Welcome back fellow geeks, Blu-ray collectors and movie buffs!
More than forty years ago, I first saw Tron on home video and despite the limitation of the format, I was astounded by the science fiction film directed by Steven Lisberger. For me, Tron is truly a one-of-a-kind type of movie that had a very mesmerizing setting (the digital world), video gaming elements included in the narrative, an early look at computers becoming significant in business and society, mind-blowing visual effects and the performances of the memorable cast that include Jeff Bridges (Flynn), Bruce Boxleitner (Tron), David Warner (Ed Dillinger) and Cindy Morgan (Lora).
Originally released in 1982, TRON opened the gateway to a bold new universe of computer-generated wonder, inspiring a generation with its visionary storytelling and pioneering special effects.
Front of Tron 4K Blu-ray in Steelbook form.
The back of Tron 4K Blu-ray Steelbook.
TRON was digitally scanned and carefully restored by The Walt Disney Film Restoration team, who corrected dirt, warping, and other imperfections to ensure pristine image quality. The work was supervised by director Steven Lisberger.
When a brilliant video game maker (Jeff Bridges) hacks the mainframe of his ex-employer, he is beamed inside an astonishing digital world and becomes part of the very game he is designing. It’s an epic adventure that everyone will enjoy! Some flashing-lights sequences or patterns may affect photosensitive viewers.
For the 4K Blu-ray purists reading this, it has already been confirmed that Tron will be rendered in native 4K by default! Moving further, posted below are the technical details from the Blu-ray.com page.
Video
Codec: HEVC / H.265
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10
Original aspect ratio: 2.20:1
Audio
English: Dolby Atmos
English: Dolby TrueHD 7.1
Audio descriptive
Subtitles – English SDH, French, Spanish
Discs – 4K Ultra HD, Blu-ray Disc, Two-disc set (1 BD-66, 1 BD-50)
Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A
While it is a fact that the Walt Disney Company (AKA the Woke Disney Company) does not an excellent record on releasing its popular and best movies on 4K Blu-ray, I think Tron 4K Blu-ray deserves attention and if its 4K visuals are of top-notch quality with the involvement of the movie director, I just might consider it for purchase someday. Very soon, we will see some reviews of Tron 4K Blu-ray before the September 16 release.
If you wish to join a group of movie enthusiasts and talk about cinema, cinematic trends, Blu-ray releases and more relevant stuff, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576
To make things clear, Nausicaä of the Valley of the Wind is just one of many Studio Ghibli feature films that will be playing through SM Cinema branches with the Studio Ghibli Fest 2025 launching today. Other Studio Ghibli feature films include My Neighbor Totoro, Spirited Away, Princess Mononoke, The Wind Rises and Ponyo. All of those anime productions were directed by Miyazaki but in my personal anime viewing experience, Nausicaä of the Valley of the Wind remains the most memorable one.
A captivating piece of art from the 1984 anime feature film of Hayao Miyazaki.
To put things in perspective regarding the Studio Ghibli Fest 2025, posted below is an excerpt from the lifestyle news article of GMA Network. Some parts in boldface…
The Studio Ghibli Fest 2025 is happening this month, and six films from the highly acclaimed Japanese animation studio will be screened in select local cinemas.
SM Cinema announced the happy news on its social media pages last August 31.
“Six worlds. Endless wonder. One big screen. From Totoro’s forest to Chihiro’s spirit world, journey back into the imagination of Hayao Miyazaki and experience the timeless magic of Studio Ghibli,” it said.
Several classic Studio Ghibli films will be screened in select SM Cinemas nationwide from September 10 to 16.
Here is a list of the films part of the Studio Ghibli Fest 2025: Spirited Away, My Neighbor Totoro, Princess Mononoke, The Wind Rises, Ponyo, (and) Nausicaä of the Valley of the Wind.
These are the SM Cinema branches around the country showcasing the Studio Ghibli anime feature films. (source – SM Cinema)
Why Nausicaä of the Valley of the Wind is significant
Among the works of Hayao Miyazaki, Nausicaä of the Valley of the Wind is the one that resonates with me the most and I have a long history of viewing the anime feature film. The first time I saw it was in its mid-1980s, butchered English-dubbed version titles Warriors of the Wind on home video. Being so young back then, I was not aware of the original Japanese version and I simply enjoyed what was presented in English. The leading lady Nausicaä was renamed as Princess Zandra while the Ohm were referred to as gorgons.
For the newcomers reading this, the 1980s was not exactly a good time of anime productions being released in the West in English and alterations for the Western market was the norm. Warriors of the Wind was more than 20 minutes shorter than the original Japanese version.
In the early 2000s, Nausicaä of the Valley of the Wind was released uncut with a new English-dubbed version (plus English subtitles with the original Japanese audio) involving the talents of Patrick Stewart, Uma Thurman and Alison Lohman. The footage that was missing in Warriors of the Wind easily made the new version – released on DVD in 2005, Disney Blu-ray in 2011, GKIDS and Shout! Factory Blu-ray in 2017, and limited edition steelbook Blu-ray in 2020 – a must-buy for both fans and anime enthusiasts who enjoy classics.
I myself acquired the 2005 DVD of Nausicaä of the Valley of the Wind by trading an old video game for it and enjoyed it a lot. I saw both the English-dubbed and English-subtitled versions in different times, and the complete footage added to my enjoyment of it. If I were to make comparisons, I prefer the 1984 film over Princess Mononoke (I had a Blu-ray copy of it).
Nausicaä of the Valley of the Wind on Blu-ray disc format (limited edition steelbook version) is still available for purchasing online and you only need to click here. I wonder when will a 4K Blu-ray version of it be announced.
The Japanese movie poster from 1984.
What it is lacking for me is the experience of watching Nausicaä of the Valley of the Wind on the big screen inside the movie theater. This is why I am personally interested in replaying it at an SM Cinema branch during the week-long Studio Ghibli Fest 2025. At the same time, it is rare for anime classics to be screened in movie theaters here in the Philippines. As much as I love watching movies on Blu-ray or 4K Blu-ray format in the comfort of home, the cinema experience is still the best way to watch a movie. Definitely better than streaming!
If you wish to join a group of movie enthusiasts and talk about cinema, cinematic trends, Blu-ray releases and more relevant stuff, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576
Disclaimer: This is my original work with details sourced from reading the comic book, watching the 1996 movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back science fiction enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1996 to take a close look at one of the licensed comic books Marvel Comics published which was part of the release of the movie Independence Day (also referred to as ID4).
Back in 1996, there was a considerable amount of hype and anticipation for Independence Day’s release in cinemas not just in America but also in other parts of the world. Following the success they achieved together in Stargate (1994), producer Dean Devlin and director Roland Emmerich teamed up again to make Independence Day which was back then the most modern cinematic portrayal of aliens invading Earth causing the people to fight back. The film creatively was also a disaster movie of its own backed with science fiction concepts and the latest special effects of the era. Independence Day went on to gross almost $820 million worldwide and I myself saw it in a fully packed cinema here in the Philippines.
As I saw the movie, I noticed details about events that took place sometime in the past and they were presented not as flashbacks but only as spoken words. There is that verbal reference about Jeff Goldblum’s character punching Bill Pullman’s character some time before the latter became US President. There are also spoken words about Randy Quaid’s character being previously abducted by aliens. As part of the marketing and publicity of the movie, Marvel Comics was licensed to publish not only a 2-part comic book adaptation but also a prequel comic book.
With those details laid down, here is a look back at Independence Day #0, published in 1996 by Marvel Comics with a story written by Phil Crain (based on ideas by Dean Devlin and Roland Emmerih) and drawn by Terry Pallot, Steve Erwin, Rod Whigham and Gabriel Gecko.
The cover.
Early story
The story begins on July 4, 1947 in Roswell, New Mexico. A thunderstorm took place in the evening compelling residents to stay inside their respective homes. As the storm went on, an unidentified flying object (UFO) of alien origin got struck by thunder causing it to crash on the field of someone’s property with a huge impact that disturbed local residents. The alien ship opens and one of its passengers (alien) ventures out into the stormy night. Injured and still in shock, the passenger slowly moves away from the ship.
The next evening, the property owner arrives and finds several pieces of debris of the crashed ship scattered on the field. He notices the metal are lighter than anything he touched, and he could see the writings were not man-made. The property owner informed the local sheriff of what he found which led to the American army sending troops to the field. The American military plane flies over them and finds the crashed alien ship.
Quality
When Whitmore was still a US Senator and candidate for US President, he got punched by David Levinson who thought that he was having an affair with his wife Constance “Connie” Spano. This later led to the “You punched the President,” line in the movie.
As described above, this prequel comic book visually dramatizes the past events that were only mentioned in the movie particularly with regards to the Roswell UFO incident as well as Area 51 and how the government handled findings about aliens from outer space. In fact, the story here was scripted to move from one significant event to the next through the decades, and the good news here is that the exposition is not too heavy (when compared to Jurassic Park comic books of 1993) and the pacing moved at a medium pace. The result is a reading experience that is intriguing and entertaining.
The creators really went all in with their fictional portrayal of the movie’s aliens being involved in Roswell and Area 51, and the notable thing is that they really took the presentation seriously. It’s as if they were trying to tell a factual story which smoothly connects with the movie.
When it comes to the characters from the movie, you will find them in this comic book depending on the stage of the narrative and the time setting. While the characters of Pullman, Goldblum, Robert Loggia, Will Smith, Brent Spiner, James Rebhorn, Viveca A. Fox and Margaret Colin are dramatized in the 1990s scenes, you will see the younger versions of a few of them set in the 1960s scenes. The abduction scene of Randy Quaid’s character is set in the 1980s.
The Area 51 scene set in the 1960s.
As for the script written by Phil Crain, the narrative of this comic book surprisingly has a more serious and dramatic tone when compared to what was expressed in the movie. There were even a few horror elements and no comedic stuff at all. Again, this should not be surprising because this comic book was meant to dramatize past events to not only connect with the movie’s core concept but also show why certain characters acted the way they did in the film.
As this comic book involved multiple artists, it should not be a surprise that the result is of varying quality from one scene to another. In fairness, the illustrator (or illustrators) who drew the Area 51 scenes and the crashed alien ship did a good job with the details. As for the characters, pilot Steven Hiller resembled Will Smith enough, and the same can be said about Thomas Whitmore somewhat looking like Bill Pullman, David Levinson looking somewhat like Jeff Goldblum, and General Grey slightly looking like Robert Loggia. Meanwhile, Constance Pano resembled Margaret Colin more while the 1990s Dr. Okun resembled Brent Spiner in a few shots.
Conclusion
The creators went all-in to make the 1947 Roswell UFO incident a history of Independence Day.
To get straight to the point, Independence Day #0 (1996) succeeded with its main objective of establishing visually the past and emphasizing developments connecting with the blockbuster movie of 1996. It was made with a strong appeal to fans of Independence Day as well as people who simply are fond of UFOs and conspiracy theories regarding Roswell and Area 51. People who are not too interested in the movie and UFOs might not be impressed with this comic book. In my view, this prequel comic book has good enough qualities that make it worth reading and its serious narrative is both surprising and enjoyable. Ultimately, it is a worthy companion piece to the movie.
Overall, Independence Day #0 (1996)is recommended.
Welcome back fellow geeks, Blu-ray collectors and movie buffs!
When it comes to watching movies – both old and new – the best place for me is still the movie theater. The very large screen, high-tech sound systems and comfortable seats of the cinema all make the theater viewing experience very immersive which streaming apps and the home theater setup could never match. The cinema experience is always better than streaming.
That being said, it is disappointing for me – as a resident of Muntinlupa City here in the Philippines – that local theaters in Alabang had to close down. The original cinemas of Festival Mall, which first opened in 1998 and grew from six to ten screens, are no more. Before they were all closed down, those cinemas had deteriorated over time and I still remember how bad the projection in one of their premium cinemas was when I saw Star Trek Into Darkness in 2013. It was like I was watching a VHS copy of the movie on their screen. It was that bad!
This year, the 4-screen cinemas of Commercenter in Filinvest City had closed down (refer to my past blog posts by clicking here and here) and it is very unfortunate not just for me but also for others who enjoyed watching movies at that mall. In my experience, Commercenter was my favorite local place to watch movies at and the cinema operators were consistent with maintaining each screen, the comfortable chairs and the sound systems. At the same time, it was pretty convenient for me to park the car in the basement parking (really spacious), climb up to the cinemas at the 2nd floor (ticket counter and snacks counter were beside each other), enjoy a movie, and visit a local store or a restaurant within the mall after leaving the cinema.
With the closure of Festival Mall’s original cinemas and Commercenter cinemas, that is a combined loss of ten screens along with the many seats and equipment combined. Along the way, many people who worked directly in those lost cinemas either became unemployed or got re-assigned to a new task within the local establishment. Sadly, not too many people here in the Philippines are talking about the jobs lost with the closure of cinemas.
Cinemas of Commercenter have been closed down since March 15, 2025.
This brings me to my next point – BusinessWorld published an article exploring the current struggle of Philippine cinemas in what is now the post-pandemic era. For the newcomers reading this, the Philippines economy has been growing strongly year-by-year after the COVID-19 period ended but the nation’s cinema industry is still struggling in terms of sales and attracting paying customers. The Filipinos’ love for streaming is huge factor but there are also other reasons why not enough moviegoers are supporting cinemas.
To put things in perspective, posted below is an excerpt from the BusinessWorld article. Some parts in boldface…
KAREN LUSTAÑAS, 30, tries to watch a movie in the Philippine capital at least once a month, if the budget allows it.
“I try to save time and money for films that I really want to see,” she told BusinessWorld in a Facebook Messenger chat. “I can barely afford it, but if I’m a fan of the director or actors, I really have to watch it.”
“Otherwise, I’ll just watch it on a streaming platform,” she added.
As good as the movie industry is in imagining alternate realities, it didn’t see this one coming. Five years after the coronavirus disease 2019 (COVID-19) decimated the box office here and all over the world, movies are still struggling to come back.
Philippine gross movie ticket sales fell 3.7% year on year to $45.5 million (P2.5 billion) last year, a far cry from the $144.5 million posted in 2019, before the pandemic hit, according to US-based box office revenue tracker Box Office Mojo. In 2020, gross sales plunged 95% to $7.7 million.
Global cinema ticket sales fell 8.8% last year to €28 billion (P1.8 trillion) from 2023, the first annual drop since COVID-19, the European Audiovisual Observatory (EAO) said last month.
Regular movie ticket prices cost P300 to P400 in Metro Manila, or about half the daily minimum wage. On the other hand, the basic monthly subscription to streaming platforms like Netflix, Max (HBO) and Disney+ costs P150 to P250, and the titles are virtually endless.
“If you think about it, it’s really worth it and more practical to go with Netflix,” Ms. Lustañas, a freelancer, said.
The annual Metro Manila Film Festival (MMFF) grossed P800 million last year, hitting the target but failing to top 2023’s record P1 billion despite a week-long extension.
The pandemic forced people to watch movies at home, aiding streaming services like Netflix, whose revenue grew 14% annually to more than $39 billion last year from 2019, according to computations by BusinessWorld using data from the company’s website. Netflix subscribers also doubled to about 300 million over the five-year period.
Since 2020, local box office hits have been few and far between. The latest was Star Cinema’s My Love Will Make You Disappear starring Kim Chiu and Paulo Avelino, grossing P12 million on its opening day in March.
“Today, going to the cinema is a more intentional experience, rooted not just in the movie being shown but in the overall ambiance that brings the film to life,” Hamm E. Katipunan, Ayala Malls’ Asset Management head, said in an e-mailed reply to questions.
“It’s not just about waiting for blockbusters to hit streaming sites; Filipinos appreciate the good feeling of watching movies that are truly worth experiencing on the big screen,” he added.
While cinemas run by Ayala Malls, SM Supermalls and other mall chains have diversified their offerings, a pattern has emerged in the top-grossing Filipino films that have drawn people to cinemas.
GMA Pictures and Star Cinema’s co-production Hello, Love, Again starring Alden Richards and Kathryn Bernardo set the record for the highest opening day gross for a local film with P85 million in November, surpassing the P75-million gross from The Super Parental Guardians in 2016.
‘FORMULAIC STORIES’ – It shows that Filipinos watch a movie mainly because of its main cast, Film Development Council of the Philippines (FDCP) Chairman Jose Javier Reyes told a news briefing in March, citing a council-funded study involving 800 respondents.
“They can’t afford to go regularly to the movies anymore,” he said. “The biggest blow is that people don’t repeat screenings. They just wait for it to go on streaming platforms.”
The study, done in 2024 in collaboration with De La Salle University to explore the evolving habits, preferences and challenges shaping the local film industry, found that Filipinos from the A, B, and a small part of the C socioeconomic classes regularly watch movies.
The study, which will be released in July as part of the launch of FDCP’s Philippine Film Industry Roadmap, also found that streaming services have become the primary platform for 67% of Filipinos.
Only 21% still frequent cinemas, with many complaining about repetitive movie themes and high ticket prices.
Though stars are still the main movie drawer, the study also found that Filipinos are “sick of formulaic stories,” Mr. Reyes said. He added that the roadmap, mandated by the government, would shed light on how to better support the industry.
In October last year, President Ferdinand R. Marcos, Jr. placed the Film Academy of the Philippines under the Department of Trade and Industry (DTI) to boost Filipino film development.
Trade Secretary Ma. Cristina A. Roque earlier said the budget for the film industry would increase next year as part of the roadmap. She noted that other countries have been using movies and the creative industry to boost tourism and trade.
Mr. Reyes said movie outfits should improve the quality of their films to boost their success overseas. “In the Philippines, star power is important, but the moment you cross borders, there’s a market for people who are more interested in the material itself,” he pointed out.
Rico V. Gonzales, head of distribution at Warner Bros. Pictures Philippines, said the company supports the local industry by distributing two to three Filipino movies yearly, along with the usual foreign releases from Warner Bros. and Universal Pictures.
“It’s part of the goodwill of the company to help local producers who don’t have a distribution arm, compared with the likes of Star Cinema and GMA Pictures, which have the power to do it themselves,” he said.
The current state of the cinema industry of the Philippines is disappointing and the future looks uncertain as of this writing. While a lot of my fellow Filipinos chose streaming to watch movies in the comfort of their home, I prefer watching movies on Blu-ray and 4K Blu-ray disc format. The most phenomenal 4K Blu-ray experiences I had was Top Gun: Maverick and that movie never failed to amaze me each time I saw it using my 4K Blu-ray disc player. I also enjoyed watching my 4K Blu-ray copies of Casablanca, Interstellar, Total Recall (1990), and Star Trek: First Contact.
Going back to the state of cinema here in the Philippines, I did not watch a single movie in the cinema in 2024. In fact, the last time I saw a movie on the big screen locally was Sound of Freedom in 2023 (read my review by clicking here). This is because the new movies that were released in 2024 did not interest me at all and the fact that a lot of new Hollywood movies had woke garbage in them turned me off. Not only that, there were times when news movies from overseas were not even released in Philippine cinemas at all such as Jesus Revolution (note: I had to buy the movie on Blu-ray just to watch it).
I saw The Batman at Commercenter’s cinema on March 2022.
As of this writing, the direction of the entire cinema industry of the Philippines remains uncertain and so far there were no real breakthroughs that happened. That being said, I still remember when in 2015, there were long lines of moviegoers at Commercenter waiting to enter the cinemas to watch Jurassic World. Such a memory won’t be repeated here in Alabang and without its cinemas, Commercenter’s value as a place for fun has gone way down.
Welcome back my readers, YouTube viewers and all others who followed this series of articles focused on YouTube videos worth watching. Have you been searching for something fun or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?
I recommend you check out the following videos I found.
#1 Star Wars: The Phantom Menace revisited – Remember way back in 1999 when Star Wars: Episode I – The Phantom Menace was released with a massive amount of hype and anticipation? I first saw that George Lucas-directed movie at the cinema in Festival Mall which was full of people. As the years passed by, The Phantom Menace did not age well as it had serious pacing issues, lots of childish elements (mainly because of a certain very annoying character) and it ended up inferior compared with its sequels Attack of the Clones and Revenge of the Sith. But let’s be honest here…while The Phantom Menace is indeed the weakest film of the Star Wars Prequel Trilogy, is it truly terrible and unwatchable? Now is a good time to revisit the 1999 movie through retrospective videos posted below.
#2 You, Me and the Movies react to Cape Fear (1991) – In recent times, YouTuber You, Me and the Movies posted their reaction video of the 1991 version of Cape Fear starring Robert De Niro and Nick Nolte. For the newcomers reading this, Cape Fear of 1991 is pretty hard core with its violence and, more notably, it carries elements that would terrify both viewers and their respective families. It is the kind of movie that will make you think about your family and how to protect them from cunning and violent criminals. Watch and learn how the movie impacts You, Me and the Movies.
#3 PatmanQC examines the history of Operation Wolf – Now for some retro gaming fun! I remember back in the late 1980s, Operation Wolf was popular in arcades here in the Philippines. As that game was released during the late stages of the Cold War, it was not surprising that it was both socially relevant and enjoyable for gamers. If you are wondering who created the game and what inspired them to produce Operation Wolf, watch the in-depth video by PatmanQC below.
#4 King’s Quest revisited – Still with retro gaming, I want to share with you all that in the late 1980s, I was fortunate to have played King’s Quest on PC (DOS specifically) which was an intriguing and challenging gaming experience for me. I never finished the adventure game from Sierra On-Line but I enjoyed its game design, its groundbreaking visuals and its fantasy world. I recently saw Space Quest Historian’s retrospective on King’s Quest and it had a nice mix of comedy and attention to details. Watch it now.
#5 Pedro Pascal’s wokeness exposed and explained – I really hate it when entertainment gets poisoned by the woke mob from the movie studios down to the performers and creators. I also despise the trend in which woke forces in Communist-filled Hollywood (Commiewood) make movies and shows that promote their Satanic Leftist agenda, and then the woke stars propagate their toxic beliefs in multiple ways. Recently Ranting for Vengeance posted new videos exposing the woke toxicity of actor Pedro Pascal and explaining in detail what happened. I can say this early you should stay away from Pascal’s projects such as the new woke Fantastic Four movie. As for Warner Bros., I don’t like James Gunn’s Superman. Watch and learn from the video below.
Welcome back fellow geeks, Blu-ray collectors and movie buffs!
Shane, the classic Western film from 1953 directed by George Stevens, is all set for a 4K Blu-ray release on July 15, 2025 and already the publisher Kino Lorber is already accepting orders online.
Shane 4K Blu-ray from Kino Lorber.
Posted below are the technical details of the Shane 4K Blu-ray sourced from its Blu-ray.com page. For the 4K visuals enthusiasts reading this, Shane will be in native 4K resolution.
Discs – 4K Ultra HD, Blu-ray Disc, Single disc (1 BD-100, 1 BD-50), Digital – Digital copy included
Packaging – Slipcover in original pressing
Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A
The movie poster of Shane.
Personally, I have not seen Shane in full. Apart from seeing selected scenes of it within the 2017 superhero film Logan, I saw Shane partially on cable TV a few times. I am personally interested to watch Shane entirely in native 4K and for this reason alone, Shane 4K Blu-ray is a future purchase for me. I am also aware that the 1953 film was based on the novel from 1949, and in 1993 the movie was selected for preservation in America’s National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.
As for the Western genre of American films, my interest in Westerns from the 1950s, 1960s and 1970s has grown over time. I am not interested anymore in modern movies pumped out by Commiewood (note: woke stuff here and there) and I did not even see a single new movie in the cinemas in 2024. That being said, Shane is something I want to watch in 4K in the comfort of home soon. Here is hoping that the film restoration and remastering will be of top-notch quality.
If you have decided already to order Shane 4K Blu-ray this early, you can do it through Kino Lorber by clicking here.
Welcome back fellow geeks, Blu-ray collectors and movie buffs!
If you love Steven Spielberg’s classic film Jawsand if you are determined to collect the latest thing about it, be aware that the Jaws 50th Anniversary 4K Blu-ray SteelBookwill be released commercially on June 17, 2025. In relation to that, customers are welcome to order it in advance by clicking here.
This is the 4K Blu-ray SteelBook set of Jaws. (photo source – Amazon)
Posted below are the technical details of the Jaws 50th Anniversary 4K Blu-ray SteelBook sourced from its Blu-ray.com page,
Video
Codec: HEVC / H.265 (70.80 Mbps)
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10+
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
Audio
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS 2.0 Mono
French: DTS-HD HR 7.1
Spanish: DTS 5.1
Subtitles – English SDH, French, Spanish
Discs – 4K Ultra HD, Blu-ray Disc, Three-disc set (1 BD-100, 2 BD-50), Bonus View (PiP), BD-Live
D-Box, Social network features
Digital – Digital copy included
Packaging – SteelBook, inner print
Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A
Although I never saw Jaws inside the movie theater, I saw it multiple times from local TV to cable TV, and DVD. It truly still is one of Steven Spielberg’s best works to this day and it should be stated that filmmakers encountered a lot of problems during production at the time. To animate the killer shark, they used physical stuff while shooting on the ocean extensively. Computer-generated graphics and digital editing were not the standard back then. I have yet to view the classic film on high-definition and it should be stated that the Jaws 4K Blu-ray has been available for years now.
Mark your calendars for June 17, 2025. (photo source – Amazon)
If you have decided already to order the more affordable and simpler 4K Blu-ray copy of Jaws, click here. If you really want the upcoming 4K Blu-ray SteelBook edition, click here.
For those of you who have been missing out on developments here in Alabang, Commercenter officially closed down their cinemas (4 screens) on March 15, 2025 fulfilling their announcement (click here and here) They did, however, announce that something new will materialize but there are no details as to what that might be.
During one of my recent visits at the high-end shopping mall in Filinvest City, I noticed that the 2nd floor path leading to what used to be the cinemas was sealed shut which you can see in the video below.
For the newcomers reading this, Commercenter’s cinemas operated for a little over ten years starting in the 2nd half of 2014. The cinemas had 4 screens and each screen had a sitting capacity of over 100 seats. Outside of the screens, the ticket desk and the concessionaire were right beside each other. Having seen a lot of movies at Commercenter, I can say that watching films inside the cinemas was often comfortable, convenient and pleasant.
As many of us know, the COVID-19 pandemic really hit the cinemas industry of the nation very hard as other types of businesses also went down. The nationwide shutdown of movie theaters caused by government pandemic restrictions really hurt not only the cinema operators but also their employees. When the restrictions were eased, cinemas around the country gradually reopened and for a time moviegoers had to wear face masks when watching movies. When I saw The Batman in Commercenter in March 2022, me and others had to wear face masks because they were required.
A post-pandemic economic recovery happened here in the Philippines but it looks like the cinemas industry has yet to achieve the pre-pandemic numbers of moviegoers. That being said, I can only speculate that the rise of ticket prices, the preference of locals to watch new movies by streaming, and the rise of varied operating expenses probably contributed to the closure of cinemas not only in Commercenter but also those in Festival Mall.
With regards to inflation, the rise of ticket prices at Commercenter during the post-pandemic persion were noticeable. I paid P320 for The Batman in March 2022 and P380 for Sound of Freedom in September 2023 at Commercenter. Before the mall closed down its cinemas, foreign movie tickets were being sold at P400 each. Clearly, there were unfavorable economic forces that happened.
Without the cinemas, Commercenter lost entertainment value. I remember back in 2015 when a lot of people formed long lines to watch Jurassic World which also explained why the mall’s basement parking almost reached full capacity. There were also busy weekends for blockbusters films like Wonder Woman, Avengers: Endgame, Mission: Impossible – Fallout, Mad Max: Fury Road and others right there.
Before the closure of the cinemas happened, this movie poster of the 2025 Superman movie (directed by James Gunn) was displayed inside Commercenter. The film is set to open in cinemas worldwide this July and Commercenter’s cinemas have been closed since March 15. The display of this movie poster is pointless now.
Before the pandemic struck, Commercenter was a fun place for moviegoers and I personally know friends based outside of Muntinlupa City who came to the said mall for movies. That means Commercenter really had a unique attraction that made it competitive with Alabang Town Center and Festival Mall when it comes to attracting people who love movies. At the same time, the mall has nice places where visitors can have meals or coffee after watching a film.
Of course, the cinemas of Commercenter are no more and we can only remember the old days of fun-filled moviegoing at its cinemas through pictures, social media posts and collected movie tickets.
In my honest opinion, watching movies in Alabang will never be the same.
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
Have you been to Festival Mall in Alabang lately? Some things might change in the near future as the ownership of the shopping and lifestyle mall (first opened in May 1998 as Festival Supermall) is being transferred by the Gotianun Group to Filinvest REIT Corporation (FILRT) in a deal worth more than P6 billion, according to a Manila Bulletin business news report.
To put things in perspective, posted below is the excerpt from the Manila Bulletin business report. Some parts in boldface…
The Gotianun Group is transferring ownership of its flagship Festival Mall-Main Mall in Filinvest City, Alabang, Muntinlupa City to Filinvest REIT Corporation (FILRT) in a P6.26 billion deal that marks the real estate investment trust’s entry into the retail leasing business.
In a disclosure to the Philippine Stock Exchange, Filinvest Land Inc. (FLI) said it is selling the 26-year-old Festival Mall to FILRT in exchange for 1.63 billion FILRT shares at an issue price of P3.85 per share under a tax-free property-for-share swap transaction.
“The transaction fulfills FLI’s commitment as the sponsor of FILRT to continually support the growth and expansion of its REIT portfolio through the infusion of high-quality income-generating real estate assets,” FLI said.
It added that, upon the Securities and Exchange Commission’s (SEC) approval of the transaction, FLI and FILRT shall execute a lease agreement for the building.
In a separate disclosure, FILRT said the issue price represents a 30 percent premium over the 30-day volume weighted average price of P2.94 per FILRT share, and falls within the fair value price range provided by FTI Consulting’s Fairness Opinion and LeeChiu Property Consultants, Inc.’s Valuation Report.
The property was appraised by Leechiu Property Consultants, and a fairness opinion was provided by FTI Consulting. A discounted cash flow (DCF) approach was used as the primary method to determine the value of the property.
Under the DCF approach, the future cash flows of the property were discounted using a weighted average cost of capital (WACC) based on a capital asset pricing model. A direct capitalization approach was also used as a secondary reference for the valuation of the property.
For the valuation of the shares, FTI Consulting used various methodologies such as the DCF approach, a dividend discount model, and a comparable public companies’ method, to arrive at a range of values for the fair value of FILRT shares.
The primary common shares to be issued by FILRT to FLI will come from the unissued common shares of FILRT. This will be subject to the approval by FILRT’s shareholders and regulatory approvals.
Upon the SEC’s approval of the transaction, FLI and FILRT shall execute a lease agreement for the property.
“Pursuant to the approval of the transaction, the Board approved the conduct of a special stockholders’ meeting (SSM) to be held on March 4, at 10:00 AM. The record date for the determination of stockholders entitled to notice and right to vote at the SSM is February 10, 2025,” the firm said.
FILRT’s diversification into mall leasing comes after its expansion into the hospitality space with the acquisition of 2.9 hectares of land owned by Filinvest Development Corporation (FDC) in Boracay Island for P1.05 billion in cash.
The land is being leased by Boracay Seascapes, Inc. (BSI), the building owner of Crimson Resort & Spa Boracay and a subsidiary of FDC.
FILRT President and CEO Maricel Brion-Lirio said this is the company’s first asset infusion since its initial public offering and “not only increases the distributable income to our shareholders in the immediate term but also supports our goal of delivering stable dividends and increasing the potential for capital appreciation in the longer term.”
Let me end this post by asking you readers: What is your reaction to this recent development? If you are a resident of Muntinlupa City who happens to be a frequent visitor or shopper of Festival Mall, do you think the incoming, new owners will be able to make improvements on the mall somehow? Do you hope that the original cinemas of Festival Mall will get renovated and reopened with the latest cinema technologies in the future?
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
Welcome back fellow geeks, Blu-ray collectors and movie buffs!
Have you been searching for something intense, action-packed and thrilling to add into your collection of 4K Blu-ray movies? Be informed that Godzilla Minus One4K Blu-ray is now available on the market and you can order it online right now.
This is what Godzilla Minus One 4K Blu-ray looks like.
Posted below are the technical details of Godzilla Minus One 4K Blu-ray sourced from its Blu-ray.com page,
Video
Codec: HEVC / H.265 (62.89 Mbps)
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Audio
Japanese: Dolby Atmos
Japanese: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: Dolby TrueHD 5.1 (48kHz, 24-bit)
Subtitles – English, English SDH, French, Spanish
Discs – 4K Ultra HD, Blu-ray Disc, Two-disc set (1 BD-100, 1 BD-50)
Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A
For the newcomers reading this, Godzilla Minus One is the Japanese-produced Godzilla movie from Toho, directed by Takashi Yamazaki and released in 2023. It was a commercial and critical hit, and it even won the Academy Award for Best Visual Effects. I previously wrote about Godzilla Minus One prior to its release in cinemas.
Due to the fact that Toho’s acclaimed giant monster movie was never released in cinemas here in my native Philippines, pursuing Godzilla Minus One 4K Blu-ray is the next option for me. I really wanted to see the film in local cinemas for the genuine in-theater experience of watching a Japanese-produced Godzilla film. For some reason, Toho did not release Godzilla Minus One in Philippine cinemas even though they released Shin Godzilla in the country in 2016. For the meantime, I have my Criterion Collection Blu-ray of Gojira (1954) to enjoy before my 4K Blu-ray of the latest Godzilla film finally arrives.
If you have decided already to order a copy of Godzilla Minus One 4K Blu-ray, click here.
If you wish to join a group of movie enthusiasts and talk about cinema or movies in Blu-ray and 4K Blu-ray, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576
Author Carlo Carrasco 