X-Men review – Page 2 – Author Carlo Carrasco

A Look Back at X-Men Adventures Season II #9 (1994)

May 1, 2024April 16, 2024carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the mid-1990s to explore the adaptation of the second season of the famous X-Men: The Animated Series (X-Men TAS) in the form of the X-Men Adventures comic book series.

Before getting to the new retro comic book review, I should state that the subject X-Men Adventures comic book will involve Carol Danvers in a supporting role (in rather creative ways). Yes, I’m talking about the one character who in the history of the Marvel Comics shared universe was identified (in no particular order) as Ms. Marvel, Binary, Warbird and as Captain Marvel. As the subject comic book was published in 1994, Carol Danvers here is obviously not the woke garbage version played by Brie Larson in the movies.

With those details laid down, here is a look back at X-Men Adventures Season II #9, published in 1994 by Marvel Comics with a story written by Ralph Macchio and drawn by John Herbert.

Early story

The story begins at night in New York City. There, Mystique and Mister Sinister have a serious talk. Sinister believes that without Charles Xavier’s presence, the X-Men are very vulnerable and they will eventually become disorganized and fall down quickly.

Over at the mansion of Xavier, Rogue wakes up from a very intense nightmare which prompts Cyclops and Gambit to calm her down. Rogue reveals that she has been having very disturbing visions ever since Professor X disappeared. It turns out, Xavier helped her previously by using his mental abilities to block out the unpleasant memories of hers.

Jean Grey enters the room and she reveals (in response to Cyclops’ question) that she ran a computer search on the woman Rogue saw the other day and came up with several pictures. As soon as Rogue examines the pictures, she then remembers who the woman is which causes her to be consumed by another vision from deep inside her mind. She sees Ms. Marvel…

Quality

*There is a lot of stuff here that Rogue fans will enjoy.*

The first obvious thing about this comic book is that it is a character-driven tale told mainly through Rogue. In fact, this is actually a creative portrayal of Rogue’s origin written for TV by Marty Isengerg and Robert Skir, and Macchio’s adaptation here made a really solid reading experience for me.

Without going too much into spoiler territory, I can say that this origin story of Rogue was not only written for TV viewers in mind but also crafted to cater to what was back then the modern tastes of X-Men fans in general. I’m talking about 1990s X-Men and society specifically and the thing is, everything here aged well. Nothing here feels out of place. I should also state that Rogue’s upbringing are well worth exploring here.

The writing by Macchio and art by Hebert are of high quality and this comic book is really worth reading again from start to finish. The emotions channeled through Rogue are very intense without ever reaching to the point of showing her insane. Hebert’s art, meanwhile, fills every page with a good amount of visual details complete with strong facial expressions (including some very scary faces from Mystique and Ms. Marvel) and some dynamic superhero action that really spiced up the reading experience.

As mentioned earlier, Carol Danvers appears in a supporting role and the creative team came up with clever ways to emphasize the character both visually and through dramatics. The way Danvers is portrayed here should inspire readers to go out and read Marvel’s published comic books of her as Ms. Marvel. The same thing can be said about Rogue whose origin and gradual rise from an occasional character (a super villainess no less) to a prominent superhero told through Marvel Comics’ shared universe are worth revisiting.

Conclusion

*A very disturbed Rogue in the presence of her teammates.*

X-Men Adventures Season II #9 (1994) is indeed a very powerful and gripping character-driven comic book that will appeal to fans of Rogue, the X-Men and Carol Danvers. Considering the wholesome aesthetic of the X-Men animated series TV episode, this comic book has a much darker presentation that will strongly appeal to X-Men fans who want a more serious portrayal to read. As it was mainly focused on Rogue, I can say that the conflict was nicely built up and the resolution was a strong pay-off. Very clearly, the Macchio-Hebert creative duo really delivered great stuff.

Overall, X-Men Adventures Season II #9 (1994) is highly recommended.

+++++

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A Look Back at X-Men Adventures Season II #8 (1994)

April 26, 2024April 13, 2024carlocarrasco

Before getting to the new retro comic book review, I should state that it is indeed very challenging to implement the concepts of time travel and timeline conflicts into the narrative of an established X-Men universe. As far as the X-Men TAS narrative goes, Bishop and Cable are mutants who each came from different points in the future and in different ways they each made impact with the present day X-Men as portrayed in the comics (the literary X-Men specifically).

With those details laid down, here is a look back at X-Men Adventures Season II #8, published in 1994 by Marvel with a story written by Ralph Macchio and drawn by John Hebert. The is the 2^nd chapter of the Time Fugitives storyline.

Early story

The story begins on Earth in the far future of 3999 AD. Cable, who has been leading the fight against Apocalypse, is receiving information from his cube-shaped computer which informs him that a temporal storm has wreaked havoc with the time stream and their present is reconfiguring in response to the existence of a new past. Once realignment gets completed, everyone in the current timeline will cease to exist. Cable then learns that Bishop (who returned to the X-Men in the previous issue) is the primary chronal component of the time readjustment.

Meanwhile in the present day inside Xavier’s mansion, the X-Men listen to Bishop who explains that mutants will be blamed for the plague that a certain virus will precipitate and that the fear of the virus will make things much worse for many people. He states that the virus was not brought into being by mutants.

Beast then shares that his investigation of a viral-ridden cell sample was convincing and discovered that the virus was genetically engineered. He reveals that once the little germs spread to the mutant population and combine with mutant DNA, it could turn out incredibly deadly…

Quality

*Conflict brewing in front of a huge audience.*

To be straight to the point, what the creative team started in issue #7 got strongly concluded here. With the animated episode’s teleplay being the primary reference, writer Ralph Macchio successfully crafted a script that raised the stakes of the 2-part Time Fugitives story while tying closely the gaps with regards to the time travel and timeline conflicts concepts. Without spoiling the plot, I can say that one development that took place in the present day clearly set off the stage for another futuristic mutant to not only get involved but also make a huge impact on the narrative.

As with the previous issue, this story has elements of xenophobia as well as fear of viruses and potential massive infections which added a good layer of depth to the plot. Macchio’s writing is very strong and no matter how intense the tale got as more details got presented, it still remained very readable and efficient to follow. Also, I should say that Apocalypse’s presence turned out very powerful and it should inspire readers to search for comic books of the supervillain’s conflict with the X-Men and X-Factor for insight.

John Hebert returned on the visual department and his art style really works well with both the sci-fi concept of the story and the presentation of the X-Men plus Bishop and Cable. I really admire Hebert’s stylized take on Wolverine, Cable and Bishop as he made each them look even grittier than before. There is also this creepy vibe with the way Hebert drew some of the X-Men members’ faces. Herbert is also very good with visualizing sci-fi elements such as energy forms, futuristic machines, techno-virus forms on the skin, and more. His presentation of dynamic superhero action is great to look at. This is clearly one of the best looking issues of Season II of the X-Men Adventures series.

Conclusion

*Bishop explains things to the X-Men and Beast confirms key details.*

X-Men Adventures Season II #8 (1994) is a rock-solid comic book in terms of quality and impact. It concluded the 2-part story with a powerful resolution, it tied the loose ends in a very timely fashion and I really enjoyed the way how the X-Men were dramatized as Bishop and Cable got involved with them in their present day setting. So far, this is the most satisfying and more impactful issue of Season II I have read in this series.

Overall, X-Men Adventures Season II #8 (1994) is highly recommended.

+++++

A Look Back at Uncanny X-Men #273 (1991)

April 17, 2024April 17, 2024carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1991 to explore a chapter of the Uncanny X-Men series that took place between X-Tinction Agenda and Mutant Genesis (the modernization point of Marvel’s mutants for the 1990s).

For the newcomers reading this, X-Tinction Agenda was a very notable part of the history of the X-Men comic book franchise as it marked the first time that the X-Men, X-Factor and the New Mutants were combined and also reunited several X-Men members who were scattered around the world. That being said, the state of mutants within Marvel Comics’ shared universe created a sense of uncertainty towards Charles Xavier’s grand dream of establishing a peaceful co-existence between humans and mutants.

With those details laid down, here is a look back at Uncanny X-Men #273, published in 1991 by Marvel Comics with a story written by Chris Claremont and drawn by Whilce Portacio, Klaus Janson, Jim Lee, John Byrne, Rick Leonardi, Marc Silvestri, Michael Golden and Larry Stroman.

Early story

The story begins in the control center within the complex located deep under the ruins of Charles Xavier’s mansion. Storm (X-Men), Jean Grey (X-Factor), Cyclops (X-Factor) and Cable (New Mutants) carefully examine the worldly forces that oppose them. After Storm asked about what they could do about the opposing forces located in different parts of the world, Cable says that they should hit them hard and fast as they have the power to do so.

Storm asked Cable if violence is his only solution. Even though violence got things done for Cable, Cyclops rejects it and states that his fellow mutants (pertaining to the X-Men and X-Factor) are not like him.

As the conversation intensifies, Jean Grey tells Cable that they are not warriors and the school was not founded by Professor X to have mutants to fight wars. Cable replied that war is what they got and reminded them of the two mutants they lost and another one who ended up as a genetically engineered slave. Cable asked them if they want to see more of their fellow mutants end up badly…

Quality

*In the absence of Professor X, Jean Grey (then a member of X-Factor) revisits Cerebro and recalls what she learned long ago.*

In relation to the mentioned fact that this particular story took place between X-Tinction Agenda and Mutant Genesis, this is a tale that reflects a period of transition leading to the latter. That being said, Chris Claremont took the opportunity to emphasize the current state of the X-Men and the other mutants, as well as the uncertainty ahead of them all. To be clear, this story does not have Marvel’s mutants going up against another super villain nor a group that opposes them.

The story opened very strongly with the leading figures of the X-Men (Storm), X-Factor (Cyclops and Jean Grey) and the New Mutants (Cable) being together analyzing the global situation and the forces that oppose them.

For Cable, violence is necessary for their survival and progress because he sees war against mutants already happening and there is simply no room left for error nor compromise. Very symbolically, Storm, Cyclops and Jean Grey – who all were nurtured by Professor X with his pacifist dream of bridging the gap between mutants and humans – reject Cable’s beliefs as they don’t see themselves as warriors and they do not dream of conquering their enemies at all. All the dialogue that took place in the argument are very richly written and there are layers of meanings which long-time X-Men fans will able to relate with.

Along the way, Claremont and the other creators made good use of available comic book space to develop the other characters which resulted in the gradual developments within each team of mutants. Gambit here is a brand new member of the X-Men and his talk with Storm is very sensible to read. There was also this notable Danger Room training session between Archangel and Cannonball in which the former (who is already very experienced as one of the original X-Men and a current member of X-Factor) shares wisdom to the very young mutant (who later went on to lead X-Force some time later). The creative team also inserted a few moments of humor on the other character development scenes.

Conclusion

*Truly this is one of the most symbolic and most engaging arguments between the leading figures of the X-Men, X-Factor and New Mutants (which later became X-Force).*

Even though it was mainly focused on character development and has no battle with any enemy, Uncanny X-Men #273 (1991) remained a very engaging read as it tackles not only the current state of the three mutant teams of the time but also realigned their direction creatively and the results were fully realized through the eventual Muir Island saga as well as Mutant Genesis and even in further tales (including Fatal Attractions). In many ways, this comic book served as a solid foundation of things to come and this partially explains the eventual reform of the X-Men into a much larger group that had to be composed of two teams shortly after the return of Professor X (as seen in X-Men #1 and Uncanny X-Men #281 in 1991).

Overall, Uncanny X-Men #273 (1991) is highly recommended.

+++++

A Look Back at X-Men Adventures Season II #1 (1994)

February 28, 2024February 28, 2024carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the mid-1990s to explore the adaptation of the start of the second season of the X-Men animated series in the form of the X-Men Adventures comic book series.

Before getting to the retro comic book review, I want to address the recent controversy and criticism of the new animated series X-Men ’97, a continuation of the popular 1990s series that turned out to be woke by featuring the so-called non-binary presentation of people. In my view, this is not surprising given the fact that the very woke Disney company has owned Marvel Entertainment for many years now and its wokeness has infected the animated X-Men franchise along with the most recent movies and shows of the Marvel Cinematic Universe (MCU). Wokeness and Leftist beliefs continue to ruin entertainment and established properties as we know it. It’s the culture of Communist-filled Hollywood (Commiewood).

So how do you reject X-Men wokeness apart from avoiding X-Men ’97? You simply go back to the X-Men animated series of the 1990s as well as the comic books that adapted the stories.

With those details laid down, here is a look back at X-Men Adventures Season II #1, published in 1994 by Marvel Comics with a story written by Ralph Macchio and drawn by Andrew Wildman.

Early story

The story begins with the cosmic being the Watcher carefully examining the flow of events on Earth and what has changed for the X-Men since then. Robert Kelly, who previously had an anti-mutant agenda when he was a U.S. Senator, has since been elected as the President of the United States and openly pushes for a policy of conciliation with mutants. His action sparks social unrest.

Meanwhile inside a small church far away from the nation’s capital, the wedding of Jean Grey and Scott Summers pushes through with several members of the X-Men in attendance. Very notable was the absence of Wolverine who turned out to be inside the Danger Room (deep within Charles Xavier’s estate) fighting a giant-sized version of Cyclops…

Quality

*The X-Men are troubled by the anti-mutant wave happening in public.*

As the opening issue of the second volume of the X-Men Adventures comic book series, this comic book carefully sets up the tone and the plot of a series of future challenges for the X-Men which is clearly reflected on the front cover with Mister Sinister displayed prominently. The story mainly highlights X-Men’s new struggle with the wave of anti-mutant rage in the public while dealing with the absence of their leader Cyclops (on honeymoon with his new wife Jean) while leaving space for potential sub-plots such as the attraction between Jean and Wolverine, the moves of the anti-mutant radicals and, most notable of all, the secretive return of Morph (thought to have died in issue #2 of the first season).

As expected, build-up is the main approach taken by the creators on telling the story and there were some bouts of superhero spectacle (action) that spiced up the reading experience for me. Considering what has been happening in different parts of the world in recent years, the sub-plot of the rabid anti-mutant activists using tactics to destroy the X-Men’s credibility with violence and misinformation magnified through the news networks is very socially relevant.

What the rabid anti-mutant people committed in this comic book reminds me of the October 7, 2023 attacks on Israel organized by the Palestinian terrorist group Hamas in which violence, destruction and selective images of terror spread through news networks and social media were done. Similarities aside, the wave of evil is clear here and the intent of the anti-mutant believers and Palestinian terrorists obviously expresses intentions of genocide against another particular group of people.

When it comes to weaknesses of this comic book, I cannot help but find Andrew Wildman’s art looking very rushed. There is a lack of precision and detail of his art here when compared directly to his works in the first volume of X-Men Adventures.

Conclusion

The anti-mutant radicals in this comic book have a lot in common with Palestinian terrorists, the pro-Palestine activists, the Black Lives Matter activists and other members of woke mobs. Violence, arrogance, rage and misinformation are their values.

X-Men Adventures Season II #1 (1994) incidentally works well as an adaptation of the animated series, as a standalone comic book as well as being a socially relevant tale in today’s age of social media. While the concept of evil remains in X-Men lore, what was told here shows different layers of it. The X-Men themselves also looked fragile and the return of Morph is a key part of the story clearly designed with future events in mind. Finally, this comic book is a lively reminder of the era when X-Men stories were made for the fans, not the woke mob.

Overall, X-Men Adventures Season II #1 (1994) is recommended.

+++++

A Look Back at Uncanny X-Men #157 (1982)

November 16, 2023November 13, 2023carlocarrasco

Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the year 1982 to take a close look at one of the many tales of the Marvel Comics shared universe told through the monthly series of Uncanny X-Men.

In my previous retro review, Charles Xavier got reunited with his beloved Lilandra, the empress of the Shi’ar Empire, as they were trapped temporarily by the Brood. Elsewhere, Corsair reveals to his son Cyclops what happened before they got separated on Earth twenty years prior. The X-Men and the Starjammers got captured by the Brood’s massive transport which turned out to be a massive organic creature. The conflict that followed saw another battle between the X-Men and the Brood but with the stakes raised higher.

With those details laid down, here is a look back at Uncanny X-Men #157 published in 1982 by Marvel Comics with a story written by Chris Claremont and drawn by Dave Cockrum.

Early story

The story begins in space where the X-Men and the Starjammers worked together to repair the external parts of the Starjammer ship. An incident happens in which Wolverine starts to float away from the ship while Colossus loses consciousness. One of the Starjammers saved Wolverine.

Just as the Starjammers used their advanced technology to help the unconscious Colossus, Empress Lilandra tells Professor X and a few others that she used her imperial commlink and private code to each Chanellor Araki to confirm to him that she is free and unharmed. Supposedly, Lilandra’s move should compel Araki to call off the punitive strike against Earth.

As Lilandra starts communicating with the flagship that carries Araki, Admiral Lord Samedar takes control of the ship and declares that they will execute Araki’s orders to obliterate Earth…

Quality

*Kitty Pryde on the move against all odds.*

Following the events of the two previous issues, this story is another engaging pay-off to the established build-up but with the stakes raised higher as Earth becomes a target of the defiant Shi’ar officials who themselves turned out to be defiant towards their empress Lilandra all along. Not only that, there is a good amount of intrigue with the way the Shi’ar people are portrayed here.

The X-Men here continue to struggle not only because of Colossus’ weakness but also because something bad happened to their leader Professor X (a must-read scene). Far away from the rest of their teammates, Nightcrawler and Kitty Pryde became major players in this particular story and what happened with them was nicely structured by Chris Claremont. This is clearly a big pay-off to what was staged in issue #155 and it sure is worth anticipating!

If you have great interest with the Brood, you will be delighted to see more of the way they communicate and how they treat foreigners like Deathbird as they live on with their uncompromising belief that their race backs winners only.

Conclusion

Uncanny X-Men #157 (1982) is an action-packed sci-fi tale that continued Claremont’s direction of the X-Men while also emphasizing the Brood as well as the Starjammers and the Shi’ar as crucial players in this particular storyline. There is plenty of superhero spectacle to enjoy here, a few memorable character moments and if you are fond of Chris Claremont’s works, you will enjoy the twists and surprises he pulled off here.

Overall, Uncanny X-Men #157 (1982) is recommended!

+++++

A Look Back at What If #27 (1981)

March 8, 2023March 3, 2023carlocarrasco

Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the early 1980s and examine an alternate universe portrayal of the X-Men and the Dark Phoenix saga itself as told in one of the comic books of the first volume of the series What If.

So much has been discussed about the Dark Phoenix saga of the Uncanny X-Men series through the decades. A lot point to it as the greatest X-Men ever told while some called it the true X-Men epic story that Chris Claremont and John Byrne came up with. Considering its deep impact and significance on the Marvel Comics shared universe, it was only a matter of time before the publisher decided to revisit the said storyline but explore other outcomes through the What If series.

With those details laid down, here is a look back at What If #27 published in 1981 by Marvel Comics with a story written by Mary Jo Duffy and drawn by Jerry Bingham.

Early story

The story begins with the Watcher looking back at the events that led to the Dark Phoenix saga, who got impacted and how Jean Grey used a weapon of alien origin to end her own life and prevent the Dark Phoenix from raging.

Suddenly, an alternate reality begins when Jean Grey survives and Cyclops reacts by using his optic blasts on incoming enemies until he got overwhelmed. The X-Men have been defeated and are brought to the imperial flagship of Lilandra’s grand fleet where the Shi’ar scientists prepare for the destruction of Phoenix.

Jeay Grey remains alive, floating above the X-Men and the others as Lilandra’s people prepare to start the process of the psychic lobotomizer on her. Their intention is to act upon Jean Grey’s brain and destroy certain parts of it in order to neutralize the Phoenix power within her. The operation turned out successful and Jean Grey survives once more. She and her fellow X-Men return to Earth…

Quality

*This conflict between Phoenix-powered Jean Grey and Galactus is a must-see.*

This early, I can say that this is a very great exploration and portrayal of the concept about Phoenix (within Jean Grey) not dying during the Dark Phoenix saga. The script of this comic book is so great (note: solid plot structure, consistent portrayals of the characters, strong build-up with solid pay-off and more), it’s almost as if Mary Jo Duffy and Chris Claremont worked together behind the scenes.

The protagonist in this story is Jean Grey and this comic book examines her struggle with adjusting her personal life and her effort to fit in once again within the X-Men while remembering fully that as Dark Phoenix, she still remains guilty of destroying an entire solar system and committing the mass murder of five billion people.

Unsurprisingly, due to the emergence of a tremendous crisis deep in space, Jean Grey gets involved with her team going to the site on a mission. This easily puts her into a situation that makes her revive the power of the Phoenix deep within herself. While the use of the tremendous power of the Phoenix to help the X-Men looked sensible at first glance, it only signified the beginning of a chain of destruction and unfortunate developments. As expected, Jean Grey can only go so far with her good nature and her free will while having the magnificent powers of the Phoenix.

While the conflicts were portrayed well, Mary Jo Duffy’s script raises key questions about the red-head X-Men member: How can Jean Grey ever achieve a normal life and level with her X-Men teammates knowing that she carries powers that make her god-like? How can she ever forget the tragic fact that as Dark Phoenix, she murdered billions in deep space? What can Charles Xavier do to lead and guide the X-Men knowing that Jean is way too powerful? Could the love of Cyclops be helpful for Jean Grey’s personal efforts to control the Phoenix power within?

Another highlight of this story is the final seven pages. The ending is very impactful and definitely something you must see.

Conclusion

*This happened after Jean Grey’s survival.*

What If #27 (1981) is a classic alternate reality portrayal of the Marvel Comics universe and it surely works as a companion piece to what was established in the Dark Phoenix saga. Mary Jo Duffy’s script really captured the spirit of Claremont’s X-Men and the dramatic stuff and all the build-up led to a very tremendous ending that can disturb you or even satisfy you in the most unusual way. Most notably, this comic book really answered the question about what would happen had Phoenix did not die. The 2^nd tale of this comic book – the Kree Encounter – is an interesting additive.

Overall, What If #27 (1981) is highly recommended.

+++++

A Look Back at What If #31 (1982)

March 3, 2023March 1, 2023carlocarrasco

Welcome back superhero enthusiasts, 1980s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the early 1980s and examine an alternate universe portrayal of Wolverine and some other characters as told in one of the comic books of the first volume of the series What If.

Wolverine is one of the most iconic characters of Marvel Comics and he has been part of some of my retro reviews (click here, here, here, here, here, here and here). Wolverine made his first appearance in comics in Incredible Hulk #181 which was published way back in 1974 which marked the first conflict of the two Marvel icons. Years later, Marvel decided to revisit that event with a What If story.

With those details laid down, here is a look back at What If #31 published in 1982 by Marvel Comics with a story written by Rick Margopoulos and drawn by Bob Budiansky.

Early story

The story begins with Wolverine and the Hulk in combat with each other in a forest within Canada. It turns out, Wolverine was sent by Canadian authorities to capture not just the Hulk but also the Wendigo.

With the Wendigo down on the ground, Wolverine and the Hulk struggle with each other. The Canadian’s speed helped him dodge the green giant’s powerful punches and as the fight goes on, so does the impulse and emotion from within. Suddenly, Wolverine decides to deliberately disobey his orders by deciding to kill the Hulk. In a few but strategic strikes with his Adamantium claws, Wolverine kills the Hulk. The Canadian authorities eventually got rid of the corpses of the Wendigo and the Hulk.

Soon enough, news about the Hulk’s death spread like wildfire all over America catching the attention of Spider-Man, the Avengers, the Fantastic Four and General Ross and his daughter Betty…

Quality

*Wolverine gets abducted not by aliens from outer space but by Magneto and his Brotherhood of Evil Mutants.*

To start with, I can say that I immensely enjoyed this alternate portrayal of the events that happened in relation to Wolverine’s first-ever appearance in comics. For one thing, the concept of Wolverine actually killing the Hulk is not only shocking on its own, it also set a chain reaction of events that involved or affect a whole lot of other characters within the Marvel Comics shared universe.

Let me start with Wolverine himself. As the story was set before he joined the X-Men, you will see Wolverine as a super-powered agent of Canada whose career really goes down as he failed to restrain his wild self from killing not once but twice. This results in a Wolverine who is deeply troubled with guilt and becomes desperate believing that running away and hiding will somehow solve his dilemma.

Wolverine’s entry into a gang of evil mutants led by Magneto (note: this comic book’s main villain) is itself worth getting this comic book. This shows Magneto – always obsessed with his belief that mutants are superior to humans – putting his diabolical plan into action with Wolverine as the key participant. This itself led to Wolverine’s encounter with the X-Men (the one team he was destined in reality to be with).

The creative team clearly exerted a lot of effort to not only ensure the plot made sense but also have a solid structure that can accommodate twists, intrigue and superhero spectacle altogether complete with enough room for character development. Lastly, I should say that this comic book’s climax is both compelling and shocking to read.

Conclusion

*Wolverine’s 2nd kill in this comic book.*

What If #31 (1982) is indeed a great Marvel comic book to read. It has a very engaging alternate universe portrayal of Wolverine and this paved the way for a new and fresh approach on showcasing how the X-Men and Magneto’s gang reacted with the clawed Canadian. While the scope of the consequence of Wolverine’s killing of the Hulk ultimately ending up narrowing on Marvel’s mutants could be disappointing for those who seek a bigger impact on other Marvel universe characters, what was shown here in this comic book still made sense and ultimately turned out believable. This comic book also has another tale exploring what if there was no Fantastic Four which ultimately ended up as a decent additive.

Overall, What If #31 (1982) is highly recommended.

+++++

A Look Back at X-Men Adventures #10 (1993)

February 7, 2023December 12, 2022carlocarrasco

Welcome back, superheo enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the X-Men Adventures monthly series which was the literary adaptation of the popular X-Men animated series of the 1990s.

If you are a long-time X-Men fan who enjoyed the comic books and the movies, then the cover of this particular X-Men Adventures issue that has Rogue on it should remind you of the mutant cure concept portrayed in the 2006 movie X-Men: The Last Stand. In the said movie, it was Rogue who went out to have her mutant powers neutralized so that she can live a normal life and no longer worry about absorbing another person’s life force.

With those details laid down, here is a look back at X-Men Adventures #10, published by Marvel Comics in 1993 with a story written by Ralph Macchio and drawn by Andrew Wildman.

Early story

The story begins with the arrival of Cable outside a private home in the Swiss Alps. Inside, Warren Worthington (Angel) and Gisela spend quality time together by the fire. They talk about a certain Dr. Adler who is a genetics expert that Worthington sent to Scotland to conduct research.

Suddenly, Cable breaks into the place and points his gun at Worthington looking for Dr. Adler. While talking, Worthington reaches for a gun and fire it at Cable. The huge armed mutant then grabs Worthington by the head and throws him out of the home and into the snow. In response to Cable’s question, Gisela mentions that Dr. Adler has gone to Scotland. Moments later, Worthington (in his angel form) flies back into the house to protect Gisela from whatever harm Cable could do to her.

Over at Muir Island, Professor X and his long-time colleague Dr. Moira MacTaggert discuss the facility and research done there. Xavier mentions that the core of the research done by the mysterious Dr. Adler. Moira states that Adler is not officially part of the research center and he simply pays for everything he uses there.

After failing to meet Dr. Adler inside his research office, Xavier conducts a mind probe which causes a series of stake images enter his consciousness. The experience was so intense, his telepathic inquiry got disrupted abruptly. Professor X then decides to contact the X-Men…

Quality

*Rogue goes through a lot in her pursuit to become normal.*

Let me start with the concept of Rogue’s pursuit to cure herself of her genetic mutation…compared to the 2006 live-action X-Men movie, the plot in this literal adaptation of the X-Men animated series episode makes more sense and is more believable to follow. Without spoiling the identities (note: to find out who they are, read this comic book), I can say that there are sinister forces behind the genetic works of Adler within the Muir Island facility. The Adler operation is just part of a grand scheme that the sinister forces have been working on and Rogue’s involvement was a surprise addition. More on Rogue’s pursuit of getting normal, what was portrayed in this adaptation was nicely structured while also cleverly avoiding the “doing it all for the sake of love” cliché. In short, she made her pursuit not for her romance with Gambit but to really change her life significantly, even if it means losing her membership with the X-Men. Through her actions, you will feel Rogue becoming desperate and reckless to be normal.

Apart from the tale of Rogue, the X-Men meanwhile have been handling themselves without Professor X and Cyclops clearly carries the responsibility of leading them all. As for Charles Xavier, his departure has been explained and incidentally he has gotten close to danger even though Dr. Moira MacTaggert is with him. The writing in this adaptation is filled with suspense, surprises and intrigue which were nicely executed with concise timing.

Conclusion

*Charles Xavier makes contact with his team from far-away.*

X-Men Adventures #10 (1993) is a very good read. Anyone who saw the half-baked mutant cure aspect of the 2006 X-Men movie will find the Rogue tale here more satisfying to read. This is definitely Rogue’s story with some spotlight shared with the X-Men, two other mutants who served as opposition for Rogue, and the sinister forces I mentioned. This comic book is actually the first of two parts focused on Muir Island and it certainly is a really satisfying reading experience on its own.

Overall, X-Men Adventures #10 (1993) is recommended.

+++++

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A Look Back at What If #40 (1992)

January 30, 2023January 25, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1992 and explore a part of Marvel Comics’ universe through the reimagined tales emphasized in the What If monthly series.

For this particular retro comic book review, we look at a What If tale that is related with the X-Men, specifically through one of their major characters – Storm. For the newcomers reading, Storm is the black X-Men member whose mutation allows her to manipulate the weather. As seen in X-Men comic books decades ago, Storm was portrayed to be tough and brave, and she became a highly valuable learner under Professor X (Charles Xavier). In the 1990s, Storm rose in prominence among the X-Men, she became leader of their Gold Team. Storm was portrayed in the live-action movies by Halle Berry and Alexandra Shipp. It’s just too bad Storm’s role in X-Men: Days of Future Past (note: for me, it is the best X-Men live-action movie ever) was minimal.

With those details laid down, here is a look back at What If #40, published in 1992 by Marvel Comics with a story written by Ann Nocenti and drawn by Steve Carr and Deryl Skeleton.

Early story

The story begins with the Watcher recalling scenes from the life of Ororo who was born to a mother (a tribal princess in Kenya) and a photojournalist father. After moving from America to Egypt, Ororo loses her mother and became an orphan. Along the way, she experienced severe claustrophobia as a result of being buried under tons of rock. Having survived, she became a thief in Cairo and eventually traveled into Africa by chance. There she discovered her true nature as a walking idol. She eventually meets Charles Xavier.

The Watcher then explores another thread of scenarios of Ororo’s life in which she never stepped on the eventual boat, never sailed for Africa and never met the tribe that worshipped her.

In Cairo, Ororo is a very young thief who made herself look like a male. She uses deceptive tactics on a foreigner who walked by. A short time later, Ororo goes to New York City identified as Jack serving an old man who teaches her to work hard, to gain respect from his friends and immerse herself in a world of grifters and hobos. Ororo lives and works as a thief in the city targeting people who have more than enough…

Quality

*A look at Storm as the super-powered thief. It’s also a portrayal of her as a super villain on the rise.*

Among the many What If tales related to the X-Men that I have read so far, this is one of the most well-written and most intriguing alternate universe stories I have read thanks to Ann Nocenti. This was also released at a time when Storm was already established as a brave X-Men team leader and a potential successor to Professor X. In this comic book, there is this strong twist to the established legacy of Storm as a youth and the exploration of what would happen had she remained a thief (a super-powered thief no less) and never followed Charles Xavier turned out to be very compelling in my experience. For one thing, Storm definitely would have given police officers – who clearly are inferior to the powered heroes and villains – a hard time and even help the crime wave overwhelm society’s defenders. It is also quite striking to see Storm to follow and serve a principled yet theft-oriented superior. In fact, this story shows the popular X-Men team leader as a super villain on the rise.

More on storm, Ann Nocenti’s script literally dissected notable traits of Storm’s personality that are connected to the established comic book legacy which creatively created something new that fits in well in this alternate universe story. Through Storm, the story also sheds light on how thieves view life believing that theft is a necessity and their so-called principles justify it. No matter what the thieves and criminals in general think, nothing justifies theft and crime at all and those who commit such acts must be punished accordingly Without spoiling the details, I can say that there are some grey areas within Storm that were nicely emphasized.

Conclusion

*Storm as a male-looking teenager behind bars with the ladies who got apprehended. Scenes like this should remind you NOT to vote for political candidates who are soft and sympathetic towards crime.*

What If #40 (1990) is indeed a great alternate universe portrayal of one of the X-Men’s most prominent characters of the time. The story is very well structured and the characterization of Storm was clearly organized by Ann Nocenti to be powerful and intriguing to read. This comic book also has a twist that you must see for yourselves as well as an ending that will either surprise or satisfy you depending on what you anticipated. Ultimately, this comic book should remind you all to avoid committing crime and the truth is that poverty is a curse and it NEVER justifies theft. Always remember that the Lord is watching you. For enlightenment, read Exodus 22:1-4, Exodus 22:10-15, Leviticus 6:2-7 and 1 Corinthians 6:9-10 in the Holy Bible.

Overall, What If #40 (1990) is highly recommended!

+++++

A Look Back at X-Men Adventures #11 (1993)

January 3, 2023December 31, 2022carlocarrasco

In this retro review, we take a look at the adaptation of the animated series’ own portrayal of the Muir Island saga from the comic books. Also there is Rogue who desired to have her genetic mutation cured, even though it means removing her super strength, flying ability and her dangerous touch.

With those details laid down, here is a look back at X-Men Adventures #11, published by Marvel Comics in 1993 with a story written by Ralph Macchio and drawn by Andrew Wildman.

Early story

The story begins with Rogue emerging from the rubble of a facility on Muir Island. She remembers that just moments earlier, Pyro and Avalanche ruined the facility just as she was about to get cured by a man she knows as Dr. Adler. She leaves the place searching for those responsible for the ruined facility. She fails to noticed that she is being observed from a distance.

Elsewhere on the island, Pyro and Avalanche open a bag believing Dr. Adler is in it. To their shock, Mystique is the one who emerged and she reveals to them that she was just posing as Dr. Adler as part of her mission to lure mutants into taking the treatment not without realizing the truth that it will turn them into slaves of the one entity she serves…Apocalypse. Pyro explained that he and Avalanche hoped to hold Dr. Adler for ransom.

At a nearby cliff, Cable quietly watches using his rifle’s scope…

Quality

To put things clearly, this one is pay-off to what was built up in issue #10 while also serving as the continuation of a multi-part story regarding Muir Island. In the previous issue, Rogue desired to become a normal individual which is why she went to Dr. Adler on the said island. In this comic book, the direction for Rogue took a drastic change fighting Pyro and Avalanche not knowing that Mystique is involved and secretly working to help her master Apocalypse execute his ambitious plan of gaining capable and controllable slaves from the mutant population.

The good news here is that the script is very well written and the narrative is really strong. Very notably, the superhero spectacle got clearly ramped up by several notches resulting in lots of action scenes as well as opportunities for Andrew Wildman to flex his artistic muscles making some dynamic action-packed images for readers to enjoy. Along the way, there is some suspense built-up related to the sub-plot within (note: Cable’s limited appearance here as well as the Jean Grey and Cyclops reuniting with their mentor Charles Xavier) as well as the Muir Island saga itself.

Indeed, this comic book has lots of spectacle that superhero enthusiasts will enjoy but still the Macchio-Wildman team managed to maintain the core themes of the story for readers to absorb and think about.

Conclusion

*Dynamic action of Rogue taking on Pyro.*

X-Men Adventures #11 (1993) is a very solid read from start to finish. Even as the narrative has lots of action scenes presented, the story still managed to maintain focus on the themes of sacrificing mutation to be normal humans, the temptations brought in by advanced scientific wonders, and the exploitation of people seeking hope and reform a lot. There are indeed moral lessons within this comic book reflect about. This is strong creative work by Macchio-Wildman that X-Men fans and newcomers should read and I can say there is more to come storywise beyond this comic book.

Overall, X-Men Adventures #11 (1993) is recommended!

+++++

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