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A Look Back at Freex #15 (1994)

February 20, 2023January 27, 2023carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts and comic book collectors! Today we go back to the wild 1990s and explore a part of Malibu Comics’ Ultraverse through a tale of Freex.

Since after facing off with Contrary (who eventually became part of UltraForce) and her so-called school and students, Freex had been traveling far and long (refer to my previous Freex reviews here, here and here) and gained Old Man as a useful companion. Along the way, they encountered the unknown deep underground and even saw a powerful being. They even got to the city of Denver temporarily. As they went on, they found the path that led them back to civilization.

With those details laid down, here is a look back at Freex #15, published in 1994 by Malibu Comics with a story written by Gerard Jones and drawn by Scott Kolins. This is a flip-side comic book with Ultraverse Premiere #9 (1994) on the other side.

Early story

The story begins with Freex – composed of Plug, Sweet-Face, Pressure, Anything and new member Cayman – have been traveling for some time deep underground with Old Man. They find themselves back in San Francisco, the one city that brought them together. While still a long distance away from the city proper and there are no locals who could see them, the team cautiously move to a high communications tower. Michael/Plug uses his special ability to transform himself into electronic matter and makes his way through the communications network of the city to do something very important. Cayman meanwhile becomes the object of discussion between Pressure and Sweet-Face as he has yet to share with them details about himself.

As Cayman himself was part of Contrary’s academy and joined Freex recently, he has trouble gaining the trust of the others. After wearing new clothes that Lewis found, a guy suddenly appears to them. He introduces himself to them as Evan…

Quality

*The very evil Rafferty monitoring Freex secretly and enjoying his advantage over them.*

Considering what happened in the previous issues, this story feels like a breath of fresh air not only because of the new location the team got into but also because of strong twists that happened. Instead of going through fantastical encounters, Freex found themselves in situations that are more grounded with reality (within Ultraverse standards specifically) and more notably, the story emphasized crossover as Freex and Old Man encountered Firearm. The said crossover, quite cleverly, sets up Freex into a collision course with the serial killer Rafferty (who encountered The Strangers elsewhere within the Ultraverse). For the newcomers reading this, Rafferty is one of the most evil characters of the Ultraverse who has murdered a lot of people – including his own parents – and has developed tremendous hatred of Ultras.

The inclusion of Rafferty here also sheds light on the Freex’s past connection with the Night Man (click here and here). More notably, the said serial killer turned out to be so resourceful and totally obsessed with murdering people with special abilities, he became a formidable force towards Freex. This leads to a pretty powerful and twisting conclusion that must be seen.

Conclusion

With a good amount of intrigue, characterization spectacle, strong dialogue and the element of crossover, Freex #15 (1994) is a pretty engaging comic book to read. The biggest feature here is having Freex in a conflict with a very obsessed killer who not only hates Ultras but also has an extensive record of murdering many people over a long period of time. In my view, the Freex-Rafferty conflict was nicely structured and it added depth to the plot. What happened in the end of this comic book should resonate with dedicated fans of Freex.

Overall, Freex #15 (1994) is highly recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Wonder Woman #24 (1989)

February 16, 2023February 3, 2023carlocarrasco

Welcome back, superheo enthusiasts, 1980s arts and culture enthusiasts, DC Comics fans and comic book collectors! Today we go back to the late 1980s to explore a part of the DC Comics shared universe through a tale of the Queen of Superheroes herself…Wonder Woman!

In my previous retro review, Wonder Woman’s spiritual superior Hermes makes his presence felt on Earth as she continues her interaction with members of the local society. Unsurprisingly, a great disturbance happens with the people as they let their guard down after witnessing something supernatural. This made things more complicated with Wonder Woman who has been trying her best doing her duty as Themyscira’s representative while maintain the personal relationships she established with certain mortals. And then something wrong happened with Hermes.

With those details laid down, here is a look back at Wonder Woman #24, published by DC Comics in 1989 with a story written and drawn by the late George Perez.

Early story

The story begins Vanessa Kapatelis at home watching news on TV about the strange attack on Hermes. In the city of Boston, two police officers find a man sitting with junk at a wall who cannot help but be very scared of something. The man points to a certain building very nearby.

Beneath the foundation of the building, the earth rumbles with very eerie sounds. The gorgon Euryale and Ares’ son Phobos are on top of a pit and below them is Ixion, the first mass murderer to have ever walked the earth. It turns out, Ixion has long been chained to a large wheel that not only restrained him but also tortured him. The generations of torture disfigured Ixion as well. Hermes, who was defeated very recently, cannot help but be shocked at the sight of Ixion whom he left imprisoned in another place. Phobos tells Hermes he could thank his foolish Olympians as they were so busy with the cosmic migration, it paved the way for him (Phobos) to sneak into Hades and pull out Ixion.

It turns out, it was Hermes who forged the unbreakable chains holding Ixion and only he could break it. Euryale, who wears Hermes’ mystical hat, mocks Hermes. Phobos reveals that he has Hermes’ caduceus all to himself and then uses it to capture and harness energy which he uses to free Ixion.

Suddenly, the building crumbles and Ixion emerges with Hermes caught firmly by his oversized hand. The rise of Ixion terrifies the people of Boston…

Quality

*Look at how intimidating Ixion is while Hermes is so helpless and pathetic.*

Wow! This is one epic Wonder Woman tale that has a nice blend of fantasy, action and 1980s American culture. The stakes within this comic book are so high as a result of the disaster caused by Ixion who really put many people’s lives in danger. Ironically, the huge scale of disaster did not attract the assistance of other superheroes within the shared comic book universe of DC and this only made Wonder Woman’s involvement more significant. Not only would you see Wonder Woman really struggle with fighting Ixion, you will also see her struggle emotionally and logically when she deals with the helplessness of her superior Hermes (who is rather pathetic here and he really looks like a reject from Olympus) and facing the raging evil of Phobos while trying to prevent any further loss of life. By the way, Ixion here is more than just being one large monster for Wonder Woman to face off with.

While this is indeed a tale heavily loaded with action, the script by Perez sheds light on key themes that are indeed worth thinking over. For one thing, how should Wonder Woman handle herself upon realizing her lord Hermes becomes vulnerable and unworthy of godly authority? How should people deal with idolatry (which is foolish and unholy) when they realize a mythical figure like Hermes is so helpless not so long after he convinced them with his amazing display of the supernatural? More on relationships between mortals and powerful beings, how can an ordinary human like Julia Kapatelis really maintain a sisterly bond with Wonder Woman whose powers and responsibilities are so tremendous and are beyond the reach of humanity? There definitely is something engaging to reflect over in this comic book and the richness behind the writing (as opposed to the visual spectacle) is undeniable.

Themes aside, Perez also crafted very rich dialogue which is very evident near the end of the story. I won’t say which characters engaged in the rich conversation but I assure you it is worth getting this comic book for. The said conversation is not only philosophical but also marks another step in the development of the characters involved.

Conclusion

Wonder Woman #24 (1989) is indeed a great Wonder Woman tale and it is a significant improvement over issues #22 and #23 with regards to storytelling, conflict and characterization. This comic book is a lively reminder about how great George Perez proved to be when it comes to writing. It has lots of superhero spectacle to keep readers entertained but ultimately it is Perez’s writing that made this one a great read. It certainly has aged well and by the time you read this particular comic book, you will really miss the late Perez. Lastly, this Wonder Woman tale should serve as a lively reminder to you all that Zeus, Hermes, Aphrodite and all those so-called gods are all false and you should never fall into worshiping them. You engage in idolatry, and you will go to hell. There is only one true God and He has a Son named Jesus who redeemed humanity, established a living covenant with the faithful, died on the cross, overcame death, met with the faithful again and ascended to Heaven with a promise to return.

Overall, Wonder Woman #24 (1989) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at Spider-Man 2099 #8 (1993)

February 10, 2023January 15, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the wild 1990s and explore the far future of 2099 within the Marvel Comics shared universe through one of the tales of Spider-Man 2099.

In my previous retro review, the futuristic Spider-Man got involved with his era’s version of Vulture (Vulture 2099 to us readers). It turns out, Vulture 2099 is not your typical evil supervillain but the leader of a group of violent radical people who are willing to dominate society with a destructive mindset even though there are other opposing groups around them. And then Spidey 2099 realized something very wrong about the Vulture which leads to a big battle between them.

With those details laid down, here is a look back at Spider-Man 2099 #8, published in 1993 by Marvel Comics with a story written by Peter David and drawn by Rick Leonardi.

Early story

The story begins with Spider-Man 2099 and Vulture 2099 crashing into the interiors of the ancient St. Patrick’s Cathedral located in old New York City (underneath the modern city). Unsurprisingly, the people inside the cathedral got very surprised about the unexpected entry of the two fighters.

Elsewhere, Miguel O’Hara’s brother Gabriel helps Kasey with her head. She tells him that she saw Miguel but Gabriel does not believe her. Suddenly, members of a gang knock on the door and Kasey opens it.

Inside St. Patrick’s Cathedral, the fight between Spider-Man and Vulture continues. Spider-Man remembers that he has lapsed as a Catholic and he feels very uneasy about the trouble he and his enemy are causing inside the old church structure. Vulture suddenly throws a wooden bench at Spidey but breaks open a glass window and then goes outside. Upon looking outside, Spider-Man notices a group of Vulture’s gang…the Freakers.

Quality

*The battle between Spider-Man 2099 and Vulture 2099 is intense and very compelling to read.*

Here is the good news about this comic book…the story here is a fitting conclusion to what happened in issue #7. The conflict between Spider-Man and Vulture here was carefully crafted and there were several key moments or scenes the provided readers some breathing room to grasp and understand the society of 2099 New York as well as the conflict between the downtown social groups who are deprived of the higher standard of living many miles above them. In some ways, the social divisions portrayed in this comic book is a sad reminder about modern day America and the many radical groups or gangs of people who divide society on race, ethnicity, social class, gender and ideology.

As expected, there is a lot of action executed in the fight between Spider-Man and Vulture of 2099 but there were pauses in between. This is not surprising considering how Peter David crafted the action-packed battles Spidey 2099 had with other enemies in the comic books released before this one. Without spoiling what happened, I can say that the battle between the two was nicely built-up and the conclusion turned out very satisfying to see.

Still on the story, Peter David added some layers of complexity into the conflict that easily made things much more difficult for Spider-Man 2099 on a personal level. I’m talking about his brother Gabriel and Kasey getting involved in the gang war against the Freakers.

Vulture 2099 is once again a standout opposition figure here. Not only is his ability to fly and cause chaos above his obsessed Freakers below is symbolic, his distorted, hardcore beliefs are reflected with his unrelenting use of violence as he fights Spider-Man. Not only that, he turns out to be very philosophical thanks to the rich dialogue Peter David came up with. It is also here that the futuristic Vulture is opposed to God and being the socialist-indoctrinated person he is, he easily blames Alchemax for God’s absence. This should remind you that through Vulture 2099, evil comes with fatal attraction that people could not realize until it is too late. The futuristic Vulture has a lot of common with the evil leaders of Black Lives Matter, Antifa, the Democratic Socialists of America and the long-time regime of Iran. Lastly, I should state that radical socialists are always wrong about God and they often live with distorted perceptions about Him. Vulture 2099 qualifies as a woke figure of 2099 and ultimately wokeness is foolishness.

Speaking of sub-plots, this comic book emphasizes Tyler Stone on how he handles ambitious projects of Alchemax that he believes will benefit people. His interactions with Dana here also sheds light about his very own obsession about the future of humanity.

Conclusion

*Spider-Man in trouble with the Vulture’s gang members.*

With rich writing, notable in-story details and a very well designed conflict between the futuristic Spider-Man and Vulture, Spider-Man 2099 #8 (1993) is both very engaging and entertainting to read from start to finish. It is a great pay-off to what was built-up in issue #7. Very notably, the conflict between Vulture 2099 and the protagonist is great to see and it is clear that Vulture is not a disposable supervillain but one of the most definitive forces of opposition against Spider-Man 2099. Of course, as comic book history turned out, Vulture 2099 made it in the crossover comic book event between classic Spider-Man and Spidey of 2099. Along the way, the creative team succeeded with expanding the lore of 2099 and the social underclass of New York.

Overall, Spider-Man 2099 #8 (1993) is highly recommended.

+++++

A Look Back at Backlash #2 (1994)

February 2, 2023January 28, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Image Comics fans and comic book collectors! Today we go back to the wild 1990s and explore a part of the WildStorm universe through a tale of Backlash!

Backlash #1 was indeed a fun and engaging read with the creative direction spearheaded by Brett Booth who was a co-writer and the illustrator. It built-up Backlash as a major WildStorm figure while also emphasized the concepts from his previous appearances in the Kindred limited series which paired him with Grifter. As seen in issue #1, he freed Taboo and it was clear that she was designed to be a key part of the Backlash series.

With those details laid down, here is a look back at Backlash #2, published in 1994 by Image Comics with a story written by Sean Ruffner, Jeff Mariotte and Booth. Booth was the artist.

Early story

The story begins with a meeting inside the high-tech headquarters of the W.O.R. (Wildlife Organized Research), a front covering the outpost for the criminal organization called the Cabal. During the meeting, the fall of Helspont was discussed and talk about running the Cabal intensified. Just as it was made clear that a new beginning and new leadership were needed to manage the Cabal, a warlord called S’ryn arrives with the deadly Pike behind him. After briefly overwhelming opposition from a Coda warrior and H’tarh, S’ryn performs a ritual and gets the pledge of loyalty from those who recognized him as the new leader of the Cabal. The stage is set for further escalation between the Daemonites and the Kherubim.

In the city of Chicago, Backlash and Taboo spend time together in an apartment that looks worn down and not so clean. It turns out, both of them are fugitives and they are waiting for Cyberjack to complete his surveillance of the security of a hotel where a celebrity ball is set to happen…

Quality

*In the middle of a special event, Backlash and Taboo spring into action as WildCATS’ Jacob Marlowe gets into trouble.*

Compared to what happened in issue #1, this story moved at a moderate pace in relation to the new mission which involved espionage and suspense. It’s not the action showcase the previous issue was but rather more moderated as the creators took a new approach to not only tell a new story but also do its own build-up of the Kherubim-Daemonite war and other WildStorm universe concepts. The story is well-written and while there is a lot of expository dialogue and creative explanations implemented, it never felt forced. Along the way, the creative team started implementing crossover elements by having Jacob Marlowe of WildC.A.T.S.: Covert Action Teams as well as established Image Comics figure Savage Dragon (from Erik Larsen) included in the story and even getting involved with the operations that took place.

As for Backlash himself, you will see a little less of him in this tale (compared to issue #1) which is not surprising as the creative team focused more on the plot and had to handle the crossover elements. Backlash did not become a supporting character here and you will see some superhero spectacle from him, particularly in his rematch with a certain villain.

Conclusion

*S’ryn gets challenged before he becomes the new leader of the forces of evil.*

Backlash #2 (1994) is a fun ride that cleverly combined crossover elements with its own approach on building up the WildStorm concepts, notably the war between the Kherubim and Daemonites. It also shows the consequences of what happened in the 4^th issue of the WildC.A.T.S. mini-series particularly within the side of the opposition. As such, this comic book is pretty much a sequel to the said mini-series. At this stage, there was clearly something prepared to entertain readers while maintaining focus on establishing Backlash (note: Marc Slayton was one of the Team 7 members) as a major WildStorm character.

Overall, Backlash #2 (1994) is recommended.

+++++

A Look Back at What If #40 (1992)

January 30, 2023January 25, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1992 and explore a part of Marvel Comics’ universe through the reimagined tales emphasized in the What If monthly series.

For this particular retro comic book review, we look at a What If tale that is related with the X-Men, specifically through one of their major characters – Storm. For the newcomers reading, Storm is the black X-Men member whose mutation allows her to manipulate the weather. As seen in X-Men comic books decades ago, Storm was portrayed to be tough and brave, and she became a highly valuable learner under Professor X (Charles Xavier). In the 1990s, Storm rose in prominence among the X-Men, she became leader of their Gold Team. Storm was portrayed in the live-action movies by Halle Berry and Alexandra Shipp. It’s just too bad Storm’s role in X-Men: Days of Future Past (note: for me, it is the best X-Men live-action movie ever) was minimal.

With those details laid down, here is a look back at What If #40, published in 1992 by Marvel Comics with a story written by Ann Nocenti and drawn by Steve Carr and Deryl Skeleton.

Early story

The story begins with the Watcher recalling scenes from the life of Ororo who was born to a mother (a tribal princess in Kenya) and a photojournalist father. After moving from America to Egypt, Ororo loses her mother and became an orphan. Along the way, she experienced severe claustrophobia as a result of being buried under tons of rock. Having survived, she became a thief in Cairo and eventually traveled into Africa by chance. There she discovered her true nature as a walking idol. She eventually meets Charles Xavier.

The Watcher then explores another thread of scenarios of Ororo’s life in which she never stepped on the eventual boat, never sailed for Africa and never met the tribe that worshipped her.

In Cairo, Ororo is a very young thief who made herself look like a male. She uses deceptive tactics on a foreigner who walked by. A short time later, Ororo goes to New York City identified as Jack serving an old man who teaches her to work hard, to gain respect from his friends and immerse herself in a world of grifters and hobos. Ororo lives and works as a thief in the city targeting people who have more than enough…

Quality

*A look at Storm as the super-powered thief. It’s also a portrayal of her as a super villain on the rise.*

Among the many What If tales related to the X-Men that I have read so far, this is one of the most well-written and most intriguing alternate universe stories I have read thanks to Ann Nocenti. This was also released at a time when Storm was already established as a brave X-Men team leader and a potential successor to Professor X. In this comic book, there is this strong twist to the established legacy of Storm as a youth and the exploration of what would happen had she remained a thief (a super-powered thief no less) and never followed Charles Xavier turned out to be very compelling in my experience. For one thing, Storm definitely would have given police officers – who clearly are inferior to the powered heroes and villains – a hard time and even help the crime wave overwhelm society’s defenders. It is also quite striking to see Storm to follow and serve a principled yet theft-oriented superior. In fact, this story shows the popular X-Men team leader as a super villain on the rise.

More on storm, Ann Nocenti’s script literally dissected notable traits of Storm’s personality that are connected to the established comic book legacy which creatively created something new that fits in well in this alternate universe story. Through Storm, the story also sheds light on how thieves view life believing that theft is a necessity and their so-called principles justify it. No matter what the thieves and criminals in general think, nothing justifies theft and crime at all and those who commit such acts must be punished accordingly Without spoiling the details, I can say that there are some grey areas within Storm that were nicely emphasized.

Conclusion

*Storm as a male-looking teenager behind bars with the ladies who got apprehended. Scenes like this should remind you NOT to vote for political candidates who are soft and sympathetic towards crime.*

What If #40 (1990) is indeed a great alternate universe portrayal of one of the X-Men’s most prominent characters of the time. The story is very well structured and the characterization of Storm was clearly organized by Ann Nocenti to be powerful and intriguing to read. This comic book also has a twist that you must see for yourselves as well as an ending that will either surprise or satisfy you depending on what you anticipated. Ultimately, this comic book should remind you all to avoid committing crime and the truth is that poverty is a curse and it NEVER justifies theft. Always remember that the Lord is watching you. For enlightenment, read Exodus 22:1-4, Exodus 22:10-15, Leviticus 6:2-7 and 1 Corinthians 6:9-10 in the Holy Bible.

Overall, What If #40 (1990) is highly recommended!

+++++

Philippines achieves 7.6% economic growth in 2022

January 30, 2023January 26, 2023carlocarrasco

The Philippines’ recovery from the downturn of the COVID-19 crisis continued strongly as it has been confirmed that the national economy expanded by 7.6% for the entire year of 2022 which includes a 7.2% 4^th quarter economic growth, according to a news article by the Philippine News Agency (PNA). Take note that the Philippines is expected to grow between 6.5% and 7% in 2023 according to the national authorities while there are signs that the United States economy will fall into a recession this year. Regardless, the Philippines ended 2022 competitively in terms of economic expansion among its Asian neighbors.

To put things in perspective, posted below is the excerpt from the PNA news report. Some parts in boldface…

The Philippine economy expanded by 7.2 percent in the last quarter of 2022, bringing full-year growth to 7.6 percent, driven by increased economic activity mainly from pent-up demand as it fully reopened amid elevated inflation rate.

National Economic and Development Authority (NEDA) Secretary Arsenio Balisacan said among the major emerging economies in the region that have released their fourth-quarter gross domestic product (GDP) growth, the Philippines grew the fastest, followed by Vietnam at 5.9 percent and China at 2.9 percent.  

“Our improved Covid-19 (coronavirus disease 2019) risk management and the easing of mobility restrictions have created a positive economic outlook, boosting economic activity and creating more jobs despite external headwinds,” he said in a briefing on Thursday.

Balisacan said measures being implemented by the government to further buoy the economy’s recovery are working.

“Our strong economic growth performance for 2022 proves that our calibrated policies and strategies have helped put us on the path to recovery and on track to achieving our aspiration for an inclusive, prosperous, and resilient society by 2028,” he said.

Balisacan said pent-up demand drove growth in the fourth quarter as the economy was fully reopened during the period, with household consumption accounting for around three-fourths of domestic output, and investments contributing around a fifth.

“The improvements in labor market conditions, increased tourism, revenge and holiday spending, and resumption of face-to-face classes supported growth in the quarter, further reflecting a solid rebound in consumer and investor confidence in the economy,” he said.

Balisacan said had it not been for the elevated inflation rate, which rose to its highest since November 2008 last December when it accelerated to 8.1 percent, “growth could have been higher by another perhaps 1 to 2 percentage points.”

“It shows how overall demand is sensitive to inflation,” he added.

In terms of the volume of economic activities, Balisacan said domestic growth has recovered for many sectors, except for others such as tourism.

“(But) in so far as per capital income… we haven’t fully recovered yet,” he said.

Balisacan said the government is firm on ensuring that quality jobs will be available to Filipinos to lessen their need to work abroad.

“Inclusive growth across the archipelago will be our vehicle for reducing poverty incidence from 18 percent of the population in 2021 to a single-digit level by 2028,” he said.

National Statistician Dennis Mapa said 2022 full year GDP growth of 7.6 percent exceeded the government’s 6.5 to 7.5 percent growth assumption for the year and the highest after the 8.8 percent in 1976.

Mapa said the fourth-quarter growth, slower than the 7.6 percent in the previous quarter, was driven by the wholesale and retail trade, repair of motor vehicles and motorcycles, financial and insurance activities and retail estate and ownership of dwellings boosted domestic growth.

He said domestic demand remained strong, with the household final consumption expenditure (HFCE) rising by 2.1 percent quarter-on-quarter, led by the restaurants and hotels, food and non-alcoholic beverages, and miscellaneous goods and services. Year-on-year expansion of HFCE stood at 7 percent.

Among the major economic industries, Mapa said agriculture, forestry, and fishing contracted by 1.7 percent because of the lower output of sugarcane, palay (rice), and poultry and egg production.

Meanwhile, Balisacan said the government is doing pro-active assessment of the current situation to address the elevated inflation rate in the country, which is expected to go back to within the government’s 2 to 4 percent target band by the second half of this year.

He said the government continues to allow the importation of several food items to boost domestic supply, adding that not doing so will hurt both the consumers and domestic growth.

Let me end this piece by asking you readers: What is your reaction to this new development? Do you believe that the economy of the Philippine economy will grow between 6.5% to 7% this year? Do you think that more foreign tourists coming into the country will be able to help the nation achieve its economic growth targets this year? Apart from what was already mentioned, what do you think the national government should do to combat inflation? Do you think that the lower income tax for middle income earners will make a positive contribution to economic growth?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673

A Look Back at What If #61 (1994)

January 23, 2023November 13, 2025carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the wild 1990s and examine an alternate universe portrayal of one of Spider-Man’s many events told through the What If monthly series!

If you are looking for a portrayal of Spider-Man going over the edge and into the extremes emotionally, you are about to experience something in this retro review of mine. Some time ago, I reviewed a What If comic book about Spider-Man becoming a murderer which was compelling but ended on a whimper.

With those details laid down, here is a look back at What If #61 published in 1994 by Marvel Comics with a story written by Kurt Busiek and drawn by Kirk Jarvinen, Andrew Wildman, Derek Yaniger and Jim Amash.

Early story

The story begins with Richard and Mary Parker (Peter Parker’s parents) arriving in the presence of Aunt May who happens to be visited by their son Peter (Spider-Man). Having learned something from a while back, Aunt May tells Richard and Mary that they are not genuine persons. Suddenly, Peter Parker’s spider sense intensifies and in an attempt to defuse the situation, he leads his aunt to walk out of the house with him. Richard and Mary watch them walk away.

It turns out, Richard and Mary are impostors and they have been working all the time for a secretive boss. Richard calls his employer under an emergency and reports that they have completed phase one of their assignment, that Aunt May knows the truth about them and is about to inform Spider-Man. Richard is then told that under no circumstances is the plan to be jeopardized and anyone who suspects must die. He is also told to flush Mary’s programming and reset her as she showed signs of acting odd to the situation.

A short time later, Richard and Mary – now in morphed forms with vastly different bodies and half their heads resembling their human selves – suddenly break into an apartment surprising Peter, his wife Mary Jane and Aunt May. Violent action by one of them accidentally ripped open Peter’s shirt, revealing his Spider-Man suit to Aunt May. Just as Peter’s aunt figures out the secret, he tells Mary Jane to grab her and get out.

However, the sight of the morphed Mary Parker shocked Aunt May and Mary Jane so much, they failed to move. Mary Parker then morphs her two hands into large, makeshift hammers, and swiftly killed Aunt May and Mary Jane. Peter is instantly shocked by their sudden deaths but deep inside, rage begins to burn…

Quality

*Spider-Man already over the edge and reacting violently to the abusive Daily Bugle.*

I can start by confirming that Kurt Busiek’s writing is very strong and his alternate take on the events of Amazing Spider-Man #388 (1994) is indeed very solid. In one way, I find the emotional stakes for Spider-Man has been raised a lot higher than what was portrayed in the canon story. The concept of losing his beloved family members to enemies who were impostors that looked like his long lost parents is indeed disturbing as well as emotionally charged. In relation to this, Busiek and the illustrators brought to life a Spider-Man who really went over the edge by taking matters into his own hands as the loss of beloved ones led to the blurring of the boundary between good and evil. Even the boundary between innocence and guilt gets blurred which adds more depth to the emotions of the story. As I read the story, there were moments when I felt that Spider-Man became as bad as the evil ones even though he is clearly the victim and his family was targeted.

Apart from showing Spider-Man getting outraged and pushed to the limits, Busiek inserted elements about how people perceive incidents without knowing all the facts and how easily they get manipulated by a news outlet – the Daily Bugle where Peter Parker worked as a freelance photographer – whose leader does not care about ethical journalism nor the pursuit of the truth. In this age of widespread fake news and liberal news media outlets in America doing propaganda for American Communists (read: Democrats, abortionists, LGBTQ, Black Lives Matter, Antifa, the terrorists, the climate change extremists and the socialist hordes), this particular aspect of the story makes this comic book strongly relevant to read today.

The story also sheds light on Spider-Man’s connections with other Marvel superheroes who happen to be in New York City. You will see Captain America and Johnny Storm express their concern about Spider-Man’s state of mind as they themselves still tried to figure out what really happened. In short, the superheroes here showed restraint even as Spider-Man goes to the extreme being a victim as well as a fugitive.

If there are any weak points in this comic book, it would be the art which has this cartoon-like aesthetic for much of the story. Considering the serious subject matter, the visuals are quite contradicting as they make this look like it was made for much younger readers. In fairness, the quality of the art improved during the 2nd half of the story.

Conclusion

*Spider-Man takes on the impostors who looked like his parents.*

As far as storytelling and characterization goes, What If #61 (1994) succeeded a lot on portraying the iconic Spider-Man as the superhero who went over the limits of his emotions and his reasoning which is the result of the tragic deaths of two beloved family members caused by individuals who pretended to be his parents. This is a very solid story which also has a powerful ending. Where What If #72 failed, this comic book succeeded and even exceeded it with Spider-Man truly becoming unheroic. I should state that this comic book should convince readers to go to the Amazing Spider-Man series and follow the Lifetheft storyline in issues #386 to #388 (which were released months before this comic book). Kurt Busiek’s script is indeed great and it is easily the driving force of the comic book.

Overall, What If #61 (1994) is highly recommended.

+++++

A Look Back at Spider-Man 2099 #11 (1993)

January 19, 2023January 15, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the will 1990s and explore the far future of 2099 within the Marvel Comics shared universe through one of the tales of Spider-Man 2099.

Shortly after his return from the old lower city of New York, Miguel O’Hara’s personal life got more complicated and intense. Aside from that, his rift with his mother remains unresolved. Miguel then begins to assess his personal life as well as his secret life as the swinging hero Spider-Man.

With those details laid down, here is a look back at Spider-Man 2099 #11, published in 1993 by Marvel Comics with a story written by Peter David and drawn by Rick Leonardi.

Early story

The story begins when armed security personnel apprehend a man for defacing Alchemax property with spray paint. As the suspect gets threatened with physical violence, Spider-Man suddenly appears and surprises the one holding the suspect down. It turns out, Spider-Man secretly knocked out one of the security personnel quietly.

The active security officer lets the suspect go and he activates his armor which turns out to be the Situation Emergency Gear (SIEGE for short) which is the result of a project between Alchemax and Stark-Fujikawa. The armored man then begins to strike at Spider-Man in response for the sudden intervention. Very notably, the security officer wearing SIEGE tells Spider-Man he apologizes for taking action and will do everything he could to harm him as little as possible…

Quality

*The futuristic Spider-Man has serious opposition here.*

Considering what happened in issue #10, this comic book ramped up the spectacle showing more of Spider-Man 2099 in action-packed conflict with one of the local authorities who happened to be armed with a powered suit of armor. The figure of opposition here is almost like a super villain but one who is not evil but rather doing what he was hired to do. Apart from being an action-filled conflict with strong sci-fi elements, this conflict symbolizes Miguel O’Hara’s willingness to put himself at risk by taking on the authorities as a deliberate violator of local law even though he himself works with Alchemax. This also shows Miguel’s recklessness as he struggled with the lack of a clear direction with his second life as Spider-Man. At this stage, Miguel’s inner rebellion against his corporation is very clear and this alone will put readers on the edge as they figure out what the deeply troubled hero plans to do next.

This comic book is not an all-out action fest. There was still enough room for Peter David to craft more of Miguel’s affairs at Alchemax, only this time he gets to meet someone who happened to be connected with one particular member of X-Men 2099 (note: this is related to the eventual 2099 crossover storyline). This only adds more intrigue into Miguel’s troubled personal life which is something you must read and find out here.

Conclusion

*This comic book will make you wonder if Spider-Man 2099 himself is slowly becoming evil by getting into direct conflict with the law.*

Spider-Man 2099 #11 (1993) is a fine example of plot really thickening while also making life not only harder but more intense on the part of Miguel O’Hara. At the same time, this comic book built up something new for Spider-Man to eventually face off with. Peter David’s writing and direction of the character are very engaging to follow from start to finish.

Overall, Spider-Man 2099 #11 (1993) is recommended.

+++++

HSBC sees Philippine economy growth of 4.4% for 2023 due to key factors

January 12, 2023January 6, 2023carlocarrasco

HSBC, one of the biggest players of the global financial industry, recently made its forecast of the Philippines growing economically at 4.4% for the year 2023, according to a news article by the Philippine News Agency (PNA). There are certain factors mentioned in HSBC’s assessment for the nation.

To put things in perspective, posted below is the excerpt from the PNA article. Some parts in boldface…

Hikes in the Bangko Sentral ng Pilipinas’ (BSP) key policy rates are expected to dampen the strong domestic output for 2023, with an executive of HSBC forecasting a 4.4 percent expansion this year.

In a virtual briefing on Thursday, HSBC chief investment officer for Southeast Asia, Global Private Banking and Wealth, James Cheo, said private consumption contributed to the strong recovery of the domestic economy last year but this is seen to be limited by the monetary tightening aimed to temper the elevated inflation rate.

Other factors that boosted gross domestic product (GDP) last year include investments, higher government spending on infrastructure and increased mobility following the resumption of face-to-face schooling, he said.

“Looking into 2023, the country’s growth will slow and the recovery is going to be more gradual as the reopening boost fades and monetary tightening weighs on domestic demand,” Cheo said.

As of the third quarter of last year, growth, as measured by gross domestic product (GDP), rose by 7.76 percent, exceeding the government’s 6.5 to 7.5 percent growth assumption for this year.

The BSP’s key rates have been hiked by 350 basis points from May to December last year, after being at record-low of 2 percent in 2020, as monetary authorities help address the elevated inflation rate.

Last December, domestic rate of price increases further accelerated to 8.1 percent, the highest since November 2008, due to faster annual jumps in goods and energy prices.

Cheo said “household’s consumption in 2023 will likely be curtailed” given the elevated inflation rate.

“Strong employment, tourism recovery, expanding production and retail sales, and public investment will continue to support growth in 2023,” he said.

With inflation expected to remain high, Cheo projects the BSP to make three consecutive 25 basis point increases this year, “pausing at 6.25 percent by Q2 (second quarter) 2023” and keeping this decision until at least the second half of 2024.

The above article ended with HSBC predicting that the Philippine Peso will weaken to the United States Dollar at a rate of US$1 = P56.50.

Let me end this piece by asking you readers: What is your reaction to this recent development? Do you believe that inflation and interest rates will somehow slow down the ongoing economic growth later this year? Do you think that Philippine tourism will become a factor to help the Philippine economy grow at least 5% this year? What do you think the national government and its economic managers should do to maintain strong growth as the nation keeps on recovering from the depression of the COVID-19 crisis? Have you been managing your personal or business finances carefully recently?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

+++++

A Look Back at Venom: Lethal Protector #3 (1993)

January 11, 2023January 3, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1993 and explore a part of Marvel Comics’ universe through the first-ever limited comic book series featuring one of Marvel’s most iconic villains – Venom.

In my previous retro review, Venom discovers a long lost section of San Francisco that fell deep underground. Even though it is cut off from the resources and fresh air of modern San Francisco, the lost city section is filled with homeless people and social outcasts. Even though he helped the city dwellers by defeating the two armed mechs (employed by a powerful organization who oppose the city dwellers and are in pursuit of something related to San Francisco’s park), Venom still gets rejected by the so-called council. This only led him to returning to the surface not knowing that he is being targeted by a certain group.

With those details laid down, here is a look back at Venom: Lethal Protector #3, published in 1993 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.

Early story

The story begins with Venom suffering from a sonic blast while being restrained by one of the armed members of the group called The Jury. Their leader (who wears a suit and necktie) introduces himself as Orwell Taylor and he addressed Venom as Mr. Brock. It turns out Taylor spent lots of time and resources researching everything about Brock and the alien costume. More shockingly, The Jury’s leader reveals that he lost his son Hugh years ago due to Venom’s arranged killing of him as he escaped from his prison cell in the federal prison called The Vault. Hugh Taylor is the first man Venom killed when he escaped.

Venom responds by say that he and his symbiote did not want to hurt anyone. This provokes Orwell Taylor into anger and he orders The Jury to kill Venom. Due to the lengthy explanations of Orwell Taylor, Venom managed to recover and regain strength which he uses to free himself and throw one Jury member to another causing quick chaos.

After punching another Jury member, Venom then moves out of the alley and away from Taylor and his team…

Quality

*Very clearly, The Jury is a very formidable force of opposition. Their battle with Venom here comes with a lot of spectacle.*

In terms of storytelling, this one is another improvement over issue #2 (which itself is an improvement over issue #1) as the plot got more interesting and even intriguing. For one thing, I like the fact that David Michelinie recalled Venom’s murderous escape from prison told way back in Amazing Spider-Man #315 (1989) and came up with the establishment of a very angry powerful father who formed the dangerous cybernetic team called The Jury. In a rather symbolic way, this comic book shows how Venom’s past comes back to haunt him and creatively, the battles between Venom and The Jury here are packed with a lot of action and visual dynamism delivered by Mark Bagley. The irony is that The Jury itself is not the main antagonist of this limited series as they are clearly presented to be a recurring force of opposition within Spider-Man’s realm in Marvel Comics’ shared universe of the time.

Still on the plot, the sinister organization hounding the dwellers of the lost city was revealed to be the Treece group whose leader is pursuing something very valuable to feed his greed. Still, even though this is already the third issue, the Treece organization’s presence is very subtle and as the force of opposition towards Venom, they are outclassed by The Jury.

As in the previous issue, Spider-Man got a good share of the spotlight but this one is even more limiting which should delight Venom fanatics who complained about Marvel’s icon overshadowing their guy with the symbiote. Spider-Man serves mainly as a tool for exposition as the creative team showed images from the past of Eddie Brock with his father (whom Spider-Man approached for answers).

The problem here is that showing flashbacks from the past and explaining how Eddie Brock became bitter and sinister as a result of receiving almost no affection from his father ruins the mystery of Venom as a character. During the time of Todd McFarlane drawing Amazing Spider-Man comics and the early Venom tales, the mystery of Eddie Brock’s past added to the intrigue of Venom and his quick rise as the deadliest villain Spider-Man ever faced. I understand that this limited comic book series had Venom as the protagonist who was in high demand among readers of the time but for me the creative team went way too far emphasizing Eddie Brock’s past.

Nothing changes the fact that Eddie Brock aided by the alien costume is a murderer who happens to have previously been a prolific print media journalist whose career got ruined by Spider-Man which in turn led him to a downward spiral and eventually to bonding with the symbiote that once bonded with Peter Parker. The flashbacks were pointless and if there really was an attempt to humanize Eddie Brock and make him sympathetic to readers, the creative team clearly failed.

Conclusion

*Spider-Man with Eddie Brock’s father in California.*

Venom: Lethal Protector #3 (1993) is a mixed bag. Its plot is clearly more intriguing and more interesting to read while there was enough creative space to show The Jury as a powerful force of opposition which is the result of Venom’s murder of Hugh Taylor (read: Amazing Spider-Man #315) while making a prison escape. The spectacle of the battle between Venom and The Jury must be seen! However, the creative team’s move to dramatize Eddie Brock’s past using flashbacks back-fired in my opinion and ultimately they destroyed whatever mystery was left behind Venom. As a protagonist, Venom has no appeal whatsoever and his portrayal here only reminds me that he works best as an antagonist opposite Spider-Man. Venom as a hero for those he perceived to be innocent and helpless remains forced and unconvincing.

Overall, Venom: Lethal Protector #3 (1993) is satisfactory.

+++++

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