Xbox-Bethesda Developer_Direct Livestream set for January 25, 2023, Starfield to have standalone showcase soon

For all the gamers and the loyal fans of Xbox and Bethesda reading this, you better get ready for lots of new stuff and announcements regarding upcoming games as the Developer_Direct livestream will take place on January 25, 2023 (at 12pm PT/3pm ET), Team Xbox announced recently. For those who are anticipating Starfield’s release this year, be aware that a standalone showcase of that Xbox-exclusive science fiction role-playing game (sci-fi RPG) from Bethesda will be held soon. Posted below is the precise Xbox YouTube spot for the Developer_Direct livestream.

To put things in perspective, posted below is an excerpt from the Xbox.com announcement. Some parts in boldface…

Xbox and Bethesda will present a Developer_Direct on Wednesday, January 25, providing fans with an inside look at some of the games coming to Xbox, PC and Game Pass over the next few months.  

Presented by the game creators themselves from studios including Arkane Austin, Mojang Studios, Turn 10 Studios, and ZeniMax Online Studios, the Developer_Direct will focus on big features, extended gameplay showcases, and the latest info for Xbox games launching in the next few months, including The Elder Scrolls OnlineForza MotorsportMinecraft Legendsand Redfall 

To dedicate the proper amount of time for a deep dive into Bethesda Game Studios’ Starfield, a standalone show is in the works

Fans should tune in on Xbox channels (TwitchYouTube) and Bethesda channels (TwitchYouTube) at 12pm PT/3pm ET, January 25 to see all the latest on:  

The Elder Scrolls Online: Studio Director Matt Firor will unveil 2023’s major Chapter update, including the latest regions of Tamriel to become playable in ESO, as well as a major new feature coming in the game’s biggest update this year. The Developer_Direct will be immediately followed by the full, standalone ESO Chapter Reveal Event, hosted by Zenimax Online Studios, which will provide all the in-depth details ESO players will be keen to know. 

Forza Motorsport: The team at Turn 10 Studios have been hard at work, bringing fans the next generation of Forza Motorsport, built from the ground up to take advantage of Xbox Series X|S. Forza Motorsport is back, and we can’t wait to share more gameplay and exciting new details. 

Minecraft Legends: Mojang Studios will showcase an insider’s look into the PvP multiplayer experience in Minecraft Legends – the upcoming action-strategy game from the makers of Minecraft. Developed in partnership with Blackbird Interactive and launching this spring, don’t miss exclusive gameplay footage at the Developer_Direct. 

Redfall: The minds behind Dishonored and Prey, Arkane Austin, will showcase several minutes of gameplay from their upcoming FPS. The Developer_Direct will reveal single and multiplayer gameplay, showing more of how you and your friends will take down bloodthirsty Vampires on the picturesque island of Redfall, Massachusetts. Fans can expect to learn more about combat, customization, bosses, the open world, and more. 

If there is anything for me to say about the upcoming Developer_Direct, it is not only Team Xbox’s way of responding to the gamers’ constant inquiries or demands for new updates about new games this year, it is also their way of bouncing back to the criticism about their absence from The Games Awards 2022.

More notably, it seems to me that the Developer_Direct online event is Team Xbox’s new way of updating the loyal fans and the fun-seeking gamers about what to expect on the Xbox platform, when will the new games this year will come out, what features to look forward to, what can Xbox Game Pass (XGP) subscribers look forward to and the like. It is also their way of letting executives or representatives from Xbox game studios reach out to the gamers and establish a clear narrative so that confusion and uncontrolled expectations can be minimized just as Team Xbox’s marketing teams will ramp up the pre-release hype of the new games.

To be clear, it is simply too limiting for both Team Xbox and gamers to wait for the annual E3-related conference to happen just so that updates will be made. As such, I am anticipating that there will be more editions of this Developer_Direct online event to follow.

More on the Developer_Direct event of January 25, 2023, I am hoping that the respective release dates for Forza Motorsport (2023) and Redfall will be announced. 2022 saw the lack of big-time Xbox-exclusive games and the delays of Starfield and Redfall were strongly felt. For 2023, this is a big make-or-break year for Team Xbox. This is also the year for them to become more competitive than PlayStation and Nintendo in terms of publicity and setting the narrative. Apart from release dates, I am eager to find out what gameplay features of the announced games for the January 25 event will be revealed.

For those who are paying too much attention to Starfield not being part of the January 25 showcase, please keep in mind that such a high-profile game like that needs to have its very own event (perhaps Developer_Direct session ) as it has tons of visuals, concepts, features and details that need to be emphasized by Bethesda. As it is an Xbox-exclusive game, there are lots of PlayStation fanboys who hate Xbox out there and they still cannot accept the fact that Starfield will never be released on the PlayStation platform and Microsoft-owned Bethesda is not obligated to release it on competing platforms. As such, anti-Xbox buzz connected with Starfield is being generated by those troublesome people right now and they are spreading lies and falsehoods about the Developer_Direct event. The successful integration of Bethesda into Team Xbox remains very painful for those people because they know that future sequels of The Elder Scrolls, Fallout and other Bethesda game franchises will not be released on their favorite platforms. They can get louder and more troublesome but you should not let them fool you.

Watch out for the Developer_Direct event on January 25, 2023.

In concluding this article, posted below for your enjoyment are Xbox-related videos.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram athttps://www.instagram.com/authorcarlocarrasco

A Look Back at Venom: Lethal Protector #3 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1993 and explore a part of Marvel Comics’ universe through the first-ever limited comic book series featuring one of Marvel’s most iconic villains – Venom.

In my previous retro review, Venom discovers a long lost section of San Francisco that fell deep underground. Even though it is cut off from the resources and fresh air of modern San Francisco, the lost city section is filled with homeless people and social outcasts. Even though he helped the city dwellers by defeating the two armed mechs (employed by a powerful organization who oppose the city dwellers and are in pursuit of something related to San Francisco’s park), Venom still gets rejected by the so-called council. This only led him to returning to the surface not knowing that he is being targeted by a certain group.

With those details laid down, here is a look back at Venom: Lethal Protector , published in 1993 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.

The cover.

Early story

The story begins with Venom suffering from a sonic blast while being restrained by one of the armed members of the group called The Jury. Their leader (who wears a suit and necktie) introduces himself as Orwell Taylor and he addressed Venom as Mr. Brock. It turns out Taylor spent lots of time and resources researching everything about Brock and the alien costume. More shockingly, The Jury’s leader reveals that he lost his son Hugh years ago due to Venom’s arranged killing of him as he escaped from his prison cell in the federal prison called The Vault. Hugh Taylor is the first man Venom killed when he escaped.

Venom responds by say that he and his symbiote did not want to hurt anyone. This provokes Orwell Taylor into anger and he orders The Jury to kill Venom. Due to the lengthy explanations of Orwell Taylor, Venom managed to recover and regain strength which he uses to free himself and throw one Jury member to another causing quick chaos.

After punching another Jury member, Venom then moves out of the alley and away from Taylor and his team…

Quality

Very clearly, The Jury is a very formidable force of opposition. Their battle with Venom here comes with a lot of spectacle.

In terms of storytelling, this one is another improvement over issue (which itself is an improvement over issue ) as the plot got more interesting and even intriguing. For one thing, I like the fact that David Michelinie recalled Venom’s murderous escape from prison told way back in Amazing Spider-Man #315 (1989) and came up with the establishment of a very angry powerful father who formed the dangerous cybernetic team called The Jury. In a rather symbolic way, this comic book shows how Venom’s past comes back to haunt him and creatively, the battles between Venom and The Jury here are packed with a lot of action and visual dynamism delivered by Mark Bagley. The irony is that The Jury itself is not the main antagonist of this limited series as they are clearly presented to be a recurring force of opposition within Spider-Man’s realm in Marvel Comics’ shared universe of the time.

Still on the plot, the sinister organization hounding the dwellers of the lost city was revealed to be the Treece group whose leader is pursuing something very valuable to feed his greed. Still, even though this is already the third issue, the Treece organization’s presence is very subtle and as the force of opposition towards Venom, they are outclassed by The Jury.

As in the previous issue, Spider-Man got a good share of the spotlight but this one is even more limiting which should delight Venom fanatics who complained about Marvel’s icon overshadowing their guy with the symbiote. Spider-Man serves mainly as a tool for exposition as the creative team showed images from the past of Eddie Brock with his father (whom Spider-Man approached for answers).

The problem here is that showing flashbacks from the past and explaining how Eddie Brock became bitter and sinister as a result of receiving almost no affection from his father ruins the mystery of Venom as a character. During the time of Todd McFarlane drawing Amazing Spider-Man comics and the early Venom tales, the mystery of Eddie Brock’s past added to the intrigue of Venom and his quick rise as the deadliest villain Spider-Man ever faced. I understand that this limited comic book series had Venom as the protagonist who was in high demand among readers of the time but for me the creative team went way too far emphasizing Eddie Brock’s past.

Nothing changes the fact that Eddie Brock aided by the alien costume is a murderer who happens to have previously been a prolific print media journalist whose career got ruined by Spider-Man which in turn led him to a downward spiral and eventually to bonding with the symbiote that once bonded with Peter Parker. The flashbacks were pointless and if there really was an attempt to humanize Eddie Brock and make him sympathetic to readers, the creative team clearly failed.

Conclusion

Spider-Man with Eddie Brock’s father in California.

Venom: Lethal Protector (1993) is a mixed bag. Its plot is clearly more intriguing and more interesting to read while there was enough creative space to show The Jury as a powerful force of opposition which is the result of Venom’s murder of Hugh Taylor (read: Amazing Spider-Man #315) while making a prison escape. The spectacle of the battle between Venom and The Jury must be seen! However, the creative team’s move to dramatize Eddie Brock’s past using flashbacks back-fired in my opinion and ultimately they destroyed whatever mystery was left behind Venom. As a protagonist, Venom has no appeal whatsoever and his portrayal here only reminds me that he works best as an antagonist opposite Spider-Man. Venom as a hero for those he perceived to be innocent and helpless remains forced and unconvincing.

Overall, Venom: Lethal Protector (1993) is satisfactory.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

Xbox Series X and Forza Horizon 5 Premium Edition Bundle coming out for your enjoyment!

If you still have not yet acquired an Xbox Series X console but you already have the means to buy it, then you should seriously consider buying the Xbox Series X and Forza Horizon 5 Premium Edition Bundle once it becomes available for $559, Team Xbox announced recently. Having played Forza Horizon 5 a lot on my Xbox Series X since late 2021, I can say that the bundle is great value for you gamers as well as others struggling with inflation.

To put things in perspective, posted below is an excerpt from the Xbox.com announcement. Some parts in boldface…

Introducing the Xbox Series X – Forza Horizon 5 Bundle, including an Xbox Series X and wireless controller, and Forza Horizon 5 Premium Edition with Hot Wheels Expansion, VIP Pass, Car Pass, Welcome Pack and a second expansion when available.  This Xbox Series X bundle will be available worldwide and will start shipping to retailers in the US, Canada and select markets in Asia this week. Bundles will start shipping to Europe, Latin America, and more regions around the world later this month.

The Xbox Series X bundled with Forza Horizon 5 and additional content offered for $559.

Xbox Series X: 12 teraflops of raw graphic processing power, DirectX ray tracing, a custom 1TB SSD, and 4K gaming – Xbox Series X is the fastest, most powerful Xbox ever. There are thousands of playable titles from four generations of consoles, and all games look and play best on the Xbox Series X. Load times are virtually eliminated and framerates are increased with a custom-built NVMe SSD, which enables larger, more robust games to operate at their full capacity.

Forza Horizon 5 runs at 4K and 60 frames per second on Xbox Series X in performance mode and provides the most technologically advanced Forza Horizon experience yet. You’ll get to explore the vibrant and ever-evolving open world landscapes of Mexico in the world’s greatest cars with 12 teraflops of raw graphic processing power, DirectX ray tracing, a custom SSD, and 4K gaming.  The power of the Xbox Series X console delivers incredible realism and immersion with a world rendered in higher detail and with extreme draw distances.

Forza Horizon 5 Premium Edition includes Forza Horizon 5 plus the Premium Edition add-ons -Forza Horizon 5: The latest entry in the open world racing series showcases powerful, all-new graphical features. Experience sweeping vistas and scan the distance to see the adventure that lies ahead. Encounter the smallest of details throughout the world, which is rendered with striking realism, down to the smallest details like the light that glows through each needle on a Cholla cactus. Our Mexican HDR sky captures illuminate the world to the point that you will feel as if you are right there. And thanks to Xbox Series X|S, ray tracing is utilized in ForzaVista to make the cars look even more true to real life.

Hot Wheels Expansion: Race 10 amazing new cars on the fastest, most extreme tracks ever devised. You can even design, build, and share your own Hot Wheels adventure! What’s not to love about that? You can blast off to the visually stunning, exhilarating Horizon Hot Wheels Park in the clouds above Mexico today.

VIP Pass: The VIP Pass features 3 exclusive Forza Edition cars, Crown Flair, Vanity Items, Emote and Car Horn, Player House, Double Credit race rewards, weekly bonus Super Wheelspins, and more to give your game a boost and make you stand out at the Horizon Festival. 

Car Pass: Expand your garage with 42 new cars, including 8 Formula Drift Cars to get you started in style. Plus, you’ll receive a one-time grant of each car to your in-game garage.

Welcome Pack: 5 special pre-tuned cars, a Player House, a one-time grant to own any car from the game’s Autoshow, and 3 one-time grants for any Common or Rare clothing item.

Second Expansion: The next Forza Horizon 5 expansion will be included when it launches.

Wow! That’s a ton of gaming value for those who will buy the Xbox Series X bundled with the blockbuster game! Indeed, Team Xbox is offering big value for $559 to those who want the premium, fun console gaming experience. I myself am still having fun replaying Forza Horizon 5.

Personally, I see this premium bundle announcement as a form of warm-up on the part of Team Xbox to deliver not just more game-related features and Xbox Game Pass (XGP) content but also the big-budget Xbox-exclusive games that are expected to be released this year such as Starfield (note: first half of 2023), Forza Motorsport (2023), Redfall (note: potentially May 2023) and others. 2022 is over and ended without big budget exclusive games and this is the year that Team Xbox should deliver the great stuff that cannot be found on PlayStation and Nintendo consoles. If you want tremendous gaming value and content at a small price per month, I encourage you to subscribe to Xbox Game Pass (XGP).

Watch out for the Xbox Series X – Forza Horizon 5 premium bundle online and at the local retailers.

In concluding this article, posted below for your enjoyment are Xbox-related videos.

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Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram athttps://www.instagram.com/authorcarlocarrasco

A Look Back at Spider-Man 2099 #9 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, Marvel 2099 fans and comic book collectors! Today we revisit the Marvel 2099 franchise within Marvel Comics’ shared universe during the 1990s. Specifically speaking, we take a look back at one of the early tales of Spider-Man 2099.

In this retro comic book review, the futuristic Spider-Man finally made his way back uptown after spending time in the old city of New York down below where he saw people living in poverty, violent gangs and Vulture 2099.

With those details laid down, here is a look back at Spider-Man 2099 , published by Marvel Comics in 1993 with a story written by Peter David and drawn by Kelley Jones.

The cover.

Early story

The story begins at the Wellvale where Conchata O’Hara (mother of Miguel and Gabriel) suddenly suffers an attack from inside her body. The medics were called for emergency.

Elsewhere, Spider-Man jumps with excitement and relief after finally making it back from deep down the modern city. He almost gets hit by a hover car and decides to stop for a while at an isolated spot to calm down and reflect about what happened recently. He just defeated Vulture in battle below prior to climbing back up.

Suddenly, an armed Public Eye flyboy tries to apprehend him. After making getting near the flyboy and making himself look like he was about to submit himself, the flyboy communicates with his team. During that short moment, Spider-Man fires his organic web at the flyboy’s mouth which causes him to fire his weapon and miss. Spider-Man then knocks the flyboy out cold, leaving the communication line hanging…

Quality

The idolaters of Spider-Man 2099 spotted.

Considering everything that happened to Spider-Man in the previous few issues set deep underneath the modern city, this tale was crafted to develop the webslinger’s personality some more while showing for the first time ever the group of Spider-Man 2099 idolaters who are so obsessed, they go around wearing their idol’s costume and even take risks imitating his physical abilities (example: crawling on the wall). There is no good-versus-evil conflict here but more exploration of the modern society Miguel O’Hara has long been part of.

For one thing, at this point of the monthly series, Spider-Man 2099’s misadventures and acts in uptown New York not only caused disturbance with the modern society watched over by Alchemax, he also sparked a new group of people who perceive him to be their holy savior. This kinda reminds me of DC Comics’ very own Sons of Batman which is a youth group inspired by Batman, and to see the Marvel 2099 have its own version of the concept is a pretty neat move by the creators.

Speaking of characterization, the complexities of the relationships between Miguel O’Hara with his brother Gabriel, his mother Conchata, his romantic interest Dana and the relationships the others have with each other begin to really grow in this issue. The good news is that Peter David not only provided solid dialogue for each character but also clearly defined their respective personality traits and thoughts about others. To see Gabriel personally reacting to Kasey’s reaction towards Spider-Man’s body was amusing and even a bit hilarious.

On the artistic side, Kelley Jones work here as guest illustrator was nice to see and certain visual elements of his work on Batman comic books also made it here. The result is a nice change of style and a new approach of showing visual details. I should state that even though his art style is radically different from that of Rick Leonardi, Jones managed to make the established characters look recognizable to me.

Conclusion

Kelley Jones’ visuals on Spider-Man 2099 is nice to see.

Spider-Man 2099 (1993) is clearly a more characterization-oriented story which is a nice change of pace and approach considering the chaotic story developments of the previous few issues. This comic book also shows that Spider-Man 2099 continues to encounter challenges in both local society and personally. The revelation of idolatry and idolaters connected to Spider-Man added a new layer of foolishness and evil to the local society (for insight, click here and here). At this stage of the monthly series, something new was clearly brewing for the futuristic webslinger and this showed that Peter David laid out his plans for the direction of the series’ narrative. Lastly, Kelley Jones’ work here really stands out.

Overall, Spider-Man 2099 (1993) is recommended!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men Adventures #11 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superheo enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the X-Men Adventures monthly series which was the literary adaptation of the popular X-Men animated series of the 1990s.  

In this retro review, we take a look at the adaptation of the animated series’ own portrayal of the Muir Island saga from the comic books. Also there is Rogue who desired to have her genetic mutation cured, even though it means removing her super strength, flying ability and her dangerous touch.

With those details laid down, here is a look back at X-Men Adventures , published by Marvel Comics in 1993 with a story written by Ralph Macchio and drawn by Andrew Wildman.

The cover.

Early story

The story begins with Rogue emerging from the rubble of a facility on Muir Island. She remembers that just moments earlier, Pyro and Avalanche ruined the facility just as she was about to get cured by a man she knows as Dr. Adler. She leaves the place searching for those responsible for the ruined facility. She fails to noticed that she is being observed from a distance.

Elsewhere on the island, Pyro and Avalanche open a bag believing Dr. Adler is in it. To their shock, Mystique is the one who emerged and she reveals to them that she was just posing as Dr. Adler as part of her mission to lure mutants into taking the treatment not without realizing the truth that it will turn them into slaves of the one entity she serves…Apocalypse. Pyro explained that he and Avalanche hoped to hold Dr. Adler for ransom.

At a nearby cliff, Cable quietly watches using his rifle’s scope…

Quality

Cyclops and Jean Grey confront Cable!

To put things clearly, this one is pay-off to what was built up in issue while also serving as the continuation of a multi-part story regarding Muir Island. In the previous issue, Rogue desired to become a normal individual which is why she went to Dr. Adler on the said island. In this comic book, the direction for Rogue took a drastic change fighting Pyro and Avalanche not knowing that Mystique is involved and secretly working to help her master Apocalypse execute his ambitious plan of gaining capable and controllable slaves from the mutant population.

The good news here is that the script is very well written and the narrative is really strong. Very notably, the superhero spectacle got clearly ramped up by several notches resulting in lots of action scenes as well as opportunities for Andrew Wildman to flex his artistic muscles making some dynamic action-packed images for readers to enjoy. Along the way, there is some suspense built-up related to the sub-plot within (note: Cable’s limited appearance here as well as the Jean Grey and Cyclops reuniting with their mentor Charles Xavier) as well as the Muir Island saga itself.

Indeed, this comic book has lots of spectacle that superhero enthusiasts will enjoy but still the Macchio-Wildman team managed to maintain the core themes of the story for readers to absorb and think about.

Conclusion

Dynamic action of Rogue taking on Pyro.

X-Men Adventures (1993) is a very solid read from start to finish. Even as the narrative has lots of action scenes presented, the story still managed to maintain focus on the themes of sacrificing mutation to be normal humans, the temptations brought in by advanced scientific wonders, and the exploitation of people seeking hope and reform a lot. There are indeed moral lessons within this comic book reflect about. This is strong creative work by Macchio-Wildman that X-Men fans and newcomers should read and I can say there is more to come storywise beyond this comic book.

Overall, X-Men Adventures (1993) is recommended!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at Superman #77 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superheo enthusiasts, 1990s culture enthusiasts, DC Comics fans and comic book collectors! Today we revisit the post-death period of post-Crisis era Superman comic books as published in the early 1990s by DC Comics. Specifically, this is about a tale that took placed between Superman (1993) and the hyped return of the American icon in Adventures of Superman #500 (1993).

What you are about to see is a mix of drama and intrigue that took place sometime after Superman’s death as envisioned by Dan Jurgens. As with other post-death comics of the time, the supporting characters connected to Superman as well as his arch enemy Lex Luthor got their fair share of the spotlight.

With those details laid down, here is a look back at Superman #77, published by DC Comics in 1993 with a story written and drawn by Dan Jurgens. This is part 8 of the Funeral for a Friend storyline.

The cover.

Early story

The story begins with the red-headed Lex Luthor (note: in a new physical body totally different from his previous one) in the middle of a combat session. Even though his hatred towards Superman drives him, he could not help but allow his recall of the past to distract him enough to allow one of combatants to strike him down. As Luthor recovers, the session gets interrupted when Supergirl (a clone) appears with Lois Lane beside her.

Lane shares to him a hard copy of a column that she made before it got trimmed down by the editorial team of the Daily Planet. With so much hate in him, Luthor reacts madly to the article which reveals that Superman’s dead body has been taken away by Project Cadmus. Lois tells him that they intend to cut the Man of Steel’s body for cloning.

Luthor then says he will work to get Superman back where he belongs and put Cadmus in its place for good. Moments after, as she walks away from Luthor’s building, Lois Lane expresses concern about how Martha and Jonathan Kent would react had they learned that their adopted son’s body was taken away…

Quality

Several photographs of Superman taken by Jimmy Olsen.

I am happy to say that Dan Jurgens crafted a really solid story in this comic book. Character development is easily the biggest feature here which is very notable on how Jurgens highlighted Lois Lane, Lex Luthor and Jimmy Olsen. Each of them had their own moments – Luthor’s obsession and hatred of Superman here will encourage you to revisit the early post-Crisis encounters between them; Lois Lane meanwhile struggles to move on as she misses Clark a lot (note: they were engaged to get married) while also trying to hard to find his missing body; Jimmy Olsen gets the big opportunity to play a major role on deciding the cover image for a printed media tribute of Superman while feeling really down as a result of the sudden death. Jurgens not only crafted the plot structure carefully, he also wrote down very rich dialogue all throughout and he cleverly used dreams and day dream sequences as exposition to give readers notable visions of the past. This is a very compelling read.

Conclusion

Visions of Lex Luthor’s past accompanying his modern day self shows cleverness and efficiency on the part of Dan Jurgens.

Superman #77 (1993) really is a great read thanks to Dan Jurgens delivering high-quality work. At this particular stage of DC Comics’ publishing history, Jurgens not only really knew Superman but he knew how to emphasize the supporting characters (all of which were impacted by the death in Superman ) and what direction to take the Funeral for a Friend storyline to. If there is anything that negatively affects the impact of this comic book, it is the dishonesty and betrayal (towards the fans) that came within Adventures of Superman (1993).

Overall, Superman #77 (1993) is recommended.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at Spider-Man 2099 #26 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the will 1990s and explore the far future of 2099 within the Marvel Comics shared universe through one of the tales of Spider-Man 2099.

In my retro review of Spider-Man 2099 #25 (1994), I stated that Peter David crafted a story that connects and related well with the events of issue . Issue had a really shocking revelation and by the time I reached the end, I was compelled to revisit issue . I can say that, literally, the dots between the two comic books really connected strongly.

With those details laid down, here is a look back at Spider-Man 2099 , published in 1994 by Marvel Comics with a story written by Peter David and drawn by Joe St. Pierre.  

The cover.

Early story

The story begins inside one of the towers of Alchemax where an armored person lies down on a platform closely examined by the local staff. Tyler Stone arrives and immediately wants a report on Kasey Nash. After getting a reply from one of his personnel, he orders the removal of the armor and get her out of the facility.

Meanwhile. Spider-Man wakes up from his nightmare. He finds himself resting on an elevate tree and land surrounded by skyscrapers. He still has not recovered from learning the shocking truth that Tyler Stone – his very powerful boss at Alchemax – is his biological father. Equally disturbing to him is the fact that he never had Rapture in his system and his attempt to alter himself genetically was truly pointless and unnecessary. Miguel O’Hara then says to himself that his whole life is a lie.

As it begins to rain, Spider-Man then starts moving and swinging away…

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A close call for Spider-Man 2099.

I want to make it clear that this particular story written by Peter David was clearly about developing Miguel O’Hara and exploring new depths within his personality. There is no good-versus-evil conflict here, nor were there any superhero spectacles or action scenes to find here. That being said, this comic book is not a bore at all and anyone who strongly follows Spider-Man 2099 as a serious character will have something to enjoy in terms of characterization mixed with intrigue.

As it is already clear that the tycoon Tyler Stone is the biological father of the protagonist, this particular story shows new dimensions as to where Miguel’s life could go to. In terms of characterization, you will get to see a very in-depth development of Spider-Man’s personality as well as his inner struggle with the way his life turns out. The dialogue is very well written, you will feel Miguel’s pain and you may even sympathize with him.

Considering the lack of superhero spectacle, it is great to see Peter David put strong emphasis on Spider-Man’s personality while also leaving some room for other developing sub-plots. It is intriguing to see Spider-Man having intense visual communication with a certain person whose organization empowered Kasey Nash (a lady the protagonist cares about). Speaking of relationships, you will see threads from Miguel’s past romance with a certain lady.  

When it comes to the visuals, Joe St. Pierre delivered a fresh new look while still making the established characters look recognizable. At times, the characters were drawn with a cartoony aesthetic and yet there were times that the images looked dynamic even without superhero spectacle. St. Pierre’s work here is a nice temporary change from the usual stuff of Rick Leonardi as many of his art pieces looked more detailed in comparison.

Conclusion

Something is building up…

Spider-Man 2099 (1994) is clearly a worthy follow-up to the very shocking issue . You will see a new age of darkness and uncertainty within Mguel O’Hara’s personal life as well as his emotional struggles. The lack of superhero spectacle is not a problem at all as the characterization here is very compelling to read. This coming book even has a short story that explores Spider-Man’s connection with Tyler Stone long before the incident that took place in issue .

Overall, Spider-Man 2099 (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at X-Men Adventures #15 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superheo enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the X-Men Adventures monthly series which was the literary adaptation of the popular X-Men animated series of the 1990s.  

Today is my review about the 15th and final issue of the X-Men Adventures adaptation of episodes of the 1st season of the popular animated series. The comic book at hand was the literary translation of the 13th episode and final episode of season one which was broadcast in March 1993.

With those details laid down, here is a look back at X-Men Adventures , published by Marvel Comics in 1993 with a story written by Ralph Macchio and drawn by Andrew Wildman.

The cover.

Early story

The story begins somewhere in Manhattan where a riot is happening. It turns out that multiple riots have occurred as a result of the of the recent kidnapping of United States Senator Robert Kelly who established himself as the nation’s most prominent anti-mutant public figure.

Deep inside their headquarters, the X-Men watch live news footage of the riot. Even though they were not involved in the kidnapping of Senator Kelly, Charles Xavier and his team are concerned that mutants like them will still be held responsible. The leader tells his team that they must find the missing senator quickly before the wave of intolerance affects all of them mutants. Xavier then starts using Cerebro which he programmed to search for any distortions in the magnetic field of planet Earth.

Elsewhere, inside a vessel that got shipwrecked along the Atlantic seaboard, Magneto has Senator Kelly as his captive. He tells the politician that he holds the key to the future and that they are in agreement that man and mutant cannot co-exist peacefully. For Magneto, the war for dominance must begin as humans remain weak and divided. Suddenly, a huge Sentinel breaks into the place…

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The X-Men, Professor and Magneto.

Being the conclusion of the monthly series based on season one of the X-Men animated series, this comic book’s story packs a lot of stuff, intrigue and some memorable character moments. Thematically, the story emphasizes absolute power, intolerance and instability which got dramatized carefully as the narrative progressed.

For the X-Men, the pressure is tremendous as the stakes have gotten so high not just for them but for all mutants as a population. To fail to save the kidnapped Senator Kelly would cause society to become even more hostile to mutants which could compel the federal government to declare a state of emergency. Complicating matters here is Magneto’s obsession with power in connection with his biggest obsession that mutants are essentially superior over humans and that societies will be reformed – even with violence involved – accordingly. Adding even more the complexity of the situation are the presence of government, technology handlers backed by private financiers, and the one gigantic machine (that produces new Sentinels) that becomes self-aware.

The good news here is that the story is very well written, the narrative does not lose focus and the creative duo of Macchio-Wildman managed to craft a tale that consistently remained engaging complete with ensuring sufficient superhero spectacle for entertainment. As expected, the pay-offs executed for all the build-ups proved to be highly satisfying.

When it comes to characterization, everyone here acts and talks as expected. The team dynamics of the X-Men here make for a cerebral reading experience especially when they have these intense private meetings trying to solve their problems and anticipate what would happen next. The dialogue, filled with varied details, are richly written and yet easy to follow. I should state that having the Sentinels as a force of opposition under the control of a rogue AI added a lot to the stakes involved in the plot. The portrayal of machines acting superior over humans proved to be a unique parallel to the humans-mutants conflict.

Conclusion

The fictional US Senator Robert Kelly in trouble in the presence of Magneto and a Sentinel.

X-Men Adventures (1993) is not only a worthy conclusion to the monthly series based on animated series’ season one episodes. It is indeed the best comic book of the said series that I have read thanks to the great adaptive works of the Macchio-Wildman team. The story had these very high stakes raised and ultimately the pay-off to all the build-up were great resulting in great satisfaction on my part as a reader. At the same time, there are certain key plot elements and character elements here that eventually made their way into the first X-Men live-action movie of 2000. The core story is the clear feature while the bonus pin-up section was the fun additive. This comic book is a must-have!

Overall, X-Men Adventures (1993) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at Venom: Lethal Protector #2 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1993 and explore a part of Marvel Comics’ universe through the first-ever limited comic book series featuring one of Marvel’s most iconic villains – Venom.

In my previous retro review, Eddie Brock returned to his hometown of San Francisco following the events of Amazing Spider-Man (1993). Living with his very distorted belief of protecting the innocent by doing unrelenting acts of violence on others, he begins to get involved with helpless people who happened to be hounded by agents of a certain private organization that wields power. Along the way, Spider-Man arrives in the city find Venom.

With those details laid down, here is a look back at Venom: Lethal Protector , published in 1993 by Marvel Comics with a story written by David Michelinie and drawn by Mark Bagley.

The cover.

Early story

The story begins deep underneath the city of San Francisco. Venom, who is caught by the large mechanical fist of a walking mech (piloted by a man working for Roland Treece’s organization), finds himself on the deeply buried section of the city and around them are vagrant people who settled and became residents of a local society that the rest of America does not even know exists.

As the local residents caught the attention of the pilot, Venom breaks free by smashing the mechanical fist into pieces. Another mech suddenly jumps into place near the first one. In response to the first mech’s sudden killing of a local resident (who was armed with a shotgun), Venom jumps to it and kills the pilot inside by punching into the cockpit. Venom then grabs a long sharp object and kills the pilot of the other mech with it.

While the locals were hostile and afraid of Venom, the other people (who were assisted on the surface by Venom) come to support him and tell their fellow underground residents that he is not their enemy. One of the local council members stated that a meeting at the council hall will be held and Venom will attend it…

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With exposition in mind, Spider-Man here does most of the detective work. Understandably, he is not involved with the superhero spectacle.

Compared to issue , this story has a more interesting setting which is the buried and forgotten section of San Francisco which was the result of the 1906 earthquake. Showing that the lost section has a local population composed of homeless people and those who reject the modern society above was a bright idea nicely executed by the Michelinie-Bagley team as it added some depth into Marvel Comics’ own version of San Francisco.

It was also in the underground city and with the residents where we get to see Venom do his own distorted acts of heroism backed by killing, and see how he fared when trying to win the trust of the locals whose members include those who read about him in the news and those who completely know nothing about him.

Through his interactions with the underground people, Eddie Brock is portrayed to be a bit more human compared to what happened in issue . For a man who has gotten very used to using extreme forms of violence and committing multiple acts of murder, it is surprising to see Brock looking and acting more civil in the presence of Americans (and perhaps illegal immigrants) who settled deep underground and established their own rules (note: Eddie Brock does not care about rules while having the alien costume). Still, you will see Venom engage in violent superhero action and even do a bit of detective work.

As with the previous issue, the iconic Spider-Man got a good share of the spotlight in the story as he searches for details about Venom which leads him to finding his rival’s estranged father. Spider-Man’s presence here is noticeably lessened compared to issue and his own search for answers creatively served as exposition. Don’t expect to see any superhero spectacle from Spider-Man.

Without spoiling details and names, I should state that this comic book marks the debut of a ream of armed mercenaries led by a powerful man who lost a son because of what Venom did in Amazing Spider-Man #315 (1989).

Conclusion

The violent nature of Venom displayed.

Venom: Lethal Protector (1993) is a marginal improvement over the first issue in terms of storytelling and setting. Part of the big build-up that happened in issue started to get paid-off in this comic book which allowed for the plot to move forward at a more satisfying pace. Venom and Spider-Man share the spotlight again, but this time the edge goes to the black-wearing murderer who also has the benefit of being part of the superhero spectacle here. At this point of the mini-series, Venom is not only facing elements of the Treece organization (which has been organizing something that could impact San Francisco and its people) but also a new force of opposition that is related to something he did a few years prior. That being said, Venom is first and foremost a murderer that Marvel wanted to make big money out of.

Overall, Venom: Lethal Protector (1993) is satisfactory.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Spider-Man 2099 #7 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superheo enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we revisit the Marvel 2099 franchise within Marvel Comics’ shared universe during the 1990s. Specifically speaking, we take a look back at one of the early tales of Spider-Man 2099.

In this retro comic book review, the Spider-Man 2099 comic has an eye-catching cover that shows the protagonist in conflict with the 2099 version of the classic Spider-Man the Vulture. At the end of the sixth issue of Spider-Man 2099, Vulture 2099 appeared for the first time ever. This particular issue, which I bought and read in the summer of 1993, marked the conflict between Spidey and Vulture of the future.

With those details laid down, here is a look back at Spider-Man 2099 , published by Marvel Comics in 1993 with a story written by Peter David and drawn by Rick Leonardi.

The cover.

Early story

The story begins with Spider-Man 2099 feeling very disoriented, wondering if he is falling as he feels the wind. It turns out, Vulture 2099 is flying while holding him. Close behind them is Spider-Man’s friend flying a hover vehicle. As the flying lady gets close to them, the Vulture quickly makes a move be behind her and starts using his 3-blade mechanical claw on her. As Vulture is about to strike her, Spider-Man disrupts him in defense of her but her vehicle still got damaged.

As the lady’s vehicle releases smoke as a result of the damage, Vulture berates Spider-Man and knocks him out cold. Spidey’s friend crashes down but miraculously survived.

Elsewhere, Miguel O’Hara’s mother visits his apartment and starts talking with the artificial intelligence Lyla…

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Spider-Man 2099’s first strike against Vulture 2099.

I’ll start first with Vulture 2099 here. I can say this futuristic version of the classic Spider-Man supervillain was made by the creative team of be really intriguing as he is not only an intimidating flying force, but he is also the leader of a gang called the Freakers. Vulture 2099 also operates while strongly hanging on to his socialist-inspired views truly believing that his Freakers are meant to rise not only against New York’s corporate forces but also against the Thorites and other factions of New York’s underclass. Vulture 2099 also is intelligent and he is clearly aware about what has been going on around them, and no matter how large and powerful Alchemax really is, he is very obsessed about bring them down. Believing he is living with principles, Vulture 2099 goes as far as informing Spidey about their existence and tries to get him as a partner.

On the aspect of evil, Vulture of 2099 was defined by Peter David to be a human monster in the true sense of the words. To find out about that, you must read this comic book.

For his part, Spider-Man’s struggle to survive and get out of danger continues here and the lower-city environment turned out to be a rather intriguing setting for readers to follow him in. His encounters with Vulture 2099 are entertaining to see complete with really inspired dialogue.

Compared to the previous issues, this particular story highlights the lower parts of New York City which was prime real estate back in the 20th century but got left behind neglected as city development physically went upward. This shows the poor and neglected people living below the modern city in darkness and with lots of crime and negativity around them. The Vulture and his gang stand out in the local lower population due to their violence and so-called principles.

Conclusion

Early in the story.

Spider-Man 2099 (1993) has a very engaging story and showcased what was back then the most captivating supervillain of the futuristic Spider-Man. Through David’s writing, it was clear that Vulture 2099 was meant to be a recurring supervillain in this series and he represents the violence and obsessions of the lower-city underclass who will stop at nothing to bring down the corporate giants as well as their rival factions among the impoverished. The portrayal of New York City’s criminal environment and poverty here was cleverly done by David. The new rivalry between the protagonist and 2099’s own Vulture must be seen! Lastly, I should say that Vulture 2099 would mix well with real-life violent forces like Black Lives Matter (BLM), Antifa and terror-oriented groups had he been real. Make no mistake, Vulture 2099 is evil and let this retro review remind you to never embrace evil and never let the said supervillain be your role model. The real world today has way too many radical forces who use violence and anarchy to change societies in accordance to their foolish, unholy worldly beliefs.

Overall, Spider-Man 2099 (1993) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.