entertainment – Page 64 – Author Carlo Carrasco

A Look Back at Secret of the Stars (SNES)

August 24, 2021August 22, 2021carlocarrasco

Disclaimer: This is my original work with details sourced from playing Secret of the Stars and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, video game enthusiasts, fans of Japanese role-playing games (RPGs), 1990s arts and culture enthusiasts, fellow geeks and video game collectors!

If you were already a gamer who enjoyed playing games at home with the Super Nintendo Entertainment System (SNES or Super NES) back in 1995, chances are you heard about the buzz about the hot RPGs that were released for the console at the time. Square released Chrono Trigger (which is now a classic) and Secret of Evermore while Capcom released Breath of Fire II.

That same year, Tecmo (the company best known for Dead or Alive video games) tried to score well with RPG enthusiasts and other SNES-owning gamers of North America by releasing Secret of the Stars which itself turned out to be the English-language version of the Japanese role-playing game (JRPG) Aqutallion.

This RPG caught my attention when I read about it in gaming magazines. After completing Final Fantasy II (actual title Final Fantasy IV) and Final Fantasy III (AKA Final Fantasy VI) on the SNES in 1994, there was a period several months when I was not able to play another RPG and had to settle with other types of games (note: I had a lot of fun with Super Star Wars: The Empire Strikes Back and Super Star Wars: Return of the Jedi). In the 4^th quarter of 1995, I finally obtained a copy of the Tecmo-published RPG.

With those details laid down, here is a look back at Secret of the Stars (or Tecmo Secret of the Stars as presented on the game cover).

Early story

The story begins with a young lad named Ray who gets oriented with some people at the house of Mrs. Sonya. By merely asking a question, she reminds him about his personal search for a crest which once belonged to his father. Sonya also revealed that their island has been hit by several earthquakes which caused many wild animals to arrive.

Ray travels to the nearby town talking with the locals who gradually update him about what has been happening. Someone reveals to him that a journeyman arrived and talks about something called Kustera and Aquatallion.

Ray meets with the journeyman named David who is a native of Kustera. After reminding Ray that his father was the great Aqutallion, he emphasized that an evil being called Homncruse is a major threat to everyone and must be stopped. He tells Ray that he must seek out the crest of the stars to become an Aqutallion warrior and be able to defeat Homncruse.

Ray gets urged to go to the mountain to find the crest…

Quality

*Imagine yourself arriving in this town for the first time. Which place should you visit?*

To put things straight, Secret of the Stars has the basic elements of turn-based role-playing that involves the heavy use of menus for item management, fighting, defense, item use and others. The most unique game design feature here is the ability to switch between parties as the game goes on but what is clear is that the party involving Ray is the default party.

On the creative side of things, the concept about Ray being the chosen one to protect his people, lead a group composed of individuals to not only fight evil beings or monsters and achieve goals on quests (read: this includes going through personal trials at different sites in order to receive additional powers) and take on Homncruse and his evil agents has always been generic and the overall game design reflects that as well. Being the protagonist, Ray is clearly the most developed character but the same cannot be said about Tina, Cody, Leona and Dan who are all uninteresting.

The production values of this game are clearly sub-par and the weak Japanese-to-English translation is only the tip of the iceberg. With the exception of the monster and enemy designs, Secret of the Stars looks like an 8-bit game and really stood out among 16-bit RPGs of its time when it comes to field of inferiority and primitiveness. The level designs lack creativity and the location background art lacked variety. When it comes to the story, its concept was interesting at first but there really is not much depth to it nor are the characters worth caring about.

What really defined this game is its slow-pacing in terms of interactivity. Adding even more to the sluggishness of the game are the slow movements of your character (representing your party) on-screen and the rather high rate of random battles. There is also a lot of grinding (defeat enemies in lots of repetitive battles to gain experience points to level up) required and the sad thing is the level-up is not very rewarding especially when you take into consideration the many enemies or monsters who are often strong with high hit points each.

The sluggishness and tedium are so bad, Secret of the Stars really turned out to be more of a chore than an actual fun game to play. It is so bad, the game’s unique feature of allowing players to control the 2^nd party (Kusterans) became even more tedious and pointless to do. It is so bad, you will care less about the story of Ray, and you will prefer to ignore the other characters even more. It’s so bad, you won’t care anymore about Ray’s quest and the danger Homncruse has on the people.

Conclusion

*Do you know someone named or codenamed Badbad?*

Secret of the Stars was a bad RPG for its time and clearly it was a waste of money. On my experience, I ended up being very disappointed not only because of the game’s quality but also because of an absence of fun and the fact that my time playing it became a big waste. For me personally, this JRPG was definitely the worse SNES experience of 1995. It seems like the game developers made this game to literally torture gamers.

Overall, Tecmo’s Secret of the Stars should be avoided!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Uncanny X-Men #130 (1980)

August 23, 2021August 21, 2021carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, X-Men fans, superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today, we look back at the year 1980 specifically the time when the Uncanny X-Men monthly series was spearheaded by legendary creators Chris Claremont and John Byrne. In fact, we will examine here the comic book debut of Dazzler, a mutant with the ability to convert the vibrations of sound into light and energy beams. Dazzler is quite unique among all superheroes as she has been portrayed as a singer, an actress, a model and got associated with other Marvel superheroes. Marvel Comics went on to actually publish a regular comic book series about Dazzler which lasted over forty issues.

To say the least, the creation of Dazzler is quite intriguing as it involved a commission by an American record label for a special project with a disco queen character as the core concept and that Marvel Comics itself would develop the superhero (in the form of a singer) and that an actual singer will be produced by the said record label. Then Marvel editor-in-chief Jim Shooter wrote a treatment for the project which turned from an animated special into a live-action film. As creative process for Dazzler went on at Marvel, Tom DeFalco (who later succeeded Shooter as editor-in-chief) wrote her creation while John Romita, Jr. did the character design. The name Dazzler was the result of a suggestion by Roger Stern. There also was some Bo Derek influence on the creation of Dazzler.

While the special project did not happen due to the financial problems of the record label, Marvel went on to formally introduce Dazzler in the pages of an Uncanny X-Men comic book handled by Claremont-Byrne team.

With those details laid down, here is a look back at Uncanny X-Men #130, published by Marvel Comics in 1980 with a story co-written by Chris Claremont and John Byrne. Byrne drew the art.

Early story

The story begins on Delano Street in Lower Manhattan. Scott Summers/Cyclops, Jean Grey and Nightcrawler had just arrived on a mission to locate a mutant (detected by Cerebro) not knowing that they themselves are bring monitored by a hidden sinister force. With Nightcrawler left in-charge of guarding their Rolls Royce, Scott and Jean enter a deteriorating building only to find a club on an upper level full of lights, loud music, dancing and a lot of people. They begin to start searching for the detected mutant.

Outside, a truck parks on the other side of the same street where the X-Men’s Rolls Royce was parked at. Inside the truck one of the operators communicates to a certain Mr. Shaw who states that the Hellfire Club is proud. Over at the Hellfire Club’s headquarters, Sebastian Shaw and Jason Wyngarde talk about the X-Men members searching the disco. Wyngarde moves on with his plan to subvert Jean Grey and gather her into their fold…

Quality

The storytelling is great which is not surprising as this was done by Claremont and Byrne. It is clear that there was a good amount of preparation done which explains this comic book’s excellent ways on emphasizing the following story points: the build-up of the Hellfire Club as a potent force of evil that await the X-Men, Kitty Pryde/Shadowcat’s growing involvement, the vulnerability of Jean Grey, the build-up of the Phoenix, and the debut of Dazzler. Along the way, the creative team also ensure that the dialogue was rich (the same thing also with the thought balloons Claremont came up with), the emphasis of super powers made sense, the action scenes were satisfying and there was a good amount of suspense here.

I love the way Dazzler’s first-ever appearance was handled as it happened just after an intriguing scene about Jean Grey’s vulnerability took place. Her debut also occurred at a point when Jean and Scott seemed to be failing to find her. Of course, the 1970s disco vibe was very strong with Dazzler.

Conclusion

Without a doubt, Uncanny X-Men #130 (1980) is a classic X-Men tale by the Claremont-Byrne team who succeeded in not only introducing Dazzler into Marvel’s comic book universe but also with strongly emphasizing the Hellfire Club as a powerful opposition which went on to have a key part in the legendary Dark Phoenix storyline that followed. Dazzler meanwhile became a very popular superhero of Marvel’s going into the 1980s. For the modern-day comic book reader, this comic book can be quite challenging to read as it is very wordy (typical of Claremont).

If you are seriously planning to buy an existing hard copy of Uncanny X-Men #130 (1980), be aware that as of this writing, MileHighComics.com shows that the very fine copy of the regular edition costs $1,407 while the fine copy of the newsstand edition costs $1,013.

Overall, Uncanny X-Men #130 (1980) is highly recommended!

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Better than Streaming: Unbreakable 4K Blu-ray coming out on September 21, 2021

August 20, 2021August 19, 2021carlocarrasco

If you are a die-hard fan of Bruce Willis (no pun intended) or Samuel L. Jackson, or if are really fond of the early cinematic works of director M. Knight Shyamalan that you want added to your 4K Blu-ray collection, then you should watch out for Unbreakable: Ultimate Collector’s Edition 4K Blu-ray which is set for a September 21, 2021 release! Already it has been confirmed to have native 4K visuals and you can order it online right now!

Posted below are key details of Unbreakable 4K Blu-ray from its Blu-ray.com page

Video

Codec: HEVC / H.265

Resolution: Native 4K (2160p)

HDR: HDR10

Aspect ratio: 2.35:1

Original aspect ratio: 2.39:1

Audio

English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)

French: Dolby Digital 5.1 (448 kbps)

Spanish: Dolby Digital 5.1 (448 kbps)

Subtitles –English SDH, French, Spanish

Discs

4K Ultra HD

Blu-ray Disc

Two-disc set (1 BD-66, 1 BD-50)

Digital

Digital 4K

Movies Anywhere

Packaging– Slipcover in original pressing

Playback

4K Blu-ray: Region free

2K Blu-ray: Region A

While it is stated on the cover as “Ultimate Collector’s Edition”, there are no details as to what extra stuff and special features Unbreakable 4K Blu-ray will come with. Regardless, here is hoping that Disney will do a much better job on the extra stuff than what they did in the Unbreakable Blu-ray release of 2008. As such, I recommend you readers and movie buffs to return to Blu-ray.com and the product’s Amazon.com page for updates for Unbreakable 4K Blu-ray.

I first saw Unbreakable in the cinema back in late-2000. While it was slow-paced, Schyamalan managed to deliver a solid payoff which justified all the build-up and waiting. I also remember the movie having several references to superhero culture and comic book culture. Bruce Willis and Samuel L. Jackson were indeed solid as opposite (as opposed to opposition) figures David Dunn and Mr. Glass. If you are tired of seeing Samuel L. Jackson playing Nick Fury, his role as Mr. Glass will be refreshing to see.

The movie grossed almost $250 million in movie tickets worldwide. Back then, nobody anticipated Unbreakable would someday spawn a sequel or grow into an entertainment franchise. I myself saw it as a conclusive standalone movie back in 2000. As such, I got really surprised learning about Split (2016) and Glass (2019) being sequels to it.

In ending this, posted below is Unbreakable’s trailer from 2000.

For more entries of my Better than Streaming series of articles, check out my pieces on The Beastmaster 4K Blu-ray, The Transformers: The Movie 4K Blu-ray, Mortal Kombat 2021 4K Blu-ray, Space Jam 4K Blu-ray, V: The Original Miniseries Blu-ray (read my retro review), V: The Final Battle Blu-ray, Highlander 4K Blu-ray, The Suicide Squad and Super Dimension Century Orguss.

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If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

A Look Back at X-Men 2099 #4 (1993)

August 19, 2021August 17, 2021carlocarrasco

Welcome back, superhero enthusiasts, fans of the 2099 universe of Marvel Comics, 1990s culture enthusiasts and comic book collectors! Today we revisit the X-Men 2099 comic book series by focusing on the 4^th issue. Following the single storyline told in the first three issues (including the unexpected death of a certain member in issue #3) which ultimately made clear why the X-Men of 2099 exist and what their place is within an America that is totally different from what it used to be during the time of Charles Xavier and his X-Men. As such, the stage was set for more exploration and new creative directions with Xi’an and his band of nomadic mutants.

With those details laid down, here is a look back at X-Men 2099 #4, published by Marvel Comics in 1993 with a story written by John Francis Moore and drawn by Ron Lim.

Early story

The story begins with Bloodhawk exploring a deserted, radioactive facility in the middle of New Mexico. Having a reptilian skin protects him from radiation which only adds to his personal obsession of waging a war against developers and corporate entities that he accuses of defiling the natural environment.

Suddenly, a tough female with white hair and white skin grabs Bloodhawk by the neck and by touching his head with her left hand, she triggers a bolt of agony on him. Bloodhawk then loses consciousness.

Meanwhile in Nevada, Xi’an and his X-Men salvaged whatever equipment they found at the Nueva Sol Arcology which was their haven before Synge’s enforcers invaded and ruined it. In response to Shakti’s comment that it would take months to restore the facility, Xi’an says that the time for gatherings has passed as he believes that their path lies on the road emphasizing travel to new places.

While his teammates are outside, Henri uses a computer inside the facility retrieving messages. He receives a video message from his old friend Jordan Boone who informs him about a major project called Valhalla and he was going to do something outrageous…

Quality

*Neuro-tech, the captured X-Men, Luna and the Theater of Pain.*

When it comes to narrative, I should point out that this comic book serves as a prelude to The Fall of the Hammer 2099 crossover storyline and it does a good job setting key members of the X-Men to get involved.

As an X-Men 2099 story, John Francis Moore further developed the personalities of most of the members (with Timothy Fitzgerald being the center as he slowly becomes Skullfire) and showed more of the culture within the team under Xi’an’s leadership and strict points.

Other than the focus on the mutants, a notable feature of the story is the introduction of the Theater of Pain which includes a radically intriguing masked villain who runs an operation that involves abducting people, using machines to feed on their minds and access the most painful personal memories which in turn is digitally channeled to an existing linked live audience feeding their minds. In essence, mental torture and intrusion of the mind are introduced. I should also state that the Theater of Pain here plays a major part in the story of X-Men 2099 #25. This issue also introduces Luna who eventually gets linked with Skullfire and becomes part of the X-Men.

More on the Theater of Pain concept, I found the painful flashback sequences a clever method used by the writer to emphasize selected moments from the past of Bloodhawk and Skullfire which added to the character development of this comic book.

Conclusion

*One step showing Timothy slowly becoming Skullfire.*

X-Men 2099 #4 (1993) is well-written and it is a significant part of the 35-issue monthly series. For one thing, it shows the start of the transformation of Skullfire’s personality, the direction Xi’an and his mutants are taking, and the start of a build-up that led to the significant events of X-Men 2099 #25. There is a lot here for X-Men 2099 fans to enjoy from start to finish.

If you are seriously planning to buy an existing hard copy of X-Men 2099 #4 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30 while the near-mint copy of the newsstand edition costs $90.

Overall, X-Men 2099 #4 (1993) is highly recommended!

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A Look Back at What If #46 (1993)

August 17, 2021August 15, 2021carlocarrasco

Welcome back, X-Men fans, superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! It’s time to revisit the What If monthly series of comic books of Marvel Comics that lasted from 1989 until 1998. The old comic book I’m about to review involves the X-Men, Cable and more.

Before starting with this newest retro comic book review, I should state that I was never a fan of Cable even though I read lots of X-Men-related comic books that included him. When I think of Cable, I immediately think of the New Mutants and X-Force comic book series.

You must be wondering what has Cable and the X-Men have to do with the old What If issue I’m focusing on. We can all find out in this look back at What If #46, published by Marvel Comics in 1993 with a story written by Kurt Busiek and drawn by Tod Smith.

Early story

The story begins inside a tavern in New York’s famous Central Park. Inside, Charles Xavier, Scott Summers (Cyclops) and Jean Grey have a discussion about mutant matters until a small saucer-shaped device flies inside and disrupts everything with its sonic frequency. Suddenly a second flying saucer comes in, touches Scott’s shoe and explodes powerfully killing him, Jean and Xavier. Others got injured by the explosion and the tavern ends up burning.

Outside the tavern, Cable is seen running away and someone points at him as someone who must be responsible for the bombing. As it turns out, the deliberate killing of Xavier, Cyclops and Jean Grey was the result of a division between Cable’s New Mutants and the X-Men in connection to the recent return of Xavier from deep space.

Quality

I’ll start with the story Kurt Busiek came up with. This one explores an alternate time in which Charles Xavier returned to Earth (after escaping from the Skrulls in deep space) only to find the X-Men in disarray which compelled him to restore things the way they were. This is not to be confused with his return in the canon storyline of the Muir Island Saga.

That being said, Busiek explored what would it be like had Xavier tried to resolve mutant matters not only with the team of mutants he founded but also with other teams such as the New Mutants (already led by Cable), X-Factor (Cyclops, Jean Grey, Iceman, Beast and Archangel) plus several other mutants. I really liked the way the mutants reacted to Xavier given his long absence from Earth, how his dream matters and turned out irrelevant to them as individual mutants, and if he still has what it takes to lead them. In some ways, Xavier looked like a politician trying to convince his constituents that his vision is still the best for them and their interests.

What really made the story running was the start of the division between the mutants when Cable rejects Xavier and points out that the X-Men founder’s devotion to appeasement is dooming mutants. All of these led to the shock opening scene and in terms of writing quality, it was all justified.

The scenes that happened AFTER the burial of Xavier, Cyclops and Jean Grey literally raised the stakes for the rest of the comic book. I don’t want to spoil further plot details but I can assure you all that Kurt Busiek’s script is very sold and there is so much to enjoy here especially if you are knowledgeable enough about the X-Men and the other parts of the Marvel Comics universe (note: the Avengers, Stryfe, Freedom Force and Fantastic Four also appeared).

Visually, the work of Tod Smith looks a bit rushed. His art here is not bad but I felt it could have been better had there been more time to polish his work. In fairness to Smith, his drawings on most of the characters still made them recognizable and he showed pacing with regards to the panels and angles used. I should say he does a decent job showing multiple characters fighting each other simultaneously.

Conclusion

*If you were a mutant, would you follow Charles Xavier or Cable?*

If you ask me, What If #46 (1993) is pretty entertaining and engaging to read thanks to the strong writing as well as the daring exploration of how the comic’s main story impacts others within the Marvel Comics universe. It has drama, action, intrigue and most notably it explores a new concept about how the X-Men would turn out after the death of their founder. It also raises questions on whether or not the X-Men are doomed without Charles Xavier’s presence.

If you are seriously planning to buy an existing hard copy of What If #46 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $40 while the near-mint newsstand edition costs $120.

Overall, What If #46 (1993) is recommended.

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Better than Streaming: Super Dimension Century Orguss complete series coming out on Blu-ray format on September 28, 2021

August 16, 2021August 14, 2021carlocarrasco

Welcome back to this latest edition of the Better than Streaming series! If you are fond of 1980s anime, especially with productions by Studio Nue (the same studio behind Super Dimension Fortress Macross), then you should be delighted to know that the entire Super Dimension Century Orguss series is coming out on Blu-ray format on September 28, 2021 and you can order it online right now!

Handled by DiscoTek Media, all 35 episodes will be compiled and presented in high-definition complete with Japanese dialogue (with English subtitles). There will also be 17 episodes dubbed in English which I believe were produced at a time when U.S. Renditions still existed. As of this writing, the price is around $70.

To put things in perspective, posted below are details from the Blu-ray.com page of Super Dimension Century Orguss. Some parts in boldface…

Video

Codec: TBA

Resolution: 1080p

Aspect ratio: 1.33:1

Original aspect ratio: 1.33:1

Audio

Japanese: LPCM 2.0

English: LPCM 2.0

Subtitles

English

Discs

Blu-ray Disc

Three-disc set (3 BD-50)

Packaging

Slipcover in original pressing

Playback

2K Blu-ray: Region A

Description

Today, Kei Katsuragi‘s only concern is the love of his life. It doesn’t really matter to him that he has more than one love – after all, as a pilot for the Freedom Space Corps, he might be dead tomorrow! In the future, war has changed, and Kei is all too familiar with the horrors it can bring. Atomic, biological, and chemical weapons are all in use, but even worse than those are the dimensional weapons, ordnance capable of tearing apart even time and space!

As it happens, his next mission involves one of these terrifying weapons, the latest risky gambit in the war over the space elevator on Earth. Fleeing from the warmth of his lover (and her father’s gun) to the coldness of space, Kei fights to protect a team of engineers as they arm the dimensional weapon on-site. But when they get orders to pull out without detonating the bomb, Kei disobeys, unwilling to make the sacrifices of the day meaningless. His brash actions have dire consequences beyond just a big kaboom, as that explosion flings him into the future!

There, Kei finds himself caught in an entirely different struggle between the militaristic Chiram and the mercantile Emaan – with himself as the prize! Will this womanizing hot shot pilot make it back to his own time, or is there something more to Kei being the “singularity”?

*Here is something for long-time Orguss fans as well as for those who are about to discover Super Dimension Century Orguss for the first time.*

I personally am interested in this upcoming multiple-disc Blu-ray set of Orguss. For one thing, I actually saw its sequel Super Dimension Century Orguss 02 first way back in the mid-1990s and learned that there is a storyline gap of two hundred years between them. It was only a few years ago I got to watch some English-dubbed episodes (done by U.S. Renditions) of Super Dimension Century Orguss and found its sci-fi concept really intriguing. It was also a fresh change of pace as well as a different type of immersion after I indulged myself with Studio Nue’s most famous works related to the Super Dimension Fortress Macross franchise (read my retro review of Macross: Do You Remember Love?).

Anyone who saw Macross first will realize certain common visual elements between it and the Orguss TV series (1983-1984) which should be no surprise since they are both Studio Nue productions. Even notable Macross female characters had cameo appearances in the early Orguss episodes. It is also a fact that prolific anime director Noboru Ishiguro worked on the Super Dimension Fortress Macross TV series, the Super Dimension Century Orguss TV seriesand the feature film Macross: Do You Remember Love?

Going back to the future Blu-ray release of Orguss, I am hoping that the image quality will be good apart from being presented in high-definition. As it is decades-old anime series, its original aspect ratio of 1.33:1 will still be retained and that means you will see thick, black borders on the left and right sides of the screen. As for the colors, I hope the technical crew will enhance the colors a bit to be presentable in HD.

*The signature robot in the Orguss series.*

Once Super Dimension Century Orguss comes out finally on Blu-ray disc format on September 28, 2021, only then we will find out how good the visuals and audio will be. Stay tuned for more right here!

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If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

Better than Streaming: Classic film Citizen Kane leads Criterion Collection’s first 4K Blu-ray titles!

August 13, 2021August 12, 2021carlocarrasco

Welcome back to this latest edition of the Better than Streaming series! If you are a very avid movie buff or if you are a collector of films released in physical media, notably on 4K Blu-ray, then you should be very delighted to hear the latest news that The Criterion Collection officially announced that it will soon release its first six films in 4K Blu-ray format! The most famous film among them is none than Citizen Kane (starring and directed by the late Orson Welles).

For the newcomers reading this, The Criterion Collection is well-known for publishing important classic and contemporary films from around the world in editions that offer the highest technical quality and award-winning, original supplements.

To put things in perspective about the company’s jump into 4K, posted below is the official announcement of The Criterion Collection and I encourage you 4K Blu-ray collectors to pay close attention. Some parts in boldface…

We’re thrilled to announce Criterion’s first 4K Ultra HD releases, a six-film slate that includes Citizen Kane, Menace II Society, The Piano, Mulholland Dr., The Red Shoes and A Hard Day’s Night. The first of these editions and their special features will be detailed in our November 2021 announcement next week, with others to follow in subsequent months.

The most dazzling debut in cinema history, Orson Welles’s Citizen Kane was Criterion’s first laserdisc release 37 years ago. It now rejoins the library after a long absence, making its first appearance in 4K Ultra HD along with Allen and Albert Hughes’s riveting breakthrough Menace II Society; Jane Campion’s Academy Award–winning The Piano, starring Holly Hunter and Anna Paquin in her breakout role; David Lynch’s Mulholland Dr., a tale of love and jealousy in the city of dreams; Michael Powell and Emeric Pressburger’s singular Technicolor fantasia The Red Shoes; and Richard Lester’s timeless movie musical A Hard Day’s Night, which brought the Beatles’ revolutionary talent and irreverent humor to the big screen.

Each title will be available in a 4K UHD+Blu-ray combo pack including a 4K UHD disc of the feature film as well as the film and its special features on Blu-ray. Select films will be presented in Dolby Vision HDR and Dolby Atmos. Stay tuned for more details in our November announcement!

Wow! That’s really exciting news for Criterion collectors and film buffs! I personally have Citizen Kane on Blu-ray and have wondered when will it be released in 4K Blu-ray format. I never saw Menace II Society, Mulholland Dr., The Red Shoes and A Hard Day’s Night. The Piano is familiar to me given the fact that it became controversial here in the Philippines when the Movie and Television Review and Classification Board (MTRCB) banned it only to be allowed to be screened as a result of then President Fidel V. Ramos overruling the regulators.

Going back to The Criterion Collection’s 4K Blu-ray lineup, unsurprisingly each title will come in 4K Blu-ray combos (4K Blu-ray disc, Blu-ray disc and additional stuff). The big question is this…will each of those titles’ have native 4K visuals for the 4K Blu-ray discs? As of this writing, the 4K Blu-ray page of Citizen Kane at Blu-ray.com does not indicate if the movie will be in native 4K or upscaled 4K. For me, upscaled 4K is unacceptable!

Let me ask you readers: Are you very excited or at least interested in the initial batch of 4K Blu-ray titles announced by The Criterion Collection? Are you excited to see Citizen Kane in 4K resolution?

For Citizen Kane trivia, here is a video by Minty Comedic Arts. Be warned of potential spoilers…

In ending this piece, here are some short clips and trailers for your enjoyment.

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If you wish to join a group of movie enthusiasts and talk about cinema, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576

Xbox Gamescom 2021 digital event set for August 24

August 12, 2021August 11, 2021carlocarrasco

Are you gamers and Xbox fans looking for something exciting? You won’t have to wait too long as it has been announced recently that Team Xbox will be organizing a new digital event in the form of a livestream in connection to Gamescom 2021 (stylized as gamescom 2021) which will take place on August 24, 2021!

To put things in perspective, posted below is an excerpt from the Xbox.com article written by Xbox DACH Communications Lead Sandro Odak. Some parts in boldface…

August is always a very special time for us at Team Xbox. This time of the year we would normally pack our stuff and meet our fans and community in Cologne, Germany at gamescom. This year, however, gamescom will be a 100% virtual experience that you can tune in to from all over the world. The good news is that Xbox will be at gamescom 2021 and you can join with your very own front-row seat as we share the latest updates and gameplay for some of the biggest games coming soon to Xbox.

Here’s an overview of what you can expect from us at gamescom 2021:

Tune in for all the action at the gamescom 2021 Xbox Stream

To warm you up for gamescom week we’ll be airing the official gamescom 2021 Xbox Stream, hosted by Parris Lilly and Kate Yeager. Join us on August 24 at 10:00am PT/6:00pm BST/7:00pm CEST to learn more about our biggest exclusive games line up ever.

You’ll get in-depth updates from some of our previously announced Xbox Game Studios titles alongside some of our third-party partners, including some of the incredible titles coming to Xbox this holiday, upcoming releases to our monthly subscription service, Xbox Game Pass, and much more.

You can watch the show on YouTube, Twitch, Facebook Gaming, Twitter, and select regional sites like VK.com in Russia and Bilibili in China. To make sure all of our fans around the globe can enjoy the stream, we plan to offer support for 30 languages, along with our English Audio Descriptions and American Sign Language. We hope to provide additional accessibility support for the live broadcast in additional languages.

Gamescom Opening Night Live and Bethesda MainStream

As many of us gather virtually for the largest annual gaming event in Europe, Geoff Keighley will again be hosting gamescom: Opening Night Live. Tune in on August 25 at 11:00am PT/7pm BST/8:00pm CEST. You can watch gamescom: Opening Night Live on Twitch, YouTube, Twitter and Facebook Gaming.

You can also join our friends over at Bethesda Germany in a livestream program over several days, starting August 26. Tune in to Bethesda’s MainStream on Twitch.

Connect with the global Xbox community and special guests

Something that we always loved about the physical event of gamescom was the energy of the gaming community coming together. When we all met in the past, we were able to connect, talk and play together and celebrate one of our greatest passions: videogames. We couldn’t imagine gamescom without this and therefore, we’re happy to announce that we will be hosting a gamescom special edition Xbox FanFest this year – an activity that has had a long tradition during the in person show. We’ll be sharing more details very soon, so keep your eyes open on http://www.xbox.com/fanfest and Xbox social channels, including Twitter, Facebook and Instagram for the latest updates.

As you can see above, there are no signs that any new Xbox-exclusive games will be announced as the there is focus on first-party games that were announced already. I also do not expect much updates regarding first-party and third-party games coming out in 2022 and beyond. In fact, Team Xbox’s Aaron Greenberg posted on Twitter stating: Our @Xbox stream is focused on game updates coming this year. So to set expectations, no new reveals or major surprises, but team has a fun stream planned with our amazing hosts @vicious696 @kateyeager!

By focusing on what is coming out this year from Team Xbox’s own games, I see that Gamescom 2021 will be the ideal event for the following: promoting Forza Horizon 5 hard and formally announcing the finalized 2021 release date for Halo Infinite.

*The one racing game to buy and play this November.*

Forza Horizon 5 is all set for a November 9, 2021 release and reviving marketing and publicity of the game with the anticipated millions of gamers tuning into Gamescom 2021 makes a lot of sense for Team Xbox to execute. It is likely that new videos of the game will be released that should keep gamers and potential new customers remembering the open-world racer in the final months heading towards launch day. The event is also an opportunity for any motoring or corporate-related sponsorships to be announced in connection with Forza Horizon 5.

*Do you think Halo Infinite will be released this November or December?*

Gamescom is, in my view, a crucial opportunity for Team Xbox and 343 Industries to finally put an end to all the uncertainty by announcing a solid release date for Halo Infinite in the form of a brand-new trailer with an emphasis on the single-player campaign and the plot involving the iconic Master Chief. Showing off brand-new gameplay footage related to the single-player campaign would also be helpful. It’s been some time since the well-received Xbox-Bethesda showcase happened and the lack of a specific release date is disturbing. The positive feedback and excitement about Halo Infinite’s multiplayer feature are pretty helpful in building up anticipation but all of that could just fade away when gamers get fed up waiting for the release date to be finalized not to mention waiting for answers about Master Chief’s next adventure. Literally speaking, the ball is now on the court of Team Xbox and 343 Industries to make their move and Gamescom is the most timely event to pull it off at (note: Tokyo Game Show 2021 will take place more than a month later).

In ending this piece, here are some Xbox-related videos for your enjoyment!

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A Look Back at X-Men Adventures #7 (1993)

August 10, 2021June 7, 2025carlocarrasco

Welcome back, X-Men fans, superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today, we take a look at the topic of slavery and its connection with the mutants within the universe of Marvel. To be more specific, slavery was emphasized in one of the episodes of the popular X-Men animated series which itself had a monthly series of comic book adaptations – X-Men Adventures!

With those details laid down, here is a look back at X-Men Adventures #7, published by Marvel Comics in 1993 with a story written by Ralph Macchio and drawn by Chris Batista.

Early story

The story begins in Genosha, an island nation where mutants are designated as slaves constantly monitored by armed personnel of the state. X-Men team members Gambit, Storm and Jubilee are forced to do hard labor as they have been rendered powerless (with high-tech collars on their necks). Along with many other mutants, they are working on a key infrastructure project of the state.

As soon as the local authorities deactivated the collars of the slaves, Storm immediately attempts to escape by flying. Immediately, the collar on her neck got reactivated which neutralized her powers and caused her to fall down to the water below. As soon as she climbs up on a rock to rest, a cable wraps itself on her right leg. Suddenly, a huge Sentinel rises above the water and pulls her…

Quality

Like the TV episode it was based on, this comic book does a decent job of portraying slavery and oppression with mutants in mind while avoiding the very sensitive topic of racism. To see Gambit, Storm and Jubilee portrayed as much more vulnerable characters is a nice change from their usual portrayals. While the story has a strong slavery theme, it also sheds light on the ongoing, secretive development of the Sentinels program which clearly emphasizes the growing danger that await not only the X-Men (the prime target of Trask and his team) but mutants in general.

When it comes to the art, Chris Batista did a nice job drawing not only the characters (all recognizable) but also their surroundings, the Sentinels and the framing of action scenes.

Conclusion

*Gambit, Storm and Jubilee as slaves on Genosha.*

I personally find X-Men Adventures #7 (1993) somewhat fun and slightly engaging to read. As this is an adaptation of the X-Men animated series episode about Genosha and mutant slavery, it clearly has a strong wholesome approach to its presentation. That being said, its depth is actually limited as it presented its themes with younger readers and new X-Men readers in mind. Unsurprisingly, the action is limited and was portrayed to avoid violence. If you want a more serious and grittier portrayal of Genosha and mutant slavery, you should read Uncanny X-Men #235 to #238, and the X-tinction Agenda storyline.

If you are seriously planning to buy an existing hard copy of X-Men Adventures #7 (1993) be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30, while the near-mint copies of the newsstand edition and the Greek edition cost $90 and $200 respectively.

Overall, X-Men Adventures #7 (1993) is satisfactory.

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Better than Streaming: Why I look forward to The Suicide Squad’s eventual 4K Blu-ray release

August 9, 2021August 7, 2021carlocarrasco

I want to start by saying that I am not a fan of the Suicide Squad entertainment franchise of DC Comics for the simple reason that I rarely read any of its comic book. In 2016, out of curiosity, I got to watch Suicide Squad in the cinema and even got some enjoyment out of it.

This year, The Suicide Squad got released and what caught my attention was the fact that it was directed and written by the highly creative James Gunn who made his mark in American cinema with the Guardians of the Galaxy films which established their own notable place within the highly successful Marvel Cinematic Universe (MCU). Sadly, being based here in the Philippines, I won’t be able to watch the newest DC Comics movie on the big screen because local cinemas have stopped showing movies since the COVID-19 pandemic started (note: some local cinemas were used as vaccination sites). Although millions of people here in the Philippines have been vaccinated, there are still no new signs that movie theaters will reopen and resume the showing of movies.

*The movie poster of The Suicide Squad.*

The next best option for me is the eventual 4K Blu-ray release of The Suicide Squad.

Now don’t get me wrong. As of this writing, there is still no official announcement yet that The Suicide Squad will come out on Blu-ray (for 1080p viewing) and 4K Blu-ray. Still, that movie has a 4K Blu-ray page at Blu-ray.com and can see it by clicking right here. Trust me, The Suicide Squad 4K Blu-ray will be announced soon!

Posted below are key details from the said page.

Video

Codec: HEVC / H.265

Resolution: Native 4K (2160p)

HDR: HDR10

Original aspect ratio: 1.90:1

Audio – TBA

Subtitles – None

Discs

4K Ultra HD

Blu-ray Disc

Two-disc set (2 BD)

Digital

Digital 4K

Digital copy included

Playback

4K Blu-ray: Region free

2K Blu-ray: Region A

Why I look forward to this movie’s 4K Blu-ray release

Firstly, being a geek, I find James Gunn’s superhero-related work to be really creative and that includes combining bombastic spectacle with presenting groups of characters whose interactions and respective personalities prove to be memorable. He is also a solid storyteller and has proven to be capable of not only getting solid performances from the actors but also making good use of their respective talents.

Secondly, for some time now, I’ve been checking for updates about how Gunn’s style and approach would make the new Suicide Squad movie of Warner Bros. fun and engaging to watch. The good news here is that, as of this writing, critical reception has been positive.

Of course, movie critics’ tastes are different from my own and it will be some time before I will finally get to watch the The Suicide Squad 4K Blu-ray.

Thirdly, I find the cast of the new movie interesting and intriguing. John Cena as Peacemaker looks zany. Michael Rooker’s Savant looks intimidating. There is also the iconic Sylvester Stallone providing the voice of King Shark! Of course, there is also Idris Elba as Bloodsport and I wonder how the cinematic version of the character will turn out. Bloodsport debuted in the 1987 comic book Superman #4 (Volume 2) during the time John Byrne spearheaded comics of Superman.

Fourthly, my 4K Blu-ray collection is pretty small as of this writing and when it comes to Warner Bros./DC Comics superhero movies available in 4K Blu-ray format, I want something much better than Wonder Woman 1984 (note: director Patty Jenkins clearly did not take inspiration from the fine works of the legendary George Perez as far as telling a Wonder Woman story set in the 1980s goes. The presentation was also bloated and disappointing.).

From this point on, The Suicide Squad has its chance to recover its huge production and marketing costs by playing in several movie theaters (that managed to stay open or reopened) around the world. How the movie-loving public, geeks and DC Comics fans will react remains to be seen.

There is also the possibility that James Gunn-directed DC Comics movie might not score highly in ticket sales given the fact that it has been launched also on the streaming service HBO Max. Matching the $746.8 million global ticket sales of 2016’s Suicide Squad is pretty daunting for the new movie in this age of pandemic. Streaming the movie for home viewing is convenient but the best visual experience is still in the movie theaters, especially in the IMAX cinemas (because the movie was filmed with IMAX cameras).

It should be noted that paying for HBO Max does NOT mean you are paying The Suicide Squad producers and investors. Buying movie tickets, Blu-ray and 4K Blu-ray discs actually pay the film’s producers, investors and business partners. That being said, I encourage you to go for Blu-ray and/or 4K Blu-ray instead of streaming when it comes to enjoying movies at home.

Too bad the local IMAX cinemas and all regular theaters here in the Philippines remain closed. Clearly the best option for me to watch The Suicide Squad is on 4K Blu-ray in the near future. Streaming is definitely not an option for me and I am not going to waste my money on any streaming service.

Stay tuned for future updates about The Suicide Squad on 4K Blu-ray.

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