Even though new cases of COVID-19 grew significantly nationwide over the past several weeks, that did not stop the forward momentum for Philippine tourism as the Department of Tourism (DOT) confirmed that foreign tourist arrivals in the country surpassed the 2,000,000 mark as of May 12, 2023, according to a Philippine News Agency (PNA) news article. Take note that that total number of foreign tourist arrivals in the country for the year 2022 was at 2.65 million and it looks likely for the Philippines to exceed that figure before the year ends.
To put things in perspective, posted below is an excerpt from the PNA news article. Some parts in boldface…
The Philippines breached the two million mark in international arrivals for the first five months of 2023, surpassing last year’s baseline target.
The Department of Tourism (DOT) announced the good news over the weekend, citing the latest data of 2,002,304 international visitor arrivals from January 1 to May 12 that exceeded the entire 2022 target of 1.7 million foreign visitors.
“Notwithstanding the challenges and difficulties that our country faced, a pandemic and the various calamities that come into our shores, the good news is that these have done nothing to break the Filipino spirit or to diminish the beauty of the Philippines,” DOT Secretary Christina Garcia Frasco said in a news release.
“We’re very optimistic for the prospects in out country in terms of being a tourism powerhouse in Asia, anchored on the strength of our Filipino culture as well as the values of sustainability, resilience and global competitiveness.”
South Koreans made up almost a quarter of the total number of visitors with 487,502 (24.35 percent); followed by Americans with 352,894 or 17.62 percent; Australians, 102,494 (5.12 percent); Canadians, 98,593 (4.92 percent); Japanese, 97,329 (4.86 percent); Chinese, 75,043; Taiwanese, 62,654; British, 62,291; Singaporeans, 53,359; and Malaysians, 36,789.
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Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, readers! For only the 2nd time since the COVID-19 pandemic affected the world, I managed to watch a movie inside the local cinema at SM Southmall in Las Piñas City. What is intriguing is that the movie I saw is actually a carefully edited compilation of footage sourced from an upcoming live-action series that is an ambitious Philippine adaptation of a certain giant robot anime from Japan. The movie I saw was Voltes V: Legacy – The Cinematic Experience. Behind it all, the movie is part of GMA Network’s strategy of building up awareness for the Voltes V: Legacy TV series set to launch on May 8, 2023.
For the newcomers reading this, the original Voltes V anime series (Japanese title: Chôdenji mashin Borutesu Faibu) was launched in Japan in 1977. Shortly after, it made its English language debut here in the Philippines (note: Japanese characters’ names were Westernized) and ultimately it became very popular and it made an impact on millions of Filipinos who saw it and replayed it in the many years that followed. I noticed that many Filipinos of my generation think of Voltes V first when anime comes to mind. While I myself never became a fan, I saw lots of Voltes V anime episodes on TV at a time when Internet access, video streaming and social media were not yet realized here in the Philippines. I even saw GMA’s edited Voltes V anime movie (containing footage of the final five episodes of the anime series) in the cinema in 1999.
In recent years, GMA Network and its local talents joined forces with Toei Company of Japan to create a live-action TV series adaptation of the anime and there will be eighty episodes (double the anime TV series’ episode count) for broadcasting nationwide. This is Voltes V: Legacy and already the local production team went through lots of hard work making the episodes, the sets, the props, the costumes and the computer-generated images (CGI) to bring the classic series into life in coordination with Toei which reviewed and supervised the production. A lot of money has been spent into Voltes V: Legacy which was felt in GMA’s increased production costs.
As for Voltes V: Legacy – The Cinematic Experience, the so-called movie contains varied footage allegedly from the first three weeks’ worth of TV episodes and it was exclusively screened in SM Cinema sites around the country for a limited time.
The story begins in the planet of Boazan where people with horns live in prosperity and privilege while those without horns have no choice but to live a hard, lower life. A gifted young Boazanian man named Hrothgar – who was born into royalty without horns and lived with his personal secret long enough into adulthood – was exposed by Zambojil’s group to be hornless and unworthy of Boazan’s throne. Sometime later, Hrothgar leads several fellow slaves and prisoners in an uprising against Emperor Zambojil’s authority. Before getting overwhelmed by the imperial forces, Hrothgar escapes into space with an Boazanian spacecraft and crashes into the sea on Earth.
He is discovered by Mary Ann and he gets introduced to Dr. Smith and Commander Robinson. Hrothgar informs them of his Boazanian origin and he expressed to them that Earth’s defenses are too weak to protect its people from alien invaders. As he adjusts with Earth life, Hrothgar changes his name into Ned Armstrong, marries Mary Ann and have children together. After several years on Earth, Ned Armstrong worked closely with Dr. Smith to prepare the people for future invasions…
Quality
The iconic Voltes V looks bulkier and more mechanical in CGI form and the good news is that the overall quality is great and there is a lot of fun seeing the giant robot in action. (photo source – the Voltes V: Legacy – The Cinematic Experience trailer)
To begin with, the creative team of GMA managed to establish a cohesive narrative for the cinematic experience which is not an easy thing to do considering all the content from many selected episodes that had to be edited and arranged properly. This involves the presentation of the story details, the live-action elements, the CGI-heavy shots and the human performances to create a narrative that was easy enough to follow and absorb in my experience. I noticed that the so-called movie moved at a medium-to-fast pace which is not surprising because the goal of GMA was to entertain moviegoers and convince them to anticipate the live action TV series. Considering the speed of the pacing, there were some moments when I felt that some scenes were missing which only reminded me that the slower and more dramatic moments were being saved for the TV series.
When it comes to adapting the classic anime’s elements into live action, the creative team did a pretty good job most of the time. The costumes of the five pilots were made with a more practical physical design (note: they are not body tight) while retaining the classic colors and the V logo. The interior set of the Camp Big Falcon operations room looked more futuristic complete with having many people simultaneously operating. The interior set showing Prince Zardoz and his trusted companions closely resembles that of the anime. There was one particular physical set that did not look convincing – the outdoor street market in Boazan early in the movie had that indoor feel which not even the lighting could hide and the CGI shot showing the rest of the outdoor area and the far distance did not match with the place.
More on the artistic side of the presentation, I enjoyed the way the production people emulated the classic anime designs of not only the characters but also the key structures (places) and the giant robots (Voltes V and the two beast fighters) into live action. The cinematic Prince Zardoz looks so much like his anime counterpart and the same can be said about Dr. Smith and Mrs. Armstrong. The two beast fighters here were rendered to look much like their anime versions but were animated in a way to emphasize mass and scale.
The strategic posing in this notable shot is a fun and honorable throwback to a key moment in the very first episode of the original Voltes V anime TV series. (photo source – the Voltes V: Legacy – The Cinematic Experience trailer)
There were some notable artistic discrepancies and flaws however. The cinematic Princess Zandra, Draco and Commander Robinson clearly did not quite match their anime counterparts. For some reason, Princess Zandra appeared with a very different costume displaying subtle sexiness instead of royalty. Could it be possible the creative team took inspiration from the Fatima Blush character (played by Barbara Carrera) in the 1983 James Bond movie Never Say Never Again while modernizing Princess Zandra? As for Draco, he does not look as intimidating as his anime version and he even looks more like a cosplayer! Commander Robinson here does not display the maturity of the anime version due to the questionable quality of the costume provided and the actor’s appearance. In my experience watching the anime series, Commander Robinson looked and felt like a military man in his early fifties which the live action version never captured.
Now I want to talk about Voltes V itself. The highlight of the CGI combined with really good art direction is the iconic giant robot, including the five vehicles that compose it. To begin with, the use of CGI emphasizing multiple moving mechanical parts to emphasize Voltes V is a very smart move done by special effects team. While each vehicle has a new visual aesthetic to match the live action approach, they still remained recognizable to me. The biggest visual highlight in the movie is the volt-in sequence when each vehicle combined to form Voltes V in robotic form. As each vehicle connected to each other, the classic sequence from the anime was replicated excellently. Given the artistic direction and the CGI’s emphasis of multiple moving parts, the volt-in sequence here is much more detailed than the anime version! I should state that it is very likely that the visual effects team worked overtime to achieve the high-level of detail, the vibrant colors and the impressive animation on Voltes V.
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With the approach on multiple moving parts, Voltes V itself looks bulkier in a mechanical fashion which I really admire. It should be stated that showcasing the iconic giant robot in action – complete with CGI presentation of the many Voltes weapons – is a visual feast complete with very vibrant colors! Each time Voltes V hits a beast fighter by punching or using a weapon, there is strong impact felt with each blow! The sound effects team really did good work adding weight and power to the action.
The work done by the special effects crew in this external shot of Jamie Robinson’s cockpit is very impressive and detailed! Ysabel Ortega acted convincingly to what happened. (photo source – the Voltes V: Legacy – The Cinematic Experience trailer)
Considering the high detail and strong animation on Voltes V, the two beast fighters shown in this movie had very similar visual qualities. There was no major discrepancy on visual quality between the iconic robot and the enemy during battles.
More on the CGI, I can declare that the locally produced visual effects (by GMA Video and Riot, Inc.) looked very good for the most part! Apart from the battles between the giant figures, the sequences of animating the Voltes V vehicles, the Boazanian flying saucers (with fast moving sharp edges that make them resemble motorized wood-cutting blades), the fighter planes and physical damage of places were nice to see. There were, however, several explosions that were badly rendered (note: even looking flat and out of place) in key scenes and there were moments when military vehicles looked more like they belong in video games from a few console generations ago. The formation of the blade of Voltes V’s laser sword clearly needs more work as it looks unpolished. In the post-credits scene, CGI for Octo 1 was badly done!
Apart from action scenes, the giant robots and their weapons, CGI was also used on established places or structures. Camp Big Falcon really looks magnificent while the floating mechanical Boazanian skull appeared very creepy. In shots showing the far distance, Camp Big Falcon in the background still looks good even though the visual quality falls short of capturing true photo-realism.
Considering the way GMA edited the footage and selected visual effects shots for this so-called movie, the overall quality of the CGI literally landed some notches short of photo-realistic levels. That’s not criticism at all but a confirmation that Filipino-produced CGI showcased here is the best I have seen yet! All in all, an impressive ton of work by the special effects teams using computers.
As for the human performances, I can say that the cast collectively did a good job bringing the characters to life and this includes paying special attention to details from anime while adding certain elements that reflect modernization. Zardoz was portrayed to be sadistic and obsessed on conquering planet Earth which reflects his imperial task and the pressure that comes with it. Sometimes, Zardoz looked and acted even psychotic. Mary Ann Armstrong is the definitive mother figure here and the producers emphasized her more with scenes showing her as a very focused authority during crisis as well as a tender and loving woman during her time with the family. In some ways, Mary Ann Armstrong is almost like the protagonist of this so-called movie and the live action version looks deeper than the anime version. While the live action Commander Robinson needs a lot of improving, Dr. Smith here really looks and feels like he was instantly ripped off the anime resulting in a very straightforward version fans will recognize. The live action Ned Armstrong here has some elements that deviate from what was portrayed in the anime (note: a very skilled fighter whose moves were so obviously choreographed during an action scene) while retaining key elements that still made him recognizable.
The actors who played the five pilots of Voltes V performed nicely. Even with all the layered Tagalog expressions (including gestures that we Filipinos are familiar with), Steve, Big Bert, Little Jon, Mark and Jamie are all very recognizable not in terms of looks but through the dialogue, character details and acting. The production team really worked hard to not only balance their respective shares of the spotlight, but also get good enough performances from the actors. Take note that apart from the on-set dramatization, the actors of the Voltes V team had to perform accordingly in their respective cockpit scenes (note: the special effects teams painstakingly provided all the CGI to specifically reflect what had been happening with the pilots and with their machines) and this includes internal communications between the members. What we have right now are the best actors available portraying Steve, Big Bert, Little Jon, Mark and Jamie and making them recognizable in terms of characterization.
With regards to the music, I can say that this one clearly needs improvement. There is orchestrated music in this cinematic experience that played new tunes while also redoing/recycling classic tunes from the anime TV series. When the anime tunes were played by the orchestra with a modern approach, they were recognizable to my ears but the power and essence of the original tunes were not replicated successfully. Sometimes, I just wished that the anime tunes were played more while the orchestra focused more on providing new music.
As for the famous Voltes V theme song, the new version performed by Julie Anne San Jose is a letdown! I’m not saying San Jose is a bad singer but her version – which even used the Japanese lyrics – lacked impact compared to the original version. While the volt-in sequence proved to be a grand visual feast for the fans and viewers who love great looking CGI sequences, its cinematic impact was brought down a bit by San Jose’s version of the theme song. How I wish that the movie producers just used the classic song from the 1970s anime series!
This original theme song should have been used in Voltes V: Legacy instead of the new version.
Conclusion
As expected, Voltes V: Legacy – The Cinematic Experience has a mix of strong points and flaws. The good news is that the good outweighed the bad and I pretty much enjoyed this cinematic version of the live action adaptation done by GMA, its strategic partners and the local talents. As this so-called movie was a mix of content from several episodes edited to form a suitable narrative, it succeeded in entertaining and engaging me. Yes, there were flaws and there were some parts showing weaknesses but those things did not damage the viewing experience too much. There is a good amount of fun with this so-called movie.
Obviously this cinematic version is part of GMA Network’s strategy to build up anticipation for the upcoming TV series (which has a declared 80 episodes for broadcasting). While some people will perceive Voltes V: Legacy – The Cinematic Experience as a blatant form of marketing or even as corporate gimmick, I personally see it as a worthy showcase in the local cinema (note: cinemas here in the Philippines are still recovering from the massive damage of COVID-19) and it just might not be repeated. Let me remind you readers that this newest Voltes V adaptation highlights the peak of Filipino-produced CGI visuals and the Filipinos’ collective efforts to really make a worthy live action adaptation of a foreign entertainment property. This so-called movie is clearly not perfect (note: it is not deserving of perfect 10/10 scores that others gave it) but it is pretty good to watch in the cinema.
Voltes V looks better than ever and made a big entertaining impact in the cinema. How will Voltes V: Legacy turn out on TV given the fact that there are so many episodes set for broadcasting?(photo source – the Voltes V: Legacy – The Cinematic Experience trailer)
As mentioned earlier, I’m not a fan of the Voltes V anime and I’m not exactly anticipating the Voltes V: Legacy TV series. I do confirm that the long-lasting legacy Voltes V is clearly thriving here in the Philippines and the new TV series could potentially make a deep impact on Filipinos who love entertainment and possibly replicate what happened in the 1970s and 1980s when the classic anime TV aired on TV nationwide. How the new TV series will turn out is clearly GMA’s own problem.
Overall, Voltes V: Legacy – The Cinematic Experience is recommended.
Australia’s seasoned triathletes finished 1-2 in the men’s elite division and 1-3 in the women’s elite race to enthrone themselves as the new power at the Subic Bay International Triathlon (SuBIT) featuring the sprint distance in celebration of its 30th year yesterday at the Subic Bay Freeport Zone.
Last year’s 3rd placer and 6th seed Oscar Dart (world ranking -112) outkicked (wr- 300) and 22nd seed Joshua Ferris, 2022 Asia Triathlon Cup Ipoh champion, after running breast -to-breast almost the whole 5 kilometers.
Dart and Ferris were even when they completed the 750-meter swim and 20-kilometer bike with Dart posting aggregate time of 52 minutes and 05 seconds for the race, seven seconds ahead of Ferris.
Reigning NTT Asia Triathlon Cup Subic Bay titleholder Ren Sato (wr-35) of Japan exchanged places with Dart. This time Sato could only cross the finish line 18 seconds behind Dart whom he beat by 37 seconds in the standard distance.
Strong finishing kick also carried Aussie Charlotte McShane (wr-91/2nd seed) to the top of the podium, towing China’s Yifan Yang (wr- 167/14th seed) and her teammate Ellie Hoitink (118/9th seed).
McShane clocked 58:43 with Yang and Hoitink checking in at 58:54 and 58:58, respectively, in the first and oldest sporting event (both local and international levels) sponsored by Philippine Sports Commission (PSC), Standard Insurance, Hoka, Fitbar, Asian Center for Insulation Philippines, Inc., and TYR.
Rounding out the elite male top 5 positions in the event, organized by Triathlon Association of the Philippines (TRAP) and Subic Bay Metropolitan Authority (SBMA), were last year’s 5th placer Japan’s Genta Uchida (4th, 52:38) and Jumpei Furuya (5th, 52:38).
Chinese duo, Meiyi Lu (4th, 59:07) and Anqi Huang (5th, 59:20) completed the top 5 in the elite female category.
2021 Southeast Asian gold medalist Fernando Jose Casares landed in 25th position in the 66-strong fleld with a time of 54:46. Three-time SEA Games gold medalist Kim Mangrobang timed 1:01:07, good for 24th place out of 48 entries.
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The above information was sourced from an official press release issued by the Triathlon Association of the Philippines. Some parts were modified for this website.
Japan’s Ren Sato defends his title in the elite male division and Sarika Nakayama takes a stab at the women’s crown vacated by their compatriot on the final day of the celebration of the 30th year of the Subic Bay International Triathlon (SuBIT) this Sunday.
Top world ranked (No. 35) in the field of 66 men, Sato is backstopped by 82nd ranked Jumpei Furuya and 87th Genta Uichida, last year’s 5th placer, in his bid for back-to-back championship at the longest running Olympic distance triathlon in Asia and the first and oldest sporting event at the Subic Bay Freeport.
Last year’s 3rd and 6th placers Aussie Oscar Dart (WR- 112) and Hong Kongite Jason Tei Long (WR- 94), respectively, and Uzbek Alexandr Kurishov (WR- 105), runner up in the April 1 Asia Triathlon Cup Pokhara, loom as dark horses.
On the women’s competition of what is also known as 2023 NTT AST Subic Bay Asia Cup, while Nakayama is ranked 77th in the world she was beaten by 39 seconds in the March 26 2023 World Triathlon Cup Plymouth. Aussie Charlotte McShane (world rank-91st) finished 35th ahead of Nakayama 38th.
All-out to spoil the top duo’s venture is Slovakia’s Margareta Bicanova (WR- 93), 3rd in Asia Triathlon Cup Pokhara, backed up by her country women Zuzana Michalickova (WR- 101), 40th in World Triathlon Cup Plymouth, and Komana Gajdosova (WR- 106), 3rd in 2023 Africa Triathlon Cup Troutbeck.
Before the year past, the last time the Japanese ruled the elite men was in 2017 when they romped off with 1st,3rd and 5th positions with the Koreans inserting themselves in-between; and in the elite women in 2015 when they finished 1-2.
As a platform for our local bets, as well as the other ASEAN countries’ hopefuls, to gauge their preparation for next month’s Cambodia Southeast Asian Games’ May 6 triathlon events, SuBIT, organized by Triathlon Association of the Philippines (TRAP) and Subic Bay Metropolitan Authority (SBMA), joined the trend in world and cups triathlon cups in downsizing the distances for elites to sprint.
Suiting for the Philippines in SuBIT presented by NTT and Asian Triathlon with Philippine Sports Commission, Standard Insurance and Asian Center for Insulation Philippines, Inc., are: male- Fernando Casares, Kim Remolino, Josh Ramos and Mathew Hermosa; female- Kim Mangrobang, Raven Alcoseba, Heart Quiambao and Kira Ellis (youngest at 17).
Mangrobang has dominated the past three editions of SEA Games triathlon while Casares was 2021 Vietnam SEA Games gold medalist.
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The above information was sourced from an official press release issued by the Triathlon Association of the Philippines. Some parts were modified for this website.
Recently in Parañaque City, two wanted foreigners allegedly connected with the Japanese burglary gang leader Yuki “Luffy” Watanabe were arrested by law enforcers in BF Homes according to a news article published by the Philippine News Agency (PNA).
To put things in perspective, posted below is an excerpt from the PNA news report. Some parts in boldface…
Two more suspects connected with Japanese burglary ring leader Yuki “Luffy” Watanabe were arrested in Parañaque City, the Bureau of Immigration (BI) reported on Saturday.
Commissioner Norman Tansingco identified the Japanese nationals as Fujita Kairi, 24, and Kumai Hitomi, 25, who were apprehended in BF Homes by operatives of the BI’s Fugitive Search Unit on Friday afternoon.
The two have standing warrants of arrest for theft issued by the Tokyo Summary Court in September 2022. They are detained at the BI facility in Taguig City pending their deportation.
“This is a major breakthrough in the case, as we have finally arrested more suspects involved in this major case in Japan,” Tansingco said in a statement. “They will finally be facing their crimes in their homeland.”
Watanabe and accomplice Tomonobu Saito were deported on Feb. 8, the day after fellow fugitives Toshiya Fujita and Kiyoto Imamura, both 38, were sent home.
The above report ended stating that the gang was involved in at least twenty robberies that happened in Japan in the past twelve months, as well ass the murder and robbery of a 90-year-old person in the city of Komae.
Let me end this piece by asking you readers: What do you think about this recent development? If you are a Parañaque City resident, are you convinced that there could be more wanted criminals from abroad who could be hiding within your local community right now? If you have been following the developments about the Luffy case, do you know where exactly in BF Homes did the arrests happen?
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
Recently in the progressive city of Muntinlupa, the City Government started using Japanese technology in the form of “bokashi balls” to clean up Laguna Lake, according to a Manila Bulletin news report.
To put things in perspective, posted below is the excerpt from the Manila Bulletin news report. Some parts in boldface…
The Muntinlupa City government is using Japanese technology to improve the overall quality of the Laguna Lake.
The city government’s Lake Management Office (LMO), in partnership with the Rotary Club of Muntinlupa City Central and Rotaract Club of Alabang Bagong Paraiso, launched “Project ADBOKASHI” on Jan. 22 that aims to improve bodies of water in Muntinlupa and across the country.
Mayor Ruffy Biazon welcomed the cooperation of the city government, Rotary and Rotaract that focuses on improving water quality in Laguna Lake for the long-term as part of his administration’s 7K Agenda for the environment.
More than 1,000 bokashi balls were released into the lake as part of a two-year experiment to see if the water quality would improve and to counteract the effects of rapid urbanization around the lake.
The project will involve releasing bokashi into Laguna de Bay at least every six months with periodic water quality testing to be conducted by the LMO.
Bokashi balls are made of organic materials such as garden soil, effective microorganisms (EM1), molasses and rice hulls that break down toxins and bad bacteria in water.
Dubbed locally as “mabuhay balls,” bokashi were also proven in Japan to deodorize bodies of water and reduce siltation.
Recently, the Department of Environment and Natural Resources (DENR) used these to improve the water quality in Boracay’s wetlands as part of the rehabilitation of its beaches.
The organic “deodorizer” balls were introduced into the country by the Asian National Institute in Angono, Rizal, in 2008.
Let me end this piece by asking you readers: If you are a Muntinlupa City resident, what is your reaction to this development? Do you think the bokashi balls will be effective?
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
Recently it was announced that the City of Las Piñas has been selected by the Japan International Cooperation Agency (JICA) as the site where they will test the floating amphibious excavator of Kochi Marutaka which means dredging on Las Piñas river, according to a Manila Standard news report.
To put things in perspective, posted below is the excerpt from the Manila Standard news report. Some parts in boldface…
The Japan International Cooperation Agency (JICA) has chosen Las Piñas city for its pilot test of Kochi Marutaka’s floating amphibious excavator.
Sen. Cynthia A. Villar noted that this technology to be used in cleaning the Las Piñas-Zapote River and waterways in Las Piñas is new. The technology, Villar said, can do extensive dredging while floating in shallow waters of the river due to its remarkable buoyancy.
“There is no doubt that you have chosen well. In Las Piñas, under my guidance, we are serious and very persistent in our river clean-up and rehabilitation,” Villar, chairperson of the Senate Committee on Environment and Natural Resources, said.
The senator, along with her daughter, Deputy Speaker Camille Villar, joined JICA Rep. Takuya Hashizume, DPWH- NCR Director Loreta Malaluan and DPWH-Bureau of Equipment Dir. Toribio Noel Ilao and Las Piñas- Muntinlupa District Engr. Isabelo Baleros, in the launching of JICA’s Verification Survey for the “Utilization of Floating Amphibious Excavator for the Construction Works On Disaster Management and Disaster Restoration in the Philippines.”
The project brief was given by Toru Asakura of CTI Engineering International Co., Ltd. and Hiroshige Takano , chairman of Kochi Marutaka Corporation, while Mikako Shimizu from JICA Philippine office and Tomohiro Matsubara from the Embassy of Japan in the Philippines gave their keynote speeches during the launch.
“I welcome events like this that cultivate solutions to the challenges we face to tackle disasters and mitigate its effects. As you know, the Philippines is one of the most vulnerable countries to disasters, it is frequented by around 20 typhoons per year,” Villar said.
She also pointed out the use of a floating amphibious excavator is also very much in consonance with her lifelong advocacies of cleaning our city’s rivers and waterways and of efficient waste management.
Prior to the project, the Japanese group approached the Las Pinas city government, seeing the efforts of Sen. Villar in cleaning the Las Piñas- Zapote River which bagged an international environment award given by the United Nations.
The initiative to clean the said river and rid it of waterlilies that triggered floodings was under the so-called “Sagip Ilog Para Sa Kinabukasan.”
Let me end this piece by asking you readers: If you are a resident of Las Piñas City, what is your reaction to this development? Are you delighted over the news that the JICA chose Las Piñas City for testing the mentioned dredging technology? Do you think the dredging along the Las Piñas-Zapote river will reduce potential flooding?
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
Recently, Philippine President Ferdinand “Bongbong” Marcos, Jr., reiterated his vow to improve the transport system of the entire nation which can benefit many people who need to travel, according to a Philippine News Agency (PNA) news article. This is similar to what his predecessor declared before.
To put things in perspective, posted below is the excerpt from the PNA article. Some parts in boldface…
President Ferdinand R. Marcos Jr. on Monday reiterated his vow to continue upgrading the country’s transport system to relieve commuters of their daily ordeal due to traffic congestion.
“We will continue to invest and improve our transportation system as well as pursue more projects in the years to come so that Filipinos can gain greater access to places of work, commerce, recreation, and other vital areas,” Marcos said in his speech during the launch of the Metro Manila Subway Project’s (MMSP) tunnel boring machine (TBM) at its depot in Barangay Ugong, Valenzuela City.
“Having an effective and efficient transportation system will have multiplier effects on employment, the economy, our society, it will bring comfort, convenience, an easier life for all,” he added.
Marcos said developments on the country’s first subway system in the country allow Filipinos to look forward to “better days” as it would also spur economic development and job creation.
He thanked both the public and private sectors for working to ensure the realization of what he described as an “ambitious” endeavor.
In particular, he expressed gratitude to the Japanese government and the Japan International Cooperation Agency (JICA) for being active partners in the fulfillment of the Philippine infrastructure program.
According to Marcos, the Philippines would not have fulfilled its many infrastructure projects without the assistance of JICA.
“This tunnel boring machine highlights Japan’s expertise and technology and trailblazing contributions in the modern world and thus I am confident that they will help us shape our railway infrastructure and keep them at par with the highest international standards,” he said.
He acknowledged the joint venture of Filipino and Japanese companies for working with the Philippine government on the Metro Manila Subway Projects Contract Package 101 and expressed hope it would be completed on time.
“I hope that both of you and the DOTR will not waiver on your commitment to finish the contract package by the end of 2027 to ensure that Filipinos will get to enjoy the project at the soonest possible time,” he said.
Marcos likewise sought their continued patience, trust, and support, especially as big-ticket projects take years to complete.
“…Let the launching of this tunnel boring machine become a testament to this administration’s commitment to continue to projects of the previous administration and more importantly build better more,” he added.
He also described the launch of the TBM as “a very apt beginning” for a year with renewed vigor and commitment to his administration’s mission to improve the lives of Filipinos.
“We also gain inspiration from the selfless individuals who constantly strive to turn our vision for the transportation sector into a grand reality,” he said.
The PHP488.48 billion Metro Manila subway will stretch for about 33 kilometers across seven cities, from Valenzuela City to Pasay City, and will be able to serve over 519,000 passengers daily once completed.
Let me end this piece by asking you readers: What is your reaction to this recent development? Do you believe that the Metro Manila subway will make local travel more efficient? What new infrastructure projects do you think the country needs right now?
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
With the year 2022 officially over, the Department of Tourism (DOT) officially confirmed that the Philippines attracted 2.65 million tourist arrivals (exceeding the target of 1.7 million) and over P200 billion in tourism revenues were generated for the year, according to a news article by the Philippine News Agency (PNA).
To put things in perspective, posted below is the excerpt from the PNA article. Some parts in boldface…
The holidays delivered further gains for the Philippine tourism industry as it breached its 1.7-million target with 2.65 million international arrivals as of the end of 2022.
The arrivals translated to PHP208.96 billion or USD3.68 billion in tourism revenues, a whopping 2,465.75-percent increase from 2021, according to a news release on Monday.
Based on the monitoring of the Department of Tourism (DOT) from the time the country reopened its borders to all travelers in February until Dec. 31, 2022 arrivals peaked in December as more Filipinos and tourists alike opted to spend the Christmas and New Year vacations in the Philippines.
Of the total 2.65 million international arrivals last year, 628,445 were returning Filipinos while the bulk of 2.02 million tourists were from top markets United States (505,089), South Korea (428,014), Australia (137,974),Canada (121,413), the United Kingdom (101,034),Japan (99,557), Singapore (53,448), India (51,542), Malaysia (46,805) and China (39,627).
The year just ended likewise generated an estimated 5.23 million tourism-related jobs, 11,989 DOT-accredited tourism enterprises as of Dec. 29, 2022 and 25,770 tourism stakeholders who were trained.
DOT Secretary Christina Frasco was elated over the achievements of the administration of President Ferdinand R. Marcos Jr., just six months into office.
She said the tourism sector’s growth clearly showed the hard work of the entire industry in order to recover from the unprecedented crisis brought about by the Covid-19 pandemic.
“Moments of great difficulty are also moments of great opportunity. In the past, we have overcome a global pandemic and survived various calamities. The Philippine tourism industry has managed to exceed expectations and our tourism partners and frontliners continue to offer the best of Filipino grace and hospitality to the world,” Frasco said in a statement.
“We welcome 2023 with gratitude and excitement for Philippine tourism to bounce back stronger than ever. We shall welcome with warmth and that distinct Filipino smile visitors from all over the world as they visit our award-winning beaches, experience the richness of our culture, and enjoy our world-renowned Filipino brand of service excellence,” she added.
Frasco is hopeful that the DOT will surpass its targets anew in 2023.
Let me end this piece by asking you readers: What is your reaction to this recent development about the Philippines tourism? If you are managing a business, did your business benefit somehow from the arrival of foreign tourists and/or Filipinos who arrived from overseas? Do you think the DOT will be able to achieve its targets for 2023?
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
It took almost twenty years but Bandai Namco is finally releasing a version of their hit Japanese role-playing game (JRPG) Tales of Symphonia on Xbox Series X, Xbox Series S and Xbox One on February 17, 2023, and it will come with a lot of stuff apart from the from the enhancements. Already pre-orders are being accepted.
In relation to this really good news, watch first the official Xbox trailer of Tales of Symphonia Remastered posted below…
For added insight, posted below is an excerpt from the official announcement from Bandai Namco. Some parts in boldface…
Lloyd Irving and his friends journey is getting closer, confirmed for release on February 17th. Bringing veteran fans and newcomers in the worlds of Sylvarant and Tethe’alla, the game offers visual enhancements, gameplay improvements, and new features.
A flashy sequence during a battle.
Alone or with up to four players during battles, players will be able to experience or re-experience the deep and fascinating story in one of the most beloved “Tales of” titles.
Players will have the choice between two editions:
The Standard Edition, only available digitally
The Chosen Edition, containing a metal case, art prints and stickers, with pre-orders already available here
These are the characters in the game. Tales of Symphonia Remastered will come with anime cut scenes for the narrative.
For the newcomers reading this, Tales of Symphonia was originally released on the Nintendo Gamecube way back in 2003 followed by the PlayStation 2 in 2004, PlayStation 3 in 2014 and Windows PC in 2016. The game gathered lots of positive reviews from game critics and it sold more than 2,000,000 copies worldwide.
Tales of Symphonia Remastered coming to Xbox in early 2023 adds weight to the Xbox ecosystem becoming the best destination for gamers who love fantasy RPGs and other types of role-playing games. Already Xbox Game Pass has the remastered Ni no Kuni as well as Persona 5: Royal. There definitely is a growing demand for JRPGs in the Xbox ecosystem and it only makes sense for game publishers in Japan to release their JRPGs – be it new or old – on Xbox platforms. I myself never played Tales of Symphonia before and the news of its Xbox-bound release is really good. Now if only Square Enix would remaster Xenogears for an Xbox release. Capcom could do the same with their Breath of Fire RPGs.
In concluding this article, posted below for your enjoyment are Xbox-related videos.
Author Carlo Carrasco 