film preservation – Author Carlo Carrasco

What to watch on YouTube right now – Part 112

December 3, 2025November 27, 2025carlocarrasco

Welcome back my readers, YouTube viewers and all others who followed this series of articles focused on YouTube videos worth watching. Have you been searching for something fun or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?

I recommend you check out the following videos I found.

#1 GoodBadFlicks Examines Cheersploitation Movies – Recently YouTuber GoodBadFlicks posted a video examining a certain sub-genre of film involving cheerleaders…Cheersploitation. Before the explosion of raunchy comedy movies in the 1980s, there were sex comedy films involving cheerleaders released in the 1970s. GoodBadFlicks’ video features five movies of the Cheersploitation sub-genre which you should see.

#2 The Odd City In Skyrim – Like many gamers, I bought and played Skyrim (Xbox 360 version specifically) on launch day in 2011, and it was easily the most immersive role-playing game of the 7^th console generation. There is one particular city that always felt odd to me which is Markarth. Recently I saw this particular video on YouTube that explains in detail why Markarth stood out so differently from all other cities and towns of Skyrim, and there definitely is something dark behind its legacy which makes exploring it a very intriguing experience for gamers. This is a reminder about Todd Howard’s team taking creative risks that worked and it is an experience you won’t get in Starfield. Watch the video below.

#3 Japanese Food In Ibaraki Prefecture – Ibaraki Prefecture is located in the Kanto region of Honshu in Japan. Even as Ibaraki Prefecture is part of the Greater Tokyo Area, its local food joints offer certain meals that are not available in Tokyo itself. Recently, Nippon TV visited the place and examined why locals travel there to try out the standout food. Watch and learn from the video below.

#4 You, Me And The Movies React To Spawn (1997) – 1997 was not exactly a fun year for superhero enthusiasts when it comes to movies. The movie star-heavy Batman & Robin was terrible and it remains as one of the worst superhero movies ever. Also in 1997, a live-action movie of Spawn was released and even though it took itself seriously (note: creator Todd McFarlane had creative input on the film and his own company was part of the production), it gathered mixed reaction from the fans and very negative feedback from film critics. Recently, You, Me and the Movies posted a reaction video about Spawn which strangely was more entertaining than the movie itself.

#5 Butch Cassidy And The Sundance Kid Reaction Videos – If you have seen a lot of buddy cop movies from Hollywood, have you seen a Western buddy film? Once such film was 1969’s Butch Cassidy and the Sundance Kid which starred the late Robert Redford and the late Paul Newman. The movie was critically acclaimed and it was for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant” 34 years after its release. As such, it is not surprising that the film became a subject of many YouTube reaction videos and posted below are a few I selected for your enjoyment.

#6 Jennifer Lopez And The Scammers In Music – A few decades ago, Milli Vanilli was exposed as a scam and the public backlash was so intense, the fans destroyed the music records they previously bought. For the newcomers reading this, Milli Vanilli was a duo of Fab Morvan and Rob Pilatus who danced and NEVER used their voices in their songs (note: it was all done by others in secret under German music producer Frank Farian). Back in those times, it was normal for music fans and consumers to expect genuine vocal performances from musical artists. As time passed, standards have changed and the musical scam of Milli Vanilli suddenly became the new normal in modern entertainment as more singers today were exposed to be frauds and pretenders (lip-syncing behind vocals produced by others). Watch and learn from the video below.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram athttps://www.instagram.com/authorcarlocarrasco

Better than Streaming: Shane 4K Blu-ray set for July 15, 2025 release

May 16, 2025May 10, 2025carlocarrasco

Welcome back fellow geeks, Blu-ray collectors and movie buffs!

Shane, the classic Western film from 1953 directed by George Stevens, is all set for a 4K Blu-ray release on July 15, 2025 and already the publisher Kino Lorber is already accepting orders online.

Posted below are the technical details of the Shane 4K Blu-ray sourced from its Blu-ray.com page. For the 4K visuals enthusiasts reading this, Shane will be in native 4K resolution.

Video

Codec: HEVC / H.265

Resolution: Native 4K (2160p)

HDR: Dolby Vision, HDR10

Aspect ratio: 1.37:1

Original aspect ratio: 1.37:1

Audio

English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)

Subtitles – English SDH

Discs – 4K Ultra HD, Blu-ray Disc, Single disc (1 BD-100, 1 BD-50), Digital – Digital copy included

Packaging – Slipcover in original pressing

Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A

Personally, I have not seen Shane in full. Apart from seeing selected scenes of it within the 2017 superhero film Logan, I saw Shane partially on cable TV a few times. I am personally interested to watch Shane entirely in native 4K and for this reason alone, Shane 4K Blu-ray is a future purchase for me. I am also aware that the 1953 film was based on the novel from 1949, and in 1993 the movie was selected for preservation in America’s National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.

As for the Western genre of American films, my interest in Westerns from the 1950s, 1960s and 1970s has grown over time. I am not interested anymore in modern movies pumped out by Commiewood (note: woke stuff here and there) and I did not even see a single new movie in the cinemas in 2024. That being said, Shane is something I want to watch in 4K in the comfort of home soon. Here is hoping that the film restoration and remastering will be of top-notch quality.

If you have decided already to order Shane 4K Blu-ray this early, you can do it through Kino Lorber by clicking here.

If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

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Better than Streaming: Do you have American Pop (1981) Blu-ray in your collection?

January 19, 2024January 9, 2024carlocarrasco

Welcome back, fellow geeks, Blu-ray collectors and movie buffs! Decades ago, animator and director Ralph Bakshi made significant contributions to the art of hand-drawn animation with features that made it to cinemas such as The Lord of the Rings (1978), Wizards (1977), and Fire and Ice (1983) to name a few.

Along the way, Bakshi became identified with rotoscoping which is a technique that involves drawing or painting over an element in live-action footage frame by frame (as to create a matte or a realistic animation).

Speaking of Bakshi’s past work as well as rotoscoped animation, Sony Pictures recently released the film American Pop (1981) on Blu-ray disc format and I am happy to say that I now have a copy of it for my Blu-ray collection. This is also my first-ever Blu-ray of a Bakshi-directed animated movie.

*A close look at the cover of my Blu-ray copy of American Pop.*

To begin with, posted below are the specs from the Blu-ray.com page…

Video

Codec: MPEG-4 AVC

Resolution: 1080p

Aspect ratio: 1.85:1

Original aspect ratio: 1.85:1

Audio

English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)

Subtitles –English SDH

Discs -Blu-ray Disc, Single Disc (1 BD-25)

Playback – Blu-ray: Region A

In my personal experience, the first time I ever saw American Pop was not in the cinema but on TV here in the Philippines way back in 1993. Back then, I found the film’s combination of music with mostly rotoscoped animated scenes (there were also some live-action shots, archived footage and some very unique pieces of art shown). I was not able to replay Bakshi’s movie until recently.

So after more than thirty long years, I finally got to replay American Pop on Blu-ray and I can say I enjoyed it even more. To see the rotoscoped animation and varied music play in front of me in high-definition is an even more immersive viewing experience than the previous time I saw this film. Another advantage of high definition is being able to see tiny visual details that I was unable to spot long ago. Oh yes, the fine artworks used on the backgrounds in specific parts of the movie now look a lot more engaging to look at.

*A look at the rear of American Pop Blu-ray.*

What I regret to say here is that American Pop Blu-ray absolutely has no special features included. Not even a movie trailer! I can only guess that Sony Pictures did not bother to exert efforts to conduct new interviews with Ralph Bakshi and the cast members, nor did they even try to secure any media features or previews of the movie before its theatrical release. It’s not clear if Sony will someday come up with a collector’s edition Blu-ray of this 1981 Bakshi film.

In case you are interested or if you have made up your mind, you can order a copy of American Pop Blu-ray by clicking https://www.amazon.com/American-Pop-Blu-Ray-Ralph-Bakshi/dp/B0CBXJW38F/ref=sr_1_1?crid=2HXMAKQ7ZRPF8&keywords=american+pop+blu+ray&qid=1704790730&sprefix=American+Pop%2Caps%2C498&sr=8-1

For the dedicated Ralph Bakshi fans as well as enthusiastic film buffs and collectors of movies on physical media, American Pop Blu-ray is recommended as the film itself is more than enough to outweigh the lack of special features. American Pop is more lively than ever to watch and listen as it is now in high-definition.

If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

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A Look Back at The Blob (1958)

November 3, 2023November 3, 2023carlocarrasco

Disclaimer: This is my original work with details sourced from watching the film and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, movie buffs, science fiction fans and geeks! Some of you might have heard about the news about the recent release of the collector’s edition 4K Blu-ray of the movie The Blob (1988). For the newcomers reading this, The Blob (1988) was a remake of the original movie from 1958.

With those details laid down, here is a look back at The Blob, a sci-fi horror movie released in 1958 starring Steve McQueen and Aneta Corsaut, written by Kay Linaker and Theodore Simonson, and directed by Irvin S. Yeaworth, Jr. (Irvin Yeaworth for short). This was a low-budget local-level production by Valley Forge Films, Fairview Productions and Tonylyn Productions.

Early story

The story begins somewhere within a small town in Pennsylvania. During one evening, teenagers Steve Andrews and Jane Martin spend a romantic time together in a car only to be disturbed when a meteorite from outer space crashes nearby. This easily sparks Steve’s curiosity as he decides to drive to find the spot of the crash taking Jane with him.

Meanwhile, an old man who happened to be living near the spot of the crash went out of his home and finds the meteorite first. Out of curiosity, he pokes the meteorite with a stick which slowly causes it to break open revealing a gelatinous substance (the blob) inside. He uses the stick on the substance, lifts it up and examines it closely. Against gravity, the substance suddenly moves up the stick and wraps itself on the old man’s hand causing him to become desperate to remove it. He failed.

As Steve drives down the road, the old man with the blob suddenly crosses down their path. The old man tells Steve to take him to a doctor…

Quality

*Steve McQueen (3rd from left) as teenager Steve Andrews with Earl Rowe (2nd from right) as Lt. Dave and other over-aged actors playing teenagers.*

I can say that I really like this old movie which has always been an independent, low budget production that made a solid contribution to the sci-fi genre and pop culture in general.

To begin, this film has a simple plot about an alien creature in the form of a gelatinous blob from outer space which attached itself into an old man’s hand, grew a lot when the man made it to the doctor, and then started consuming people which made it grow so big, life in the town got disrupted and people found themselves in danger. Unsurprisingly, the blob itself does not dominate the narrative considering the limitations the filmmakers had on making special effects work plus they focused more on the characters to move the plot forward. Rest assured, however, that the production team went all out with their limited resources on making the monster look menacing in the final fifteen minutes. I should state that the special effects team did a convincing job with the way they made the blob move to specific directions.

Given the simple plot, it is not surprising to see the narrative focusing more on the characters particularly with teenagers Steve and Jane (both played by obviously over-aged actors Steve McQueen and Aneta Corseaut). The story clearly follows the two mentioned teenagers who have the best knowledge about the blob and what happened, and it just so happens that they are always at a disadvantage when asked by adults to prove things.

With a monster that large within the local community, you know that something must be done before it causes further damage and kills more people. The blob was portrayed to be unrelenting in consuming and killing people which causes it to grow even bigger and with no limits determined. The blob does not care at all about the pain and anguish of its victims which parallels the evil of Communism/Marxism/socialism/anti-Semitism in real life.

*Jane (Aneta Corseaut) and Steve (Steve McQueen) with the local doctor (Stephen Chase) early in the film.*

The interactions between teenagers (note: Steve McQueen and Aneta Corseaut are not the only over-aged looking actors playing youth) and the mature authorities (local police, parents, educator and house keeper to name some) dramatized a gap in which the youth lacked credibility while the adults remain difficult to convince. Very notably the backward car race early in the film symbolically reflects the Hollywood film trend of the 1950s in which American teenagers are portrayed to be troublesome and living without real purposes.

Going back to the protagonists Steve and Jane, the screenplay was designed to highlight what good teenagers can do when a crisis strikes the local community and why the adults should get over their doubts about the youth.

Given the structure of the script, there are a lot of talk scenes throughout and the progress of the blob growing as a menace within the plot helped break the monotony. While he is clearly too old to play a teenager, Steve McQueen here remains convincing as a youth who strives to achieve something worthy even as he lacks maturity. The same can be said about Aneta Corseaut whose character was designed to help Steve move forward apart from having romance with him. When her character feels troubled, Steve comes in to support her in return. If you ignore their mature looks and focus on the dialogue, you will find convincing lines of youth within Steve and Jane. The same can be said about the other teenagers.

*Considering the low budget and the limitations of technology at the time, the man-made practical effects in this movie are still good.*

*I can say out loud that watching movies inside the cinema is always better than streaming. The best way to enjoy a movie at home, on the other hand, is with physical media like Blu-ray and 4K Blu-ray.*

While McQueen and Corseaut performed well, there were some moments of stiff acting and lifeless delivery of lines of dialogue scattered throughout.

Those of you who are so used to fast-paced films with thrills and jump scares, you should temper your expectations as this movie moved at a slow-to-medium pace with very little horror elements and very little violence. As this was a low-budget local-level production, certain shots had to be made with very obvious creative shortcuts. Even though this movie was filmed on several locations in Pennsylvania, the filmmakers failed to establish a true sense of geography and this means no scenic shots.

Going back to the blob itself, its jello appearance may not look menacing at first and there were times when the lack of scale (note: they did not have equipment to achieved the depth-of-field visual effect) was noticeable. What I liked here is the way the blob was portrayed – unrelenting and totally immune to the emotions and concerns of people it encounters. The blob here somewhat reminds me of the T-800 in The Terminator (1984) in the sense that it simply would not stop to attack people, consume them and then keep on growing into one very large mass which causes a crisis on the small town community.

*In case you are wondering, there were accidents that happened during the memorable scene of moviegoers running out of the cinema in the film. The tripping of some people were purely accidental.*

When it grabs someone and starts to consume the victim physically, the blob does not care about the pain it causes on its prey. While it is clear that the movie’s script was written during the early stages of the Cold War, it is possible that the blob served as a symbol of Communism infiltrating America, endangering people and taking their lives (and liberties) away. That being said, the rampant Leftist influence and social violence in the minds of millions of Americans today makes this film socially relevant and the blob’s threat has gotten even more symbolic. Lastly, I should state that composer Ralph Carmichael managed to come up with music to emphasize the threat of the blob.

Conclusion

In my honest opinion The Blob (1958) is still a good movie to watch and it deserves its place in film history as well as in the sci-fi genre of movies in general. While it had its shortcomings, this low-budget local-level production managed to be a worthy viewing experience and set the foundation for its movie franchise (note: a sequel was made in 1972 and the memorable remake of 1988 followed). To say the least, this movie paved the way for Frank Darabont and Chuck Russell to produce the 1988 remake that was very intense and a lot of fun to watch.

*The Blob (1958) in Blu-ray disc format from The Criterion Collection. This is the best way to enjoy the movie at home.*

The blob itself went on to inspire creative imitations (referred to as blobs or ooze) and new monsters in other forms of entertainment (note: the blob appears as one of the monsters in the 1982 Intellivision game Advanced Dungeons & Dragons: Cloudy Mountain). Steve McQueen himself went on to become one of Hollywood’s elite stars in the decades that followed and this film should interest both die-hard fans and any film buff who wants to learn more about him.

Overall, The Blob (1958) is recommended.

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If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

A Look Back at Creepshow (1982)

August 11, 2023August 9, 2023carlocarrasco

Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back fellow geeks, pop culture enthusiasts and comic book collectors! Way back in 1982, the horror comedy anthology film Creepshow was released in cinemas featuring the combined talents of author Stephen King and the late director George Romero who were clearly inspired by the 1950s horror comic books published by EC Comics. That being said, Creepshow was a comic book movie that was not even based on a comic book.

To make things clear, the movie was first shown on the big screen in France during the Cannes Film Festival in May 1982. The comic book adaptation of Creepshow (note: read my retro comic book review) was released in July 1982 and the art it contained is not the same as the in-movie comic book (also titled Creepshow) that appeared in transition scenes. The movie’s general release in America happened on November 10, 1982 and it was successful commercially and critically. In recent times, Creepshow was released on 4K Blu-ray with lots of extra stuff for fans and moviegoers to enjoy. The said 4K Blu-ray release can be ordered online now.

Some of you might be wondering if the Creepshow movie has aged well and what exactly does it offer for younger moviegoers and movie collectors to enjoy. Some of you might be wondering if King and Romero were ever a special creative duo for cinema.

With those details laid down, here is a look back at the horror-comedy anthology film Creepshow (1982) directed by George Romero, written by Stephen King and starring Hal Holbrook, Leslie Nielsen, Adrienne Barbeau, Tom Atkins, E.G. Marshall, Viveca Lindfors, Ed Harris and more.

Early stories

Prologue – A father very angrily berates and hits his young son after discovering the horror comic book titled Creepshow was with him. The father called the comic book’s content crap.

Father’s Day – Sylvia Grantham, her nephew Richard, niece Cass and Hank (husband of Cass) enjoy time together at the Grantham estate anticipating the arrival of Bedelia for the annual family dinner. There is a dark secret regarding Bedelia and her late father…

The Lonesome Death of Jordy Verril – A lonely farmer named Jordy witnesses the unexpected arrival of a meteorite from out space which landed violently on his farm. After realizing what it is, he touches it without any protection and gets his fingers burned…

Something to Tide You Over – a prominent man named Richard visits Harry at his home. It turns out, Harry has been having an affair with Richard’s wife Becky. Even so, Richard maintains his cool and made clear his uncompromising determination of always keeping what is his. Richard plays an audio recording of Becky’s voice which even includes a call for Harry to help her….

The Crate – In the basement level of Amberson Hall (science building of Horlicks University), a janitor accidentally finds a very old wooden crate located right under the staircase. The writings “Ship to Horlicks University via Julia Carpenter – Arctic Expedition – June 19, 1834” were marked on the crate…

They’re Creeping Up on You – A cruel businessman named Upson Pratt is alone in his well-lighted apartment. He has been suffering from mysophobia and has been living in isolation and only communicates with others using the telephone and other electronic methods. Slowly but surely, cockroaches begin to multiply in his apartment…

Quality

*Two couples from different short stories of the movie: At left were Hal Holbrook and Adrienne Barbeau. At right were Elizabeth Regan and Ed Harris.*

To begin with, I’d like to focus on the combined creativity of Stephen King and director George Romero. While all five short stories, the prologue and epilogue each have varying levels of quality, engagement and entertainment value, it is safe to say that Creepshow as a whole remains entertaining and intriguing to watch. This is a cinematic horror-comedy anthology that is still fun to watch from start to finish.

Very clearly, the King-Romero team were heavily inspired by the EC Comics-published horror comics of the 1950s and along the way, they added their own creative touches to make each short story not only unique but also memorable. Given the fact that Romero remains remembered for his zombie movie works, two of the five short stories can be viewed as shorter zombie tales by the director but with notable differences – the comic book-inspired visuals used (note: moody lighting, stylish backgrounds and comic-inspired frames) and the fine performances from the actors involved. As for the three other short stories that have nothing to do with zombies, I felt they reflected more of Stephen King’s concepts (note: King himself acted as Jordy) which Romero apparently directed to be reflective of the author’s works while still injecting EC Comics-inspired visuals. Speaking of comic books, the filmmakers used traditional animation (note: hand-drawn) specifically in the transition scenes when the movie moved from one segment to the next. Within the context of the movie was the comic book Creepshow which made the father mad at his son.

*With moody lighting combined with Leslie Nielsen’s convincing terrified expression, this image captures the look and feel of similar moments in the horror comic books of EC Comics.*

As it is clear that each short story has different concepts and varying levels of quality, entertainment and engagement, I can describe them in short results as follows: Father’s Day really looks and feels like it was written for EC Comics in the 1950s; The Lonesome Death of Jordy Verril is a clever mix of dark humor, science fiction and horror; Something to Tide You Over is very intriguing to watch and Leslie Nielsen pulled off a very unique portrayal of a villain; The Crate is a fine combination of monster horror and struggling characters with a university setting; and They’re Creeping Up on You is symbolically a socialist mobbing against someone powerful in the most unusual fashion, and it definitely is the weakest of all the five short stories as it was made to disgust viewers who are afraid of bugs. Creepshow’s prologue and epilogue meanwhile carried an anti-family theme that supposedly reflects the moral outrage against EC Comics in the 1950s made to resonate with people who love comic books at the expense of morality and family. I personally dislike the anti-family theme because I truly believe that minors should never read adulterated comic books and they should never become rebellious.

As each short story, the prologue and epilogue were strongly presented to be entertaining and engaging in varying ways, there is one aspect of the creativity that made Creepshow stand the test of time – the respective performances of the actors.

Leslie Nielsen’s portrayal of the villain Richard is the performance highlight of the entire film. Here’s a powerful man dealing with pain as a result of being betrayed by his wife by being in full control of his emotions and he keep moving on with uncompromised determination to proceed with his diabolical plans patiently and orderly. He is a very angry man who happens to be very calm. He is definitely evil who happens to be very principled. You will even see little traits of comedy in Richard and this should remind you of Nielsen’s eventual move into comedy in his later years. In the same short story, Ted Danson is believable as the man who had the affair with Richard’s wife.

In another short story, Adrienne Barbeau really stands out as the obnoxious and unhinged Wilma (AKA Billie) who is the complete opposite of her mild-mannered husband Henry (played by Hal Holbrook). She is so wild, she easily embarrasses her husband and the others who were present in the faculty social gathering. Quite symbolically, Barbeau’s act as Wilma is easily the most lively thing to watch in the said gathering. Without spoiling the plot of The Crate short story, I can say that Hal Holbrook has a nice range of displaying emotions within Henry as the story progressed. Even the guy who played the professor Dexter Stanley (Fritz Weaver) had his own share of the spotlight and displayed a good acting range as well.

Even author Stephen King himself acted in a leading role in another short story as Jordy. King is surprisingly good in being comedic and he really knows his character in and out. In the first short story Father’s Day, you will see a very young Ed Harris as part of a family waiting for the arrival of Bedelia (Viveca Lindfors). The waiting family members were nicely played by Elizabeth Regan, Warner Shook and the late Carrie Nye. They were convincing as relatives. In the final short story, the late E.G. Marshall played Upson Pratt to be so ruthless, he will irritate you.

Conclusion

*Comic book-style visuals implemented cleverly in the movie.*

It is clear that Creepshow (1982) remains fun and engaging to watch thanks to the combined creative efforts of the King-Romero team as well as the fine performances of the actors involved. Although the final short story starring E.G. Marshall is the least interesting tale to watch, this horror-comedy anthology has lots of good stuff to entertain viewers. By today’s standards, Creepshow (1982) is very unique and also fun to watch. If you want to see this movie with the best visuals possible today, I urge you to buy the 4K Blu-ray release.

Overall, Creepshow (1982) is highly recommended!

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If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

Better than Streaming: Creepshow Collector’s Edition 4K Blu-ray now available

July 11, 2023July 9, 2023carlocarrasco

Welcome back, fellow geeks, Blu-ray collectors and movie buffs! Back in the early 1980s, I managed to watch on home video the 1982 horror comedy anthology film Creepshow which was a fine collaboration between director George Romero and author Stephen King clearly inspired by the 1950s horror comic books of EC Comics.

The good news for fans of the movie as well as those who love watching movies in the comfort of home without streaming is that the Creepshow Collector’s Edition 4K Blu-ray (2 discs inside the set) from Shout Factory is now available at retail and for ordering online. For those who want the best in visuals, Creepshow’s 4K version is in native 4K!

*The 4K Blu-ray cover cleverly uses the same art from the original movie poster of 1982.*

To begin with, posted below are the technical specs of Creepshow Collector’s Edition 4K Blu-ray sourced from its Blu-ray.com page. Some parts in boldface…

Video

Codec: HEVC / H.265 (75.09 Mbps)

Resolution: Native 4K (2160p)

HDR: Dolby Vision, HDR10

Aspect ratio: 1.85:1

Original aspect ratio: 1.85:1

Audio

English: Dolby Atmos

English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)

English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)

Note: Atmos: 4035 kbps, 5.1: 3609 kbps, 2.0: 2002 kbps

Subtitles – English SDH

Discs -4K Ultra HD, Blu-ray Disc

Two-disc set (1 BD-100, 1 BD-50)

Packaging – Slipcover in original pressing, Reversible cover

Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A

In case you are wondering how much stuff you will get in return for purchasing Creepshow Collector’s Edition 4K Blu-ray, posted below is an excerpt from the Blu-ray.com announcement page. Some parts in boldface…

BRAND NEW 4K RESTORATION OF THE FILM FROM THE ORIGINAL CAMERA NEGATIVE (2023)

NEW DOLBY ATMOS TRACK

Audio: DTS-HD Master Audio 5.1, DTS-HD Master Audio 2.0

Audio Commentary With Director George A. Romero And Special Make-Up Effects Creator Tom Savini

Audio Commentary With Director Of Photography Michael Gornick

Audio Commentary With Composer/First Assistant Director John Harrison And Construction Coordinator Ed Fountain

Terror And The Three Rivers – A Round Table Discussion On The Making Of Creepshow With John

Amplas, Tom Atkins, Tom Savini, And Marty Schiff

The Comic Book Look – An Interview With Costume Designer Barbara Anderson

Ripped From The Pages – An Interview With Animator Rick Catizone

The Colors Of Creepshow – A Look At The Restoration of Creepshow With Director Of Photography Michael Gornick

Into The Mix – An Interview With Sound Re-recordist Chris Jenkins

Mondo Macabre – A Look At Mondo’s Various Creepshow Posters With Mondo Co-Founder Rob Jones And Mondo Gallery Events Planner Josh Curry

Collecting Creepshow – A Look At Some Of The Original Props And Collectibles From The Film With Collector Dave Burian

Audio Interviews With Director Of Photography Michael Gornick, Actor John Amplas, Property Master Bruce Alan Miller, And Make-up Effects Assistant Darryl Ferrucci

Tom Savini’s Behind-The-Scenes Footage

Horror’s Hallowed Grounds – A Look At The Original Film Locations Hosted By Sean Clark

Deleted Scenes

Theatrical Trailers

TV Spot, Radio Spots

Still Galleries – Posters, Lobby Cards, And Movie Stills

Still Galleries – Behind The Scenes Photos

Wow, the above sure is a lot of stuff for the long-time Creepshow fans and the Blu-ray/4K Blu-ray collectors to digest.

For the newcomers reading this, Creepshow is arguably a landmark American horror movie as it used a very unique format of telling not one, not two but five standalone horror comedy stories that each had its unique concept and different casts. As comedy is mentioned, it means there is dark humor implemented that prevents each story from being too grim with its horror. In other words, the horror in this anthology film is unique and fun to watch. Adding further zest into its creativity was the use of comic book-inspired panels and backgrounds that really captured the vibes of 1950’s EC Comics-published horror comic books. This passionate collaboration between a movie director best known for zombie movies and an author best known for horror and suspense literature really stood the test of time. Not to be outdone, however, is the movie makeup and special effects works done by fan-favorite Tom Savini.

I should also state that Creepshow several actors who made fine contributions on-screen. Horror genre standout Tom Atkins plays the angry father in the film’s prologue and epilogue. The late Leslie Nielsen, who is often remembered for cinematic comedy, cleverly plays a villain (with a fine mix of evil and humor in his performance) opposite Ted Danson. There were also Hal Holbrook and Adrienne Barbeau as a very unique couple. In the Father’s Day segment, you will see the late classic actress Viveca Lindfors as the unfortunate aunt as well as a much younger Ed Harris in a supporting role. The late E.G. Marshall is the lead star in the fifth segment. Last but not least, you will see Stephen King himself act in one of the segments concerning the crash of a meteor. Apart from the horror concepts and stylish directing of Romero, the lineup of actors alone add tremendous value to Creepshow’s overall attraction and fun value.

*Hal Holbrook and Adrienne Barbeau as a married couple.*

The impact of this 1982 horror anthology movie cannot be denied. In the years following Creepshow’s release, the Twilight Zone: The Movie anthology film of 1983 (note: this one even involved Steven Spielberg directing one story), the Tales from the Darkside horror anthology TV series (created by George Romero himself) and the Tales from the Crypt horror anthology TV series were released.

To know more about Creepshow, watch the video from Minty Comedic Arts below…

In case you are interested or if you have made up your mind, you can order a copy of Creepshow Collector’s Edition 4K Blu-ray right now by clicking https://www.amazon.com/Creepshow-Collectors-Ultra-Blu-ray-UHD/dp/B0BZCM3S54/ref=sr_1_1?crid=IE8C3YOK8ER7&keywords=creepshow+4k&qid=1688810895&sprefix=Creepshow%2Caps%2C363&sr=8-1

If you want the best enjoyment possible from watching Creepshow Collector’s Edition 4K Blu-ray, I highly recommend you avoid watching Creepshow movie reaction videos and the spoileriffic retro movie reviews posted by YouTubers.

If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

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Better than Streaming: Casablanca 4K Blu-ray set for November 8, 2022 release

September 1, 2022September 14, 2022carlocarrasco

Welcome back fellow geeks, Blu-ray collectors and movie buffs! In this edition of the Better than Streaming series, we take a look at the upcoming 4K Blu-ray release of the 1942 classic film Casablanca (starring Humphrey Bogart, Ingrid Bergman and Paul Henreid) which is set for November 8, 2022. Take note that this year marks the 80^th anniversary of Casablanca which itself is an iconic American film, won the Academy Award for Best Picture, became memorable for movie quotes, its theme song and was selected for preservation in the National Film Registry for being “culturally, historically, or aesthetically significant.”

As I am writing this, Casablanca 4K Blu-ray still has not been listed for pre-order at Amazon.com but you can bet that its November 8 release date is definitive. According to the Blu-ray.com announcement, Casablanca 4K Blu-ray comes with the expected 4K restoration described as having achieved “the richest, most dynamic image possible, rendering the most romantic movie of all time the most beautiful it’s ever been.” For the 4K Blu-ray purists reading this, this upcoming 4K Blu-ray release has native 4K visuals confirmed already!

*The official 4K Blu-ray cover of Casablanca.*

For the details of Casablanca 4K Blu-ray, posted below are technical stuff sourced from its Blu-ray.com page.

Video

Codec: HEVC / H.265

Resolution: Native 4K (2160p)

HDR: HDR10

Aspect ratio: 1.37:1

Original aspect ratio: 1.37:1

Audio

English: DTS-HD Master Audio Mono (48kHz, 24-bit)

French: Dolby Digital Mono

Spanish: Dolby Digital Mono

Italian: Dolby Digital Mono

Portuguese: Dolby Digital Mono

Japanese: Dolby Digital Mono

Subtitles – English SDH, French, Italian, Japanese, Portuguese, Spanish, Danish, Finnish, Norwegian, Swedish.

Discs

4K Ultra HD

Blu-ray Disc

Two-disc set (1 BD-66, 1 BD-50)

Digital – Digital 4K, Movies Anywhere

Packaging – Slipcover in original pressing

Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A

In the most recent update of Blu-ray.com, more details about Casablanca 4K Blu-ray were posted. Posted below is an excerpt. Some parts in boldface…

The new Casablanca 4K Blu-ray image was restored and remastered from a 2022 4K 16bit film scan of the best-surviving nitrate film elements. The 4K-scanned digital images went through an extensive digital restoration process to clean and repair the picture for an unprecedented and pristine ultra-high-resolution presentation. The restored images were then graded in High Dynamic Range for today’s premium 4K display experience, providing the highest fidelity in image contrast and detail retention. This work was meticulously handled by Warner Bros. Motion Picture Imaging. The original theatrical mono audio has also been newly restored as well, providing a richer and broader frequency response than previously possible.

Special Features and Technical Specs:

BRAND NEW 4K 16-BIT RESTORATION OF THE FILM (2022)
NEWLY RESTORED ORIGINAL MONO TRACK (2022)
HDR PRESENTATION OF THE FILM
Commentary by Roger Ebert
Commentary by Rudy Behlmer
Introduction by Lauren Bacall
Great Performances: Bacall on Bogart (1988 PBS special)
Michael Curtiz: The Greatest Director You’ve Never Heard Of
Casablanca: An Unlikely Classic
You Must Remember This: A Tribute to Casablanca (1992 TEC documentary)
As Time Goes By: The Children Remember
Deleted Scenes
Outtakes
Who Holds Tomorrow? (1955 “Casablanca” TV episode)
Carrotblanca (1955 WB Cartoon)
Scoring Stage Sessions (audio only)
Lady Esther Screen Guild Theater Radio Broadcast – 4/26/43 (audio only)
Vox Pop Radio Broadcast – 11/19/47 (audio only)
Trailers
Warner Night at the Movies
- Now, Voyager trailer
- Newsreel
- Vaudeville Days (1942 WB short)
- The Bird Came C.O.D. (1942 WB cartoon)
- The Squawkin’ Hawk (1942 WB cartoon)
- The Dover Boys at Pimento University (1942 WB cartoon)

I personally am interested in this upcoming 4K Blu-ray release which is heavily loads with lots of features that will appeal to both Casablanca fans and other movie buffs. It has been a very long time since I last saw Casablanca during my college days. Sometimes, I accidentally saw parts of it played when I switched channels on cable TV. Casablanca 4K Blu-ray should deliver the promised improved visuals, sounds and immersion that streaming simply cannot achieve.

For the newcomers reading this, if you want the best home entertainment with Casablanca and if you are determined to discover its story, performances and memorable moments for the first time ever in your lives, I urge you all to avoid watching Casablanca reaction videos as well as spoileriffic video reviews of the movie on YouTube until you get Casablanca 4K Blu-ray. No offense to the YouTubers who make reaction videos and the spoileriffic video reviews but I say that Casablanca needs to be preserved for the movie-loving people who are about to see it for the first time ever.

Watch out for Casablanca 4K Blu-ray on November 8, 2022.

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