This past weekend, I took time out to visit the COPIX (Collectors & Pickers Xchange) inside Festival Mall in Filinvest City, Alabang to check out what items were offered and how entertaining or interesting the items were collectively.
The COPIX occupied some spaces on the 2nd level of the mall located close to the eye-catching huge Christmas tree. What I saw was a wide variety of collectibles that appeal to geeks, nerds and other collectors. I’m talking about toys, action figures, original art pieces, music records, shirts, posters, stickers, old magazines, comic books, accessories, bags, and more. Check out the pics below.
A look at the floor with sellers on both sides.
Comic books for sale.
Music in old formats on display.
Original art works for sale.
Pop culture figures on display.
To put things in perspective, the COPIX at Festival Mall which lasted four days is proof that life is normalizing and people are indeed gradually moving forward after the setback of the COVID-19 crisis. Just a few weeks ago, the Megarahe Sale inside Alabang Hills was revived and it attracted a lot of customers. To see the COPIX happen gives me confidence that the Philippines will not only recover from COVID-19 and all of the harmful restrictions, but also emerge stronger socially and economically.
With many more Filipinos already vaccinated/boosted for COVID-19 and are already used to following health protocols, it is safer to move around, participate in bazaars and local community events, organize or join in outdoor sports events, attend indoor worship services of churches with higher numbers, participate in a pop culture convention, etc. Indeed, the Philippines can live with COVID-19 and move forward without the need for those harmful community/regional restrictions. Achieving normalcy and pre-pandemic economic strength can be done.
Let me end this piece by asking you readers: If you are a Muntinlupa City resident, what is your reaction to the COPIX that took place inside Festival Mall? Were you able to pass by and see what were on display? Do you want to see another COPIX held in Alabang? On the aspect of pop culture, do you think Alabang is ready to host a comic convention with cosplayers, entertainers and entertainment-related businesses?
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book.
To be more specific, this retro review goes into one of the chapters of the Death of Superman storyline showing more of Doomsday’s rampage but before the climax of the battle with Superman. I’m talking about the 74th issue of the Superman monthly series of the time.
With those details laid down, here is a look back at Superman #74, published in 1992 by DC Comics with a story written and illustrated by Dan Jurgens.
The cover.
Early story
The story begins with Ice and Maxima in the presence of a suffering Blue Beetle who just got hurt badly by Doomsday. While Ice expresses concern for Blue Beetle, Maxima could only care less about him stating that he shall perish as a warrior fallen in battle and that there is no greater honor one can attain. After Ice pleaded her to help Blue Beetle and realize the need to help others who have fallen, Maxima then uses her power to help Blue Beetle to safety. Ice then proceeds to another direction to stop Doomsday.
Meanwhile, a young guy named Mitch arrives home feeling bad about his situation. His mother is taking care of his infant sibling. After a tense talk between them, Ice suddenly crashes into their home. Mitch and his mother look outside and see Doomsday (still covered in a space suit with only his left arm unrestrained as seen in Superman: The Man of Steel #18) carrying a damaged car with his left arm.
Suddenly Doomsday notices something – the arrival of Booster Gold and Superman…
Quality
Superman struck really hard by Doomsday!
Apart from being a build-up chapter of the Death of Superman storyline, this comic book is notable for two things: It has the first-ever encounter between Superman and Doomsday in comic book history. Second is the reveal of Doomsday’s face and other physical features as a result of his space suit and restraints getting torn.
The first-ever Superman-Doomsday encounter here is symbolic as it happened just minutes after the Justice League America (JLA) got overwhelmed by the unstoppable creature from outer space. While Superman had his TV interview, his JLA teammates failed miserably during their encounter with Doomsday (as told in Justice League America #69). By the time the Man of Steel and the creature meet, the stage was set for readers to find out once and for all who is more powerful between them.
Superman’s leadership is also emphasized in this story. The JLA in this issue does not have DC’s most famous superheroes as members but Ice, Maxima, Fire, Booster Gold, Bloodwynd and Guy Gardner functioned well and added nicely to the build-up of this storyline.
There is a lot of superhero spectacle to enjoy here but the most noticeable visual features are the scenes of destruction which strongly symbolize Doomsday’s immense strength, violent nature and complete disregard of both life and logic. The showing of an American family coming close to death in the presence of Doomsday remains disturbing to see.
Lastly, I should state the big reveal of Doomsday’s face and other physical features is excellent and even timeless. There is this undeniable combination of fright and intimidation that Dan Jurgens visualized here. In fact, the big reveal (which happened after Superman and the JLA combined their attacks on the creature) alone is a solid reason to read this comic book.
Conclusion
Doomsday the unstoppable force that completely disregards life and cannot be reasoned with.
Even as a build-up issue of the Death of Superman storyline, Superman #74 (1992) is still a great read on its own. Not only did it mark the first-ever encounter between Superman and Doomsday in the history of comics, it also emphasized how vulnerable and inferior the superheroes here really are. There is also the symbolism of Doomsday as the unstoppable being that completely disregards life (and can never be reasoned with) and still Dan Jurgens managed to spare some room to symbolize how the superheroes struggled in trying to stop the creature and take care of the helpless whenever they can.
Overall, Superman #74 (1992) is highly recommended.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book.
Previously, I reviewed Adventures of Superman #498 (1993) and Superman: The Man of Steel #20 (1993) which were chapters of the Funeral for a Friend storyline. In Superman: MOS #20, a large funeral took place which involved several special guests as well as other DC superheroes who paid tribute to Superman. The entire city of Metropolis is struggling to move forward as the sudden of Superman really impacted all the people, especially on Lois Lane.
With those details laid down, here is a look back at Superman #76, published in 1993 by DC Comics with a story written and illustrated by Dan Jurgens. This comic book marked the fourth chapter of the Funeral for a Friend storyline.
The cover.
Early story
The story begins with Shazam (AKA Captain Marvel) arriving at the rooftop of the Daily Planet where the Flash, Batman, Wonder Woman, Green Lantern, Maxima and others are present. The whole city is experiencing a very somber Christmas season as the death and burial of Superman remains very strong on the people.
On the streets of Metropolis, a long-haired guy named Mitch walks down in the rain feeling troubled not only because Superman died but also due to the fact that their home got smashed during the encounter with the unstoppable Doomsday. Mitch then arrives at a gathering of people outside of a building’s front door. There are several reporters covering a lady speaking to them with a microphone. She tells them that she is Mrs. Superman…
Quality
Wonder Woman reads a letter.
Being the 4th chapter of the Funeral for a Friend storyline, Dan Jurgens crafted a story that not only dramatized the post-disaster situation of Metropolis but also had notable twists and developments that proved to be worth reading.
For one thing, this comic book has Lois Lane reunited at last with Clark Kent’s earthly parents Jonathan and Martha which was not only really dramatic but also had very rich dialogue written. By this point in this particular storyline, Lois Lane has gone through waves of deep emotions and pain, while getting stressed with journalistic work. As such, there is this dramatic pay-off that happened during the reunion with the elderly Kent couple.
What is most notable here is the scene in which Superman’s super-powered allies visit a local post office that literally got flooded with lots of mail from around the world addressed to the Man of Steel. On face value, such a scenario looked silly but the way Dan Jurgens crafted the dialogue and the images, the post office scene became believable and sensible to read. This shows that superheroes like Aquaman, Wonder Woman, the Flash and others do have hearts to be caring and sensible to the people.
The scene of the ordinary guy Mitch is significant as well. Clearly the character symbolizes the poor and struggling American who remembers how a complete stranger like Superman came along, stood up to fight for Mitch’s family and died in the process (while Mitch’s father was absent).
This comic book is also a Christmas tale. How Christmas was dramatized here has to be seen and you readers should get a copy of this comic book to find out why. It should be noted that there are themes of reconciliation and the nuclear family that made the Christmas tale meaningful.
Conclusion
Lana Lang, Lois Lane and the elderly Kent couple.
Even without the presence of the Man of Steel and no good-versus-evil conflict, Superman #76 (1993) is a great read as it pushed forward the Funeral for a Friend storyline while successfully telling a meaningful Christmas tale of its own complete with a very unique portrayal of the Justice League and Superman’s allies. How people deal with emotions and stress over Superman’s death was portrayed as highly believable and Dan Jurgen’s writing here was done with really high quality.
Overall, Superman #76 (1993) is highly recommended.
To put things in perspective, posted below is the excerpt and key details from the 4K Blu-ray announcement at Blu-ray.com. Some parts in boldface…
Piranha features a stellar group of talent in front of as well as behind the camera. The top-notch cast of cult stars includes Kevin McCarthy (Invasion Of The Body Snatchers), Barbara Steele (Black Sunday), Belinda Balaski (The Howling), Dick Miller (A Bucket Of Blood), Paul Bartel (Eating Raoul), and Richard Deacon (The Dick Van Dyke Show).
Special Features and Technical Specs:
DISC ONE – 4K BLU-RAY
NEW 4K RESTORATION OF OF THE FILM FROM THE ORIGINAL CAMERA NEGATIVE (2022)
DOLBY VISION/HDR PRESENTATION OF THE FILM
Audio Commentary With Executive Producer Roger Corman
Audio Commentary With Director Joe Dante And Producer Jon Davison
DTS-HD Master Audio Mono track
Optional English SDH subtitles for the main feature
DISC TWO – BLU-RAY
NEW 4K RESTORATION OF OF THE FILM FROM THE ORIGINAL CAMERA NEGATIVE (2022)
NEW Interview with director Joe Dante
Audio Commentary With Roger Corman
Audio Commentary With Joe Dante And Jon Davison
“The Making Of Piranha – Interviews With Roger Corman, Joe Dante And Actors Dick Miller, Belinda Balaski And More …
Behind-The-Scenes Footage
Bloopers And Outtakes
Still Galleries
Behind-The-Scenes Photo Gallery Featuring Photos From Creature Designer/Animator Phil Tippett’s Archives
Additional Scenes From The TV Version
Theatrical Trailers
TV Spot
Radio Spots
DTS-HD Master Audio Mono track
Optional English SDH subtitles for the main feature
Posted below are the specs of Piranha (1978) 4K Blu-ray…
Video Codec: HEVC / H.265 Resolution: Native 4K (2160p) HDR: Dolby Vision, HDR10 Aspect ratio: 1.85:1 Original aspect ratio: 1.85:1
Discs – 4K Ultra HD, Blu-ray Disc, Two-disc set (1 BD-66, 1 BD-50)
Packaging – Slipcover in original pressing
Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A (B, C untested)
Movie poster of Piranha (1978)
In my experience, I saw Piranha (1978) a number of times since the 1980s. I never saw it in the cinema as I was too young back then but I first saw it on home video followed by showings on cable TV. Strangely enough, the 1978 movie not only spawned a sequel in 1982, it also had remakes in 1995 and 2010.
More on the 1978 movie itself, it was made just a few years after Steven Spielberg’s Jaws made tremendous impact commercially and socially. To its credit, Piranha (1978) was produced by low-budget movie king Roger Corman and it had Joe Dante as director and Kevin McCarthy as a supporting cast member. For the newcomers reading this, Dante is best known for directing Gremlins while McCarthy is best remembered for Invasion of the Body Snatchers (1956).
A foreign movie poster.
Ultimately, the main feature of Piranha (1978) is its emphasis on water-related fear, particularly the idea that a person in water can be eaten alive by multiple piranhas. It’s like an extension of Jaws’ influence which people afraid of the sea because they could be eaten by a shark.
Already it has been confirmed that Piranha (1978) 4K Blu-ray will come with native 4K visuals. To the best of my memory, the movie was not a very visually appealing movie. Still, the idea of it getting remastered into 4K is interesting.
Watch out for Piranha (1978) 4K Blu-ray on November 1, 2022.
In closing this Better than Streaming piece, posted below is the Piranha (1978) video.
There is no doubt that Xbox Game Pass (XGP), a subscription service that allows customers access to lots of games for their enjoyment in return for paying a flat monthly fee, is here to stay. I myself have been subscribing to XGP since I started playing my Xbox Series X console and I can confirm to you readers that I’ve been playing a whole lot of games while saving myself a lot of money.
Along the way, I am constantly having a whole lot of fun as an XGP subscriber and I am look forward to playing highly anticipated new games like Eiyuden Chronicle: Hundred Heroes, Starfield (Xbox-exclusive) and Forza Motorsport (2023) (Xbox-exclusive) through the service in 2023! And then there are many, many other games from other game publishers – including the small and independent game makers – who signed up with Team Xbox to add their games for XGP subscribers to enjoy!
This week alone, several games will debut on Xbox Game Pass which should interest gamers who love adventure, first-person shooters, narrative gaming, mysteries, puzzles, tactical gaming, golf, ice hockey and more! Check out the new XGP additions in the Xbox.com article and also be reminded that enjoyable games such as As Dusk Falls, Deathloop and Ni no Kuni: Wrath of the White Witch Remastered are now available in the service.
Watch out for Eiyuden Chronicle: Hundred Heroes on XGP in 2023.
Starfield alone should attract a lot more people to subscribe to Xbox Game Pass.
Have you played this acclaimed JRPG yet? It’s now available on XGP!
As Dusk Falls is a great narrative-driven game to play on Xbox Game Pass.
As I mentioned earlier, Xbox Game Pass is here to stay and its credibility as a stable and growing form of business cannot be dismissed. To understand the business aspect of XGP, there is this in-depth article published by Windows Central. Posted below is an excerpt from the article with some parts in boldface…
Flying in the face of traditional gaming revenue models, with Xbox Game Pass, Microsoft is offering thousands upon thousands of dollars’ worth of content for $10 dollars a month. It’s potentially even cheaper if you factor in the upcoming Xbox Game Pass Friends & Family accounts as well.
In any case, Xbox Game Pass isn’t going anywhere. I’ve seen analysts and pundits rally around the idea that the service must be burning through cash hand over fist in order to offer the value it does, and that may still be true. But as noticed by Tweaktown, we now have a glimpse at roughly how much revenue Xbox Game Pass is actually generating.
Microsoft is currently trying to get its massive Xbox Activision Blizzard merger through regulatory bodies around the globe. In order to make its legal arguments, certain data points Microsoft typically doesn’t share with its shareholders publicly is making its way into the public domain, as a result of these discussions. It turns out that Xbox Game Pass is making a fair bit of dosh.
According to Brazil’s regulatory body CADE, Xbox Game Pass’ revenue from subscriptions stands at $2.9 billion dollars in the fiscal period ending January 2021. Tweaktown noted that it accounts for 18% of Microsoft’s revenue from gaming for that fiscal year, which would have put Xbox Game Pass subscribers at around the 18-19 million mark. The last official figure we got on Xbox Game Pass subscribers came last January, where Redmond revealed it had hit 25 million users.
It should be noted, however, that this figure only includes users on the console versions of Xbox Game Pass, with PC Game Pass figures omitted. It’s also hard to know the exact breakdown of this revenue figure. Does it include purchases of games in the post-Game Pass discount period? Does it include microtransactional sales and in-game content sales for titles that are in Xbox Game Pass? Or is it representative purely of the subscriber figures across Xbox Game Pass and Xbox Game Pass Ultimate, which are $10 and $15 apiece?
Even though they have great 1st party game studios that produced several exclusive blockbusters, Team PlayStation under Jim Ryan is very worried about the acquisition because their business benefited so much by depending on Activision’s Call of Duty games (note: remember the last time you played a new Killzone game from Sony?). Ryan and the PlayStation executives know their current contracts with Activision will eventually expire and certainly there will be no more extensions under Microsoft-controlled Activision Blizzard. It is also clear to me that Team PlayStation is very afraid of the idea that Call of Duty games and other Activision Blizzard games will come to Xbox Game Pass and PC Game Pass. Simply put, Team PlayStation is way, way behind competing with XGP on the subscription service model of business.
In concluding this article, posted below for your enjoyment are Xbox-related videos.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book – the first full appearance of Doomsday!
To those of you who read my retro review of Adventures of Superman #498 (1993) – which was the opening chapter of the Funeral for a Friend storyline – you might be wondering why I decided to revisit the Death of Superman storyline so suddenly. It all comes down to context related to Superman’s eventual death and what killed him. Not only did Doomsday become a very important part of DC Comics’ gallery of super villains having achieved the killing of the Man of Steel, the oversized monster became part of DC’s further comic book universe reboots as well as part of multimedia adaptations of DC Comics stories specifically in the Smallville TV series as well as in 2016’s Batman v. Superman: Dawn of Justice.
Indeed, Doomsday’s place in American pop culture is sealed and that shows how much of an impact was made by the unstoppable super villain co-created by Dan Jurgens, Brett Breeding, Jerry Ordway, Louise Simonson and Roger Stern. Doomsday was conceived way back in 1991 during the brainstorming session of the Superman comics writers and editors of the time.
With those details laid down, here is a look back at Superman: The Man of Steel #18, published in 1992 by DC Comics with a story written by Louise Simonson and drawn by Jon Bogdanove. This comic book marked the beginning of the Death of Superman saga.
The cover.
Early story
The story begins deep underground as the left fist of a covered, large being keeps punching the metallic wall to get out of containment. As the punches keep on pounding the wall, the glove gets torn revealing a fist with gray skin and sharp bones protruding through the knuckles. After making its way out of containment, the earth shakes and the animals got disturbed as the creature – mostly covered with an alien body suit with only the left arm freed – makes its way from deep underground.
Miles away within the city of Metropolis, a young black boy buys a spray paint container (which has a fluorescent yellow paint that glows in the dark) inside a hardware store. In response to the curiosity of the store owner, the boy denies that he would use the glow-in-the-dark pain on a subway wall. The boy has a very tough task ahead of him as he will be going after monsters.
At a power station, a group of intelligent creatures make their way to steal electricity for their war machines…
Quality
Even with only his left arm free, Doomsday still caused massive destruction causing injuries and deaths to others.
To make things clear, this comic book tells two stories that moved in parallel together. The first story involving Superman, Lois Lane and the affairs that involved the mentioned young black boy is the typical good-versus-evil superhero tale. What made that story standout was Lois Lane’s involvement as she got into trouble facing the opposition before Superman came in to save the day. As before, seeing Lois Lane talk to Superman in the presence of others while keeping his identity secret remains engaging to read. This tale was good enough to read.
The other story that follows the sudden appearance and the early rampage of Doomsday is the more engaging one to read. This was clearly a build-up for the Death of Superman concept but it was highly effective, well-paced and clearly defined by the creative team. Not only will you see Doomsday’s unstoppable power of destruction, you will witness his complete disregard of life – animals and humans – which strongly hints the an immense danger that Superman, the Justice League America (JLA) and the people of Metropolis are not prepared for. Like the Terminator, Doomsday cannot be reasoned with as massive destruction and death are his core elements. Within the pages of this comic book, it can be viewed that Doomsday was designed for endless waves of destroying life and anything that gets in the way.
Lastly, I should state that Simonson and Bogdanove presented Doomsday not only to be destructive but also as a frightening force that people in real life would not want to see realized.
Conclusion
The other tale that involved Lois Lane and the young black boy.
Superman: The Man of Steel #18 (1992) remains a very powerful read. Yes, it is a build-up of Doomsday and the Death of Superman saga but it remains highly significant as it kicked-off the creative change of direction of DC’s Superman creative teams going towards tragedies that Superman and his allies cannot easily stop. This one marked start of Doomsday’s eventual high rise not only in comics but also in pop culture in general. That being said, this comic book is a must-have in your collection.
Overall, Superman: The Man of Steel #18 (1992) is highly recommended.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book.
Previously, I reviewed Adventures of Superman #498 (1993) which marked the first chapter of the Funeral for a Friend storyline and dramatized the impact left behind by the death of Superman. That particular comic book had strong writing and succeeded in dramatizing how Superman’s friends, associates and other characters coped with his death with the future looking uncertain to them.
With those details laid down, here is a look back at Superman: The Man of Steel #20, published in 1993 by DC Comics with a story written by Louise Simonson and drawn by Jon Bogdanove. This comic book marked the third chapter of the Funeral for a Friend storyline.
The cover.
Early story
The story begins with people in Metropolis struggling to move forward not only because their hero Superman died but also because of the tremendous damage left behind by Doomsday. In his headquarters, Lex Luthor is talking with the telephone surrounded by several people with Supergirl watching. The matter being discussed was the burial of Superman at Centennial Park particularly in a structure Luthor himself donated. While he has to live on with the fact that he failed to kill Superman, Luthor tells himself he can still bury him.
At the Kent farm far away from Metropolis, Jonathan and Martha Kent are agonizing not only because of the death of their beloved son but also because they realized they cannot even get near him at his funeral as it will be organized as a major event with only the important people allowed to attend…
Quality
It seems like destiny to have the super villain Lex Luthor in the presence of a fictionalized Bill Clinton and Hillary Clinton during the funeral of Superman. By today’s standards, the Clintons made it normal for America to bow to terrorists and make deals with them. That being said, their inclusion in this comic book is just wrong.
To go straight to the point, like Adventures of Superman #498 (1993), this comic book continues to dramatize the impact of Superman’s death on Metropolis and its people in a very engaging manner. It shows that DC’s creative teams in charge of Superman comic book at the time were really organized and coordinated with each other on crafting the Funeral for a Friend storyline. What makes this comic book stand out is the funeral itself which was organized as a public event (with the burial itself done in the presence of important people – including a very evil couple from the Democrats who love abortion and terrorism) and this includes the presence of many other DC Comics superheroes like Wonder Woman, Green Lantern, The Flash, Maxima, Shazam (AKA Captain Marvel) and others. The burial had its own share of intriguing and dramatic moments emphasizing the people’s struggle to adjust themselves knowing they don’t have Superman anymore to help them.
Wonder Woman, Green Lantern and Robin help out as the huge crowd became rowdy.
More on the post-death dramatization, the creative team managed to keep Superman’s associates Lois Lane, Jimmy Olsen and the other Daily Planet people feeling uneasy over the Man of Steel’s death which makes their work covering the funeral professionally a challenge. Unsurprisingly, Lois Lane gets her own fine share of the spotlight agonizing over the fact that she lost her beloved Clark (Superman to the public) whom she was supposed to get married with. The emotional struggle within her intensified as she experiences difficulty of informing the elderly Kent couple about what happened. This is rich writing prepared by the creators.
Not only that, the creative team also went all-out with dramatizing the impact of Superman’s good deeds on the people. You will see several people from Metropolis’ general population talk about how Superman helped them or inspired them. There are certain lines of dialogue that are quite touching to read.
Conclusion
A pretty powerful portrayal of Lois Lane’s struggle on dealing with the new reality that she lost her beloved Superman.
Superman: The Man of Steel #20 (1993) is another solid, post-death story emphasizing the new normal that Metropolis people and Superman’s friends are having difficulty adjusting to…a world without the Man of Steel. Based on the high quality of the storytelling and character development, it is easy to tell that the Superman titles’ creative teams planned ahead and prepared themselves for telling a post-death saga which was pretty risky given the iconic status of Superman and his decades-long legacy in comics and pop culture. This comic book really made Superman’s absence feel powerful and undeniable.
Overall, Superman: The Man of Steel #20 (1993) is recommended.
There is a need for us to behave ourselves and watch out backs not only in the real world but also online. I say this because the Philippine News Agency (PNA) recently reported the news of a gamer who got arrested by the Anti-Cybercrime team of the Philippine National Police (PNP) for violating key parts of the Cybercrime Prevention Act of 2012. The arrest happened in Quezon City.
To put things in perspective, posted below is the excerpt from the PNA news report. Some parts in boldface…
A man was arrested for sexually exploiting a 14-year-old girl whom he met while playing an online game, the Philippine National Police – Anti-Cybercrime Group (PNP-ACG) reported on Friday.
In a statement, ACG chief Brig. Gen. Joel Doria said 35-year-old suspect Estelito Gibaga Jr. was nabbed by members of the Quezon City District Anti-Cybercrime Team (QCDACT) inside a motel located at West Point Street, E. Rodriguez Avenue on Thursday.
Based on the report submitted by QCDACT officer in charge Lt. Michael Bernardo, Gibaga met the victim, a Grade 9 student, in a public chat of an online game where both of them were players.
After a series of conversations, they shifted the conversation to “Snap Chat” and Facebook Messenger wherein they subsequently had a “virtual” romantic relationship.
During this time, the suspect allegedly sent the victim obscene photos of “himself” and asked the victim to do the same.
Bernardo said on September 6, the mother of the victim saw her daughter chatting with the suspect in the middle of the night.
When she saw the exchange of conversations between the two, she was shocked and confronted her daughter. This was when the minor admitted to her that she is being lured by the suspect into doing obscene things.
Bernardo said on September 16, the victim and her mother appeared at the office of QCDACT to lodge a complaint against the suspect, which resulted in the planning of an entrapment operation to catch him.
On Thursday, the mother and the victim reported back to QCDACT and informed the office that the suspect and the minor would meet up to watch a movie at a mall.
This prompted the Anti-Cybercrime Team to prepare an entrapment operation.
“When the suspect and the victim met at the Gateway entrance, they went to McDonald’s to take out snacks and headed to Guess Hotel. After entering the room, we lost no time in apprehending the suspect,” Bernardo said.
Doria, meanwhile, advised parents to keep a tight watch on the online activities of their children.
“Sexual predators are everywhere, even on online games,” he said.
The above article ended stating that the suspect will be charged for violating the following provisions of Cybercrime Prevention Act of 2012: Special Protection of Children Against Abuse, Exploitation and Discrimination Act, the Anti-Child Pornography Act of 2009, and Article 286 (Grave Coercion).
Let me end this piece by asking you readers: What do you think about this recent development? Are you convinced that there are a lot of sexual predators and undesirable elements among the many users of the Internet and social media?
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book.
To put things in perspective, the Death of Superman which climaxed in Superman #75 (1993) was a major comic book event published by DC Comics and it sure involved a whole lot of risks taken by the creative teams. To put the storyline’s concept short, Superman was beaten by an overwhelming, deformed alien humanoid from outer space who caused massive destruction around. Having no real choice and knowing that his fellow super-powered allies could not stand a chance against the alien called Doomsday, Superman went all-in fighting and stood up against him while defending Metropolis and its people. Superman #75 went on to sell many millions of copies and became an instant collector’s item.
Of course, just because Superman died does not mean that the shared DC universe at that time would come to an end and DC Comics had to keep on telling what happened afterwards.
With those details laid down, here is a look back at Adventures of Superman #498, published in 1993 by DC Comics with a story written by Jerry Ordway and drawn by Tom Grummett. This comic book marked the first chapter of the Funeral for a Friend storyline.
The cover.
Early story
The story begins just moments after the Superman passed away in Lois Lane’s arms. Jimmy Olsen, the body of Doomsday and a few of Superman’s allies were near them. Bloodwynd and Dubbilex shared their respective findings that there is no life left in Superman. As emergency personnel slowly approach Doomsday’s body, Lois Lane turns emotional stating that someone has to do something for Superman. More emergency personnel arrive and attempt to revive the Man of Steel who remains lifeless.
Nearby, a man spots an unrecognizable human-like body among the rubble which turns out to be alive. Suddenly the red-headed tycoon Lex Luthor arrives to take care of the ruined being and walks away carrying it. Luthor refers to the being as a female…
Quality
The Ordway-Grummett team should be recommended for this simple yet very dramatic look at the elderly Kent couple reacting to the death of their adopted son from Krypton.
As a post-death Superman story, it is clear that the creative team carefully explored how the many people of Metropolis would react to the sudden death of the Man of Steal while also leaving some room to set the stage to develop Lois Lane – who at this stage knew Superman’s true identity and kept it all secret – in a new way. There were also sub-plots started here particularly with Lex Luthor and Supergirl, the people working for the Daily Planet and the Kents (Clark’s earthly mother and father). The way all the dialogue and character expressions were crafted, there is an undeniable tone of discomfort and uncertainty which dominated the narrative as I read from start to finish.
What I liked the most about this story was how the creative team showed the heavy toll of Superman’s death on Lois Lane who not only has to deal with the loss of her beloved Clark (perceived by her peers to be missing as a possible victim of Doomsday’s rampage) but also do her best to keep working professionally as a journalist of the Daily Planet. I felt Lane’s pain a lot as I read on.
Conclusion
Tension and emotions turned high in relation to Superman’s sudden death.
In my view, Adventures of Superman #498 (1993) is a really gripping and highly dramatic post-disaster superhero tale to read. The way it was made, it strongly kicked off the Funeral for a Friend storyline with high emotions as well as an understandable amount of uncertainty that can be seen in the characters. Understandably, there is no good-versus-evil conflict in the story nor any superhero spectacle to watch out for but the sub-plots implemented added some depth which made this post-death tale worth reading. More notably, the creative team succeeded in making the people – both in the story and the reading public – start missing Superman.
Overall, Adventures of Superman #498 (1993) is recommended.
I will get straight to the point here – Eiyuden Chronicle: Hundred Heroesis my most wanted Japanese role-playing game (JRPG) of this current console generation and it is one of the main reasons why I subscribed to Xbox Game Pass (XGP) as soon as I bought my Xbox Series X console late last year. While a release date was not yet announced as of this writing, I am looking forward to this upcoming JRPG on my Xbox Series X sometime in 2023. Check out the official Xbox listing of Eiyuden Chronicle: Hundred Heroes by clicking here.
During the recent Tokyo Game Show (TGS), publisher 505 Games and Rabbit & Bear Studios executives – including studio head Yoshitaka Murayama (the Suikoden series creator) and Junko Kawano (who worked on Suikoden and Suikoden IV) – had their own presentation and made announcements. During the TGS, the newest trailer of Eiyuden Chronicle: Hundred Heroes was unveiled and it sure looks really good even though the footage shown was from pre-alpha build. Watch the newest trailer below…
As I mentioned earlier, no release date was announced during the TGS which I found baffling since that event drew a lot of viewers and gamers’ attention worldwide. Could it be possible that Konami’s surprise announcement of Suikoden I&II HD Remaster Gate Rune and Dunan Unification Wars coming to multiple platforms (including Xbox) in 2023 might have something to do with the lack of a firm release date for Eiyuden Chronicle: Hundred Heroes? At least in my view, developer Rabbit & Bear is still working on finishing their JRPG.
Perhaps publisher 505 Games is doing a wait-and-see approach about the many video games expected to fill the market in 2023 with anticipated heavy hitters like Starfield, Forza Motorsport (2023) and Redfall to name a few. 505 Games will have to select soon a firm 2023 release date for Eiyuden Chronicle: Hundred Heroes based on market competition and the development status of the game.
Exploration in the game will be a mix of 2D sprites, polygonal environments and some artistic backgrounds.
The battles in Eiyuden Chronicle: Hundred Heroes have that dynamic touch and multiple playable characters can fill your party and engage the enemies.
For the newcomers reading this, Eiyuden Chronicle: Hundred Heroes is a turn-based fantasy JRPG which has a design and style similar to what was seen in the first two Suikoden video games. As seen in the above trailer, the upcoming JRPG has the combined talents of game creators such as Yoshitaka Murayama, Junko Kawano and Junichi Murakami (Castlevania: Aria of Sorrow) plus musicians Motoi Sakuraba (Star Ocean series, Tales of series) and Michiko Naruke (Wild Arms series).
Eiyuden Chronicle: Hundred Heroes has a story set in one corner of Allraan, a tapestry of nations with diverse cultures and values. On Xbox.com, 505 Games released the first set of character profiles introducing: Nowa, Seign, Marisa, Lian and Garr. Their respective descriptions are as follows…
Nowa – When the League of Nations recruits warriors to assist in a joint expedition with the Galdean Empire, our protagonist answers the call and leaves his remote village to test his skills. On the mission, he finds an ancient rune-lens, unaware that the discovery will spark a war between the League and the Empire. After the conflict begins, he joins a unit in the League’s border guard. The protagonist is the “leap before you look” type. He doesn’t always weigh the pros and cons before springing to action, and while his constant need to involve himself in other people’s problems sometimes creates headaches for his companions, they like him for it and know his heart is in the right place. After all, if they ever got into trouble, he’d be the first person there.
Seign – The second-born son to House Kesling, a powerful imperial family. His older brother died on the battlefield. Seign is exceptionally gifted; after achieving outstanding grades at military academy, he was placed in command of a company of his peers and sent on the expedition to find the ancient rune-lens. During the mission, he meets the protagonist. The two warm to each other as they overcome adversity, and they learn of one another’s ambitions. Seign’s strategic mind allows him to analyze things from a broad perspective and make sound decisions. People often confuse his clear mind for a cold heart, but he is guided by strong ideals and a deep passion to fulfill them. After his brother’s death during a border rebellion, Seign began to think long and hard about what it means to fight.
Marisa– A young member of the Guardians, a clan that hallows and protects the forest. Since Marisa was very little her family has instilled their ways and traditions in her. She has a warm, affable smile — except on the battlefield, where she wears the countenance of a warrior.
Although the Guardians live as one with the forest, they have respect for the outside world’s culture and technology, and they are not against integrating the parts of it that make sense to them. Marisa is particularly forward-thinking in this regard and loves new things — especially cute things.
Lian – After the Empire’s forces invade league lands, Lian is infuriated and runs away from home without even the slightest semblance of a plan. She decides the first thing to do is hoof it to the biggest town she can find, and luckily that’s where she meets the protagonist and his companions. Lian was born in a dojo, and her father wasted no time in teaching her. She was doing roundhouse kicks before she even learned to walk properly.
Garr– A veteran beastman warrior. He and his clan make their living as mercenaries, and their vast experience and sheer brutality put them in high demand. War is all Garr has known, and to him life is one battlefield after the other until you die.
To date, Rabbit & Bear Studios already released the side-scrolling spin-off game Eiyuden Chronicle: Rising and has been working hard to complete Hundred Heroes. The shared game design elements between the early Suikoden games and Eiyuden Chronicle: Hundred Heroes such has having over 100 playable characters, a story of war, in-depth world exploration, heavy use of 2D sprites for the characters along with their acts during battles, and dynamic group battles are not surprising given Murayama’s history of leading the development of the Suikoden JRPG franchise (until the 3rd game) during his time with Konami. Murayama also is a proven fantasy storyteller with the Suikoden games. Personally, I really loved playing Suikoden II which in my opinion is not only the best of the Suikoden game franchise but also one of the very best JRPGs of the 1990s that I have ever played as well as one of the best JRPGs that was not made by Square Enix.
Now this is one very dazzling moment shown during the latest Eiyuden Chronicle: Hundred Heroes trailer.
Seign and Nowa going head to head with each other in this captured moment from the latest trailer.
Knowing that Murayama, Kawano and other notable Japanese creators are working together in making Eiyuden Chronicle: Hundred Heroes, I have reasons to be confident about it. On my end, my taste on video games has changed a lot over the past fifteen years and that goes the same with my interest in JRPGs. Along the way, I really miss the fun I had with the first two Suikoden games as they had gameplay elements that were not only uniquely fun but also aged well. For me, Eiyuden Chronicle: Hundred Heroes could become the most delightful surprise among JRPGs in this current console generation. It is my most-wanted JRPG of this console generation and I believe it will fit in nicely with the Xbox ecosystem which is already becoming an ideal haven for fantasy RPGs and RPG fans in general.
Watch out for Eiyuden Chronicle: Hundred Heroes on Xbox Series X, Xbox Series S, Xbox One, Windows PC and Xbox Game Pass in 2023.
Author Carlo Carrasco 