Xenomorphs – Author Carlo Carrasco

Retro Gaming Ads Blast – Part 27

February 17, 2025February 10, 2025carlocarrasco

Welcome back readers, fellow geeks and electronic gaming fans!

In this edition of the Retro Gaming Ads Blast (RGAB) series, we will take a look at another batch of retro gaming print ads – including arcade flyers – from the 1980s and to the year 2000.

For the newcomers reading this, Retro Gaming Ads Blast (RGAB) looks back at the many print ads of games (console, arcade, computer and handheld) that were published in comic books, magazines, flyers, posters and newspapers long before smartphones, social media, the worldwide web and streaming became popular. To put things in perspective, people back in the 1980s and 1990s were more trusting of print media for information and images about electronic games and related products.

With those details laid down, here is the newest batch of retro gaming print ads for you to see and enjoy…

1. Tutankham print ad

*This print ad appeared in several comic books in 1983.*

First released in the arcades in 1982, Tutankham is a 2D adventure game that had a mix of shooting, maze exploration and puzzle-solving with Egyptian settings and concepts. It made its way to the Atari 2600 published by Parker Brother, and it was this specific version I played. This game print ad appeared in comic books I read in 1983, and the people who made it implemented a hand-drawn art of the Egyptian pharaoh Tutankhamun dominating the space to emphasize the Egyptian setting. In fact, this ad made me think more of Egypt and left little to give me an idea of the game design.

2. Star Trek arcade flyer

*The clever use of classic Star Trek imagery was used in this initial flyer by Sega.*

*Back in the 1980s, a futuristic design for an arcade machine like this one was mind-blowing.*

I never played the Star Trek arcade game (full title: Star Trek: Strategic Operations Simulator) Sega released in 1983. I only saw its graphics and gameplay during an episode of Starcade. With its game design and visual presentation, Star Trek was a very ambitious arcade project for its time and Sega really went in to promote it. The initial arcade flyer (first one above) was meant to grab the attention of both gamers and arcade operators. The next arcade flyer (2^nd one above) showed the ambitious design of the arcade machine made with player immersion in mind.

3. Battlezone arcade flyer

*While the hand-drawn artwork was too detailed for the arcade game’s graphics, it still emphasized strongly the concept of the game.*

In the history of video games, Battlezone was a groundbreaking game both visually and with game design. It was designed to give gamers an immersive experience of driving a tank with 3D graphics, fun gameplay and a first-person view. Its own history is worth researching. Atari knew it had to heavily promote their ambitious game and the arcade flyer above featured nice hand-drawn artwork while also showing the two types of Battlezone machines that arcade operators can choose from. Battlezone went on to become a highly influential arcade game.

4. Chrono Cross North American print ad

*Arguably, this print ad was aimed at RPG enthusiasts, Chrono Trigger fans and gamers looking for something adventurous to play.*

First released on PlayStation in Japan, Chrono Cross made its way to the said console in America just a few months before the PlayStation 2 launched there. While there was a risk that came with releasing the ambitious follow-up to the classic Chrono Trigger so late in the PlayStation’s life, Squaresoft (now Square Enix) still went on to aggressively promote Chrono Cross in America. This 2-page print ad that appeared in many gaming magazines remains captivating to look at. As typical of the time, 3D polygonal models and the epic-looking art were used in dominating fashion leaving the small space (lower-left corner) to display a few gameplay screenshots and other 3D art. Still it a fun game to play and this should remind you that Chrono Cross was recently remastered for modern consoles.

5. Ms. Pac-Man arcade flyer

Given the fact that Pac-Man was so massively successful, it was not surprising that a sequel had to be made and released on as many arcades as possible. Ms. Pac-Man was the sequel and it was released in arcades in 1982 eventually achieving huge commercial and critical success. To promote the game, Midway’s ad makers came up with an ad showing unique art of Pac-Man’s wife looking glamorous (with a driver and a vehicle in the background) and a photograph of the arcade machine on the right. This also was one of the early arcade flyers to use the words “femme fatale”.

6. Centipede arcade flyer

*Three machines of Centipede for arcade operators to choose from.*

Centipede is another arcade classic from Atari. Released in 1981, a lot of players enjoyed the game’s simplistic and yet addicting design of shooting an incoming centipede and its remaining portions that move down the field. Similar to the Battlezone arcade flyer, this game’s flyer had nice art of a centipede on the top and images arcade machines. Even by today’s standards, this flyer remains eye-catching.

7. Tempest 2000 print ad

*This 2-page print ad of Tempest 2000 is still captivating to look at.*

Back in the 1990s, Atari went on to release their Jaguar console which was promoted as a 64-bit machine. At a gaming convention, the company met with prospective game developers over Jaguar projects and one of the developers volunteered to do Tempest (a memorable Atari arcade game). This resulted in the development of Tempest 2000 which was a remake of the classic.

As a Jaguar-exclusive game, Atari came up with an eye-catching 2-page ad showing off the 3D visual presentation (6 gameplay screenshots and one original artwork) while boasting in the text description that Tempest 2000 was named the “Best of Show” at the Consumer Electronics Show (CES). The game was released in 1994 attracting mostly positive reviews from game critics and was one of the best-selling Jaguar games (note: Tempest 2000 can now be played in the Atari 50 collection). With the Atari legacy and presentation combined, this print ad remains captivating to look at.

8. Alien vs Predator print ad

*Arguably the most defining and most entertaining game on the Atari Jaguar.*

If there is any game that truly defined enjoyment and the technological features of the Atari Jaguar, it is the 1994 first-person shooter Alien vs Predator. At the time of its release, it was one of the most immersive games of the Alien vs. Predator crossover franchise and it allowed players to experience what fighting the Predator or the Xenomorph was like. The game also allowed gamers to play as a Colonial Marine (human soldier).

To sell the game, Atari came up with a 2-page ad highlighting the Aliens on one page and the Predator on the other. As the Predator was shown with a grotesque human skull, the use of photographs (most likely sourced from the movies) strongly emphasize the game was aimed at the mature audience among gamers. Six screenshots of gameplay were displayed by the ad makers who were clearly aware of the high popularity of first-person shooting games. Alien vs Predator was a critical and commercial success, and its print ad is arguably the most memorable one of any Atari Jaguar game ever made.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

Retro Gaming Ads Blast – Part 16

August 26, 2024July 9, 2024carlocarrasco

Welcome back readers, fellow geeks and electronic gaming fans!

In this edition of the Retro Gaming Ads Blast (RGAB) series, we will take a look at another batch of retro gaming print ads – including arcade flyers – from the 1980s and 1990s.

For the newcomers reading this, Retro Gaming Ads Blast (RGAB) looks back at the many print ads of games (console, arcade, computer and handheld) that were published in comic books, magazines, flyers and newspapers long before smartphones, social media, the worldwide web and streaming became popular. To put things in perspective, people back in the 1980s and 1990s were more trusting of print media for information and images about electronic games and related products.

With those details laid down, here is the newest batch of retro gaming print ads for you to see and enjoy…

1. A-Jax North American arcade flyer

*Another one of Konami’s arcade flyers showing a pretty fashion model with a touch of militarism.*

A-Jax (also referred to as Ajax) is another one of the many military themed games Konami released for the arcades in the 1980s. It was a 2D vertically scrolling shooter in which players use aircrafts to shoot enemies both in the air and on the ground. The game was a hit in Japanese arcades and Konami came up with the North American arcade flyer showing three screenshots, an archive footage shot of a military helicopter and a sexy lady (with a light military look) with a machine gun. The style of presentation was similar in style with the North American arcade flyers of Contra and M.I.A.: Missing in Action.

2. The Combatribes print ad

*The short comic book approach was used to emphasize the setting and concept of the video game.*

Technos, the Japanese company behind the wildly popular Double Dragon games franchise, proved to be successful with the arcade release of The Combatribes. In an attempt to keep the wave of success moving, Technos released The Combatribes on the Super Nintendo Entertainment System (SNES) in 1992 and someone involved with the North American marketing came up with the idea of creating a comic book-style presentation for the print ad. Creatively speaking, the comic book approach was done to emphasize the story and visual concepts of the game, and entice readers to play it. By today’s standards of video game marketing, this print ad’s approach is both unusual and notable.

3. Dead or Alive 2 Dreamcast port print ad

*This was a wide print ad that appeared on magazines and it sure was eye-catching. It was an effective way to promote the game and inform people of the Sega Dreamcast’s presence in the market.*

When Dead or Alive 2 was released in the arcades in 1999, a lot of gamers were astounded by it as developer Team Ninja (led by Tomonobu Itagaki) made it much bigger and a lot better than its 1996 predecessor. Team Ninja really went all out making the sequel utilizing Sega’s NAOMI arcade technology, inviting martial artists to do motion-capture, and having a very ambitious game design. Since the game was developed with the NAOMI hardware, porting the game for the Sega Dreamcast was reportedly convenient and smooth for the developers who went on to add more gameplay features and modes. Publisher Tecmo came up with this wide print ad (promoting the Dreamcast release) showcasing three characters, six screenshots and text descriptions emphasizing the universal acclaim the game received. The promotional approach was simple yet effective.

4. Jet Moto (PC version) print ad

In November 1996, the futuristic all-terrain hoverbikes racing game Jet Moto was released on the PlayStation which went on to sell well and attract mostly positive reviews. Sony Computer Entertainment eventually released a version of the game for the personal computer (PC) in November 1997. As seen in the above print ad, the network play option and compatibility with Direct3D video accelerators were emphasized as such features resonated with the interests of PC gamers of the era. This print ad showed how willing Sony was to release PlayStation hits on PC back then.

5. Elevator Action Returns Japanese arcade flyer

When Taito released Elevator Action Returns (also titled as Elevator Action II in other nations) in the arcades in 1994, it became a hit as gamers enjoyed its action-packed gameplay, ambitious 2D visual presentation and varied level designs that clearly went beyond its 1983 predecessor. The front of the Japanese arcade flyer has really nice art showing the three playable protagonists on an elevator on their way to do their mission. The back of the flyer shows screenshots (which emphasized the varied level designs), text descriptions explaining how the game played (English version printed), and what the features are. Another text description confirmed that terrorists are the antagonists that players will be dealing with which was reflective of the rise of Islamic terrorism in the 1990s. Oh yes, if you look closely you will the word “item” misspelled as “items”.

6. Sunset Riders print ads

*The Sunset Riders arcade machine, the SNES version, screenshots and a can of pork-and-beans on this ad.*

*This print ad appeared in some comic books I read long ago.*

After enjoying a lot of success in the arcades with their 1991 game Sunset Riders, Konami went on to release ports of it to the Sega Genesis in 1992 and the Super Nintendo Entertainment System (SNES) in 1993. With regards to conversions and procedural/artistic changes between the arcade and console ports, the SNES version had few changes implemented compared to the one released on the Genesis. As seen in one of the print ads of Sunset Riders on SNES, it came with 7 arcade levels, 2-player mode and additional shooter stages. What the print ads did not reveal were notable replacements of specific characters in key parts of the game such as the dynamite-tossing female bandits getting replaced by male bandits, North American Indian villains getting replaced with outlaws, etc.

7. Jackal Japanese arcade flyer

*Whoever was the artist Konami hired truly delivered great-looking art!*

Konami’s military themed game Jackal (Japanese title: Tokushu Butai Jackal) debuted in Japanese arcades in October 1986 and became a hit. The Japanese market arcade flyer had great looking artwork on the front that strongly emphasized the very concept of the game (players move military jeeps to shoot at enemies as they move into enemy territory). One of the characters (the one wearing the red beret) somewhat resembles the late Sean Connery which only shows that someone within Konami’s development team took inspiration from movies. This arcade flyer’s front still looks great.

8. Aliens North American arcade flyer

*A good amount of effort was done to truly capture Aliens’ concept using hired models (as Ripley and Newt), a Xenomorph physical model and a suitable background.*

*The key details presented on the rear of the flyer. The Xenomorph’s presence adds tension.*

In 1990, Konami released their ambitious arcade game Aliens which was loosely based on the 1986 movie that starred Sigourney Weaver and was directed by James Cameron. As Konami’s Aliens license was only temporary and the movie was so highly regarded, the Japanese company’s marketing team really had to exert extra effort to truly capture the film’s sci-fi horror concept in order to make a strong presentation towards arcade operators and their paying customers (the gamers).

Apart from showing screenshots on the front, the creative team hired a blonde model as Ellen Ripley holding a gun and a young girl as the character Newt, and have them pose convincingly in front of a Xenomorph model (darkened in the foreground). On the back of the flyer, the team heavily revealed the details using the text description to emphasize the gaming experience and story concept. The technical details, meanwhile, were presented in simplistic, easy-to-follow fashion. Aliens was a smash hit in the arcades and there are long-time gamers who regard it as one of the best game adaptations of the 1986 movie. This arcade flyer is a strong reminder that the featured game was never ever ported to any game console nor to any personal computer.

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What to watch on YouTube right now – Part 26

July 17, 2024July 17, 2024carlocarrasco

Welcome back, my readers, YouTube viewers and all others who followed this series of articles focused on YouTube videos worth watching. Have you been searching for something fun or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?

I recommend you check out the following topics and the related videos I found.

#1 More Unsolved Mysteries Season 1 episodes – I have always been a fan of the Unsolved Mysteries TV series since the early 1990s. Apart from the great hosting and narration by the late Robert Stack, Unsolved Mysteries’ creative team was consistent in producing live-action interpretations of true crime stories, UFO stories, missing persons stories, ghost stories and other tales with a high level of quality. I also love their attention to details sourced from police reports, law enforcers and interviews of eye witnesses. Not only that, Unsolved Mysteries also helped in capturing wanted criminals and reunited family members who were separated for a long time. This was evident from their first season and posted below are further Season 1 episodes for you to enjoy.

#2 Videodrome reaction video by You, Me and the Movies – Recently, YouTuber team You, Me and the Movies published their movie reaction video of Videodrome which was a very intriguing and shocking movie directed by David Cronenberg. If you don’t mind the spoilers, this is an entertaining reaction video to watch.

#3 RollerGames episodes in high-definition – When I was very young, I was able to watch on local TV here in the Philippines the episodes of RollerGames which showcased a series of action-packed and intriguing roller derby rounds. This was one of those alternative sports competitions that was entertaining to watch and it even shared certain elements with professional wrestling shows with regards to tension between competitors and the show’s notable personalities. The good news here is that the RollerGames episodes have been restored in high-definition and posted below are the first four episodes for your enjoyment.

#4 The Aliens arcade game from Konami – I remember back in the early 1990s – before the debut of Street Fighter II and all those other fighting games that followed – Aliens (by Konami) was a big attraction in local arcades. Loosely based on the 1986 sci-fi action movie directed by James Cameron, Aliens the arcade game was an action-packed 2D scrolling game in which players have to move to their destination while firing their guns against multiple waves of Xenomorphs, Facehuggers and other variants of monsters. This was a highly entertaining game that never got ported into any console, and you can learn more about Konami’s Aliens by watching PatmanQC’s video below.

#5 Xbox Game Pass adjustments – Recently, Microsoft announced big changes to Xbox Game Pass (XGP) which has divided both subscribers and gamers in general. Apart from the price increases, there are also changes on the policies and what subscribers get in return for paying more or less. Personally, I don’t like what Team Xbox came up with. Watch the videos below.

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A Look Back at Aliens vs. Predator #4 (1990)

June 30, 2023June 29, 2023carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1990 to take a close look at one of the more significant non-superhero crossover comic book events ever published – Aliens vs. Predator!

In my previous review, things changed for the worse for the humans as their colonial community gets overwhelmed by the presence of Aliens and Predators. Risking her own life, Machiko Noguchi does what she could to protect her constituents. Along the way, one certain Predator that was restrained and examined in the laboratory eerily decides to help the humans.

With those details laid down, here is a look back at Aliens vs. Predator #4, published in 1990 by Dark Horse Comics with a story written by Randy Stradley and drawn by Phill Norwood. This is the final issue of the mini-series.

Early story

The story begins with Noguchi and Miriam flying in a Copter and right below them is the chaos composed of a cattle stampede and the ongoing conflict between Alien Xenomorphs and the armed Predators. While flying, Noguchi and Miriam spot a lone Predator climbing up a tower while fighting off several Xenomorphs chasing him unrelentingly. It turns out the said Predator was Miriam’s own patient at the laboratory and she urges Noguchi to help him.

As part of the tower separates itself, the Predator is about to fall down and the Copter piloted by Noguchi comes closer to help him. Miriam uses a communicator to help the Predator realize they are helping him. As the Predator hangs on to one part of the Copter, an Alien jumps towards the vehicle causing Noguchi to react instinctively by jerking the controls. The Copter then spins on its axis as the nearby tower collapses.

The Copter begins to fall down on the street below…

Quality

*Even as this comic book is packed with lots of action scenes, thrills, and Aliens-Predator fights, the creative team succeeded in emphasizing the narrative all throughout.*

I am delighted to say that the Stradley-Norwood duo succeeded with maintaining the high quality works of this mini-series and concluded it with impact. At the heart of the story is the theme of survival with the humans being symbolized as casualties of a raging conflict between the fully determined and instinctive Aliens and the strategic and technological Predators.

Through the protagonist Machiko Noguchi, readers will realize that as a species, humans can survive not only by having a powerful will to progress backed with focus, but also by communicating and cooperating with an intelligent non-human species that shares their traits. In this case, the non-human species I’m referring to are the Predators. That being said, the Aliens are the non-human species with limited intelligence, fully determined to hunt anyone or anything, and absolutely do not care about morals nor the existence of any species they find different from themselves. All the symbolism about the three species got portrayed powerfully and creatively throughout the story here.

As before, the plot moved at a medium pace and details are emphasized through dialogue, visuals and narrations without ever dragging the pace down. This shows how the creative team proved to be efficient with explaining the details as they focused on telling the story in ways to keep readers engaged.

I should mention that the protagonist Machiko Noguchi became even more significant in this comic book. Without spoiling the details, I can say she blossomed into a heroic figure who risks her life to help many even as she faces tremendous odds. In case you are wondering, Noguchi is NOT a rip-off of Ellen Ripley as she is the colonial overseer dedicated to the corporation. It just so happens that Noguchi shares common traits with the cinematic icon such as bravery, the refusal to give up and having the will to help others even while risking her own life. I can only imagine Ripley and Noguchi conflicting with each other if they were together under normal circumstances.

Noguchis’s short but intense union with the cooperative Predator was told very believably which added depth to the story as well as impact on the conclusion.

As this is the final issue of the mini-series, the creative team really ramped up the big-payoff to what was built up before. In fact, the final conflict here seems to show that Stradley and Norwood were aware about what made the cinematic final conflicts of Aliens (1986) and Predator (1987) entertaining and memorable to moviegoers. That being said, I can say that certain action and sci-fi elements from those movies were implemented in this comic book’s final conflict which I found really engaging, inspired and fun to read.

Conclusion

*The union between Machiko Noguchi and this particular Predator is a must-read!*

Aliens vs. Predator #4 (1990) is truly a great comic book as well as a powerful conclusion to this very significant comic book mini-series. The creative team not only told the whole storyline with great quality, a steady pace and strong engagement all throughout. It is also here where you will get to see Machiko Noguchi become very significant not only within the Aliens-Predator comic book universe of Dark Horse Comics but in sci-fi comics in general. The ending of this comic book is very powerful and served also as a big pay-off to what preceded it. This is a genuine sci-fi comic book classic!

Overall, Aliens vs. Predator #4 (1990) is highly recommended!

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A Look Back at Superman vs. Aliens #2 (1995)

June 22, 2023June 19, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 to examine another chapter of the Superman vs. Aliens mini-series.

In my previous retro review, an object from space on Earth and Superman (who previously as Clark Kent learned of the Kryptonian language from the signals transmitted by the object) intervened the discovery of it in the presence of Lexcorp. After much talk and an agreement, Superman went into space with one of Lexcorp’s space ships (under the watch of Dr. Kimble who leads the corporation’s space division) leaving behind Lois Lane at the space station with Kimble. Deep in space, Superman arrives and discovers a ruined city with physical signs of struggle. What he does not realize is the presence of eggs and the Xenomorphs lurking within the new environment.

With those details laid down, here is a look back at Superman vs. Aliens #2, published in 1995 by Dark Horse Comics and DC Comics with a story written and drawn by Dan Jurgens with ink work done by Kevin Nowlan.

Early story

The story begins in space when a space ship sent home by Superman is about to collide with the space station near Earth. As one of the crew members failed to take remote control of the incoming ship, a very determined Dr. Kimble takes over the controls and eventually took command of the said ship. Lois Lane, who showed signs of self-restraint and deterioration of her professionalism as a journalist, watches. As Kimble, Lane and the crew members approach the ship at the station’s docking bay, one passenger was found dead (a Chestburster alien came out of him) while three others were still alive.

As Dr. Kimble and personnel brought the surviving passengers in the infirmary, Lois Lane takes advantage of the situation by climbing up the ship to examine it closely. She knows that without the ship, her beloved Clark Kent/Superman is stranded in space. She is completely unaware of the presence of a fully grown Xenomorph alien watching her from a dark corner.

Meanwhile at the ruined city on the other side of the galaxy, a blindfolded Superman is carefully guided by the armed Kara going to a place that has medical equipment and supplies…

Quality

*Lois Lane during her encounter with the Xenomorph inside the space station.*

This is a solid follow-up to what was established in issue #1. In this comic book, the creative team gradually raised the stakes as two sides of the story were told extensively in alternating fashion – the side of Superman and Kara in deep space, and the other side of Lois Lane and Dr. Kimble (clearly the 3^rd most important character in this mini-series) inside the space station.

As the story went on, Superman became even more vulnerable not only because he grew weaker as he has been cut off from the sun (a primary source of energy for him), but also because struggling with the aliens wore him down a lot and he still insists on avoiding any acts of killing due to what happened to him previously. As the Man of Steel became more vulnerable, Kara (who is experienced already in fighting the Xenomorphs which she referred to as the uglies) became an even more significant character (next to Dr. Kimble) and she became a highly essential partner for the icon.

Even for us readers, Kara creatively became even more engaging as she shared memories of events (note: exposition) that happened sometime prior which explains why her city got ruined and how the Aliens arrived and made her people’s problems even worse. The visualization of the said events were efficiently done for a good immersion into the past.

While the Superman-Kara thread emphasized survival facing tremendous odds, the Lois-Kimble thread became a more significant part of this mini-series as the space station became the new place for Xenomorph attacks. While Dr. Kimble remained obsessed with achieving results with scientific discoveries and corporate interests in mind, Lois Lane became the hunted similar in the style of Ellen Ripley in 1979’s Alien.

If you are looking for action, you will find a lot of them in both threads of the story. While just one Xenomorph on the space station led to some incidental action moments, a lot more action happened on Superman-Kara’s side of the story as they (along with a few human survivors on the ruined city) faced a huge horde of aliens that kept on attacking them from all sides. If you are looking for superhero spectacle, you won’t find it here as the action is more grounded with sci-fi’s interpretation of reality and Superman here is weaker and a lot more worn down physically. Then again, this is not surprising given the tone and concept the creators aimed for.

Conclusion

*Superman and Kara struggling hard as they are surrounded by lots of Aliens. One of Kara’s fellow people is present in this shot.*

Superman vs. Aliens #2 (1995) is really engaging to read and there were lots of fun moments along the way. Even as the creators were building up something for the third and final issue, they managed to pull off big pay-offs to what was built up in issue #1. While the lack of superhero-style spectacle is clear, it is not a problem at all as there is a lot of action involving the many Xenomorphs in the ruined city plus the bouts of suspense and incidental action executed during Lois Lane’s encounter with a single but deadly Alien. Considering how much fun and engagement this comic book has, it remains to be seen how the next issue will live up to it.

Overall, Superman vs. Aliens #2 (1995) is highly recommended!

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A Look Back at Superman vs. Aliens #1 (1995)

June 15, 2023June 13, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 to examine what was back then one of the most unthinkable comic book crossovers to ever happen – Superman vs. Aliens (also referred to as Superman/Aliens).

I remember sometime back in 1994, I bought a new superhero comic book from the local comic book retailer and what caught my attention was the print ad on the back – an Alien chestburster crashing through the iconic Superman S logo. A few of my friends who saw the same print ad chuckled at the concept of having the Man of Steel together with the monsters from the movie franchise that first started in 1979 with Ridley Scott’s Alien. Then came 1995 and eventually the first issue of the Superman vs. Aliens mini-series made it on the shelves of local comic book stores. Its cover easily attracted the attention of many and I saw the image of Superman being smaller to the Xenomorph alien in the background, the concept of the crossover started to intrigue me.

With those details laid down, here is a look back at Superman vs. Aliens #1, published in 1995 by Dark Horse Comics and DC Comics with a story written and drawn by Dan Jurgens with ink work done by Kevin Nowlan.

Early story

The story begins in space when a fast moving object from nowhere heads towards Earth which was detected by a satellite of Lex Luthor’s corporation. Behind the scenes, personnel initiated an alert for a certain Dr. Kimble.

Clark Kent (Superman) and Lois Lane arrive at the headquarters of Lexcorp. It turns out they were suddenly called for by the corporation due to what happened in space. As they ride the elevator heading towards the rooftop, Clark and Lois talk about Lexcorp’s space program and Dr. Kimble who happens to lead the said program.

At the roof, they meet Dr. Cheryl Kimble and immediately ride with her in the helicopter going to a certain destination in anticipation of the probe’s estimated arrival. During the trip, Kimble reveals that they received radio signals from the incoming probe which were garbled almost unintelligible. She then plays an excerpt of the radio signals for Clark and Lois to listen to.

For Clark, he cannot help but feel shocked as he finds the audio sounding like Kryptonian…

Quality

*Superman finds a dead Facehugger alien.*

Firstly, I can say without any hesitation that the creative team succeeded in making the crossover between Superman and the Aliens believable within this very comic book. For one thing, Dan Jurgens came up with a script and visual design that radically different from what was shown in Superman comic books of the time. The script had this somewhat adulterated tone that made the comic book move away from superhero fantasy and move into the realm of cinematic science fiction. For setting the tone and the look, the creative team scored a home run.

Secondly, the script was properly structured to immerse readers with the tale initially following Superman, Lois Lane and Dr. Kimble which ultimately served as a build-up. The good news here is that readers don’t have to wait too long for the pay-off to be executed. In fact, the pay-off itself (which happens when the Man of Steel finally encounters the Xenomorph for the first time) is huge and immediately the tension and depth of the plot really shifted into high-gear which I enjoyed. Along the way, the expository dialogue or the presentation of details (to help readers understand) was nicely balanced.

Thirdly, I love the way how Dan Jurgens presented Superman as being more troubled and more vulnerable than usual. To see the American icon go into personal obsession over the Kryptonian details was a really unique way to presenting his human side. Also having Superman deep in space far away from any sun or star (the essential source for his powers) really made him truly vulnerable as he actually got weaker even before facing off with a Xenomorph. Being in a vulnerable state, you will see the Man of Steel in real danger which truly goes against type (note: being super strong and invulnerable all the time). As such, the danger of the Aliens against him is believable and intense. What I do find weird, however, is how awkward it is for me to see Superman actually trying to reason with the first Xenomorph he encounters. Of course, he has no previous knowledge about the violent nature of the Aliens but we readers – and millions of people who saw any of the movies – know better than him.

As part of the build-up, Dan Jurgens inserted details and flashbacks that recalled previous tales that were published during the early stage of the post-Crisis era of DC Comics. This not only includes Superman’s arrival on Earth but also his strategic killing of General Zod, Zaora and Quex-Ul using green Kryptonite (as published in Superman #22 of 1988). As such, Superman’s deep regret of taking life away from others serves as a build-up for his avoidance of killing in this crossover. This actually races the stakes for his upcoming encounters with the Aliens.

Even though the story is told through Superman, Dan Jurgens still had enough room to develop Lois Lane and Dr. Kimble. Kimble symbolizes the driven corporate executive who is in-charge of operations that could help her make claims on scientific discoveries and new technologies. Lois Lane here served as the intellectual opposite of Kimble without ever going into the extremes of gaining something for her journalistic career.

Conclusion

*Superman with Lois Lane and Dr. Kimble.*

Very clearly, Superman vs. Aliens #1 (1995) is indeed a great comic book as well as great opener for its mini-series. Dan Jurgens established a tale that had sufficient build-up and when the pay-off started, the crossover aspect really made the story more compelling to read. Ultimately, this one made the crossover between Superman and the Xenomorphs believable, engaging and intriguing. This comic book is a great start and I am eager to find out what happens next.

Overall, Superman vs. Aliens #1 (1995) is highly recommended!

+++++

Better than Streaming: Do you have Aliens 30th Anniversary Edition Blu-ray in your collection?

June 14, 2023June 12, 2023carlocarrasco

Welcome back, fellow geeks, Blu-ray collectors and movie buffs! Long before he went all-in with digital filmmaking and made the Avatar movies, James Cameron made a huge impact in the sci-fi action genre with the use of practical effects when they were still the standard in Hollywood filmmaking.

After making waves with The Terminator in 1984, Cameron went on to make the sequel Aliens which became a huge success and remains a fine example of how to do sequels. To be very clear, the production of Aliens (which starred Sigourney Weaver who returned as Ellen Ripley) has a very detailed and colorful history about notable twists in Hollywood that connect it with The Terminator. As Arnold Schwarzenegger worked on a Conan sequel, production of The Terminator got delayed and along the way, Cameron – who got involved in the Alien sequel – used the extra time to make the script for Aliens (note: working title was Alien II) which was 90 pages long. That script was submitted to Fox’s then new president Larry Gordon who loved it and agreed to wait until Cameron completed The Terminator just so that he could direct Aliens.

Aliens was released in cinemas in 1986 and went on to gross over $130 million worldwide while winning mostly positive feedback from movie critics. When the film was shown on TV in 1989, a modified cut with additional scenes were shown. In 1991, the extended cut of Aliens was released on LaserDisc format and it was 20 minutes longer than the theatrical version.

In the year 2016, the 30^th anniversary celebration of the movie happened with the release of a commemorative and feature-loaded Blu-ray and it contained the movie’s two cuts!

Aliens 30th Anniversary Edition Blu-ray.

On face value, the Aliens 30^th Anniversary Edition Blu-ray is quite enticing to both movie fans and collectors as it contains the following content:

Theatrical Version and Special Edition of the movie (2 cuts)
NEW The Inspiration and Design of Aliens featurette
Deleted and Extended Scenes
Superior Firepower: Making Aliens
Superior Firepower: Making Aliens Enhancement
Pre-Production Galleries
- The Art of Aliens
- Gateway Station and Colony
- Vehicles and Weapons
- Aliens
Casting
- Cast Portrait Gallery
Deleted Scene Montage

Look at all that stuff you will get with Aliens 30th Anniversary Edition Blu-ray! (photo source – Blu-ray.com)

Personally, I love watching Aliens which in my view is among the very best works of James Cameron and also the best movie of the entire Alien/Aliens film franchise. Through the decades I saw both the theatrical version and the special edition on different formats from video tape to LaserDisc, DVD and cable TV. The movie has Sigourney Weaver’s finest performance; a story that was crafted with a lot of inspiration; it has great action scenes, stunts and a very clever presentation of showing the Xenomorphs; it has very engaging music by the late James Horner; it has several moments of suspense that effectively served as build-ups for the action or intense pay-offs that followed; it has great creature effects by Stan Winston which proved to be an evolution of H.R. Giger’s designs; the Alien Queen was made possible by James Cameron and Stan Winston and ultimately became an essential addition into the Alien/Aliens lore; and ultimately this film moved the entire Alien/Aliens movie franchise forward creatively while respecting what was established in the first movie of 1979 (directed by Ridley Scott, written by Dan O’Bannon and Ronald Shusett).

Aliens also serves as a lively look back at the actors who made nice contributions. There was the late Bill Paxton who went on to appear in more films directed by James Cameron. There was The Terminator actor Michael Biehn who joined the film as a replacement. Lance Henriksen, who also appeared in The Terminator, played the new android Bishop which led to further appearances in two other films of the Alien film franchise.

As much as I love the movie, I have yet to acquire the Aliens 30th Anniversary Edition Blu-ray. In the back of my mind, a 4K Blu-ray release of Aliens could be announced suddenly and I have preference for 4K Blu-ray viewing. Be aware that already there is a 4K Blu-ray version of Alien in the market and even the hugely disappointing prequel Alien Covenant has a 4K Blu-ray release. With the woke Disney company in control of 20^th Century Fox, there is no telling when will Aliens have a 4K Blu-ray version.

To know more about Aliens, watch the following videos below…

In case you are interested or if you have made up your mind, you can order a copy of Aliens 30th Anniversary Edition Blu-ray right now by clicking https://www.amazon.com/Aliens-Blu-ray/dp/B01I0K018W?tag=bluray-021-20&linkCode=ogi&th=1&psc=1&m=ATVPDKIKX0DER

If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

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A Look Back at Aliens vs. Predator #1 (1990)

May 30, 2023June 4, 2023carlocarrasco

For the newcomers reading this, the respective movie franchises of Aliens and Predator started many years before the comic book crossover event happened. By the year 1990, moviegoers had enjoyed Alien (1979), Aliens (1986), Predator (1987) and Predator 2 (late 1990). Cinematic between Arnold Schwarzenegger and the Predator in the jungle and that of Sigourney Weaver and the Queen Alien became unforgettable sequences for many millions of people. It should be noted that an Alien head was shown near the end of Predator 2 emphasizing a crossover.

With those details laid down, here is a look back at Aliens vs. Predator #1, published in 1990 by Dark Horse Comics with a story written by Randy Stradley and drawn by Phill Norwood.

Early story

The story begins in space when a fast-moving ship enters the atmosphere of Ryushi, a planet at the edge of the Chigusa Corporation’s holdings in the Beta Cygni System. On the planet is Prosperity Wells, a human outpost with a population of one hundred fifteen composed of freelance ranchers, their families and a staff of corporate overseers.

The ship’s presence gets detected by operators at Prosperity Wells and one of them speculated it to be a meteor that shows no signs of breaking up. Seeking Hiroki Shimura (no longer the head of the outpost), the operator instead contacts his replacement Machiko Noguchi and informs her about the perceived meteor. After talking with the operator, Noguchi tells her predecessor near her that even though she has been leading the outpost for nearly six months, people are still reporting to him as they treat her like a stranger. Shimura tells her that she’s been trying to adapt the job to her rather than adapting herself to it, and that she cannot just run an operation while hiding from it.

Meanwhile in the wilderness, a machine starts to climb out of the pit and starts releasing Alien eggs…

Quality

*Whenever there are Alien eggs, trouble is inevitable.*

I can say that this comic book is essentially one long build-up that intends to execute the conflict between the Aliens (also referred to as the Xenomorphs) and Predators later. While the two galactic species are indeed here, the narrative is told mainly through the humans whose operations – ranching, business administration, outpost activities – are emphasized with heavy and precise details. The result here is that by the end of the comic book, you will be fully immersed with the sci-fi concept, the characters and the related developments which ultimately will prepare you for the inevitable Aliens-Predator conflict. To put it clearly, Stradley crafted a script that efficiently introduces the characters (note: Noguchi is the clear protagonist), emphasize what has been going on while also moving the story forward in a well-paced manner without compromising the details.

That being said, don’t expect the Aliens and Predators to fight each other immediately here. This is one big build-up as a whole and very notably, there is nothing boring and there were no useless scenes portrayed. Everything told and shown in this comic book made sense, and if you are the kind of person who likes paying close attention to details of the story as well as the gradual development of the key characters, you will find this one an engaging read. The narrative moved at a medium pace and cleverly the suspense happens whenever the creative team gradually build-ups the tension for the inevitable Aliens-Predators fight.

As with many other entertainment tales across varied media forms, this story has a critical portrayal of the corporation slightly emphasizing greed while making the contractors (technically the laborers) look disadvantaged. It is not a one-sided portrayal against corporatism, however, as there were moments showing the contractors relying on deception (note: disregarding quality and the safety of consumers who will soon consume the products from the ranching operation) just to achieve their goals.

More on the protagonist Machiko Noguchi, she is not the typical corporate figure for readers to hate. In fact, she is somewhat sympathetic as she is has yet to earn the respect of others even though she had been working as the head of the outpost for months. The grudge against her is subtle yet clear. The comic book also made clear that she is destined for something significant in the upcoming fight between the two galactic species.

The art by Phill Norwood is very good. While the characters have that comic book aesthetic, the Aliens and Predators are easily recognizable and were drawn with sufficient visual details. What I find weird is the creative team’s approach on applying color on the Predators. Norwood also has a really nice approach on illustrating futuristic stuff (examples: the technologies, office equipment, clothes of the characters) while also emphasizing the wilderness of Ryuchi.

Conclusion

*Machiko Noguchi takes charge even though she is despised by many.*

Aliens vs. Predator #1 (1990) is one very detailed build-up type of comic book that happens to be pretty engaging to read and the set-up for the expected conflict between the two species worked nicely. By the time I reached the end of this tale, I got immersed into its concept, the situations and characters. The build-up also came out with really interesting parts here and there which made the reading experience a very good one. Right now, I am eager to read the next issue.

Overall, Aliens vs. Predator #1 (1990) is highly recommended!

+++++

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