comic – Page 12 – Author Carlo Carrasco

A Look Back at Punisher 2099 #3 (1993)

September 6, 2023September 3, 2023carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1996 and explore a part of the Marvel 2099 comics universe through a tale of the Punisher 2099 monthly series.

In my previous retro review, the futuristic Punisher moved on from the deaths of his family members. Influenced strongly by the writings of the late Punisher Frank Castle, Jake Gallows begins operating as a vigilante even though he still has a full-time career as a law enforcer with Private Eye. Not only that, he gets opportunities to face off once again with Kron Stone (Venom 2099 himself) who is responsible for the deaths of Jake’s family.

With those details laid down, here is a look back at Punisher 2099 #3, published in 1993 by Marvel Comics with a story written by Pat Mills and Tony Skinner, and drawn by Tom Morgan.

Early story

The story begins on one snowy night within the city. A lady who has grown very addicted with Total Reality makes a deal with a sinister merchant and makes her escape out of reality and into a living digital realm without caring about the consequences she will physically experience.

A black ambulance arrives and out comes the Punisher who hits the merchant hard enough with his weapon for a quick knockout. He then takes off the lady’s optical device (note: this should remind you somewhat of Microsoft’s HoloLens in terms of physical similarities) which brings her back to reality. Gallows knows fully well that Total Reality can actually kill users who do not practice any restraint, and he then crushes the lady’s device. Instead of thanking the Punisher, she expresses her frustration and anger to him before leaving.

Afterwards, Gallows brings the merchant into the black ambulance and puts him on stretcher. There are sharp devices nearby that can kill the merchant if he makes any attempt to escape…

Quality

*Among his colleagues at work, Jake Gallows simply acts as he himself is the Punisher captured on video (but his face has been protected digitally).*

While the first two issues of this monthly formed the origin and establishment of Punisher 2099, this comic book shows him doing vigilante work and acting as judge, jury and executioner all together. Going back to issue #1, the creative team made it clear that in 2099, justice can be bought and punishment for criminals is much softer compared to how it was in the 20^th century. This alone serves as a powerful motivation for Jake Gallows to bring back old-fashioned, harsh punishment for criminals even if it means he has to do it by himself outside of the law. This is the core concept of this comic book and along the way, there is this build-up of the villain Fearmaster and his henchman Multi-Fractor.

More on the story, the creative team took their time to develop Jakes Gallows and emphasize how his mind functions each time he works secretly as a vigilante (who cannot be identified visually) and privately as a Private Eye cop (the organization’s psychologist noticed something about him). More on his secret as the Punisher, it turns out Gallows was able to establish a secret prison complex, equipment for crime-fighting and even a deadly chair underground.

As he continues to be obsessed with fighting criminals with the harsh ways of the past, the futuristic Punisher symbolically becomes a questionable protagonist. On face value, he seems to be good by simply opposing crime and yet he seems to be evil as he commits acts outside of 2099’s laws.

Conclusion

*Clearly acting out of the law, the Punisher of the future imprisons criminals and acts as judge, jury and executioner without hesitation. This also shows his dark side.*

With its simply concept, Punisher 2099 #3 (1993) succeeds in defining the futuristic Punisher’s motives, intentions and execution. Compared to Frank Castle Punisher, Jake Gallows lives in a society which has laws that are so weak to push back against crime, justice becomes hollow and even laughable. That being said, this comic book is very socially relevant (note: Leftists in America weakened laws which benefited criminals, supported illegal immigrants at the expense of citizens, and have varied movements of arrogant protesters and activists who intimidated people and caused serious damage around the country) and what has been happening in America under the influence of the Democrats makes the dark future of 2099 looking like it could happen. At the same time, the Punisher in this story incidentally became somewhat unlikable as his crime-fighting obsession is gradually turning him into becoming as bad as the bad guys. This is a lively reminder that even in a society that is plagued with crime and weak justice, vigilantism is still a big no-no and it is also very destructive. To be a vigilante means becoming wicked.

Overall, Punisher 2099 #3 (1993) is satisfactory.

+++++

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A Look Back at Uncanny X-Men #131 (1980)

August 29, 2023August 26, 2023carlocarrasco

Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the year 1980 to take a close look at one of the many tales of the Marvel Comics shared universe told through the monthly series of Uncanny X-Men.

In my previous review, Dazzler was formally introduced as the X-Men encountered her. Along the way, the other newbie Kitty Pryde (Shadowcat) got involved with X-Men members Storm, Wolverine and Colossus and danger got to them. Brewing within the background were plot elements regarding the Hellfire Club and the Dark Phoenix.

With those details laid down, here is a look back at Uncanny X-Men #131 published in 1980 by Marvel Comics with a story written by Chris Claremont and drawn by John Byrne.

Early story

The story begins on the streets of Chicago as the 13-year-old Kitty Pryde desperately runs away from a car that has been chasing her. Just as she trips, the Jean Grey (in her form as the Phoenix) suddenly appears right in front of the car (driven by two armed personnel of the Hellfire Club) and uses her immense power to stop and damage it. This spared Kitty Pryde’s life and made her more confused. Nightcrawler suddenly appears in front of Kitty, grabs her and leap off to a higher place to be safe.

Cyclops and Dazzler arrive to see Phoenix still observing the damaged car and the two Hellfire Club personnel knocked out cold. As Dazzler is amazed by what Phoenix did, Cyclops tells Jean that his instructions were to stop the car but not turning it into scrap. Jean responds by stating that he did not feel Kitty’s stark terror nor did he sense the thoughts of the men who were in the car.

After being called from above by Nightcrawler, Cyclops, Phoenix and Dazzler make their way up to the top of the building. Nightcrawler reveals that Kitty broke away from him and dove right through the roof…

Quality

*Kitty Pryde took the risk to help the X-Men free Wolverine.*

Upon close inspection, this is a richly layered tale that nicely paid off some of the build-up in the previous issue while consistently building up the plot elements for the events to follow (the eventual Hellfire Club encounter and the Dark Phoenix Saga). In this issue, you will get to see the X-Men in action with Dazzler (who just joined in to help them without fully committing to joining their team) on a series of events that involve encountering Miranda Frost and finding their captured teammates.

As this was written by Chris Claremont, you will see a lot of character development (aided a lot with the use of thought balloons) and key observations emphasized (clever exposition of details) as the plot moved forward. This tale has the classic elements of good-versus-evil backed with action and some twists that will definitely keep readers entertained. It is through the dramatization and observations of the characters that made the narrative deep and by the end of it, you will most likely get to know the characters a lot more.

Apart from witnessing Dazzler’s first unofficial mission (note: misadventure) with the X-Men, you will see Kitty Pryde shine as the fragile yet capable teenager do something heroic which symbolically justified her entry into the X-Men. This story also touches on the theme of immense power which was dramatized nicely through Jean Grey and Cyclops. Cyclops here was written to be very concerned about Jean Grey having god-like powers as the Phoenix which he sees as too risky and he hopes that she will maintain self-control. Even Storm expressed the same concern about the Phoenix. All of these dramatics combined with the superhero spectacle and steady way of presenting exposition were nicely pulled off by the Claremont-Byrne team.

Finally, I want to say that Emma Frost was portrayed as a ruthless, cold-hearted and elitist super villain who happens to be one of the central figures of the Hellfire Club (which itself was being built up by Claremont-Byrne as a dangerous force of opposition for the X-Men to face). Emma Frost is not just another evil figure…she is a telepath capable of overwhelming others and she has a very high ambition of accumulating power socially, economically and politically. Clearly she was created to be a recurring evil figure within Marvel’s shared comic book universe.

Conclusion

*A scene showing a few X-Men members with Dazzler and Kitty Pryde as the clear newcomers.*

Even if you see Uncanny X-Men #131 (1980) as simply a build-up tale for the inevitable Dark Phoenix Saga, it is clear that the comic book still stands out on its own as it strongly paid-off what was built up in the previous issue and the high quality on storytelling was successfully maintained. This is an entertaining read and, quite notably, it develops specific characters in very believable ways. So much so, you will get to know the characters better by the time you reach the end. As for the fans of Dazzler, there are things to enjoy in this X-Men tale and it definitely is a must-read before reading Dazzler #1 (1981).

Overall, Uncanny X-Men #131 (1980) is highly recommended!

+++++

A Look Back at Spider-Man 2099 #34 (1995)

August 18, 2023January 30, 2025carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 and explore a part of the Marvel 2099 comics universe through a tale of the Spider-Man 2099 franchise.

In my previous retro review, Spider-Man worked together with Strange 2099 on an abrupt mission dealing with a grave digger who is obsessed with his long dead sibling just as the undead in Mexico start walking again.

With those details laid down, here is a look back at Spider-Man 2099 #34, published in 1995 by Marvel Comics with a story written by Peter David and drawn by Andrew Wildman.

Early story

The story begins with Miguel O’Hara and Xina returning from Mexico speeding on a lonely road by car. O’Hara suddenly got scanned from a distance. Just as Xina shares to Miguel her newest observations and opinion about Spider-Man, the man suddenly got snatched from the car by uniformed authorities riding a floating vehicle. Miguel tells his abductors to let him go and one of them replies stating that he is being taken to the White House at the request of his Alchemax superior Tyler Stone.

Meanwhile inside an apartment located near the White House in Washington, DC, Dana converses with Tyler Stone by holographic call complaining that without him, the city is getting lonely for her. As soon as her communication ends, someone knocks her out cold…

Quality

For the newcomers reading this, this page shows the first time ever that Doom 2099 sees Miguel O’Hara in person (Spider-Man 2099 without the mask and costume). Spidey and Doom encountered each other previously in The Fall of the Hammer storyline.

I will start what is very obvious about this comic book…its story is totally intriguing as it reflects a very dramatic turn of events within the 2099 realm at the time of publication. I’m talking about the rise of Doom 2099 as the new President of the United States and this comic book dramatizes in detail how the new leader impacts Miguel O’Hara’s career which adds tension to his already hectic 2^nd life as the webslinger. This is all about the storyline of One Nation Under Doom and for context, you must read Doom 2099 #26 to #30.

As I just mentioned, life for Miguel became more complicated as he has to deal with the federal government under the control Doom who himself is connected with the powerful tycoon Tyler Stone (Miguel’s own boss at Alchemax). For the newcomers reading this, this is not the first time Doom and Spider-Man of 2099 encountered each other as they were together in the Fall of the Hammer storyline (read my past reviews by clicking here, here, here, here and here).

In relation to the dramatic turn of events that changed the direction of the 2099 comics franchise, I can confirm that the writing by Peter David in this comic book is indeed very strong and highly engaging to follow. You will not see a good-versus-evil superhero tale here but the impact of Doom as US President on Spider-Man and local society. Along the way, this tale has a theme about gaining absolute power, how it affects the one who gains it and how the more powerful person affects many others. You will see the mentioned theme reflected on Spider-Man who himself already has super powers and even a following of idolaters.

Compared to the previous two issues, the dialogue by Peter David here is very rich and I also enjoyed the way how he presented the exposition of details to help Spider-Man 2099 readers understand how Doom’s rise as US President impacts the titular hero and many others. Speaking of Doom, I enjoyed the way how David portrayed him here.

Conclusion

*Gabriel O’Hara, Kasey and the Spider-Man 2099 idolaters doing the old fashioned way of protesting against US President Doom.*

Spider-Man 2099 #34 (1995) is indeed a great comic book and one of the best tales of the original Spider-Man 2099 monthly series. As Doom’s takeover of the US Presidency really changed the direction of the entire 2099 franchise of comics in the 1990s, it was inevitable that the repercussions would be reflected in a Spider-Man 2099 tale. The result here is a fascinating tale of the futuristic webslinger that does not even have the usual good-versus-evil conflict. What you will see here is how the stakes got raised for Miguel O’Hara not only as a superhero but also as a civilian who has a strong record within Alchemax. Not only that, this is the tale that took place just before the very memorable first encounters between Spider-Man and Venom 2099 (click here, here, here and here).

Overall, Spider-Man 2099 #34 (1995) is highly recommended!

+++++

A Look Back at Superman #83 (1993)

August 17, 2023August 14, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1993 to take a close look at one of the many tales published through the Superman monthly series.

For the newcomers reading this, DC Comics published the Funeral for a Friend storyline set after Superman’s death (Superman #75). Funeral for a Friend explored the impact Superman’s death had on local society, the civil and political stakeholders, as well as DC’s many superheroes who were connected with the icon (read my retro reviews here, here, here and here). Of course, DC brought the Man of Steel back to life which led to the Reign of the Supermen storyline. This obviously meant concluding the Funeral for a Friend storyline.

With those details laid down, here is a look back at Superman #83, published in 1993 by DC Comics with a story written and drawn by Dan Jurgens with ink work by Joe Rubinstein. This is the epilogue of Funeral for a Friend.

Early story

The story begins with Superman meeting an arriving Batman (note: Azrael playing the role as Bruce Wayne had been paralyzed by Bane) in the presence of Commissioner Gordon in Gotham City. He tells Batman that it was time for them to go to a certain ceremony which catches Azrael knowing nothing about it all forcing him to just play along. Batman resorts to making an excuse and turns Superman down, even though he learns that the entire Justice League will be involved to take care of the Engine City problem. Not wanting to spark Superman’s suspicion, Batman leaves Superman and Gordon behind. Superman then flies away.

Meanwhile, Lex Luthor, Supergirl and personnel fly towards Engine City. Luthor is obsessed with accumulating Kyptonite at the site…

Quality

*Superman, Wonder Woman, Green Lantern and the Flash with Lex Luthor and Supergirl (in the background).*

As the conclusion of the Funeral for a Friend storyline, this is a mixed bag of creative concepts. It has scenes that developed established supporting characters such as Lois Lane, Jimmy Olsen, Cat Grant and Superman’s parents Jonathan and Martha Kent. The main story of this comic book has a lot more to do with the Justice League than Superman himself as a result of a huge crisis in which an actual coastal city could collapse, fall into the sea and potentially poison the aquatic life.

That’s not to say that Superman does not have sufficient presence in this comic book. In fact, the Man of Steel has scenes that highlight his humanity, his leadership role among the Justice League and how he is still adjusting to life after getting killed by Doomsday. What Superman fans won’t find here is superhero action versus an enemy.

Still on the Superman relevance of this comic book, Lex Luthor’s obsession with accumulating as much Kryptonite as he could reflects his diabolic nature as well as his cunning moves with distorting people’s perception. Even though he does not commit any acts of violence, Luthor’s manipulative tactics even in the presence of many superheroes showed that he simply won’t stop at anything to get what he wants and what benefits him.

Speaking of more characters, Green Lantern (Hal Jordan) here got a good piece of the spotlight as he emphasized why Engine City should fall into the Pacific Ocean which he relates to the destruction of Coast City. Through his dialogue, you can feel his bitterness and the impact that the Coast City tragedy had on his worldview. You will also see Aquaman, Wonder Woman, Guy Gardner and others participate in the talks.

Conclusion

*Pay close attention to the details, Superman fans.*

Superman #83 (1993) is a nicely crafted story that happens to be more about the Justice League dealing with a big problem with Superman present. As the epilogue to the Funeral for a Friend storyline, this comic book tied up certain loose ends but ultimately focused more on building up details and tension for future events. As this story took place a short time after Superman physically returned from the dead, readers will see a still-adjusting Man of Steel here and this clearly shows that the funeral is indeed over.

Overall, Superman #83 (1993) is recommended.

+++++

A Look Back at Spider-Man 2099 #33 (1995)

August 15, 2023January 30, 2025carlocarrasco

In my previous retro review, Miguel O’Hara arrives in Mexico with Xina and they shared a room together. It turns out his brother Gabriel was also there even occupying the next room. Elsewhere, a lady practicing sorcery (Strange 2099) is told that Spider-Man will be her ally and they will work together to fulfill a mission. Elsewhere, a grave digger performs rituals over the skeletal remains of his beloved sister. Issue #32 had a dark and totally different tone as the sci-fi element of the monthly series got pushed aside.

With those details laid down, here is a look back at Spider-Man 2099 #33, published in 1995 by Marvel Comics with a story written by Peter David and drawn by Andrew Wildman.

Early story

The story begins when Spider-Man 2099 and his new ally Strange 2099 crash into a room on a mission they must complete. They see the grave digger clinging to a magical item that he believes should resurrect his dead sister.

In an attempt to find a solution, Strange touches the item and suddenly becomes a hideous looking monster.

Meanwhile, the streets of Mexico City suddenly gets filled with several undead people walking. On the street, Xina (walking with Kasey and Gabriel) begins to worry about Miiguel. Soon enough, some of the undead move towards them…

Quality

As this story is the continuation to the events of issue #32, this one keeps on building up on sorcery and evil forms of the supernatural as the key elements of the narrative as well as the setting. That being said, the usual science fiction element remains completely absent and this opened the opportunity for the creative team to show Spider-Man in action within a supernatural atmosphere complete with the unfortunate event of a demonic possession.

Spider-Man’s team-up with Strange (obviously the futuristic take of Dr. Strange) inevitably led to a conflict with evil and the ironic thing is that the grave digger himself is not even the villain but someone obsessed with bringing his sister back to life by means of resorting to magic and tapping the demonic force he could not even see. The Spidey-Strange team-up clearly dominated the narrative but I should say that the sorceress is not too interesting as a character and she barely has any chemistry with the futuristic web-slinger. It seems to me that Strange 2099 was created to emphasize racial diversity and rabid feminism than to really add any depth to the 2099 universe and its lineup of supporting characters.

As for the concept of the undead walking along many people who happen to be commemorating the day of the dead on the city streets, it really heightened the horror and supernatural aspects of the story while escalating the sense of danger.

Conclusion

*Spidey, Strange 2099 and the grave digger.*

In line with the concept of the previous issue, Spider-Man 2099 #33 (1995) is a supernatural tale of Spider-Man on a misadventure teamed up with a futuristic take on Dr. Strange. Its pay-off to the build-up in issue #32 was barely felt and I could not help but feel the presentation was rushed. Strange 2099 was simply not interesting and the grave digger’s personal pursuit over his dead sister did not have much of an impact. That being said, the concept of this 2-part story felt more like a diversion than a meaningful story. If there is anything worth focusing on in this comic book, it is Spidey himself struggling in the very nation where he previously got his costume.

Overall, Spider-Man 2099 #33 (1995) is satisfactory.

+++++

A Look Back at Venom: Funeral Pyre #3 (1993)

August 10, 2023August 5, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1993 to take a close look at the second issue of the second Venom comic book mini-series Venom: Funeral Pyre.

In my previous review, the gang-driven violence intensifies as the Punisher makes his move armed with lots of resources (including a van loaded with weapons and computerized functions). Venom struggles to free himself from the temporary prison the Punisher placed him in. As the violence escalated, Gray Russell finds himself in much deeper trouble as the anticipated rescue does not happen.

With those details laid down, here is a look back at Venom: Funeral Pyre #3, published in 1993 by Marvel Comics with a story written by Carl Potts and drawn by the late Tom Lyle. This if the final issue of the mini-series.

Early story

The story begins inside a building with high-tech equipment from HYDRA. Gray Russel is no longer himself but as the red-skinned, highly radiated figure Pyre. He fires a microwave blast at Venom which hurts him so much. In response to Venom’s claim that he came to rescue him, Pyre reacts with rage telling the murderous man with the symbiote that he arrived too late which resulted in the forced killing of people during the gang violence on the streets of Oakland.

Being filled with pure rage, Pyre intends to burn Venom alive. Thinking that Pyre is distracted, the Punisher leaps to get a gun on the floor which causes the radiated person to fire a microwave blast at him. The Punisher takes cover behind a machine but notices the microwaves sparking off the metal.

Venom then takes advantage of situation…

Quality

*This page shows Venom at a disadvantageous state with Pyre whose microwave blasts are more than enough to kill him.*

As the conclusion of the mini-series, this comic book went all-out portraying what turned out to be the final conflict involving the murderous Venom, the vigilante Punisher and the energy-filled Pyre. As a result, the narrative strongly focused on the final conflict (note: stretched out to last several pages) and never bothered to look back at the people and activities on the city street.

That being said, you will get to see more of the two established Marvel figures struggling hard against an unexpected force of opposition who was previously an undercover news reporter who infiltrated a certain gang and sent a message (delivered by a young boy) that caught Eddie Brock’s attention. At this point, it is clear that Venom’s effort to rescue Gray (who became Pyre after using a super soldier chamber left behind by HYDRA) ended in total failure and finds himself facing someone who could kill him and his alien costume together.

If there is anything notable about this issue, it is the portrayal of Venom being highly disadvantaged and even vulnerable. There are no armed men with sonic weapons and high-tech equipment to bring Venom down but Pyre whose microwave blasts are deadlier than flame and sonic. In connection to the situation, Venom is not his aggressive self but a struggling figure who strives to survive and somehow find solutions during the heat of danger.

The Punisher, meanwhile, also struggled to survive but would simply not run away even though his chances of escape are much better. Instead, he focuses on actually eliminating Pyre without hesitation and Venom’s attempt to rescue Gray meant absolutely nothing to him.

More on Pyre, he is not really interesting nor was he ever engaging as the one powerful force of opposition that Venom and the Punisher must face. His being consumed by unrestrained rage and wielding so much power did not really raise the tension of the story. Had he eliminated the two Marvel figures who got in his way, what would Pyre do afterwards? Devastate the entire city of Oakland because he lost his identity as Gray and could not get over his involvement of taking other people’s lives while in the middle of gang activities? Would he proceed to San Francisco’s underground community and eliminate the people only because he blames Venom (note: Eddie Brock got involved with the underground people of San Francisco as seen in the Lethal Protector mini-series) for his failure of rescuing him? Pyre is nothing more than a throwaway comic book force of opposition.

From a visual standpoint, Tom Lyle once again pushed his creativity hard and showed some dynamic shots of spectacle here and there. At this stage, he proved to be very capable of visualizing Venom and the Punisher.

Conclusion

*The Punisher refuses to give up and gets Microchip to assist him.*

While issue #2 was a notable improvement over the first issue, Venom: Funeral Pyre #3 (1993) does not have much to offer in terms of engagement and entertainment. This is because it was crafted as a strict Venom-Punisher-Pyre conflict that provided spectacle and intrigue but ultimately ended up hollow. To see Venom at a huge disadvantage is interesting but did not add much weight to the plot. The Punisher was his usual self and in some ways overshadowed Venom for a while. Too bad there was not much space left for Venom and Punisher to fight each other again.

As the final issue of this mini-series, the story concluded with a whimper. Ultimately the Funeral Pyre storyline ended up as a diversion within the Marvel Comics shared universe that happened to attract Punisher, Venom and the gangsters of Oakland.

Overall, Venom: Funeral Pyre #3 (1993) is satisfactory.

+++++

A Look Back at 2099 Unlimited #10 (1995)

July 31, 2023September 22, 2024carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 to revisit one of the many tales of Marvel’s 2099 franchise focused on Spider-Man 2099 through the 2099 Unlimited quarterly comic book series!

Some time ago, I reviewed the inaugural issue of 2099 Unlimited which after all these decades remained entertaining and engaging enough to read. That comic book opened with a Spider-Man 2099 story handled by a creative team that did not involve the monthly series duo of Peter David and Rick Leonardi. Its 2^nd story introduced Hulk 2099 and it efficiently told his origin story while expanding the world of 2099 convincingly.

With those details laid down, here is a look back at 2099 Unlimited #10 published in 1995 by Malibu Comics with its main story written by the late Len Wein and drawn by Andrew Wildman. The two other stories were done by the creative teams of Nancy Collins/Gary Erskine and Bob Fingerman respectively.

Early story

The story begins with Miguel O’Hara (Spider-Man) and his brother Gabriel attending Woodstock 2099 at a wet and muddy open-air location. It turns out Miguel feels uneasy being present at the music festival which for Gabriel is too important an event to miss as they are attending the final weekend.

As they talk and walk together, trouble breaks out when a man is suddenly changing physically causing his body to rip out of his clothes. Immediately he leaves Gabriel, cuts in line to enter a portalet, changes into his disguise, opens the rear with his talons and leaps off into action as Spider-Man of 2099.

The man who ripped through his clothes has since turned even bigger and monstrous looking. He grabs a woman and was about to throw her when Spider-Man suddenly swings in to grab her and move away from the monstrous guy.

Right after Spider-Man and the lady land on the ground, the monstrous guy mutated even more and begins to charge right at him with the intention to kill him…

Quality

*There is nothing like encountering Spider-Man at the more isolated parts of the city in 2099.*

Focusing on what is clearly the main feature of this comic book, the Spider-Man 2099 tale “Chameleon 2099” turned out to be a really good story that sets itself apart from the monthly series while still emphasizing the essence of the titular hero. Written by the late legend Len Wein, this is a tale of the futuristic Spider-Man that was crafted to entertain and also intrigue readers. The build-up of the plot moved at a medium pace with some bouts of surprise or excitement that happened along the way. By the time the story reaches the final conflict, the plot details came together nicely and the purpose behind Spider-Man’s pursuit made a lot more sense as I kept reading. This is a must-read story and Andrew Wildman’s art really brought Len Wein’s script into life!

Without spoiling the plot, I can say that this tale sheds light on the following topics: Miguel O’Hara investigating questionable ends within the very corporation he works for; a growing society of freaks within a very high-tech society; illegal substance abuse and distribution; the loss humanity paving the way for unrestrained violence. I just love the way Len Wein fused the mentioned topics into the story and executed them all while still making the story understandable and believable.

It should be noted that Wein portrayed the titular hero as a very determined protagonist who still maintains his sanity as well as his concern for others even though he gets into very violent situations.

This comic book has two other stories that do NOT feature the other established protagonists of the Marvel 2099 universe. Not even Hulk 2099 – the one major 2099 character who debuted in the launch issue of this very same quarterly comic book series – is here. The 2^nd story introduces Machina Jones (who is not so interesting) and emphasizes a dark element within the 2099 society – the implantation of wetware programs into people’s bodies which are capable of controlling both the voluntary and involuntary motor responses.

The 3^rd story on the other hand is a very cartoonish look at the helplessness of 2099 society’s members who suddenly get displaced by the implementation of the urban reclamation project of Alchemax. This one does not have any of the established Marvel 2099 characters.

Conclusion

*Spider-Man 2099 at the field of Woodstock 2099.*

With one very solid Spider-Man 2099 tale and two other stories that never engaged me at all, 2099 Unlimited #10 (1995) is very clearly a mixed bag. The Spider-Man story is indeed the biggest feature and the main reason this comic book has good stuff. Too bad the other two stories were essentially wasted efforts.

Overall, 2099 Unlimited #10 (1995) is satisfactory. It is also the final issue of the quarterly series.

+++++

A Look Back at Freex #16 (1995)

July 26, 2023July 24, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 to revisit one of the many tales of Malibu Comics’ Ultraverse through the Freex monthly series.

In my previous review, the Freex encountered someone very deadly (note: Rafferty who also encountered The Strangers) and out of nowhere one of their members got killed as he made his move to protect someone’s life.

With those details laid down, here is a look back at Freex #16 published in 1995 by Malibu Comics with a story written by Gerard Jones and drawn by Klebs de Moura e Silva.

Early story

The story begins at midnight when Ruby arrives at a sorrowful gathering composed of Contrary, her academic students, the Night Man, the Old Man and the remaining members of Freex. They are all mourning over the dead body of Michael. Just after Old Man declared that everyone should move on and let Michael (Plug) rest, Contrary (now an established member of UltraForce) stated that her academy will keep him in the company of others like him at their Mt. Shasta Citadel headquarters as the dead Freex member does not have any known surviving family members.

The loss of Michael then begins to take its toll on Angela/Sweetface as she cries and states that there is nothing left to live for. Suddenly, something appears to the Freex…an angel-like figure who tells Angela to end the pain and join the only one who still cares for her. Valerie and Lewis try to help Angela resist the one who spoke…

Quality

*The Old Man becomes the target of Freex.*

What is obvious to me here is that this comic book is all about the consequences of the death of original Freex team member Michael and how his death impacted specific teammates who had really grown close with him. The plot in this comic book is pretty light as this was clearly written to have strong character dramatization and development.

While there were indeed a whole lot of characters who appeared here, this comic book highlights Sweetface as the one most affected by the sudden death of Michael. That being said, any dedicated Freex fan who seriously followed the series right from the start will be able to relate with Sweetface’s emotions and even feel her deep feelings with Michael. Incidentally, this paves the way for her to interact more with Lewis who also got impacted by the death of their teammate. As the story went on, there were key developments here that strongly symbolized that Freex will take a serious change of direction focusing more on team survival and avenging Michael while severing ties with the Old Man. Clearly the creative team were building up something for the team who at this point have been on a very long and painful journey as nomads.

All throughout, the script really is detailed, richly layered and engaging. Apart from Freex, Night Man, Contrary and her students, and other characters had their fair share of the spotlight strongly symbolizing the current state of the Ultraverse at the time.

Conclusion

*Even as she is mourning over the death of Michael, Angela suddenly sees a mesmerizing vision in front of the others.*

Freex #16 (1995) is indeed a solid comic book to read. The strong writing is its strongest feature and it really delivered the compelling stuff that will resonate most with the long-time Freex fans. The dramatization of the effects of Michael’s death really is strong and the new change of direction for the surviving Freex was implemented really smoothly. The lack of a good-versus-evil element was no problem at all here. By the end of the comic book, I became eager to find out what would happen next to Freex.

Overall, Freex #16 (1995) is recommended.

+++++

A Look Back at Venom: Funeral Pyre #2 (1993)

July 18, 2023July 15, 2023carlocarrasco

In my previous review, the Punisher and Venom encountered each other for the first time ever and along the way Gray – who is secretly a journalist with a mission – struggles to maintain his composure and his sanity as he finds himself in the middle of a very violent gang war in Oakland, California. The more time Gray spends time with the crime gang he joined, the tougher the situation becomes for him.

With those details laid down, here is a look back at Venom: Funeral Pyre #2, published in 1993 by Marvel Comics with a story written by Carl Potts and drawn by the late Tom Lyle.

Early story

The story begins with Gray and his gang companions riding a car approaching a group of people on the street. The gang leader pressures Gray to use his weapon to kill them. Gray is deeply worried not only because he has to prove his worth to the gang by killing other, but also because the rescue attempt he was waiting for had not yet happened.

Meanwhile, Venom finds himself trapped on the doorway of a building with the metal gate locked and with rays of microwave from the Punisher’s van radiating him painfully. As the Punisher leaves them behind, Venom manages to use the symbiote to reach into the van and smash the control panel inside which disabled the microwave rays.

Immediately, he recovers and breaks out to continue his mission: to rescue Gray…

Quality

*The murderous Venom actually helped the Punisher.*

When it comes to the storytelling, there are some improvements that made this comic book more readable than issue #1. For one thing, the exposition has been reduced which allowed the pace of the story to move faster. Most of the exposition here has been limited to Gray who at this stage of the mini-series was clearly bound to become the central object of the Funeral Pyre concept. Another thing is that the story’s structure here is simpler and easier to follow as Venom and Punisher moved on their own struggles separately before predictably getting together again.

While the mini-series has clearly been a tale of a city gang war – with a pretentious and unwilling gang member who expected to be rescued before things become too chaotic – that happened to pull the Punisher and Venom in for different reasons, Carl Potts added some elements that would resonate with Marvel Comics fans who are familiar with HYDRA and the Super Soldier aspects of the Marvel Comics universe history. Not only that, there is a science fiction-inspired setting near the end of the story that added variety to the in-story environment.

Like the first issue, this one is packed with a good amount of action scenes and that means Punisher and Venom fans have a lot of stuff to enjoy. Tom Lyle really is good with showcasing the respective spectacle of the vigilante and the symbiote-wearing murderer, and when he has the two together, his visual creativity intensifies.

Conclusion

*Grey shooting blindly at the targets while riding the car of the gangsters he joined.*

Venom: Funeral Pyre #2 (1993) is clearly an improved reading experience over issue #1 mainly because of the reduced information dump, the simpler plot structure and the creative showcase of Venom and the Punisher. While Gray remains uninteresting, his late-stage transformation turned out to be somewhat surprising and it was only near the end of this comic book that the Funeral Pyre concept became clear.

Overall, Venom: Funeral Pyre #2 (1993) is satisfactory.

+++++

Better than Streaming: Creepshow Collector’s Edition 4K Blu-ray now available

July 11, 2023July 9, 2023carlocarrasco

Welcome back, fellow geeks, Blu-ray collectors and movie buffs! Back in the early 1980s, I managed to watch on home video the 1982 horror comedy anthology film Creepshow which was a fine collaboration between director George Romero and author Stephen King clearly inspired by the 1950s horror comic books of EC Comics.

The good news for fans of the movie as well as those who love watching movies in the comfort of home without streaming is that the Creepshow Collector’s Edition 4K Blu-ray (2 discs inside the set) from Shout Factory is now available at retail and for ordering online. For those who want the best in visuals, Creepshow’s 4K version is in native 4K!

*The 4K Blu-ray cover cleverly uses the same art from the original movie poster of 1982.*

To begin with, posted below are the technical specs of Creepshow Collector’s Edition 4K Blu-ray sourced from its Blu-ray.com page. Some parts in boldface…

Video

Codec: HEVC / H.265 (75.09 Mbps)

Resolution: Native 4K (2160p)

HDR: Dolby Vision, HDR10

Aspect ratio: 1.85:1

Original aspect ratio: 1.85:1

Audio

English: Dolby Atmos

English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)

English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)

Note: Atmos: 4035 kbps, 5.1: 3609 kbps, 2.0: 2002 kbps

Subtitles – English SDH

Discs -4K Ultra HD, Blu-ray Disc

Two-disc set (1 BD-100, 1 BD-50)

Packaging – Slipcover in original pressing, Reversible cover

Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A

In case you are wondering how much stuff you will get in return for purchasing Creepshow Collector’s Edition 4K Blu-ray, posted below is an excerpt from the Blu-ray.com announcement page. Some parts in boldface…

BRAND NEW 4K RESTORATION OF THE FILM FROM THE ORIGINAL CAMERA NEGATIVE (2023)

NEW DOLBY ATMOS TRACK

Audio: DTS-HD Master Audio 5.1, DTS-HD Master Audio 2.0

Audio Commentary With Director George A. Romero And Special Make-Up Effects Creator Tom Savini

Audio Commentary With Director Of Photography Michael Gornick

Audio Commentary With Composer/First Assistant Director John Harrison And Construction Coordinator Ed Fountain

Terror And The Three Rivers – A Round Table Discussion On The Making Of Creepshow With John

Amplas, Tom Atkins, Tom Savini, And Marty Schiff

The Comic Book Look – An Interview With Costume Designer Barbara Anderson

Ripped From The Pages – An Interview With Animator Rick Catizone

The Colors Of Creepshow – A Look At The Restoration of Creepshow With Director Of Photography Michael Gornick

Into The Mix – An Interview With Sound Re-recordist Chris Jenkins

Mondo Macabre – A Look At Mondo’s Various Creepshow Posters With Mondo Co-Founder Rob Jones And Mondo Gallery Events Planner Josh Curry

Collecting Creepshow – A Look At Some Of The Original Props And Collectibles From The Film With Collector Dave Burian

Audio Interviews With Director Of Photography Michael Gornick, Actor John Amplas, Property Master Bruce Alan Miller, And Make-up Effects Assistant Darryl Ferrucci

Tom Savini’s Behind-The-Scenes Footage

Horror’s Hallowed Grounds – A Look At The Original Film Locations Hosted By Sean Clark

Deleted Scenes

Theatrical Trailers

TV Spot, Radio Spots

Still Galleries – Posters, Lobby Cards, And Movie Stills

Still Galleries – Behind The Scenes Photos

Wow, the above sure is a lot of stuff for the long-time Creepshow fans and the Blu-ray/4K Blu-ray collectors to digest.

For the newcomers reading this, Creepshow is arguably a landmark American horror movie as it used a very unique format of telling not one, not two but five standalone horror comedy stories that each had its unique concept and different casts. As comedy is mentioned, it means there is dark humor implemented that prevents each story from being too grim with its horror. In other words, the horror in this anthology film is unique and fun to watch. Adding further zest into its creativity was the use of comic book-inspired panels and backgrounds that really captured the vibes of 1950’s EC Comics-published horror comic books. This passionate collaboration between a movie director best known for zombie movies and an author best known for horror and suspense literature really stood the test of time. Not to be outdone, however, is the movie makeup and special effects works done by fan-favorite Tom Savini.

I should also state that Creepshow several actors who made fine contributions on-screen. Horror genre standout Tom Atkins plays the angry father in the film’s prologue and epilogue. The late Leslie Nielsen, who is often remembered for cinematic comedy, cleverly plays a villain (with a fine mix of evil and humor in his performance) opposite Ted Danson. There were also Hal Holbrook and Adrienne Barbeau as a very unique couple. In the Father’s Day segment, you will see the late classic actress Viveca Lindfors as the unfortunate aunt as well as a much younger Ed Harris in a supporting role. The late E.G. Marshall is the lead star in the fifth segment. Last but not least, you will see Stephen King himself act in one of the segments concerning the crash of a meteor. Apart from the horror concepts and stylish directing of Romero, the lineup of actors alone add tremendous value to Creepshow’s overall attraction and fun value.

*Hal Holbrook and Adrienne Barbeau as a married couple.*

The impact of this 1982 horror anthology movie cannot be denied. In the years following Creepshow’s release, the Twilight Zone: The Movie anthology film of 1983 (note: this one even involved Steven Spielberg directing one story), the Tales from the Darkside horror anthology TV series (created by George Romero himself) and the Tales from the Crypt horror anthology TV series were released.

To know more about Creepshow, watch the video from Minty Comedic Arts below…

In case you are interested or if you have made up your mind, you can order a copy of Creepshow Collector’s Edition 4K Blu-ray right now by clicking https://www.amazon.com/Creepshow-Collectors-Ultra-Blu-ray-UHD/dp/B0BZCM3S54/ref=sr_1_1?crid=IE8C3YOK8ER7&keywords=creepshow+4k&qid=1688810895&sprefix=Creepshow%2Caps%2C363&sr=8-1

If you want the best enjoyment possible from watching Creepshow Collector’s Edition 4K Blu-ray, I highly recommend you avoid watching Creepshow movie reaction videos and the spoileriffic retro movie reviews posted by YouTubers.

If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

+++++

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