America – Page 36 – Author Carlo Carrasco

A Look Back at Spider-Man #1 (1990)

December 20, 2023December 20, 2023carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Marvel Comics shared universe through a tale of the Spider-Man monthly series.

Back in the late 1980s, Todd McFarlane proved to be a highly talented artist who helped Marvel sell a lot of issues of the Amazing Spider-Man series. McFarlane was also highly involved with the creation of Venom which not only became Spider-Man’s deadliest foe but also an icon of Marvel’s. In the year 1990, a brand new monthly series of Spider-Man was launched and it had Todd McFarlane writing and illustrating the tales.

With those details laid down, here is a look back at Spider-Man #1, published in 1990 by Marvel Comics with a story written and drawn by Todd McFarlane. This marks the beginning of the Torment storyline.

Early story

The story begins in New York City where countless people walk to their respective destinations not realizing that the local hero Spider-Man was swinging above them. In a dirty alley, Spider-Man prevents an armed thug from harming a woman and leaves him hanging covered with a lot of web.

Elsewhere in the city, a sinister figure conducts a ritual, prays to evil forces and begins using magic.

In yet another location, a hideous creature emerges from the water. It’s the Lizard…

Quality

*This page is an example of Todd McFarlane creating a travel sequence that allowed him to draw something great. It’s a classic example of moving back into the comfort zone.*

To make things very clear here, this comic book is pretty shallow and hollow mainly due to its storytelling as this was the writing of a very young Todd McFarlane. There is no denying that his art here is great to look at from start to finish. In fact, this was one of McFarlane’s finest visual works ever with Marvel.

But if you look beyond the great visuals, the writing is very weak all throughout the issue. At best, this comic book is a grand-looking yet shallow set-up for the conflict of the Torment storyline complete with shared emphasis on the iconic web-slinger, the Lizard (looking more menacing than before) and Calypso (the one behind the magic and rituals).

In fairness to McFarlane, he added his own touch on emphasizing the personalities of Peter Parker and wife Mary Jane simultaneously as a couple. If you were used to seeing in-depth character development and witty dialogue about the two major characters as portrayed in the Amazing Spider-Man, Web of Spider-Man and Spectacular Spider-Man series of 1990, you won’t find them in this comic book. Under McFarlane’s writing, Spider-Man in this issue showed signs of sarcasm and cockiness in the first scene, and with Mary Jane he (as Peter Parker) expressed himself philosophically. To say the least, the portrayal of Spider-Man here is noticeably different under McFarlane.

The Lizard, a long-time rival of Spider-Man’s, was presented to be very violent and murderous in this issue. This was clearly McFarlane’s approach on emphasizing the force of opposition that awaits the iconic web-slinger and he obviously went for a more adulterated approach with the visuals. That being said, the violent content in this comic book is very unique and clearly stood out from the rest of the Spider-Man-related comics published by Marvel in 1990. Lastly, I should say that McFarlane’s visual take on the Lizard is the best I have seen.

Going back to the visuals, McFarlane implemented strong elements of horror, darkness and grittiness which went along well with the adulterated approach to violence. These mixed elements, as they turned out in reality, became part of McFarlane’s future works past Spider-Man.

Conclusion

*McFarlane’s vicious and horrifying approach on visualizing the Lizard can’t be ignored. This Lizard makes the cinematic Lizard of the 2012 movie The Amazing Spider-Man look cartoony.*

Spider-Man #1 (1990) is a very mixed bag when it comes to literary enjoyment. It clearly has great artwork by McFarlane whose adulterated approach on expression and spectacle made it very unique. The writing by McFarlane (who was very young at the time of production) is clearly the big letdown although his own approach on portraying Spider-Man, MJ and the Lizard are very notable. Take note that this was Todd McFarlane starting with writing while doing the art (his true strength), and at this point in comic book history his talent on telling compelling stories would not be realized until a few years later (particularly with Spawn and Image Comics). Notably, his use of visual horror and darkness predates his work in Spawn which makes his Spider-Man take very distinct. Ultimately, this comic book served as a build-up for things to come in the Torment storyline. Don’t expect too much when acquiring this comic book.

Overall, Spider-Man #1 (1990) is satisfactory.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

Bureau of Immigration (BI) prevents two foreign sex offenders from entering the country

December 19, 2023December 12, 2023carlocarrasco

Two foreign sex offenders who arrived from Taipei by airplane were prevented from entering the country by the Bureau of Immigration (BI) which has a database of undesirable aliens, according to a Philippine News Agency (PNA) news article.

To put things in perspective, posted below is an excerpt from the PNA news report. Some parts in boldface…

Two Americans with criminal records for sexually abusing minors in the United States and the country were recently barred from entering the Ninoy Aquino International Airport (NAIA) Terminal 1 in Pasay City.

In a statement Tuesday, Bureau of Immigration (BI) Commissioner Norman Tansingco said the passengers were identified as Keith Michael Lacek, 63, who was intercepted on Dec. 5, and Peter Maehler de Leon Guerrero, 54, who was turned away on Dec. 2.

Both foreigners arrived at the NAIA Terminal 1 aboard Air China and Eva Air flights from Taipei. They were immediately sent back to their country of origin.

“We had to remove them out immediately after they arrived at the airport. They are undesirable aliens who pose a very serious threat to our children,” Tansingco said in a statement. “Consequently, they are perpetually banned from re-entering the Philippines.”

He noted that Lacek was excluded after his name prompted a hit in the bureau’s derogatory base, indicating that he was banned from entering the country for his involvement in sex tourism.

The BI blacklisted Lacek in June 2020 after the bureau received information from the Office of Cybercrime of the Department of Justice that he was reportedly involved in the online enticement and sexual exploitation of children in travel and tourism.

Lacek allegedly enticed a Filipina to produce and send indecent photographs of children and to engage in sexual activity with a minor in exchange for money.

On the other hand, Guerrero is a registered sex offender in the US due to his record of conviction as a child rapist.

For the newcomers reading this, the BI has been working hard to not only protect the nation from undesirable foreigners but also to prevent the potential rise of sex tourism in the entire Philippines.

Let me end this piece by asking you readers: What is your reaction to this recent development? Are you convinced that the BI will be able to detect and reject incoming sex offenders from overseas?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673

A Look Back at Armorines #6 (1994)

December 13, 2023December 6, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through the Armorines monthly series.

During the said decade, Valiant Comics was notable for having crossovers that some readers found to be tightly executed in relation to continuity. The armored U.S. Marines (Armorines) and the powerful individual X-O Manowar have the spider aliens as a common enemy.

With those details laid down, here is a look back at Armorines #6, published in 1994 by Valiant Comics with a story written by Jorge Gonzalez and drawn by Jim Calafiore.

Early story

The story begins in space when the spider aliens (located inside a huge space ship) are organizing themselves to get back to their home world.

Meanwhile above the Earth, X-O Manowar significantly helps the Armorines with repairing their space shuttle. It turns out that they have been spending a long time in space and the crew has gotten exhausted after the big battle with the spider aliens. Going back home was their next objective.

Just as the crew prepares to return to Earth, the same huge space ship of the spider aliens suddenly approaches them…

Quality

Set after the crossover tale about the humans’ battle with the spider aliens in space, this tale served as a creative extension of those events utilizing space travel and sci-fi action concepts. The Armorines once again fight the spider aliens and X-O Manowar (a major Valiant character) gets heavily involved as he has a personal grudge against them. Without spoiling the plot, I can say that themes of freeing yourself from the enemy and getting back home are evident.

There is plenty of action to enjoy here and the sci-fi settings (including the interiors of the spider aliens ship) are nicely presented. I also like the fact that the tension gradually built-up as the story went on. Still, at this particular stage of this series, I could not help but feel that the Armorines have been in conflict with the spider aliens for too long.

Conclusion

*There is a lot of sci-fi action to enjoy here.*

Armorines #6 (1994) is a pretty good read but I was getting tired of seeing the Armorines remaining in conflict with the spider aliens. What added strong value to the comic book was the heavy involvement (and crossover) of X-O Manowar and his interactions with the Armorines was well executed. To be clear, the story was not conclusive and at this stage, I still am interested to see what would happen next. Here is hoping that the Armorines conflict with the spider aliens will improve somehow.

Overall, Armorines #6 (1994) is recommended.

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Grand Theft Auto VI coming to Xbox Series X|S in 2025

December 8, 2023December 6, 2023carlocarrasco

It has been more than ten years since the day I first played Grand Theft Auto V (GTAV) on my Xbox 360 and that game was very in-depth and provided loads of fun gameplay. I replayed GTAV on Xbox One and most recently on my Xbox Series X console via Xbox Game Pass (XGP).

Recently, Rockstar Games released the official trailer of the much-awaited new game Grand Theft Auto VI (GTAVI or GTA6 for short) online ahead of schedule (note: someone shamelessly leaked the trailer which compelled the publisher to do an early launch) which attracted many millions of views from fans and gamers on varied platforms online. The new game will be released on Xbox Series X|S consoles sometime in the year 2025. To begin with, watch the official trailer below…

And below is a statement from Rockstar Games founder Sam Houser…

“Grand Theft Auto VI continues our efforts to push the limits of what’s possible in highly immersive, story-driven open-world experiences,” said Sam Houser, Founder of Rockstar Games. “We’re thrilled to be able to share this new vision with players everywhere.” (source – official press release)

*A view of a beach and the buildings of Vice City. Clearly the city is inspired by Miami in real-life.*

As expected, the GTA6 official trailer looks really impressive and I would not be surprised that the developers will make the gameplay experience more varied by means of implementing lots of features and play styles. The trailer even showed images of in-game social media which will most likely become a gameplay feature eventually as it will resonate with gamers who mostly spent a lot of years using social media accounts in real life.

In the press release, the fictional Vice City and the state of Leonida were explicitly mentioned. For the newcomers reading this, Vice City was the main setting in Grand Theft Auto: Vice City (2002) and the said city will be getting the modern game presentation and design similar to what happened to Liberty City in Grand Theft Auto IV, and Los Santos in GTAV. Vice City is clearly patterned after the real-life city of Miami in Florida and within the new game are lots of parties (lots of neon colors too), populated beaches, wildlife, desolate locations for exploring and groove-related activities.

*We will find out soon enough how detailed a populated in-game beach like this will turn out on Xbox Series X and Xbox Series S.*

*Interacting with the wildlife in the game’s more isolated environments could resonate nicely with those who played Red Dead Redemption 2 extensively.*

Expect Rockstar Games to make adjustments and refinements not only with the core gameplay but also with the way cops and criminals will react to each other. Lastly, it seems that the developers took inspiration from the real-life American crime couple Bonnie and Clyde for the in-game couple that was several times within the game trailer. That being said, the developers are not only staying away from the 3-protagonist formula of GTAV, they are also challenging themselves to create something new and even more compelling with the GTA6 couple for players to experience.

I am also interested to see how Rockstar will design the open-world environments this time. I have never been to Miami but I visited Orlando during my one and only trip to Florida. I noticed how different Florida’s physical surroundings were compared to other states in America I visited, and I noticed in the GTA6 trailer the more desolate locations filled with varied forms of vegetation were inspired by the said state. Oh yes, there were also images of alligators in the trailer which remind me of real-life Florida sightings of the creatures in populated places. I can only imagine how this will add variety to the gameplay and exploration in GTA6. Check out the news videos below…

Grand Theft Auto VI is still far from release and a lot could happen as the release date gets closer. Here is hoping that Rockstar Games will deliver a game that is not only great but also turn out to be truly worth the wait of over a decade. For the Xbox fans reading this, do you think the Xbox Series S version of GTA6 will turn out good? If you already have an Xbox Series S as well as extra money, would you be willing to upgrade by buying the Xbox Series X console for GTA6?

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A Look Back at G.I. Joe: A Real American Hero #23 (1984)

December 6, 2023December 2, 2023carlocarrasco

Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the mid-1980s to explore Marvel Comics’ extensive publishing of a comic book series based on the wildly popular military-themed franchise of toys – G.I. Joe: A Real American Hero.

Whenever a war between good and evil happens, it is only desirable for people siding with the good guys to score a major breakthrough against the evil ones. Breakthroughs include annihilating the enemy entirely or compelling them to surrender unconditionally, or capturing one of their most powerful leaders alive.

With those details laid down, here is a look back at G.I. Joe: A Real American Hero #23 published in 1984 by Marvel Comics with the main story written by Larry Hama and drawn by Mike Vosburg.

Early story

The story begins near the Italian border of Switzerland. GI Joe member Snow Job sits high up on a cliff and monitors an institute from long distance. He carefully sees the Baroness (wearing a white garment) and reports to Duke about it. Duke, who is seated close to Roadblock in public, tells him to maintain passive surveillance as their team is anticipating that the Baroness will lead them to Cobra Commander.

Moments later, Roadblock notices a man across the street coming out from one of the buildings. The man turns out to be Major Bludd, a mercenary working for Cobra. Duke then sends a message to Cover Girl and Clutch (both of them riding a car elsewhere) to follow Major Bludd…

Quality

*Cover Girl and Clutch chase the vehicle that has Major Bludd and Baroness.*

I really like this story. While this is clearly not the bombastic, gun-blazing conflict between G.I. Joe and Cobra, this tale has stronger elements of espionage, suspense and intrigue nicely mixed together. The story moved at a medium pace and there were suitable pay-offs to the build-up that occurred throughout.

While the cover of this comic book is indeed a spoiler, it is within the details of the script and its story structure that justified the capture of one of Cobra’s most notorious figures. How G.I. Joe pulled it off and what obstacles they went through were nicely portrayed by the Hama-Vosburg team.

Not only that, the comic book also shed light on the character moments and story developments told through the side of Cobra which are quite intriguing to read.

Conclusion

*Cobra Commander making his way through in the American town of Springfield which is their front.*

G.I. Joe: A Real American Hero #23 (1984) is another fun and engaging tale Larry Hama crafted. The creative team succeeded in justifying the capture of Cobra Commander (as seen in the cover) while giving readers some new insights about the characters and how they do their duties. By the time I reached the end of this comic book, I was satisfied and convinced to look forward to what would happen next.

Overall, G.I. Joe: A Real American Hero #23 (1984) is recommended.

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The pending resurgence of sex tourism in the Philippines is a major concern for the BI

December 6, 2023December 4, 2023carlocarrasco

While the Philippines continues to attract more tourists from around the world (read the related post), the Bureau of Immigration (BI) is concerned about the pending resurgence of sex tourism in the country, according to a Manila Times news report. Already there have been reports of sex offenders from abroad who were intercepted by the local authorities.

To put things in perspective, posted below is an excerpt from the Manila Times report. Some parts in boldface…

THE Bureau of Immigration (BI) has expressed alarm over the likely resurgence of sex tourism in the country as indicated by the frequent arrival and interception of foreign sex offenders (FSO) at the Ninoy Aquino International Airport (NAIA) and other major ports of entry.

Immigration Commissioner Norman Tansingco said on Sunday that entry attempts by sex offenders into the country have become almost a “daily trend” and are not limited to the national capital Manila, but are also in provincial airports such as Cebu.

Tansingco also said that some unscrupulous groups or individuals could be promoting sex tourism, the practice of traveling to foreign countries with the intention of engaging in sexual activity in exchange for money.

“We will not allow that to happen. We are duty-bound to implement a provision in our immigration act that prohibits the entry of aliens convicted of crimes involving moral turpitude. We will not allow the entry of these undesirable aliens to pose a threat to our women and children,” Tansingco said.

He attributed the possible resurgence of sex tourism to the reopening of the country’s border after the pandemic.

“During the pandemic, there was an increase in online exploitation of women and children. When international travel resumed, the number of FSOs rose, which could show that the exploitation is being continued,” he said. “With the return of tourism, foreigners who intend to abuse our hospitality seem to be returning.”

“We warn these predators not to attempt to enter the country, as we have close coordination with different governments, who provide us information about sex offenders that might attempt to enter the Philippines,” he said.

Under the Philippine Immigration Act of 1940, those who have been convicted of a crime involving moral turpitude, which includes sex offenders, are ineligible to enter the country.

The Philippines is regarded as among the top 10 sex tourism destinations in the world. Others on the list are Germany, the Netherlands, Columbia, Thailand, the Dominican Republic, Spain, Kenya and Brazil.

Just over the weekend, BI frontline officers intercepted two more FSOs, identified as Mark David Scanlon and Richard Stuard Patterson, both Americans convicted of sexually molesting minors in the US. They arrived via separate flights at the international airports in Cebu and Manila.

Scanlon, 53, was intercepted after arriving aboard an Eva Air flight from Taiwan at the Mactan-Cebu International Airport (MCIA), while Patterson, 33, was turned back upon arriving from Los Angeles via a Philippine Airlines flight at the NAIA 1 terminal.

Both passengers were sent back to their ports of origin hours after they were denied entry.

Information obtained by the BI revealed that in 2012, a court in Cook County, Illinois, convicted Scanlon on the charge of indecently soliciting a child over the internet.

On the other hand, Patterson was convicted in Oregon in May 2011 on the charges of sexual abuse in the second degree and sodomy in the third degree, where the victims were 15 and 13 years old, respectively.

Scanlon and Patterson are only two of the more than 150 foreign registered sex offenders (RSOs) who have been refused entry at the airports since January.

Let me end this piece by asking you readers: What do you think about this recent development? Do you consider sex-related tourism a major issue for the Philippines’ standing in international tourism? Do you think that there are lots of suspected business joints within your city that could secretly be engaging in prostitution, pornography and human trafficking? What do you think should be done to prevent sex tourism from growing in the Philippines? Do you think that illegal sex-related activities involving foreigners here in the Philippines (for insight, click here, here, and here) are somehow attracting foreign sex offenders to come into the country?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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Philippines’ credit ratings affirmed by S&P Global Ratings

December 4, 2023November 30, 2023carlocarrasco

The credit ratings of the Philippines for both long-term and short term were affirmed by the US-based S&P Global Ratings which also saw stronger economic growth for the country in the next few years, according to a Philippine News Agency (PNA) news article.

To put things in perspective, posted below is an excerpt from the PNA news article. Some parts in boldface…

United States-based S&P Global Ratings on Wednesday affirmed the Philippines’ ‘BBB+’ long-term and ‘A-2’ short-term sovereign credit ratings, citing the country’s sustained economic recovery due to the government’s ongoing efforts to address infrastructure gaps and improvements in the business climate.

“The stable outlook reflects our expectation that the Philippine economy will maintain healthy growth rates and the fiscal performance will materially improve over the next 24 months,” S&P Global said in a report.

According to S&P, the country’s gross domestic product (GDP) is projected to grow by 5.4 percent this year, reflecting the impact of high base and the slower growth of the world economy.

The report also showed that Philippine economic growth is projected to accelerate to 5.9 percent in 2024, 6.2 percent in 2025 and 6.4 percent in (2026).

The credit rater expects that the Philippines’ economic growth will remain well above the average among its peers “due to the government’s ongoing efforts to address infrastructure gaps and improvements in the business climate through regulatory and tax reforms, which will further support expansion in economic productivity.”

It also recognized the government’s efforts to prioritize infrastructure development and fiscal measures and cited crucial reforms such as the public-private partnership (PPP) framework and the Corporate Recovery and Tax Incentives for Enterprises (CREATE) Act.

“The Philippine government has generally enacted effective and prudent fiscal policies over the past decade. Improvements to the quality of expenditure, manageable fiscal deficits, and low general government indebtedness testify to this. This track record of sustainable public finances helped the government accumulate fiscal resources to respond to the pandemic,” the report said.

It also underscored the importance of tax reforms in ensuring that public finances remain sustainable, while infrastructure and social needs are addressed.

S&P said the general government (GG) deficit is estimated to decline and to settle at 3.8 percent of GDP in 2023, from 4.4 percent in 2022.

“We believe the fiscal shortfall will continue to narrow over the coming years while the economy regains its footing and the government scales back stimulus measures. We expect the medium-term fiscal framework (MTFF) revealed by the Marcos administration last year to guide the consolidation process,” it said.

The report also highlighted the country’s solid household and corporate balance sheets and sizable remittance inflows, and expects foreign direct investments to remain stable this year.

However, S&P said it may lower the country’s ratings if economic recovery falters, if general government debt exceeds 4 percent of GDP, if net debt stock exceeds 60 percent of GDP or if interest payments exceed 15 percent of revenue on a sustained basis.

“We may raise the ratings if the economy recovers much faster than we expect, and the government achieves more rapid fiscal consolidation,” it said.

Let me end this piece by asking you readers: What do you think about this recent development? Are you satisfied with what was accomplished this year with regards to foreign tourist arrivals and the related revenues? Do you think the Philippine economy will continue to grow stronger each year until 2026? Do you believe in the findings of S&P Global Ratings?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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A Look Back at G.I. Joe: A Real American Hero #10 (1983)

December 1, 2023November 30, 2023carlocarrasco

Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the early 1980s to explore Marvel Comics’ extensive publishing of a comic book series based on the wildly popular military-themed franchise of toys – G.I. Joe: A Real American Hero.

Last time around, G.I. Joe found itself getting attacked within their own base (The Pit) as a result of the robot they brought in from a stronghold of their terrorist rival Cobra. It was a Trojan plan that Cobra Commander and his team organized from far away and they almost succeeded.

With those details laid down, here is a look back at G.I. Joe: A Real American Hero #10 published in 1983 by Marvel Comics with the main story written by Larry Hama and drawn by Mike Vosburg.

Early story

The story begins with G.I. Joe members Scarlett, Snake-Eyes and Zap reach the top of a tall New York City building that could be another stronghold of Cobra. On the street just outside of the same building, other Joe members located inside a van on the street and in the sewers carefully make their moves to ensure their operation will succeed.

Behind the scenes inside the building, the Baroness is informed of the Joes’ presence. This causes the top of building’s roof to open causing Snakey-Eyes, Scarlett and Zap to fall down into a room. In response, the Joe members inside the van make their move into the building save Scarlett and her two teammates…

Quality

*A few of the Joes captured by Cobra, and Snake-Eyes got heavily restrained.*

This is another clever story written by Larry Hama highlighting the rivalry between G.I. Joe and Cobra without emphasizing the usual action-packed battles between them. Instead, this tale emphasizes Cobra being more resourceful than meets the eye. What I mean is that the terrorists here are not limited to their military culture and weapons as they also have the means to conduct scientific experimentation, establishing spies among civilians (including minors) and even having American towns as their tactical fronts.

In many ways, this tale shows Cobra being a very diversified terrorist organization that also mastered the uses of disguise and imagery to hide themselves from American authorities right there in America. The town of Springfield symbolizes Cobra’s use of ground level fronts to hide their secret underground stronghold from being spotted which is eerily similar to how Palestinian terrorist group Hamas uses schools, hospitals and other establishments in the Gaza strip to hide their tunnels and operation places deep under. The portrayal of American minors being junior officers of Cobra is really disturbing as it reminds me of the fact that in reality, Palestinian terrorists (note: the Palestinian Authority is corrupted and practices apartheid) have brainwashed their minors to hate and to murder Jews. I should add that the Palestinian terrorists, Hamas, the United Nations (UN), Amnesty International and the many Leftist leaders of nations formed the global axis of evil we know today.

As for the characters, the new kid here is easily the most notable addition and you have to read the comic book to find out why. For the more established characters, you will see Snake-Eyes helpless and Scarlett being really vulnerable in the dream world. On the side of Cobra, Dr. Venom has really fascinating interpretations and observations about the readings of the scientific operations.

Conclusion

*The other G.I. Joe members scramble to rescue their teammates.*

G.I. Joe: A Real American Hero #10 (1983) is very engaging and intriguing to read from start to finish. This comic book, which is clearly a piece of fantasy, also served as an intriguing reminder that terrorists in the real world (read: Iran, Palestinian terrorists, Hamas, Hezbollah, ISIS and others) are capable of securing or stealing large financial resources for themselves and expand their operations to infiltrate societies and take advantage of the ignorant and helpless members to be part of their wicked causes. There were indeed lots of parallels between Cobra and the Palestinian terrorists.

Overall, G.I. Joe: A Real American Hero #10 (1983) is recommended.

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Philippines finally surpasses 2023 foreign tourist arrivals target

December 1, 2023November 29, 2023carlocarrasco

Recently the Department of Tourism (DOT) announced that their set target of 4.8 million foreign tourist arrivals for 2023 has finally been reached and already hundreds of billions of Pesos have been generated, according to a Philippine News Agency (PNA) news report. To say the least, the foreign tourist arrivals-related numbers achieved by the Philippines this year is a tremendous improvement over what were achieved in 2022 and there are still a few weeks left before 2023 closes.

To put things in perspective, posted below is an excerpt from the PNA news article. Some parts in boldface…

The Philippines has recorded more than 4.82 million foreign visitor arrivals, including Filipinos based overseas, breaching its target even before year end, Department of Tourism (DOT) Secretary Christina Frasco said Tuesday.

DOT data show that as of Nov. 28, a huge chunk of foreign arrivals comes from South Korea with 1,275,887 foreign visitors and 4,231 overseas Filipinos for a total of 26.46 percent.

It is followed by the United States with 923,409 foreign visitors and 123,828 overseas Filipinos and Japan with 323,029 and 49,299 overseas Filipinos.

Other international arrivals in the top 10 come from Australia, China, Canada, Taiwan, Singapore, United Kingdom and Malaysia.

The foreign arrivals have brought PHP404 billion to the economy.

Citing a report by economic managers, Frasco said this manifests that Philippine tourism is the second highest driver of economic growth for the Philippines.

“This cements our position as one of the strongest pillars of the Philippine economy that employs no less than 5.35 million Filipinos in the tourism industry sector, ensuring jobs, livelihood, and the well-being of communities all over the country,” she added.

Let me end this piece by asking you readers: What do you think about this recent development? Are you satisfied with what was accomplished this year with regards to foreign tourist arrivals and the related revenues? Are you confident that the Philippines is on-track to becoming a major tourism player in Asia by the year 2028? Do you trust the Department of Tourism more now that they were able to hit their 2023 targets already? Do you think foreign tourist arrivals here in the Philippines will reach the 5,000,000 mark before the end of the year? Could it be possible that the gains of Philippine tourism will help the nation achieve at least 6% economic growth this year?

You may answer in the comments below. If you prefer to answer privately, you may do so by sending me a direct message online.

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A Look Back at Wetworks #1 (1994)

November 29, 2023November 26, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, and comic book collectors! Today we go back to the mid-1990s to explore the comic book launch of a notable fictional team co-created by the Whilce Portacio and Brandon Choi…Wetworks.

For the newcomers reading this, Whilce Portacio was one of the highly talented illustrators who left Marvel Comics and co-founded Image Comics in the early 1990s. While his fellow co-founders Todd McFarlane, Jim Lee, Rob Liefeld, Marc Silvestri, Jim Valentino and Erik Larsen were able to launch their respective dream projects (creator-owned properties) during Image’s first year of publishing, the launch of Wetworks was delayed by two years due to a death in Portacio’s family.

As a very young comic book reader in those days, I remember hearing rumors about Wetworks inside comic book stores I visited. There were rumors of business negotiations, solicitations and scheduled launches (ranging from October 1993 to January 1994). I also noticed some comic book enthusiasts who bought old copies of X-Factor and Uncanny X-Men that Portacio illustrated while waiting for Wetworks to debut.

In the middle of 1994, Wetworks was finally launched under the Image Comics label and I still remember the day when I saw lots of copies of issue #1 displayed on the shelves and windows of comic book stores.

With those details laid down, here is a look back at Wetworks #1, published in 1994 by Image Comics with a story written by Whilce Portacio and Brandon Choi. The art was done by Portacio with ink work by Scott Williams.

Early story

The story begins when a covert operations team working under International Operations (IO) travels to eastern Europe to infiltrate and destroy the base of operations of a certain warring faction and retrieve a biological agent (highly contagious) no matter what the cost. As it turns out, this new mission for the team (led by Colonel Jackson Dane, one of the pioneers of Team 7) started less than twenty four houses after their previous mission and their female member Pilgrim (reconnaissance specialist) pointed out that the demolition charges they are carrying are strong enough to wipe out an entire city block. Another teammate called Grail (the Filipino named Salvador Joel Alonday) stated that they are supposed to be a hostage rescue team.

Meanwhile deep inside the command center of IO in Washington, D.C., Admiral Halsey tells Miles Craven that Team 7 (the team led by Dane) are under his command and states that his sources tell him that there is more to the mission than just a group of ethnic nationalists obsessed on a biological terror campaign. It turns out, Craven sent the team to eastern Europe without fully informing them of what they are going up against. Craven insists that Team 7 are paid to put their lives on the line and to die if necessary just to get the job done. Craven then reveals to Halsey the true nature of the mission. The admiral then realizes Craven is right and certain sacrifices must be made for the greater good.

Craven and his team arrived at the location in Transylvania. They started seeing signs that someone else arrived ahead of them…

Quality

*One of the team members looks at a symbiote.*

I’ll start first with the fantasy concept and the storytelling. Whilce Portacio and Brandon Choi’s joint creation of Wetworks is indeed an inspired move with connections to real-life military influences the creators had. The Wetworks team – initially referred to as Team 7 – started looking and acting like typical military squad in the world of fiction but the major twist that happened drastically redefined and refined them into the most unique military team in the world of superhero comics. It’s the closest thing to seeing G.I. Joe fused with living symbiotes (another inspired move most likely influenced by a certain Marvel murderer with a symbiote whose origin is linked with one of the most iconic superheroes ever) there is and I can say Wetworks remains relevant and stands out nicely among superhero comic book teams to this day.

With regards to the plot, it looks cliched on face value. I’m talking about the trope in which a team is sent by their powerful superiors on a mission without knowing all the crucial details needed (because the superiors hid it from them) and they eventually encounter immense danger. As mentioned earlier, the major twist in the plot not only completed a major transformation of Dane and his teammates but also ramped up the fantasy aspect of the tale to much higher levels.

Still on the plot, Portacio and Choi came up with a solid structure for the narrative. The build-up of details and tension was very good and the pay-offs (lots of spectacle plus twists) were great. As the story moved on, the suspense grew stronger and the narrative succeeded in making me care about the team led by Dane.

*Meet the team members who would later become Wetworks.*

When it comes to the art, Portacio’s work here (with ink by Scott Williams) still looks great and, more notably, it is a fine departure from the superhero visuals he worked in years prior. As with his past works, you will see the artist’s stylized approach on visualizing the narrative related to how he implements the panels per page.

Portacio did a very good job with the military look of Wetworks and he drew their guns with a high amount of detail that should be seen (you should try using a magnifying glass on this comic book). Not only that, his art on military hardware such as the gunships, the interiors plus equipment all have that detailed appearance. When it comes to action, I believe that Portacio took a lot inspiration from Hollywood action flicks (most notably Predator) on portraying Wetworks members using their guns and positioning during battle.

Of course, the spectacle is not totally limited to military stuff. There is a touch of fantasy and horror visuals involved which is directly related to what was set-up for Wetworks to encounter in the near future. To realize what I am saying here, you must read this comic book until the intense end.

Conclusion

*Wetworks #1 from 1994 is still great to read!*

I can say without a doubt that Wetworks #1 (1994) remains as gripping and as entertaining as when I first read it decades ago. In short, it has aged well and reading it all over again today is compelling and a lot of fun to do. If you ask me, this is one of the finest works ever by Whilce Portacio in terms of art and storytelling. As one of the many comic books Image published during its first few years in the industry, Wetworks #1 (1994) clearly stands out with its military theme and fantasy concept. Lastly, Wetworks is set within the WildStorm universe as dramatically symbolized with the presence of International Operations (the team’s superiors).

Overall, Wetworks #1 (1994) is highly recommended!

+++++

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