Team Xbox and Square Enix renew business relationship as Final Fantasy XIV Online gets set for Xbox Series X|S launch in 2024

Things have been turning out positively for Team Xbox and its millions of fans worldwide in recent times. Not so long after the big breakthrough for the Xbox-Activision-Blizzard deal and the launch of Antstream Arcade on Xbox, Team Xbox and Square Enix officially renewed their business relationship and symbolically it has been confirmed that Final Fantasy XIV Online got set for launch on Xbox Series X|S in 2024.

For the newcomers reading this, over the past years a notable number of Square Enix games were released without versions on Xbox consoles. It is already out in the open that Sony had been signing deals with game publishers and developers to exclude Xbox consoles and Xbox Game Pass so that the PlayStation platforms will gain the competitive edge (click here and here). This seems evident in Square Enix’s announcement of Final Fantasy Pixel Remaster Collection coming to multiple platforms except Xbox.

Going to what happened this past weekend, almost out of nowhere Xbox chief Phil Spencer appeared alongside Square Enix CEO Takashi Kiryu and Square Enix video game producer Naoki Yoshida (AKA Yoshi-P) on stage during a Las Vegas event and symbolically confirmed the renewal of their business relationship. Adding credibility to the renewal was the announcement of Final Fantasy XIV for Xbox Series X and Xbox Series.

To put things in perspective, posted below is the Tweet from Xbox chief Phil Spencer himself…

Posted below is the excerpt about the big development from Windows Central Gaming’s report. Some parts in boldface…

Indeed the renewal of ties between Xbox and Square Enix is a very positive breakthrough that will benefit not only the many millions of Xbox gamers (including those using Windows PC) worldwide but for video gaming as a whole. While Square Enix still has contracts signed with PlayStation still in effect, they and Team Xbox can collaborate on other available games for Xbox release. Whatever feelings you have towards the company behind the Final Fantasy games, this development opens the possibilities of releasing Legend of Mana games and a potential remaster of Xenogears on Xbox platforms. There is also the potential that Team Xbox can sign new deals with the Japanese titan to release more of its games on Xbox Game Pass (XGP).

While Final Fantasy XIV Online’s Xbox launch is still some time away, Xbox gamers have a lot to enjoy along the way with exclusives such as Starfield and Forza Motorsport (2023). Looking at the Xbox ecosystem as a whole, the renewed Xbox-Square Enix ties means more games from the Japanese titan will be released in the near future. Square Enix’s RPGs – both modern and classic – will add weight to Xbox as the ecosystem for RPG fans. That being said, I encourage you Xbox gamers to watch out for SE’s future releases. Also you might want to try the existing Square Enix RPGs still available on the Xbox store such as Chrono Cross: The Radical Dreamers Edition.

Final Fantasy XIV Online on Xbox

To gain a deeper understanding of the Final Fantasy XIV Online announcement, posted below is the excerpt from the Xbox.com article. Some parts in boldface…

In concluding this post, posted below are Xbox-related videos for your enjoyment.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/

A Look Back at Freex #16 (1995)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 to revisit one of the many tales of Malibu Comics’ Ultraverse through the Freex monthly series.

In my previous review, the Freex encountered someone very deadly (note: Rafferty who also encountered The Strangers) and out of nowhere one of their members got killed as he made his move to protect someone’s life.

With those details laid down, here is a look back at Freex #16 published in 1995 by Malibu Comics with a story written by Gerard Jones and drawn by Klebs de Moura e Silva.   

The cover.

Early story

The story begins at midnight when Ruby arrives at a sorrowful gathering composed of Contrary, her academic students, the Night Man, the Old Man and the remaining members of Freex. They are all mourning over the dead body of Michael. Just after Old Man declared that everyone should move on and let Michael (Plug) rest, Contrary (now an established member of UltraForce) stated that her academy will keep him in the company of others like him at their Mt. Shasta Citadel headquarters as the dead Freex member does not have any known surviving family members.

The loss of Michael then begins to take its toll on Angela/Sweetface as she cries and states that there is nothing left to live for. Suddenly, something appears to the Freex…an angel-like figure who tells Angela to end the pain and join the only one who still cares for her. Valerie and Lewis try to help Angela resist the one who spoke…

Quality

The Old Man becomes the target of Freex.

What is obvious to me here is that this comic book is all about the consequences of the death of original Freex team member Michael and how his death impacted specific teammates who had really grown close with him. The plot in this comic book is pretty light as this was clearly written to have strong character dramatization and development.

While there were indeed a whole lot of characters who appeared here, this comic book highlights Sweetface as the one most affected by the sudden death of Michael. That being said, any dedicated Freex fan who seriously followed the series right from the start will be able to relate with Sweetface’s emotions and even feel her deep feelings with Michael. Incidentally, this paves the way for her to interact more with Lewis who also got impacted by the death of their teammate. As the story went on, there were key developments here that strongly symbolized that Freex will take a serious change of direction focusing more on team survival and avenging Michael while severing ties with the Old Man. Clearly the creative team were building up something for the team who at this point have been on a very long and painful journey as nomads.

All throughout, the script really is detailed, richly layered and engaging. Apart from Freex, Night Man, Contrary and her students, and other characters had their fair share of the spotlight strongly symbolizing the current state of the Ultraverse at the time.

Conclusion

Even as she is mourning over the death of Michael, Angela suddenly sees a mesmerizing vision in front of the others.

Freex #16 (1995) is indeed a solid comic book to read. The strong writing is its strongest feature and it really delivered the compelling stuff that will resonate most with the long-time Freex fans. The dramatization of the effects of Michael’s death really is strong and the new change of direction for the surviving Freex was implemented really smoothly. The lack of a good-versus-evil element was no problem at all here. By the end of the comic book, I became eager to find out what would happen next to Freex.

Overall, Freex #16 (1995) is recommended.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

Play over 1,000 retro games on Xbox with Antstream Arcade!

If you are long-time gamer who misses the many fun games from them past, then you will delighted to know that you can play over one thousand retro games on Xbox Series X, Xbox Series S and Xbox One with the Antstream Arcade service which is now available for $29.99 annual subscription and $79.99 lifetime pass.

For the newcomers reading this, Antstream Arcade is the grand gaming arcade with over 1,300 classic games from the 1980s to the 2000s that were released across varied platforms such as the video arcade, Super Nintendo Entertainment System (SNES) and the PlayStation One to name a few. Antstream Arcade on Xbox platforms just made the global Xbox ecosystem even more exciting to those who love playing multiple types of games. Posted below is the official Xbox launch trailer of Antstream Arcade!

To gain a deeper understanding of Antstream Arcade on Xbox, posted below is an excerpt from the Xbox.com article. Some parts in boldface…

We’re excited to share that Antstream Arcade, a cross-platform streaming platform focusing on retro games, is now available on Xbox Series X|S and Xbox One, bringing its current library of over 1,300 retro games to Xbox consoles. Jump in today and play classics like Mortal Kombat, Pac-Man, Asteroids, and Earthworm Jim from your couch. Experience classic PS1 and Nintendo games such as Loaded, Indiana Jones Greatest Adventures, and Super Star Wars with your Xbox controller in hand. With Antstream Arcade you can experience these games today, fully optimized, and ready to go at the push of a button. Simply create an account, sign in, and start playing!

The Importance of Game Curation to Antstream – When the company was formed in 2013, one of the key motivations behind the product was preservation. There are decades of incredible games which are no longer available legally. Sure, many of these titles can be downloaded and played with emulators and ROMs but that experience is uncomfortable. The configuration of Emulators and ROMs is a technological barrier for many gamers.

Antstream’s easy ‘pick up and play’ mechanic makes these games accessible to everyone. In my position as Customer Support manager, I’ve had emails from six-year-old kids telling me that they’ve had a blast playing Double Dragon. Another recent email was from a 72-year-old who needed help completing Dizzy. Antstream is incredibly easy to use.

“Many of us grew up playing these games, so the ability to stream them on Xbox consoles and share these experiences with our friends and family is incredible,” said Sarah Bond, CVP of game creator experience and ecosystem at Microsoft. “We’re pleased that with Microsoft for Startups Founders Hub’s technology benefits and Azure cloud services we can help enable Antstream to reach more players.

Coming back to the preservation aspect. It’s painful to see games lost to time. Antstream is a fantastic platform for people to experience games that they have never played before. Also, to find and discover games that were cancelled or not released. We are crafting a catalogue of titles which raise awareness of gaming history and keep the spirit of their creators alive.

This has been recognized by TIGA, Antstream has won an award for games curation.

New’ Retro Games on the Platform –  A unique aspect to Antstream’s approach to game curation is how we support independent developers who are continuing to release games on retro platforms. For example, Turbo Tomato is an Amiga game released last year. It has become hugely popular thanks to Antstream. We also include these in our challenges and tournaments.

Challenges and Tournaments – Antstream is also creating longer lasting appeal with classic games with our unique challenge system. These titles are back-engineered to create a competitive system which allows you to experience these well-loved titles in new ways. These are ‘game modes’ such as ‘one-life challenges’ that extend the life of these titles and create new interest in the community.

In the past 12 months, we have introduced a new mode called Giant Slayer. This is centered around our growing community. One person sets up a challenge and then is presented to the community. They must try and beat the challenger for kudos and precious gems. Giant Slayer challenges are created by the players for other players. This keeps our community constantly engaged and involved in the product in a greater way than other streaming services.

We also feature tournaments. Here you can pit your high scores and feats against others in games like Dig Dug, Marble Madness, Double Dragon and Mortal Kombat. Scoring highly in these contests payout gems that you can spend on other games or for entering future tournaments.

The ‘power’ of AntstreamSpeaking to Microsoft Game Dev Blog about how Azure powered Antstream, Founder and Chief Executive Officer at Antstream Arcade Steve Cottam shared, “Microsoft was the right technical ally for us because it has a high density of servers globally, which was how we knew we could scale our service. By connecting gameplay to a nearby Azure virtual machine, we make sure that the time between a player pressing a controller button and something appearing on their screen is less than 50 milliseconds.

In addition, there is this very in-depth video that answers a lot of questions about Antstream Arcade posted below for you all…

Having Antstream Arcade on Xbox is very appealing to me personally. I still have some fondness of games I played long ago on the arcades such as Elevator Action Returns, Star Wars, Defender, Robotron: 2084, BurgerTime, Cloak & Dagger, Fighter’s History, Double Dragon, Space Invaders and Asteroids plus so many others I cannot just write down here. Not only that, Antstream Arcade is also an opportunity for me to play many, many other games I never got to play such as Indiana Jones’ Greatest Adventures (SNES), Metal Dragon (MSX), and more.

As mentioned in the Xbox.com article, it was indeed a great move for Microsoft to be the definitive technical ally for the Antstream Arcade developers not only because of the established global servers available but also because the retro gaming service fits right in with the Xbox ecosystem of games and the global userbase of millions.

The Cloak & Dagger arcade game that had a severely limited release decades ago has gotten more available for millions of users via Antstream Arcade on Xbox.
The arcade hit Elevator Action Returns.
The Super NES version of Zombies Ate My Neighbors.
Star Wars arcade game.
Indiana Jones’ Greatest Adventures on SNES.

One of these days, I will avail of Antstream Arcade to make the gaming experience on my Xbox Series X even more in-depth. It will be a matter of timing, cost, the number of games updated and how the Antstream Arcade developers will be able to fix whatever bugs they will encounter as the service has just launched. If you are already availing of the retro games service and you encountered technical glitches, you better report to the developers online.

To see what games to expect to Antstream Arcade, check out Pure Xbox’s very long list by clicking here.

In concluding this post, posted below are Xbox-related videos for your enjoyment.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

Carbon black Xbox Series S – 1TB set to launch on September 1, 2023 for $349.99

It has been over a month since the Xbox Games Showcase 2023 and Starfield Direct happened and in recent times Team Xbox boasted very high viewership as the games that got showcased really drew in a lot of people online.

Among the many games shown, Team Xbox formally announced an improved version of the Xbox Series S console – a carbon black Xbox Series S loaded with 1 Terabyte SSD all set for commercial release on September 1, 2023 with a price tag of $349.99. This machine is also referred to as Xbox Series S – 1TB.

To put things in perspective, posted below is an excerpt from the official Xbox.com announcement. Some parts in boldface…

Meet the new Carbon Black Series S with 1TB of storage. Whether you’re looking to upgrade from your current console or are new to Xbox, the Xbox Series S – 1TB offers you another option within the Xbox family of devices. The bold Carbon Black color is the same sleek, modern matte finish as Xbox Series X and the Xbox Wireless Controller.  This console features the same next-gen speed and performance of our 512GB Series S, now with double the storage so you can download even more of your favorite games to your console where they’ll be ready to play when you are. Plus, you’ll make the most of every gaming minute with features like Quick Resume, lightning-fast load times, and gameplay of up to 120 FPS – all powered by Xbox Velocity Architecture.  

Better Together – Xbox Series S pairs seamlessly with all our fan-favorite Xbox accessories. You can also add an Xbox Game Pass Ultimate subscription (membership sold separately) so you can play new games built natively for Xbox Series S and X like Starfield and Forza Motorsport on day one. Plus with games added all the time, there’s always something new to play. 

Available Worldwide September 1 – Launching September 1 (just in time for Starfield), pre-orders for Xbox Series S – 1TB start today at xbox.com or microsoftstore.com for $349.99 ERP. We’ll be adding more retailers and regions in the weeks to come.  

Now watch the official Team Xbox YouTube video below…

If you ask me, I don’t intend to buy the Xbox Series S – 1TB as I already own an Xbox Series X console which is the more expensive machine as it is a premium product. Still, there is no denying that the Xbox Series S – 1TB and its older (soon to be phased out) predecessor strongly appeal to gamers who have limited amounts of money to buy new game consoles, as well as gamers who don’t care much about 4K resolution gaming and movie viewing at home.

Xbox Series S – 1TB release on September 1 is very strategic as the epic Bethesda-developed Xbox-exclusive sci-fi RPG Starfield will be released just days after. A little over a month later, the Xbox-exclusive Forza Motorsport (2023) will be released. Sometime in 2024, the Obsidian-developed Xbox-exclusive fantasy RPG Avowed will be released. I would not be surprised to see the Xbox Series S – 1TB sell a lot (note: first-time gamers as well as owners of the old Xbox One consoles and even those with Xbox Series S consoles will be more likely customers) before those Xbox exclusives get released and eventually more new subscribers to Xbox Game Pass (XGP) (note: I encourage you to subscribe) will be realized. There will also be a lot of other new games, game compilations and remastered games that will be released in the 4th quarter this year.

Watch out for Xbox Series S – 1TB on September 1, 2023.

In conclusion, posted below are Xbox-related videos for your enjoyment. I also included videos about the big breakthroughs of the Xbox-Activision-Blizzard deal. In case you missed the news, the opposition led by PlayStation against the deal has failed and Sony itself signed a Call of Duty-related contract with Team Xbox!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at Venom: Funeral Pyre #2 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1993 to take a close look at the second issue of the second Venom comic book mini-series Venom: Funeral Pyre.

In my previous review, the Punisher and Venom encountered each other for the first time ever and along the way Gray – who is secretly a journalist with a mission – struggles to maintain his composure and his sanity as he finds himself in the middle of a very violent gang war in Oakland, California. The more time Gray spends time with the crime gang he joined, the tougher the situation becomes for him.

With those details laid down, here is a look back at Venom: Funeral Pyre #2, published in 1993 by Marvel Comics with a story written by Carl Potts and drawn by the late Tom Lyle.  

The cover.

Early story

The story begins with Gray and his gang companions riding a car approaching a group of people on the street. The gang leader pressures Gray to use his weapon to kill them. Gray is deeply worried not only because he has to prove his worth to the gang by killing other, but also because the rescue attempt he was waiting for had not yet happened.

Meanwhile, Venom finds himself trapped on the doorway of a building with the metal gate locked and with rays of microwave from the Punisher’s van radiating him painfully. As the Punisher leaves them behind, Venom manages to use the symbiote to reach into the van and smash the control panel inside which disabled the microwave rays.

Immediately, he recovers and breaks out to continue his mission: to rescue Gray…

Quality

The murderous Venom actually helped the Punisher.

When it comes to the storytelling, there are some improvements that made this comic book more readable than issue #1. For one thing, the exposition has been reduced which allowed the pace of the story to move faster. Most of the exposition here has been limited to Gray who at this stage of the mini-series was clearly bound to become the central object of the Funeral Pyre concept. Another thing is that the story’s structure here is simpler and easier to follow as Venom and Punisher moved on their own struggles separately before predictably getting together again.

While the mini-series has clearly been a tale of a city gang war – with a pretentious and unwilling gang member who expected to be rescued before things become too chaotic – that happened to pull the Punisher and Venom in for different reasons, Carl Potts added some elements that would resonate with Marvel Comics fans who are familiar with HYDRA and the Super Soldier aspects of the Marvel Comics universe history. Not only that, there is a science fiction-inspired setting near the end of the story that added variety to the in-story environment.

Like the first issue, this one is packed with a good amount of action scenes and that means Punisher and Venom fans have a lot of stuff to enjoy. Tom Lyle really is good with showcasing the respective spectacle of the vigilante and the symbiote-wearing murderer, and when he has the two together, his visual creativity intensifies.

Conclusion

Grey shooting blindly at the targets while riding the car of the gangsters he joined.

Venom: Funeral Pyre #2 (1993) is clearly an improved reading experience over issue #1 mainly because of the reduced information dump, the simpler plot structure and the creative showcase of Venom and the Punisher. While Gray remains uninteresting, his late-stage transformation turned out to be somewhat surprising and it was only near the end of this comic book that the Funeral Pyre concept became clear.

Overall, Venom: Funeral Pyre #2 (1993) is satisfactory.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Stephen King’s Creepshow (1982)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back fellow geeks, pop culture enthusiasts and comic book collectors! Way back in 1982, the horror comedy anthology film Creepshow was released in cinemas and it gave moviegoers a fun time getting scared as it featured well-made short stories written by Stephen King and directed by George Romero. The two creators were strongly influenced by the 1950s horror comic books of EC Comics when they made the movie. Very recently, Creepshow was released on 4K Blu-ray loaded with lots of extras for fans and moviegoers to enjoy. The said 4K Blu-ray release can be ordered online now.

I myself first saw Creepshow on home video sometime in 1983 and got to replay it occasionally on cable TV and DVD. Strangely enough, it was only a few years ago when I first learned that there was indeed a comic book adaptation of the movie that was also released the same year it hit cinemas.

With those details laid down, here is a look back at Stepehen King’s Creepshow published in 1982 by Plum with stories written by Stephen King and drawn by Bernie Wrightson (with Michele Wrightson). The cover was illustrated by the late EC Comics legend Jack Kamen.

The cover.

Early stories

Father’s Day – Sylvia Grantham, her nephew Richard, niece Cass and Hank (husband of Cass) enjoy time together at the Grantham estate anticipating the arrival of Bedelia for the annual family dinner. It is an open secret within the family that Bedelia killed her late father Nathan Grantham who was so overbearing to her as she became responsible on nursing him full-time.

Bedelia apart from her relatives in Father’s Day.

The Lonesome Death of Jordy Verril – A lonely farmer named Jordy witnesses the unexpected arrival of a meteorite from out space which landed violently on his farm. After realizing what it is, he touches it without any protection and gets his fingers burned. Considering the rarity of the object, Jordy begins to imagine making a lot money by bringing it to the local college.

A page of the story of Jordy and the meteor.

The Crate – In the basement level of Amberson Hall (science building of Horlicks University), a janitor accidentally finds a very old wooden crate located right under the staircase. The writings “Ship to Horlicks University via Julia Carpenter – Arctic Expedition – June 19, 1834” were marked on the crate. Meanwhile a faculty party is taking place across town. During the party, the mild-mannered college professor Henry Northrup experiences embarrassment as his unhinged wife Wilma (note: referred to as Billie) talks way too much in front of professor Dexter Stanley and many others. Henry reveals to Dexter that he has grown to hate his wife. Suddenly, someone tells Dexter that a telephone call for him is waiting. It was the janitor who made the call.

Henry, wife Wilma (AKA Bilie), the janitor and Dexter Stanley in The Crate.

Something to Tide You Over – At a beach, Harry Wentworth could do nothing but remain helplessly immobile as his entire body and neck have been buried under the sand by Richard. It turns out that Harry has been having an affair with Becky, Richard’s wife. The helpless Harry expressed that he and Becky were really in love with each other. For his part, Richard has something else to show to him and he certainly has some things prepared.

Richard and Harry in Something to Tide You Over.

They’re Creeping Up on You – A wealthy and cruel businessman named Upson Pratt is alone in his well-lighted apartment. He has been suffering from mysophobia and has been living in isolation and only communicates with others using the telephone and other electronic methods. Slowly but surely, cockroaches begin to multiply in his apartment.

Upson Pratt and the cockroaches in They’re Creeping Up on You.

Quality

Starting with the storytelling with emphasis on how the comic creators selected content from the movie and translated it all into illustrated literature format with a little over sixty pages to work with, I can say that this comic book is pretty much a faithful adaptation of the film’s five short stories (note: the cinematic prologue and epilogue were never adapted). For each short story, it is clear that sufficient details from each cinematic tale were adapted and the overall concepts, acts and characterizations were pretty much maintained. This is a credible piece of illustrated literature work as each tale is not only readable but also engaging and entertaining complete with shock moments. Take note that Stephen King not only wrote all these tales for the movie, there were two tales that were previously published in literary format before Creepshow was even made. Whoever participated in the editing process behind the production of this comic book deserves commendations.

While the writing used in adapting the film’s concepts and characters turned out good, it is clearly obvious that certain cinematic elements could not be translated here. Remember how frantic and scared Dexter Stanley (played by the late Fritz Weaver) was in the movie after he witnessed the janitor got killed by the monster? Those cinematic emotions never made it in illustrated literary format here.

The artworks by Bernie Wrightson are pretty good to look at. Similar to the writing, the visuals here were made to recapture the look of the movie not in a shot-for-shot manner but with the artist’s own approach on how such scenes should be presented. That being said, I should state that the comic book panels that appeared in the movie’s transition scenes (example: still live action image slowly turning into illustrated comic book form) are NOT here at all.

You will instead see Wrightson’s own visual interpretation of the scenes from the movie and the artworks were inspired a bit by the 1950s horror comics of EC Comics and ultimately were more in line with the contemporary approach of drawing comic book art of the 1980s. The gory scenes from the movie made it in this comic book. When it comes to drawing monsters or the undead, the art result was uneven. While Wrightson’s art of the monster in The Crate was really scary to look at (in accordance to how it appeared cinematically), the work on the walking dead in Something to Tide You Over looked much less scary compared to those in the film.

While Wrightson clearly did not prioritize recapturing the likenesses of the actors to illustrate their respective characters, there were a few shots in which professor Henry Northrup somewhat looked like the late Hal Holbrook, and the illustrated Bedelia resembled the late Viveca Lindfors.

Conclusion

The best way to describe Stephen King’s Creepshow (1982) is this…it is indeed a very solid adaptation of the movie and its five short stories. While it was clear that not all the dialogue and other types of content of the movie could ever fit in this comic book, the creators did a very credible job of adapting Creepshow’s core elements and succeeded in making what they had solidly presented for readers to enjoy. Each short story from the movie turned out to be cohesive and enjoyable for reading.

When it comes to really enjoying this graphic novel, I personally would recommend you readers to watch the Creepshow movie first before reading. The film is the complete package of entertainment showcasing the combined works of Stephen King and director George Romero, while this comic book is ultimately the companion piece for those who enjoyed the movie as well as EC Comics’s horror comic books of the 1950s.

Overall, Stephen King’s Creepshow (1982) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

Grand Theft Auto V is back yet again on Xbox Game Pass (XGP) service

Recently as Team Xbox announced the July 2023 lineup of games added on the Xbox Game Pass (XGP) subscription service, the inclusion of the massive best-selling open-world game Grand Theft Auto V (GTAV) turned out to be the biggest surprise of them all.

Franklin traveling on waves. This entire sequence ran smoothly at 60FPS with ray tracing enabled.

To be very clear, this is not GTAV’s first time to be in XGP. In fact, it was made available to Xbox Game Pass subscribers in limited time periods in 2020 and 2021. In my case, since I bought my Xbox Series X console and subscribed to XGP in late-2021, this is my first time to play GTAV on the service and the first time in years for me to replay the game since the Xbox One version. Oh yes, I first played GTAV on Xbox 360 way back in 2013.

What makes GTAV’s newest return to the service significant is that it includes the most updated versions of the game optimized specifically for Xbox Series X and Xbox Series S. This means that the next-generation console graphical enhancements include the Fidelity Mode, the Performance Mode and the Performance RT Mode, and only the Xbox Series X is capable of those three. Refer to the details below sourced from GINX.TV

GTA 5 Fidelity ModeThe highest visual quality possible and targets 30 fps. PS5 and Xbox Series X supports native 4k resolution in this mode with Ray Tracing enabled. Xbox Series S supports upscaled 4K resolution.

GTA 5 Performance ModePerformance Mode in targets 60 fps for the most responsive, smoothest gameplay experience yet on PS5 and Xbox Series X, with an upscaled 4K resolution. Xbox Series S, on the other hand, supports a resolution of 1080p in Performance Mode targetting 60 fps.

GTA 5 Performance RT ModeThe Performance Ray Tracing Mode is only available for PS5 and Xbox Series X, and is not supported on the Series S console. This is a hybrid between the Performance and Fidelity modes. It targets 60 fps with Ray Tracing enabled, with an upscaled 4K resolution to boot.

This huge crash happened during one of the scores in the game. Captured on Performance RT Mode.

That being said, I started playing Grand Theft Auto V on my Xbox Series X via XGP with the Performance Mode setting for the graphics followed many hours later with the Performance RT (ray tracing) Mode.

As such, I am enjoying replaying the game with super smooth 60 frames-per-second (60FPS) and I can say it made the single-player gameplay experience more fun and engaging to do. Since I enjoy the 60FPS frame rate a lot, I will play the game with the Fidelity Mode some time later.

With Starfield and Forza Motorsport (2023) launching on Xbox Game Pass this September and October respectively, playing GTAV on the service with the Xbox Series X console is strongly recommended. That being said, there is no telling how long with Rockstar’s game remain on XGP. If you are already an XGP subscriber with an Xbox Series X console and you love open-world games, then you should avail of Grand Theft Auto V while it is still available. Xbox Series S-owning XGP subscribers can still enjoy 60FPS gaming with the Rockstar game.

Go and play Grand Theft Auto V on your Xbox Series X or Xbox Series S console while it is still available on XGP.

In concluding this post, posted below are Xbox-related videos for your enjoyment.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

Better than Streaming: Creepshow Collector’s Edition 4K Blu-ray now available

Welcome back, fellow geeks, Blu-ray collectors and movie buffs! Back in the early 1980s, I managed to watch on home video the 1982 horror comedy anthology film Creepshow which was a fine collaboration between director George Romero and author Stephen King clearly inspired by the 1950s horror comic books of EC Comics.     

The good news for fans of the movie as well as those who love watching movies in the comfort of home without streaming is that the Creepshow Collector’s Edition 4K Blu-ray (2 discs inside the set) from Shout Factory is now available at retail and for ordering online. For those who want the best in visuals, Creepshow’s 4K version is in native 4K!

The 4K Blu-ray cover cleverly uses the same art from the original movie poster of 1982.

To begin with, posted below are the technical specs of Creepshow Collector’s Edition 4K Blu-ray sourced from  its Blu-ray.com page. Some parts in boldface…

Video

Codec: HEVC / H.265 (75.09 Mbps)

Resolution: Native 4K (2160p)

HDR: Dolby Vision, HDR10

Aspect ratio: 1.85:1

Original aspect ratio: 1.85:1

Audio

English: Dolby Atmos

English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)

English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)

Note: Atmos: 4035 kbps, 5.1: 3609 kbps, 2.0: 2002 kbps

Subtitles – English SDH

Discs -4K Ultra HD, Blu-ray Disc

Two-disc set (1 BD-100, 1 BD-50)

Packaging – Slipcover in original pressing, Reversible cover

Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A

In case you are wondering how much stuff you will get in return for purchasing Creepshow Collector’s Edition 4K Blu-ray, posted below is an excerpt from the Blu-ray.com announcement page. Some parts in boldface…

BRAND NEW 4K RESTORATION OF THE FILM FROM THE ORIGINAL CAMERA NEGATIVE (2023)

NEW DOLBY ATMOS TRACK

Audio: DTS-HD Master Audio 5.1, DTS-HD Master Audio 2.0

Audio Commentary With Director George A. Romero And Special Make-Up Effects Creator Tom Savini

Audio Commentary With Director Of Photography Michael Gornick

Audio Commentary With Composer/First Assistant Director John Harrison And Construction Coordinator Ed Fountain

Terror And The Three Rivers – A Round Table Discussion On The Making Of Creepshow With John

Amplas, Tom Atkins, Tom Savini, And Marty Schiff

The Comic Book Look – An Interview With Costume Designer Barbara Anderson

Ripped From The Pages – An Interview With Animator Rick Catizone

The Colors Of Creepshow – A Look At The Restoration of Creepshow With Director Of Photography Michael Gornick

Into The Mix – An Interview With Sound Re-recordist Chris Jenkins

Mondo Macabre – A Look At Mondo’s Various Creepshow Posters With Mondo Co-Founder Rob Jones And Mondo Gallery Events Planner Josh Curry

Collecting Creepshow – A Look At Some Of The Original Props And Collectibles From The Film With Collector Dave Burian

Audio Interviews With Director Of Photography Michael Gornick, Actor John Amplas, Property Master Bruce Alan Miller, And Make-up Effects Assistant Darryl Ferrucci

Tom Savini’s Behind-The-Scenes Footage

Horror’s Hallowed Grounds – A Look At The Original Film Locations Hosted By Sean Clark

Deleted Scenes

Theatrical Trailers

TV Spot, Radio Spots

Still Galleries – Posters, Lobby Cards, And Movie Stills

Still Galleries – Behind The Scenes Photos

Wow, the above sure is a lot of stuff for the long-time Creepshow fans and the Blu-ray/4K Blu-ray collectors to digest.

For the newcomers reading this, Creepshow is arguably a landmark American horror movie as it used a very unique format of telling not one, not two but five standalone horror comedy stories that each had its unique concept and different casts. As comedy is mentioned, it means there is dark humor implemented that prevents each story from being too grim with its horror. In other words, the horror in this anthology film is unique and fun to watch. Adding further zest into its creativity was the use of comic book-inspired panels and backgrounds that really captured the vibes of 1950’s EC Comics-published horror comic books. This passionate collaboration between a movie director best known for zombie movies and an author best known for horror and suspense literature really stood the test of time. Not to be outdone, however, is the movie makeup and special effects works done by fan-favorite Tom Savini.

I should also state that Creepshow several actors who made fine contributions on-screen. Horror genre standout Tom Atkins plays the angry father in the film’s prologue and epilogue. The late Leslie Nielsen, who is often remembered for cinematic comedy, cleverly plays a villain (with a fine mix of evil and humor in his performance) opposite Ted Danson. There were also Hal Holbrook and Adrienne Barbeau as a very unique couple. In the Father’s Day segment, you will see the late classic actress Viveca Lindfors as the unfortunate aunt as well as a much younger Ed Harris in a supporting role. The late E.G. Marshall is the lead star in the fifth segment. Last but not least, you will see Stephen King himself act in one of the segments concerning the crash of a meteor. Apart from the horror concepts and stylish directing of Romero, the lineup of actors alone add tremendous value to Creepshow’s overall attraction and fun value.

Leslie Nielsen.
Hal Holbrook and Adrienne Barbeau as a married couple.
Author Stephen King as Jordy.

The impact of this 1982 horror anthology movie cannot be denied. In the years following Creepshow’s release, the Twilight Zone: The Movie anthology film of 1983 (note: this one even involved Steven Spielberg directing one story), the Tales from the Darkside horror anthology TV series (created by George Romero himself) and the Tales from the Crypt horror anthology TV series were released.

To know more about Creepshow, watch the video from Minty Comedic Arts below…

In case you are interested or if you have made up your mind, you can order a copy of Creepshow Collector’s Edition 4K Blu-ray right now by clicking https://www.amazon.com/Creepshow-Collectors-Ultra-Blu-ray-UHD/dp/B0BZCM3S54/ref=sr_1_1?crid=IE8C3YOK8ER7&keywords=creepshow+4k&qid=1688810895&sprefix=Creepshow%2Caps%2C363&sr=8-1

If you want the best enjoyment possible from watching Creepshow Collector’s Edition 4K Blu-ray, I highly recommend you avoid watching Creepshow movie reaction videos and the spoileriffic retro movie reviews posted by YouTubers.

The Creepshow movie poster from 1982.

If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at The Further Adventures of Indiana Jones #1 (1983)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back fellow geeks, pop culture enthusiasts and comic book collectors! I want to make things clear to all of you that when it comes to movies, Indiana Jones is truly an American icon who will be remembered for a long time thanks to the combined works of the legendary creative team of Steven Spielberg, George Lucas and Harrison Ford.

I love watching the films Raiders of the Lost Ark (1981), Indiana Jones and the Temple of Doom (1984), Indiana Jones and the Last Crusade (1989) and Indiana Jones and the Kingdom of the Crystal Skull (2008). While the respective qualities, artistry and fun factors of those films varied through the years, there is no denying that those are cinematic adventures worth replaying.

In case you are wondering, I have no intention to watch Indiana Jones and the Dial of Destiny (2023) since that movie was specifically handled by Kathleen Kennedy whose leadership of Lucasfilm (under the Disney banner) ruined Star Wars since 2015. It does not help that the new movie was not directed by Spielberg and clearly it does not involve George Lucas on the creative side. I should state that I reject wokeness, political correctness and identity politics which defined Kathleen Kennedy’s handling of Star Wars and Indiana Jones.

That being said, now is a good time to back into the 1980s when the Indiana Jones entertainment franchise was still new and creatively expanding into other forms of media. In fact, Marvel Comics started publishing an Indiana Jones comic book series between Raiders of the Lost Ark and Indiana Jones and the Temple of Doom.

With those details laid down, here is a look back at The Further Adventures of Indiana Jones #1, published in 1983 by Marvel Comics with a story written and drawn by John Byrne with ink work by Terry Austin.

The cover.

Early story

The story begins with Indiana Jones (wearing formal attire for his academic profession) attempting to whip a small stick off the mouth of Miss Greebly who was standing very still. Jones’ superior Dr. Marcus came in to witness the stunt.

Shortly after, Jones and Marcus meet with former student Charlie Dunne who reveals to them he and his sister Edith learned the location of the Ikons of Ikammanen. Just seconds after stating he could prove that the ikons exist, Dunne suddenly gets hit on the back with a knife.

With Dunne suddenly killed and the discreet killer already gone, Jones and Marcus examine the content of the victim’s bag and find a map of coastal Africa, a photograph of a temple and an address…

Quality

Indiana Jones and Edith on a dangerous search.

I will start by stating the obvious thing about this comic book…it looks and feels like a genuine Indiana Jones adventure with clear inspiration taken from the 1981 movie. The basic elements are here: Indy does research and some detective work, he travels overseas searching for answers, faces danger along the way, and gets involved in a series of unexpected events. The good news is that John Byrne crafted a fun and high-quality literary adventure featuring the cinematic icon.

This comic book has an original story concept and deliberately the narrative flowed at a medium pace which allows build-up to immerse readers into the details, followed by some bouts of pay-off to entertain readers. I also like the way the narrations laid down the details with the intention of helping readers understand not only the situations, locations and people, but also giving them unique perspectives about Indy himself. The dialogue was well written and clearly believable. When Indiana Jones explains details, he really uses the knowledge he gained through academic research as well as recollections from his past expeditions or adventures.

I should also state that Byrne gave Indiana Jones, the other characters and locations stylized looks. I don’t mind Jones not resembling Harrison Ford at all but Byrne still made him recognizable in his own unique way. There were some location images that looked pretty detailed.

Conclusion

And just like that, Indiana Jones takes a leave from academic work for his next adventure.

The best way to describe The Further Adventures of Indiana Jones #1 (1983) is this…John Byrne and his team succeeded in making this a fun read inspired by elements of Raiders of the Lost Ark. The story has a strong adventure feel with Indy having a strong presence and the introduction of new characters were executed smoothly. For a launch issue, this one is indeed engaging to read and it succeeded in convincing me to anticipate the next issue. Ultimately it is clear that John Byrne really is an effective Indiana Jones storyteller.

Overall, The Further Adventures of Indiana Jones #1 (1983) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Aliens vs. Predator #4 (1990)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1990 to take a close look at one of the more significant non-superhero crossover comic book events ever published – Aliens vs. Predator!

In my previous review, things changed for the worse for the humans as their colonial community gets overwhelmed by the presence of Aliens and Predators. Risking her own life, Machiko Noguchi does what she could to protect her constituents. Along the way, one certain Predator that was restrained and examined in the laboratory eerily decides to help the humans.  

With those details laid down, here is a look back at Aliens vs. Predator #4, published in 1990 by Dark Horse Comics with a story written by Randy Stradley and drawn by Phill Norwood. This is the final issue of the mini-series.

The cover.

Early story

The story begins with Noguchi and Miriam flying in a Copter and right below them is the chaos composed of a cattle stampede and the ongoing conflict between Alien Xenomorphs and the armed Predators. While flying, Noguchi and Miriam spot a lone Predator climbing up a tower while fighting off several Xenomorphs chasing him unrelentingly. It turns out the said Predator was Miriam’s own patient at the laboratory and she urges Noguchi to help him.

As part of the tower separates itself, the Predator is about to fall down and the Copter piloted by Noguchi comes closer to help him. Miriam uses a communicator to help the Predator realize they are helping him. As the Predator hangs on to one part of the Copter, an Alien jumps towards the vehicle causing Noguchi to react instinctively by jerking the controls. The Copter then spins on its axis as the nearby tower collapses.

The Copter begins to fall down on the street below…  

Quality

Even as this comic book is packed with lots of action scenes, thrills, and Aliens-Predator fights, the creative team succeeded in emphasizing the narrative all throughout.

I am delighted to say that the Stradley-Norwood duo succeeded with maintaining the high quality works of this mini-series and concluded it with impact. At the heart of the story is the theme of survival with the humans being symbolized as casualties of a raging conflict between the fully determined and instinctive Aliens and the strategic and technological Predators.  

Through the protagonist Machiko Noguchi, readers will realize that as a species, humans can survive not only by having a powerful will to progress backed with focus, but also by communicating and cooperating with an intelligent non-human species that shares their traits. In this case, the non-human species I’m referring to are the Predators. That being said, the Aliens are the non-human species with limited intelligence, fully determined to hunt anyone or anything, and absolutely do not care about morals nor the existence of any species they find different from themselves. All the symbolism about the three species got portrayed powerfully and creatively throughout the story here.

As before, the plot moved at a medium pace and details are emphasized through dialogue, visuals and narrations without ever dragging the pace down. This shows how the creative team proved to be efficient with explaining the details as they focused on telling the story in ways to keep readers engaged.

I should mention that the protagonist Machiko Noguchi became even more significant in this comic book. Without spoiling the details, I can say she blossomed into a heroic figure who risks her life to help many even as she faces tremendous odds. In case you are wondering, Noguchi is NOT a rip-off of Ellen Ripley as she is the colonial overseer dedicated to the corporation. It just so happens that Noguchi shares common traits with the cinematic icon such as bravery, the refusal to give up and having the will to help others even while risking her own life. I can only imagine Ripley and Noguchi conflicting with each other if they were together under normal circumstances.

Noguchis’s short but intense union with the cooperative Predator was told very believably which added depth to the story as well as impact on the conclusion.

As this is the final issue of the mini-series, the creative team really ramped up the big-payoff to what was built up before. In fact, the final conflict here seems to show that Stradley and Norwood were aware about what made the cinematic final conflicts of Aliens (1986) and Predator (1987) entertaining and memorable to moviegoers. That being said, I can say that certain action and sci-fi elements from those movies were implemented in this comic book’s final conflict which I found really engaging, inspired and fun to read.

Conclusion

The union between Machiko Noguchi and this particular Predator is a must-read!

Aliens vs. Predator #4 (1990) is truly a great comic book as well as a powerful conclusion to this very significant comic book mini-series. The creative team not only told the whole storyline with great quality, a steady pace and strong engagement all throughout. It is also here where you will get to see Machiko Noguchi become very significant not only within the Aliens-Predator comic book universe of Dark Horse Comics but in sci-fi comics in general. The ending of this comic book is very powerful and served also as a big pay-off to what preceded it. This is a genuine sci-fi comic book classic!

Overall, Aliens vs. Predator #4 (1990) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco