for Sludge and the city of New York as a new conflict started brewing that brought in two gangs along with the Pump and his own gang, and even mercenaries. Issue #6 was the start of a new multi-part storyline that Steve Gerber crafted and it encouraged re-reading the early issues of the Sludge series to understand the scope of the new conflict.
With those details laid down, here is a look back at Sludge #7, published by Malibu Comics in 1994 with a story written by Steve Gerber and drawn by Aaron Lopresti.
The cover.
Early story
The story begins with a man and a woman on bed. Their privacy gets interrupted when the Pump suddenly appears in frightening fashion. It turns out, Sludge was in the middle of a nightmare and even sees a frightening vision of Edna. He then makes his way through in the sewer.
One morning at the Eretz Shalom Cemetery, a police investigation is being conducted as the local authorities found several dead bodies as well as scorched ground, bodies fused together and a some odor. Shelley, the very determined reporter of the New York Daily Globe, tries to uncover details at the crime scene only to be interrupted by a detective named Quinn. In response to her question, Quinn admits they are just discovering things and trying to figure things out.
Suddenly a lady wearing a suit and necktie approaches them…
Quality
Avoiding the touch of Sludge is a must!
As far as storytelling goes, this tale is a very solid follow-up to the previous issue. While issue #6 showed the start of a big conflict involving three groups, this one shows the emotional and physical impact on the gang leaders (John Paul Marcello and the Dragon Fang) and the unrelenting pursuit of the Pump and his minions on wrecking down society by means of drug pushing and violence. In a way, this Ultraverse story daringly showed its own portrayal of illegal drugs and gang wars while also showing Sludge suffering more and getting even more desperate with his life. I should also state that there are scenes that added detective story and suspense vibes into the narrative.
It should be noted that at this point in the Sludge series, the titular character does some things here that would maker readers question his moves and his sanity, especially since the Pump (note: the Ultraverse’ very own Satan figure) keeps on tempting and manipulating him. Sludge, who was once a crooked cop when he was still human, clearly is vulnerable deep inside and he also is not resistant to the evil influences around him. Very notably, the story by Steve Gerber is strong enough to make me go on to read the next issue.
Conclusion
Shelley of the city newspaper at the scene of the crime.
Sludge #7 (1994) is the kind of comic book that will make you think deeply about the true nature of the titular character and why should you keep on reading each new comic book of this series when you learn that the said character is far from being heroic. The lines that separate good and evil is very blurred at this stage of the Sludge series. This is one clever and really engaging piece of work done by the Gerber-Lopresti team, and at the same time it is also one of the most intriguing Ultraverse tales ever told. That being said, the comic book’s concept is incidentally not ideal for readers who seek good-versus-evil conflicts that get resolved.
If you are seriously planning to buy an existing hard copy of Sludge #7 (1994) be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $16.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero fans, 1990s arts and culture enthusiasts and comic book collectors! Today we continue revisiting Jim Lee’s flagship title under the Image Comics label – WildC.A.T.S: Covert Action Teams!
Last time around, I reviewed the 10th issue of the WildC.A.T.S series which saw the reunited work of Chris Claremont and Jim Lee who previously worked together on making many memorable X-Men comic books during their time with Marvel Comics (note: check out three retro reviews of Claremont-Lee X-Men comics by clicking here, here and here).
Being free from the constraints and hurdles of Marvel, WildC.A.T.S #10 showed what Claremont added to Lee’s superhero team while also unveiling the Huntsman (Claremont’s own creation). Even as the story – which had Zealot as the lead character followed by Voodoo and Huntsman – had lots of build-up and the rest of the WildC.A.T.S only had a minor share of the spotlight, Lee still managed to make the story filled with a good amount of spectacle for readers to enjoy. I really liked WildC.A.T.S #10 a lot and in my view, it has aged well.
With those details laid down, here is a look back WildC.A.T.S: Covert Action Teams #11, published by Image Comics in 1994 with a story written by Chris Claremont and Drawn by Jim Lee. Scott Williams is in-charge with the ink work. This comic book has a variant cover edition with the cover art done by While Portacio.
The cover.
The variant cover edition with art by While Portacio.
Early story
The story begins moments after Jacob Marlowe secretly met with Alabaster Wu. The WildC.A.T.S – composed of Spartan, Warblade, Void, Maul and the possessed Voodoo – find themselves facing with the Troika – composed of Attica, Slag, H.A.R.M. and Providence – who came in by surprise with the intention to overwhelm them. Providence states that Jacob Marlowe’s destiny is sealed with doom.
Just after Marlowe expressed defiance, the Raksha-controlled Voodoo knocks him out with a hard kick from behind. This surprises Spartan who immediately jumps into action and orders his teammates to form on void for an immediate dust-off. The battle between the Troika and the WildC.A.T.S starts, Attica hits Warblade. Void then discovers that some force is preventing her from teleporting. It turns out, Providence manipulated the quantum field. Using tremendous power, Providence overwhelms Void which puts the WildC.A.T.S into serious trouble.
Meanwhile on the streets of Brooklyn, Zealot, Huntsman and the teenager Miranda are riding fast together. Zealot says that the communication with her team has gone off-line and she only has their current position…
Quality
Even the fearless and disciplined Zealot is scared of the new super villain Tapestry.
I’ll start first with the presentation of characters and related developments. While the WildC.A.T.S themselves appeared a lot more here than in the previous issue, they did not end up as the dominating characters in the narrative. Even Zealot and Huntsman had reduced shares of the spotlight. This is because Claremont’s script introduced a few yet clearly significant characters while remaining focused on building up tension in relation to the growing presence of a new force of evil (note: the ugly and scary looking monsters called Raksha are connected with them) on Earth with two distinct figures as evil leaders – Soma and Tapestry. As the WildC.A.T.S fell short of achieving any heroics, their new statuses as targets and tools of Tapestry ultimately made sense in the plot. This is a rather daring way Claremont used to tell a WildC.A.T.S tale that has the titular team in their most vulnerable state yet.
While Soma does have an intimidating presence, it is obvious that Tapestry (who has an eroticized design and is the self-declared weaver of souls and shaper of fate) is the most visceral supervillain here and I had the impression that she was planned to be a major enemy towards the WildC.A.T.S comparable with Helspont. Even the fearless warrior Zealot fears Tapestry.
In a clear move to expand the lore of the WildC.A.T.S series within the WildStorm universe, this comic book saw the entry of Savant (an important associate of Zealot’s) and Soldier (the WildStorm’s own parallel to DC Comics’ Sgt. Rock) plus the mention of Mr. Majestic. Savant and Soldier are not just mere additional characters thrown into the mix but they each have established places within the WildStorm universe that just have not been seen by readers at the time of publishing. Claremont wrote Savant and Soldier as individuals who both knew Zealot from some time before and, more importantly, he made them believable to read even though this comic book only showed little of them.
When it comes to character portrayals, Claremont’s creativity showed Attica clearly having much more personality just as the Troika returned (late in issue #10). The head of the Troika in this comic book was presented as a business-dealing killer who does not hesitate to tell his client to beware of Zealot and Grifter (note: he was last seen in issue #8) as those two are the most dangerous WildC.A.T.S members. Attica’s companion Slag is more expressive here and while H.A.R.M.’s mechanical perspective is emphasized more which reminds me somewhat of the cinematic Terminator reading commands internally. Indeed, there was inspiration behind Claremont’s writing.
With regards to the plot, this comic book has a simple story structure that just so happens to have lots of exposition, explanations and the introduction of new characters destined to become more important later. Combined with the art of Jim Lee, the story still works on engaging and entertaining me. Re-reading this story is still a lot fun after all these decades.
Conclusion
WildC.A.T.S in bombastic action with the Troika.
Given the way it was crafted and structured by Claremont, WildC.A.T.S: Covert Action Teams #11 (1994) is easily the most unconventional tale of the series at the time of its publication. Unsurprisingly, Jim Lee’s art here is of top-notch quality and he continued to excel in providing readers the adulterated superhero spectacle while also making the more character-focused scenes look interesting (note: there are flashbacks to WildC.A.T.S #1 during Tapestry’s examination of Jacob Marlowe’s memories). As the WildC.A.T.S – without Grifter and Zealot specifically – were at their most vulnerable, this could alienate the die-hard fans who are expecting the usual stuff they love (note: bombastic action against bad guys with character moments in between) to pour in. What I want readers and the die-hard fans to understand is that they should pay close attention to the growing force of evil under Tapestry (who even scares the very brave Zealot) and think about it as a suitable addition into the WildC.A.T.S lore within the WildStorm universe of the time. This comic book also shows that there is more to be explored beyond the conflict of the Kherubim and the Daemonites. That being said, Chris Claremont and Jim Lee’s combined works here are still very solid, a lot of fun and even intriguing to read.
If you are seriously planning to buy an existing hard copy of WildC.A.T.S: Covert Action Teams #11 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30 while the near-mint copies of newsstand edition and the signed edition cost $90 and $60 respectively. The near mint-copies of variant cover edition (Whilce Portacio art) and the signed variant covered edition cost $30 and $90 respectively.
Overall, WildC.A.T.S: Covert Action Teams #11 (1994) is highly recommended!
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the year 1983 to examine the Marvel Comics universe through the exploits of Dazzler!
In my previous retro comic book review, I found Dazzler #25 lacking on superhero entertainment value and the new antagonist introduced was not so interesting. Not even its strong character-driven tale could lift up its fun factor. By the time that comic book was published, Alison Blaire/Dazzler already has a half-sister named Lois. In this new review of the 26th issue of the Dazzler regular series, something about Lois is about to be revealed and we will find out if it could make the issue more entertaining than issue #25.
With those details laid down, here is a look back Dazzler #26, published by Marvel Comics in 1983 with a story written by Danny Fingeroth and drawn by the late Frank Springer.
The cover.
Early story
The story begins with Alison Blaire performing live in front of a large audience as Dazzler during a concert. As she performs, three armed men gang up on the event manager just several feet away and out of the view of the crowd. The three demand the release of the box office receipts.
Dazzler notices the commotion and very carefully analyzes what action to take without negatively affecting the show and the audience. She tells the band to play louder music to ensure she would have enough sound to convert into light. Suddenly she springs into action, lights herself up and hits the three armed men as well as the manager. The commotion ends with Dazzler announcing a short intermission to the audience.
Soon after behind the scenes, after meeting several people, Dazzler is approached by Lois who tells her that she does not feel so well. Lois says she’s so afraid, another one of those faintaing spells might be coming on…
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Lois London realizes she is in trouble.
While Lois only occupied a minor space on this comic book’s cover, the story’s biggest feature is its revelation about Dazzler’s half-sister Lois which is something that you readers should find out. While Lois appeared in prior issues, it is in this particular story where she got a huge amount of the spotlight and Danny Fingeroth efficiently wrote her as the other major character.
As this tale is the major turn of events in the life of Lois, this opened a new opportunity for the creative team of Fingeroth and Springer to send the narrative of the Dazzler series to a new direction complete with a new way to develop Alison Blaire’s personality (and her struggle on keeping her mutant status a secret in the middle of a society that despise mutants). This story also recalled the events in which Alison was despised for her mutant status and later became the vilified suspect of a trial related to the death of Klaw. The moral lessons of those old events seamlessly connected with Alison’s effort on helping her half-sister. As such, Danny Fingeroth’s writing here is very solid and he really did his research not only on past Dazzler stories but also on the X-Men as the tale had its subtle connections to certain characters who are more identified with the X-Men series of the time.
If there is anything weak about this Dazzler tale, it is the clear lack of superhero spectacle. This is one meaty and dramatic tale about Dazzler and Lois laced with heavy drama, suspense and mystery. The only superhero spectacle you will see here is in the early part of the story.
Conclusion
Dazzler rushes into action!
While it is flawed, Dazzler #26 (1983) is still a slight improvement over issue #25. This is one character-driven tale heavy on drama, suspense and mystery while ending up light on spectacle. The most notable thing about this comic book is the new direction on telling Dazzler’s story while establishing Lois as the other major character for readers to follow. To say the least, the sudden revelation of the secret of Lois is engaging enough to read and it will remind you about certain elements emphasized in X-Men comic books of the time.
If you are seriously planning to buy an existing hard copy of Dazzler #26 (1983), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $57 while the near-mint copy of the newsstand edition costs $113.
Overall, Dazzler #26 (1983) is satisfactory.
+++++
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We all know that great video games will be released for fun-loving gamers on the Xbox platforms. That’s the truth that Xbox-hating people out there keep on denying. The June 2021 Xbox-Bethesda games showcase was a major event that showed what kind of games and experienced will be released in the years to come. For me, one of the biggest and most unexpected reveals in the showcase were Eiyuden Chronicle: Hundred Heroes and Eiyuden Chronicle: Rising from developer Rabbit & Bear (led by Suikoden creator Yoshitaka Murayama).
In my view, those two Japanese role-playing games (JRPGs) are significant not only because they add variety to the upcoming games Xbox gamers can look forward to but also because both will be made available to the many millions of Xbox Game Pass (XGP) subscribers!
More recently, a developer exclusive preview of Eiyuden Chronicle: Rising (note: the spin-off game to Eiyuden Chronicle: Hundred Heroes) which you can watch below…
Eiyuden Chronicle: Rising is clearly a side-scrolling JRPG that emphasizes action, platforming and town-building set within the universe of Eiyuden Chronicle. To learn more details about the game, posted below is the excerpt from the Xbox.com article written by 505 Games Brand Community Manager Stephen Takowsky. Some parts in boldface…
This upcoming game is a side-scrolling adventure that mixes platforming, action, and role-playing.
The game’s story takes place on the continent of Allraan in a small mining town called New Neveah. The battle against the evil Galdean Empire awaits. Traverse the town, encounter a vibrant cast of colorful characters, collect resources, and prepare for epic battles.
As you watch this first look at Eiyuden Chronicle: Rising, make sure you pay attention to these five key elements in the footage!
A cut-scene with dialogue for gamers to read and understand as the narrative moves.
Utilize potions and other stat boosting modifiers to increase your chance of survival. You might notice that we’re at a very high character level compared to the enemies we face off against in this exclusive look. When you play Eiyuden Chronicle: Rising, confrontations could be far more challenging than they appear. Potions will give you an edge when traversing dungeons, but they heal your entire party. Try to even out the damage your party receives so you heal everyone efficiently as opposed to only partially healing members of your squad. It is possible to overuse members of your team!
Fast travel will help you traverse massive dungeons and hasten quest completion. You will save hours by using the maps and signposts to fast-travel versus running everywhere.
Some enemies have an additional bar next to their health that represents a shield. Focus on removing this bonus defense to quickly defeat strong enemies.
Each character can help in unique ways throughout levels and even in combat. For example, Garoo can destroy shields quickly, Isha can effectively bring down the defenses of magic focused enemies, CJ is better equipped to traverse challenging terrain, and Isha can teleport to inaccessible areas. Understand the strengths and weaknesses of your team.
While a final release date has yet to be made, 505 Games declared that the launch of Eiyuden Chronicle: Rising will take place later this year. Perhaps the publisher might announce the final launch dates of both Eiyuden Chronicle: Rising and the Suikoden-inspired Eiyuden Chronicle: Hundred Heroes (tentatively set for 2023) at the next Xbox-Bethesda games showcase in a few months from now.
In closing this piece, posted below are Xbox-related videos for your viewing pleasure.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, superhero fans, 1990s arts and culture enthusiasts and comic book collectors! Today we revisit the Ultraverse of Malibu Comics and examine one of its many stories told through an issue of the Sludge comic book series.
In my previous retro comic book review, I found Sludge #5 an inspired piece of work that relates to Mary Shelley’s Frankenstein which also carried elements about resurrection, man’s abuse of science, and the consequences of dealing with the unnatural. The comic book was also the 2nd consecutive issue of Sludge written by artist Aaron Lopresti.
With those details laid down, here is a look back at Sludge #6, published by Malibu Comics in 1994 with a story written by Steve Gerber and drawn by Aaron Lopresti.
The cover.
Early story
The story begins on the ocean with Sludge hitching a ride on a garbage barge being towed by a ship. Sludge then starts swimming off to a certain destination.
On the upper east side of Manhattan, a nicely dressed lady arrives with a suitcase and meets with a lawyer named Roger Sutton at his office. Inside, a trade happens with papers of a transfer of deed in exchange for highly unusual looking capsules.
Shortly after, as she drives off to her next destination, a blockade of two cars formed to stop her. A few armed men show up and fired bullets into her car to abduct her and take the suitcase containing the capsules.
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Sludge doing something dangerous after waking up from a nightmare.
As this comic book marks the return of Steve Gerber, the story built up tension signaling that an urban war involving crime lords, mercenaries and the evil Pumpkin is coming. Remember Bloodstorm from issue #2? He’s back with a supporting role that fits in nicely within the brewing conflict. The demonic Pump, his teenage crime captain and gang are back serving as the unseen third force in the same conflict.
The way Steve Gerber constructed the brewing conflict is pretty solid and he managed to even efficiently introduce an Asian gang lord (complete with his family business and members) while emphasizing the presence of John Paul Marcello as the other big-time crime figure of the city. As for the titular protagonist, Sludge is portrayed to be struggling with guilt and hopelessness which push him to approach one of the evil forces. Sludge’s knowledge about Marcello will compel you to revisit issue #2. At this stage in the series, Sludge is becoming more desperate about his existence and purpose while dealing with the stress of being in the middle of a brewing conflict. His personal struggle on dealing with the evil influence of the Pump (clearly the Satan figure of the Ultraverse) is something that people living with weak faith and suffering will find relatable.
Conclusion
The first signs of the brewing crime war in the city.
Sludge #6 (1994) is a strong return by Steve Gerber on the storytelling and it marked the start of a new storyline titled Street Wars which really raised the stakes of the series. The good news is that Gerber’s writing is very good and the characters are all nicely defined. Aaron Lopresti’s visuals maintained that high level of quality and he clearly defined the look of the Sludge series.
If you are seriously planning to buy an existing hard copy of Sludge #6 (1994) be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $16 while the near-mint copy of the newsstand edition costs $48.
