Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the mid-1990s which was a pretty wild time for comic collectors. To be more specific, this newest retro review revisits the Ultraverse through a comic-like publication in the form of a guide meant for UV fans and comic collectors.
The subject at hand is Ultraverse Year One which, as written on the edge of the front cover, was designed to be the “complete guide to the Ultraverse’s first year.” It is a reference guide for those who seriously want to discover each and every Ultraverse comic book that was published during its first year. In my experience as a comic collector, the Ultraverse launch in 1993 was very memorable even though my financial limitations prevented me from acquiring each and every launch comic book and subsequent releases of the time. How useful is this complete UV guide? We can go on and find out.
With those details laid down, here is a look back at Ultraverse Year One, published in 1994 by Malibu Comics.
The cover.
Quality
I can say without a doubt that this publication is indeed a complete guide to each and every Ultraverse comic book released during its first year from 1993 to 1994 specifically. You want to know exactly how many issues of Mantra, Prime, Hardcase, The Solution, Prototype, The Strangers and others were published in the first year? This one has it all listed! You want to know which UV comic book involved the talents of Steve Gerber, Norm Breyfogle, Rick Hoberg, Len Strazewski, Aaron Lopresti, George Perez, James Hudnall, Gerard Jones, Steve Englehart, Tom Mason, Terry Dodson, James Robinson, Howard Chaykin, Mike W. Barr and many others under the Malibu Comics banner? This guide has it all listed! What months were Exiles #1, Sludge #1, Firearm #0, Break-Thru #1 and Mantra #1 were published? The answers to each are included. The same can also be said when it comes to which characters appeared in each comic book.
This is what each page typically looks like with details of the Ultraverse timeline on the lower part.
The timeline reveals that the male warrior Lukasz, who would later end up in woman’s body as Mantra/Eden Blake, was born in 1220 BC.
Very clearly, the Malibu Comics people worked hard to collect the essential types of information, organized them and put them all into print media form for readers and collectors to use when it comes to searching just about everything about the Ultraverse’s first year. Things did not just stop there, however.
What I found amusing to look at in each page of this Ultraverse guide are details of the shared universe’s timeline posted on the lowest part. The said timeline – which is limited to text and numbers – reveal interesting details such as what year was Lukasz (AKA Mantra) born, when did Rune begin, when was the Choice corporation established, what year did the island of Yrial’s people move up to the clouds, what years were infants injected by Wetware Mary and more. These details are actually quite encouraging to make readers discover or re-read Ultraverse comic books to see how they are dramatized on paper.
Conclusion
As you can see in the details above, Len Strazewski was involved in both the Prime and Prototype comic book series.
Ultraverse Year One (1994) is a pretty detailed guide that will not only help readers track down each and every UV comic book of the mentioned time period, but also help them spot the precise comic books that has characters included as well as the published works of varied comic book creators. If you are really determined to track down and buy all the Year One UV comic books, this guide is a must-have. If there are any weaknesses to mention, it would be the fact that each comic book’s entire plot got summarized in full which are actually spoilers.
Overall, Ultraverse Year One (1994) is recommended.
Welcome back, my readers and fellow Christians! In this newest edition of my Christian Music Appreciation (CMA) series, we will focus on God of the Breakthrough, another original worship song from New Life Music. For the newcomers reading this, the previous New Life Music worship songs I examined and analyzed were Touch From Heaven and Now I’m Alive. Read about those CMA pieces soon.
If you want to discover and learn more about New Life Music, I encourage you to click here (Facebook page), here (Instagram) and here (YouTube). New Life Music is part of New Life Philippines whose main church is located inside Alabang Hills Village in Muntinlupa City, Philippines. To know more about New Life Philippines itself, visit https://newlife.ph/
Before getting into the analysis of the Biblical relevance of God of the Breakthrough, posted below for your reference are the lyrics composed by Chynna Cuna, Dem Mokamad, Jed Patricio, Gianna Bautista and Joed Avila.
VERSE 1
When the giants come my way
He is powerful to save
In the trials and the pain
His promises remain
–
PRE CHORUS
I will not be defeated
I will not be defeated
–
CHORUS
I’ll lift up my head
And shout His name
Open up the gates
And let Him in
–
VERSE 2
In the battles and the storms
You’re my victory
As I praise, I stand and see
That my God fights for me
–
PRE CHORUS
I will not be defeated
I will not be defeated
–
CHORUS 2
I’ll lift up my head
And shout His name
Open up the gates
And let Him in
–
King of glory enter in
King of glory enter in
King of glory enter in
King of glory enter in
–
BRIDGE
Walls come down
Healing now
Chains be loosed
God of the breakthrough
–
Hearts restored
Fear be gone
Faith arise
God of the breakthrough
To begin with, let’s take a close look at the lyrics of Verse 1 of the song: When the giants come my way, He is powerful to save, In the trials and the pain, His promises remain.
The Verse 1 lyrics emphasize that no matter the troubles or the odds we the faithful children encounter while living here on Earth that is so divided by problems (examples: external economic forces, war, political conflicts, etc.), we need not fear because we have the Lord to look up to not just to help us survive but emerge stronger, get restored and prosper as we follow His path and follow Him with unwavering faith. God is always faithful to us and He always keeps His promises as He created each of us with plans already made. Never forget that He sent His Son Jesus to redeem us, granting us a Lord and Savior to follow. Learn from the following scriptures below…
For God so greatly loved and dearly prized the world that He [even] gave up His only begotten (unique) Son, so that whoever believes in (trusts in, clings to, relies on) Him shall not perish (come to destruction, be lost) but have eternal (everlasting) life.
John 3:16 (AMPC)
Not one word of all the good promises that the Lord had made to the house of Israel had failed; all came to pass.
Joshua 21:45 (ESV)
For God’s Word is something to sing about! He is true to his promises, his word can be trusted, and everything he does is reliable and right.
Psalms 33:4 (TPT)
Jesus answered him, I assure you, most solemnly I tell you, that unless a person is born again (anew, from above), he cannot ever see (know, be acquainted with, and experience) the kingdom of God.
John 3:3 (AMPC)
If we confess our sins, he is faithful and just to forgive us our sins and to cleanse us from all unrighteousness.
1 John 1:9 (ESV)
For I know the plans that I have for you,’ declares the Lord, ‘plans for prosperity and not for disaster, to give you a future and a hope.
Jeremiah 29:11 (NASB)
But you, O Lord, your mercy-seat love is limitless, reaching higher than the highest heavens. Your great faithfulness is infinite, stretching over the whole earth.
Psalms 36:5 (TPT)
Next, take a close look at the following lines from the PreChorus: I will not be defeated, I will not be defeated.
The Pre Chorus lyrics are straight to the point. As God’s faithful children, there is absolutely no reason for us to be defeated because we are living in accordance to the Lord’s victory. We are living in His victory led by unwavering faith in Him and following Him through His Word without compromise. Under the Lord, we are more than conquerors! Learn from the following scriptures below…
Yet even in the midst of all these things, we triumph over them all, for God has made us to be more than conquerors, and his demonstrated love is our glorious victory over everything!
Romans 8:37 (TPT)
For everyone who has been born of God overcomes the world. And this is the victory that has overcome the world—our faith.
1 John 5:4 (ESV)
In conclusion, be strong in the Lord [be empowered through your union with Him]; draw your strength from Him [that strength which His boundless might provides].
Put on God’s whole armor [the armor of a heavy-armed soldier which God supplies], that you may be able successfully to stand up against [all] the strategies and the deceits of the devil.
For we are not wrestling with flesh and blood [contending only with physical opponents], but against the despotisms, against the powers, against [the master spirits who are] the world rulers of this present darkness, against the spirit forces of wickedness in the heavenly (supernatural) sphere.
Ephesians 6:10-12 (AMPC)
Moving on, here are the lines from the Chorus: I’ll lift up my head, And shout His name, Open up the gates, And let Him in.
The Chorus lyrics form a lively reminder that we are to look up to our Lord, emphasize His name wholeheartedly and allow the Holy Spirit to lead us in accordance to His will. Learn from the scriptures below (note: the Model Prayer is included)…
Pray, therefore, like this: Our Father Who is in heaven, hallowed (kept holy) be Your name.
Your kingdom come, Your will be done on earth as it is in heaven.
Give us this day our daily bread.
And forgive us our debts, as we also have forgiven (left, remitted, and let go of the debts, and have given up resentment against) our debtors.
And lead (bring) us not into temptation, but deliver us from the evil one. For Yours is the kingdom and the power and the glory forever. Amen.
Matthew 6:9-13 (AMPC)
Be still before the Lord and wait patiently for him;
fret not yourself over the one who prospers in his way,
over the man who carries out evil devices!
Psalm 37:7 (ESV)
But seek first the kingdom of God and his righteousness, and all these things will be added to you.
“Therefore do not be anxious about tomorrow, for tomorrow will be anxious for itself. Sufficient for the day is its own trouble.”
Matthew 6:33-34 (ESV)
And He said to them, “Go into all the world and preach the gospel to all creation.”
Mark 16:15 (NASB)
Make a joyful shout to the LORD, all you lands! Serve the LORD with gladness; Come before His presence with singing. Know that the LORD, He is God; It is He who has made us, and not we ourselves; We are His people and the sheep of His pasture. Enter into His gates with thanksgiving, And into His courts with praise. Be thankful to Him, and bless His name. For the LORD is good; His mercy is everlasting, And His truth endures all generations.
Psalm 100:1-5 (NKJV)
And they sang responsively, praising and giving thanks to the LORD: “For He is good, For His Mercy endures forever toward Israel.” Then all the people shouted with a great shout, when they praised the LORD, and because the foundation of the house of the LORD was laid.
Ezra 3:11 (NKJV)
For all who are being led by the Spirit of God, these are sons and daughters of God.
Romans 8:14 (NASB)
Moving on, here are the lines from Verse 2: In the battles and the storms, You’re my victory, As I praise, I stand and see, That my God fights for me.
The above words express that we only need to be still, to be fearless and confident in the Lord who fights the tremendous battles that are beyond us. No matter what evil lurks and no matter what danger surrounds us, we will succeed by standing with the Lord and carrying unwavering faith in Him. With God, nothing is impossible. With God, all enemies will fall down. Learn from the scriptures below…
Do not fear them, for the Lord your God is the One fighting for you.
Deuteronomy 3:22 (NASB)
But those who wait for the Lord [who expect, look for, and hope in Him] shall change and renew their strength and power; they shall lift their wings and mount up [close to God] as eagles [mount up to the sun]; they shall run and not be weary, they shall walk and not faint or become tired.
Isaiah 40:31 (AMPC)
You are of God, little children, and have overcome them, because He who is in you is greater than he who is in the world.
1 John 4:4 (NKJV)
Not one promise from God is empty of power. Nothing is impossible with God!
Luke 1:37 (TPT)
So in the same way, God wanted to end all doubt and confirm it even more forcefully to those who would inherit his promises. His purpose was unchangeable, so God added his vow to the promise. So it is impossible for God to lie for we know that his promise and his vow will never change!
And now we have run into his heart to hide ourselves in his faithfulness. This is where we find his strength and comfort, for he empowers us to seize what has already been established ahead of time—an unshakable hope! We have this certain hope like a strong, unbreakable anchor holding our souls to God himself. Our anchor of hope is fastened to the mercy seat in the heavenly realm beyond the sacred threshold,
Hebrews 6:17-19 (TPT)
Finally, we can now focus on the very title of this song – God of the Breakthrough. The title is indeed very true and truly powerful! The Lord is our Creator, our Provider (Jehovah Jireh), our Ultimate Love, our Miracle Worker, our Guiding light, our Protector, our Redeemer, our Healer and our Ultimate and All-Powerful Authority! The Lord loves the faithful and His care, blessings and guidance still continue! The Lord’s breakthroughs are undeniably real and I personally received the breakthroughs from Him shortly after I got born again. The breakthroughs continue to happen in the new life I am living and I learned to maintain unwavering faith in Him. To understand why our Lord is the maker of breakthroughs, read the following scriptures below…
“I tell you this timeless truth: The person who follows me in faith, believing in me, will do the same mighty miracles that I do—even greater miracles than these because I go to be with my Father! For I will do whatever you ask me to do when you ask me in my name. And that is how the Son will show what the Father is really like and bring glory to him. Ask me anything in my name, and I will do it for you!”
John 14:12-14 (TPT)
Stretch out your hand of power through us to heal, and to move in signs and wonders by the name of your holy Son, Jesus!
Acts 4:30 (TPT)
For the word of God is living and active, sharper than any two-edged sword, piercing to the division of soul and of spirit, of joints and of marrow, and discerning the thoughts and intentions of the heart.
Hebrews 4:12 (ESV)
God can pour on the blessings in astonishing ways so that you’re ready for anything and everything, more than just ready to do what needs to be done. As one psalmist puts it,
He throws caution to the winds,
giving to the needy in reckless abandon.
His right-living, right-giving ways
never run out, never wear out.
This most generous God who gives seed to the farmer that becomes bread for your meals is more than extravagant with you. He gives you something you can then give away, which grows into full-formed lives, robust in God, wealthy in every way, so that you can be generous in every way, producing with us great praise to God.
2 Corinthians 9:8-11 (MSG)
Embrace the power of salvation’s full deliverance, like a helmet to protect your thoughts from lies. And take the mighty razor-sharp Spirit-sword of the spoken word of God. Pray passionately in the Spirit, as you constantly intercede with every form of prayer at all times. Pray the blessings of God upon all his believers.
Ephesians 6:17-18 (TPT)
But you will receive power when the Holy Spirit has come upon you, and you will be my witnesses in Jerusalem and in all Judea and Samaria, and to the end of the earth.
Acts 1:8 (ESV)
For I know the plans that I have for you,’ declares the Lord, ‘plans for prosperity and not for disaster, to give you a future and a hope. Then you will call upon Me and come and pray to Me, and I will listen to you.
Jeremiah 29:11-12 (NASB)
I love each of you with the same love that the Father loves me. You must continually let my love nourish your hearts. If you keep my commands, you will live in my love, just as I have kept my Father’s commands, for I continually live nourished and empowered by his love. My purpose for telling you these things is so that the joy that I experience will fill your hearts with overflowing gladness!
John 15:9-11 (TPT)
Very truly, the lyrics of God of the Breakthrough are holy and anointed! The song itself will remind you about the Lord’s victory and His guiding light. It is totally clear to me that New Life Music’s team captured strong messages from the Holy Bible when they composed the song. I believe they were led by the Holy Spirit during their work. Musically speaking, God of the Breakthrough is beautiful and powerful to listen to. That being said, it is a worship song that must be played during Sunday worship services as well as during special church activities. I also believe that this worship song – a part of the album To The Other Side – will remind people about their true identity…the identity in Christ.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Sharing this Christian piece means spreading the good news of the Lord to others. It can help you save the unsaved and the lost souls out there.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the mid-1990s which was a pretty wild time for comic collectors. To be more specific, this newest retro comic book review revisits the Ultraverse through The Night Man monthly series.
In my previous review, the Night Man was pitted against TNTNT which was the same group of villains who fought againstThe Strangers. The encounter was not only packed with solid action, the pacing was done strategically and I loved the way how the comic book creators presented the Night Man taking on each TNTNT member creatively. For this new issue, a new enemy awaits the titular hero which the scary looking cover clearly shows.
With those details laid down, here is a look back at The Night Man #7, published in 1994 by Malibu Comics with a story written by Steve Englehart and drawn by Kyle Hotz.
The cover.
Early story
The story begins in an unknown place where a man talks to a lady who just died. After wearing his coat and grabbing his cane, he leaves behind a place with lots of blood around and things ruined. The body of the dead lady had been damaged so much, the flesh on the front of her upper body is gone leaving the bones exposed.
The said man walks down the street of San Francisco. As he recalls a key part of California’s history, he witnesses three armed men coming out of a jewelry store followed by Night Man. Immediately, he witnesses the city’s vigilante fight two of the men with brutal violence. The third thug (with long hair) takes the opportunity to move away only to face the man with the cane…
Quality
The new villain meeting with the tycoon JD Hunt.
This tale of The Night Man is gritty and engaging to read from start to finish. It introduces an all-new villain who has a Russian legacy with historical connections to the city of San Francisco and northern part of California. The new figure of evil (note: quite obvious due to his murdering of the innocent) is quite a layered character and he seemed to be designed by Steve Englehart to be a recurring villain against the Night Man.
At this point in the comic book series, Night Man has established himself to be a very capable vigilante who truly believes in helping the people of the city on his own and his victories in the previous issues solidified his reputation. This essentially sets the stage for the debut of the new villain (note: the scary looking wolf on the cover) and the next big challenge for the titular hero. Without spoiling what happened, I can say the pay-off was indeed worth the build-up.
Another strong point of this comic book is the way the creators dramatized the differences and similarities between the Night Man and the new villain. Both men are violent and their each have their own obsessions directly related to their respective goals.
Conclusion
The Night Man takes on thugs as the new villain watches.
The Night Man #7 (1994) is a pretty engaging read on its own and it shows how much the Night Man himself progressed as the Ultraverse’s San Francisco-based vigilante who really pushes himself to the limits fighting evil even though his resources are very limited. The introduction of the new villain in this comic book not only proved to be a solid addition into the Ultraverse lore but also added to the titular hero’s development as well as his vigilante justice campaign. This comic book may not be as action packed as the previous issue, but you can rest assured there is a really good quality writing here and the build-up was nicely paid-off by the end. As with the previous issues, Kyle Hotz’s gritty art made this Night Man tale really look lively and very stylish.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the mid-1990s which was a really wild time for comic collectors. To be more specific, this newest retro comic book review revisits Ultraverse through the very short series titled Exiles.
It has been years since I reviewed Exiles #1 (1993). Since after, I reviewed a lot of Ultraverse comic books and went through notable storylines such as the Atalon Saga in UltraForce, the Hostile Takeover in Prototype, The Solution, The Night Man and Solitaire, and more. That being said, it was just right that I returned to Exiles for retro reviewing.
With those details laid down, here is a look back Exiles #2, published in 1993 by Malibu Comics with a story written by Steve Gerber and drawn by Robb Phipps.
The cover.
Early story
The story begins with Exiles members Catapult and Mustang staring at two bodies (a large man and a lady) on the floor. It turns out their mission was a failure as Timmy Halloran (the young guy they tried to save) went missing while his mother just died.
As soon as the two step out of the house feeling bad about their failure, they suddenly find themselves confronted by several police officers. Police cars and a helicopter have surrounded the place. Just as Catapult and Mustang turned themselves in, the large man named Bruut suddenly regains consciousness and attacks the police.
The police officers respond by firing several bullets at Bruut which slowed him down. After noticing that Bruut was only regaining his strength, the two Exile members made their moves before the large man strikes the police…
Quality
Inside the headquarters of Exiles. Ghoul’s mentioning of Prime and Hardcase seems to foreshadow his eventual part in UltraForce.
As expected, the storytelling in this comic book really progressed and paid off some of the build-up that happened in issue #1. Here, the conflict between the Exiles and the enhanced forces of business tycoon Victor Kort got clearly defined and what they have in common other than having enhanced beings is their pursuit of individuals who carry within their bodies the Theta virus which unlocks unexpected powers or capabilities. Such developments could impact the people and the world around them when left unguarded or deliberately developed with assistance of guidance.
Amber, who was a key figure in issue #1, appears much less in this comic book but her purpose with the Exiles gets more elaborated. The lack of spotlight on Amber is not surprising as the creators had to emphasize the conflict between the titular team and Kort’s forces while also introducing Timmy Halloran as a new Theta-carrying individual.
There is a good amount of superhero spectacle here and along the way, the dialogue is good and got witty as well. By the time I reached the end, I found myself anticipating what would come next in issue #3.
Conclusion
The two Exiles members take on Bruut right in the presence of police officers.
Exiles #2 (1993) is a worthy follow-up to its predecessor and the creators succeeded in making the conflict more engaging while cleverly releasing new details that defined what is at stake and what could follow. In retrospect, Amber Hunt later became a key figure in the 2-part Break-Thru crossover storyline (which was memorably drawn by the late George Perez) and the story here defined how much impact super beings can have on societies filled with mostly people who don’t have super powers or special talents. The conflict between the Exiles and Kort’s forces not only got emphasized a lot, their respective agendas and resources are also well defined.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, superhero fans, 1990s arts and culture enthusiasts and comic book collectors! Today we revisit the Ultraverse of Malibu Comics and examine one of its many stories told through an issue of the Sludge comic book series.
In my previous retro review, the “Street Wars” storyline came to a solid and even shocking end which ultimately left Sludge free and yet desperate and unfulfilled. At this stage, Sludge is clearly a very lost soul and this opens another opportunity for readers to follow him and see where he will go next.
With those details laid down, here is a look back at Sludge #10, published by Malibu Comics in 1994 with a story written by Steve Gerber and drawn by Robb Phipps.
The cover.
Early story
The story begins with Sludge once again alone in the sewers. This time, he holds large quantities of the illegal substance Zuke which he believes will help him achieve something he desires in relation to his existence. Life has been very hard for him since he became a slimy creature.
Then he remembers when the mercenary Bloodstorm was forced fed with Zuke. Afterwards, he consumes the large Zuke containers expecting them to fix him. Nothing happened. No instant results whatsoever which frustrates him. Sludge then walks into the darkness.
On the city street, police officers in cars chase an unusual target…a lady riding a large bird of unknown species. After causing her pursuers to crash and explode, the lady rider reveals herself to be Vinaigrette.
Just as Vinaigrette and her speedy bird move into an alley, Sludge sees them…
Quality
Investigative journalism being done.
When it comes to the story, I can say that the Sludge series really made a serious turn towards a different direction here. Without spoiling the rest of the plot, I can say that very significant changes await readers, so much so their usual expectations towards Sludge become unnecessary. Are you so used to seeing Sludge think or talk inconsistently? Be ready for something really new about him, something that makes him more human moving a bit closer to his past life as a civilian.
Moreover, with the gang war aspect of New York already out of the narrative, this comic book not only follows Sludge more significantly, its story is also more character-driven than before. What Steve Gerber wrote here is very nicely structured and it is also clear he also adjusted his portrayal of the titular character to give readers something fresh and yet familiar to follow.
So what kind of story does this comic book present other than being a more character-driven piece? Definitely it’s not a monster story nor a superhero tale but something more of a misadventure mixed with elements of detective story plus a bit of investigative journalism (mainly due to the series’ notable lady journalist).
Conclusion
A lady and her speedy ride.
In my view, Sludge #10 (1994) is a successful attempt by the creative team to emphasize Sludge’s exploits and personality even more while taking a new direction without ever feeling alienating. I should state that after reading back-to-back issues about the New York gang war which had the titular character caught in the middle, this comic book’s character-driven approach with Sludge is literally like a breath of fresh air. Not only will you see even more of Sludge, you will also enjoy the creators’ attempt on exploring his past life while showing lots of significant new things in connection to the changes he goes through. The story is nicely paced, the storytelling is creatively stylized and there are nice pay-offs for each build-up.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the mid-1990s which was a really wild time for comic collectors. To be more specific, this newest retro comic book review revisits Ultraverse through the exploits of Freex, the monthly series about a group of young adults with unusual capabilities (or abnormalities) who are constantly on the move as they are social outcasts.
In my previous retro reviews of Freex, the team encountered Contrary (who later became a significant part of UltraForce) and her so-called school of gifted children. Subsequently, they left Contrary’s lair but without Ray who decided to stay behind. Freex, who gained a new member in replacing Ray, went underground encountering Prime and a lone individual called Old Man. After separating from Prime, the team move further underground with Old Man and discovered a lot of things they never expected.
With those details laid down, here is a look back Freex #13, published in 1994 by Malibu Comics with a story written by Gerard Jones and drawn by Scott Kolins.
The cover.
Early story
The story begins deep under the Earth’s surface wherein the Freex – AJ, Angela, Michael, Valerie and new member – and Old Man encounter a huge and intimidating sentient being which has the head and tusks of an elephant. The being calls itself Prometheus and claims that he has lived underground for a very long time, created new beings and saw the development of settlements that the people on the surface are not even aware of.
Intriguingly, he reveals to the Freex that he created the substance that were injected by a certain nurse into the bodies of each team member when they were still infants which later manifested into the capabilities and abnormalities they now have…
Quality
This short scene about Atalon and his army is a prelude to the Atalon storyline in the early issues of UltraForce.
The most significant aspect about this comic book’s story is the clever approach taken by the creators to not only show the further development of Freex but also emphasize and expand the lore of the Ultraverse while connecting this series to UltraForce (the early issues written by Gerard Jones and drawn by the late George Perez) which itself had a great conflict between Atalon’s forces and Earth’s governments. To put it short, this Freex tale is a prelude to the events seen in UltraForce #0, UltraForce #1 and the rest of the Atalon saga. The good news is that the emphasis of in-universe connection (as opposed to crossovers) was done well and nicely structured.
More on the Freex themselves, the revelation that the members’ powers were the result of being injected (by Wetware Mary) into them with the substance created by Prometheus resulted in dramatic reactions from them which also adds to the tension of their current misadventure together so far away from society. The revelation also added tremendous weight into the series’ narrative raising questions such as the following: Wow will each Freex member reintegrate into society as they know the truth about what caused them to have powers/abnormalities? Where will they go once they made it back to the surface? Will they keep secret the existence of Prometheus?
In relation, the creative team took their time to develop each member’s personality and emotions. Most notable was the portrayal of the new friendship between Valerie and their new member (indoctrinated by Contrary) which hints that something significant could happen to not only themselves but to the team itself.
What also struck me in this comic book was the way the 2nd half of the story was presented…by becoming really wild and crazy. Eerily, the confusion felt by Freex during the 2nd half was something I as a reader felt. To find out what I’m talking about, I urge to get a copy of this comic book and read it yourselves.
Conclusion
This page revealed more about the origins of the Freex members.
While the 2nd half of the story had a crazy ride, I still found Freex #13 (1994) to be really engaging and intriguing mainly on the big revelation and UltraForce connections told in the first half. At this stage in the series, it really looked like that the team was on its way into the unknown as their own place within the Ultraverse really widened (similar to what happened on the part of The Solution in issues #10, #11 and #12).
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, superhero fans, 1990s arts and culture enthusiasts and comic book collectors! Today we revisit the Ultraverse of Malibu Comics and examine one of its many stories told through an issue of the Sludge comic book series.
In my previous Sludge retro review, the conflict between the crime organizations intensified as the titular character continued to struggle with achieving his desired goal which includes getting involved with the Pump’s evil schemes. Eventually something unexpected happened Sludge which involved Zuke, the potent illegal substance the Pump keeps on unleashing to the public.
With those details laid down, here is a look back at Sludge #9, published by Malibu Comics in 1994 with a story written by Steve Gerber and drawn by Robb Phipps.
The cover.
Early story
The story begins with Sludge in pain as he pulls out a long spike from his right hand which became flesh again. This was the result of his holding Zuke which his right hand somehow absorbed. Wanting answers, he calls out to the Pump who (along with his teenage protégé) was no longer present in the room. A female ghost appears to Sludge and tells him that the crime boss is downstairs.
It turns out, the Pump has an evil plan in mind which would involve the mercenary Bloodstorm. The crime boss puts a very large capsule of Zuke into the mouth of the restrained Bloodstorm. Just as Sludge arrives, Bloodstorm becomes very enraged as a result of absorbing a high quantity of the illegal substance. Shortly after Pump quells the drugged mercenary, Sludge approaches him for more Zuke as he is convinced that the drug will turn him to normal just like how it turned his right hand back to normal.
The Pump orders Sludge to take Bloodstorm’s body back to his employer Sabatini then return. He reminds him that he has the Zuke and is capable of eradicating him…
Quality
Sludge has yet to realize he could really go up against the very evil Pump.
Now this is the most intriguing tale of Sludge in relation to the unstable relations between the gangs of New York. Vittorio, the one trusted assistant of the late crime boss Marcello, leads the gang and tries to craft a new direction with emergence in mind by negotiating a truce with the Dragon Fang while also starting efforts to duplicate the very addicting substance called Zuke which has long been an asset to the Pump’s gang. Unsurprisingly, Vittorio encounters trouble trying to win the trust of the more established crime bosses and he is also unaware that they are all being targeted by the Pump.
Once the Pump unleashes his newest move against the gangs, the situation intensifies and gets twisted which makes this a really solid reading experience. Steve Gerber crafted this story to be intense and unpredictable at the same time, while also showing how Sludge deals with his situation being powerless under the Pump. There is one notable addition to the plot which involves violent action which you must discover for yourselves.
When it comes to the visuals, Robb Phipps take on Sludge is vastly different compared to Aaron Lopresti’s Sludge. The result is that Phipps’ art style made Sludge and the other characters have that cartoony aesthetic and yet they are still recognizable. What visual style and elements Phipps had on certain issues of Mantra he illustrated (click here, here and here) are pretty much present in this comic book.
Conclusion
A high-stakes meeting disrupted.
Sludge #9 (1994) is another solid read and one of the most intriguing stories of the Sludge series. As the concluding chapter of the “Street Wars” storyline, this comic book has the usual elements that defined Sludge stories while also succeeding in moving the plot forward (note: the storyline conclusion is engaging, even shocking) complete with twists and noticeable intensified violence. At this point in the monthly series, Sludge is off on a path of despair and he is clearly lost. This element alone should compel readers to examine Sludge’s personality closely and analyze where he is heading to and what purpose does he have left.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the mid-1990s which was a really wild time for comic collectors. To be more specific, this newest retro comic book review revisits the conclusion of the epic Ultraverse storyline Break-Thru which was illustrated by the late George Perez (1954-2022). I encourage you readers – especially long-time fans of the iconic illustrator – to check out my commemorative article about George Perez by clicking here.
For the newcomers reading this, Break-Thru was a 2-part storyline that creatively involved almost all the main characters of the Ultraverse (The Strangers, Mantra, Prime, Prototype, Freex, The Solution, Hardcase, Sludge, Solitaire and others) who got impacted in varied ways by Amber (of the Exiles) who floated high in the air causing chaos on societies below. Specifically, that was the concept of Break-Thru #1 (1993) and issue #2 has the story continuing with a setting in outer space with the moon as the key destination.
With those details laid down, here is a look back Break-Thru #2, published in 1994 by Malibu Comics with a story scripted by Gerard Jones (plotted by Mike W. Barr, Steve Englehart, Steve Gerber, James Hudnall, Tom Mason, George Perez, James Robinson and Len Strazewski) and illustrated by the late George Perez.
An epic cover by the late George Perez.
Early story
The story begins at the surface of the moon with Hardcase, Choice and the members of The Solution who just survived the explosion (connected with Hardcase #7 and The Solution #4) of the flying saucer they used on their journey. Nearby, the people responsible for the destruction are riding their own flying saucer, scanning the surface of the moon searching for an entity.
Behind the scenes, the very hidden yet powerful Rex Mundi watches and tells Gate that other ultras are seeking the entity. As the saucer floats to a cave detecting the presence of the entity, the occupants get shaken as Prime hits them hard. Prime tells himself that the entity in the cave feels danger from the searchers and he has to protect it as he has been connected with it (refer to Prime #7). After getting blasted in retaliation by the saucer, Prime finds himself hit even more as Rex Mundi’s enforcers suddenly come out of a portal very near him.
From a distance, Mantra (refer to Mantra #6) sees the fight happening and needs a life force to survive. Elsewhere, Hardcase, Choice and The Solution witness the arrival of a space shuttle. The Strangers and Prototype (refer to The Strangers #7 and Prototype #5) come out together…
Quality
This is classic George Perez presentation of action and characters using multiple panels in a single page.
Starting with the writing, I should mention that all the writers who were involved in plotting this comic book as well as the previous issue should be commended for their combined efforts on making the Break-Thru storyline happen complete with in-universe ramifications, developments and connections to almost all the monthly comic books via the Break-Thru tie-in issue (also check out Sludge #3, Freex #6, Solitaire #2 and Night Man #3). Clearly Break-Thru was planned to be a major turning point of the Ultraverse by involving and mixing most of the major characters together and have them struggle with tremendous obstacles they simply cannot ignore as the stakes were indeed too high.
More on this comic book, the major conflict was set on the moon which proved to be a very unique setting not just for dynamic battles to happen but also to serve as the place where a mysterious and powerful entity is hidden. When it comes to the story, the entity (more science fictional in concept) is mysterious and cleverly not blatantly evil. It is its mysteriousness that makes the entity a worthy force to have the UV’s heroes come after.
The writers added depth to the plot by showing Yrial of The Strangers and Prototype each having their own vested interests to get to the entity and acquire whatever it has that is valuable. At the same time, Mantra and Prime each discovered valuable knowledge about the entity that impacted their perceptions about their purpose as beings with super powers.
Mantra, Prime, The Solution, Hardcase and Choice.
While the story here still has so many characters expressing themselves and releasing expository information, the narrative is a little bit easier to understand and follow compared to issue #1 (which had a lot more information to release via exposition). That being said, the scenes of spectacle became more enjoyable to read and along the way there were some notable character moments to look at.
Visually, this is unsurprisingly a great looking comic book as it was illustrated by the late George Perez. What I love most about Perez’s art style and visual presentation are all here: high details on each character drawn as well as their surroundings, the dynamic approach on setting up the panels on each page, fantastic looking superhero action, and much more! As with Break-Thru #1 and other Ultraverse comic books drawn by Perez, this one is absolutely great to look at and it easily lifts up the visual/artistic quality of the UV and its heroes. As George Perez was involved in the plot of this comic book, the narrative was never overwhelmed by his great art and the artist really exerted a lot of effort on visualizing each and every one of the established UV characters (including the supporting characters).
Speaking of the established characters, I should state that Perez made Mantra’s face (with mask) look a bit more realistic and feminine while Kevin Green has a more convincing teenage boy look, Sludge looks a bit more creepier and Yrial looks visually identical to the way Rick Hoberg draws her. When it comes to the varied physiques of each established UV hero, Perez captured them all perfectly. Clearly the late artist did his research on every character.
Conclusion
The first physical encounter between Prime and Hardcase. Remember this before reading the UltraForce comics.
Break-Thru #2 (1994) is truly an epic Ultraverse story that also worked as a major turning point of the UV as a whole. Compared to other epic superhero stories that Marvel and DC Comics published, Break-Thru is not the usual large gathering of superheroes who have to work together to defeat an evil force that threatens everyone’s existence. It is more about the UV heroes getting together to solve major obstacles before reaching the main destination. By the time I reached the end of this comic book (and its storyline), I experienced great satisfaction not just from Break-Thru itself but also in relation to how the Ultraverse heroes realized what they are living for and what their respective purposes really are about. What also happened in this comic book explains why jumpstart events happened on Earth. Very clearly, this was an epic story that was planned early and even though this was published just months after the Ultraverse first debuted, the characters were developed enough to make Break-Thru’s concepts sensible and acceptable. There is a lot of fun and engagement in this comic book drawn by the late George Perez (who also worked on DC’s Crisis on Infinite Earths and Marvel’s The Infinity Gauntlet).
Overall, Break-Thru #2 (1994) is highly recommended!
George Perez, the incredible comic book artist who made major contributions to illustrated literature (especially the superhero comic book genre), sadly passed away due to complications related to pancreatic cancer. He was 67-years-old and I can say that superhero comic book art and dynamic expressions will not be the same without him.
George Perez with the two Wonder Woman plastic models. (photo source – DC Comics Facebook page)
Already there were comic book industry figures who reacted to the death of the legendary Perez. DC Comics co-publisher and legendary creator Jim Lee paid tribute stating, “We creators may all have access to the same tools of the trade: pen, paper and imagination, but what George could do with his prodigious talents was off the charts.”
For his part, Rob Liefeld stated, “I’ll remember George for his innovative and prolific storytelling. Thank you for all the great memories. Rest In Peace, George Perez.”
For the newcomers reading this as well as those who are simply unaware of Perez’s legacy, he was responsible for visualizing DC Comics’ 1985 epic maxi-series Crisis on Infinite Earths (note: he drew countless characters complete with varied settings or environments in high detail) and redefining Wonder Woman (note: he also wrote the stories) which made her a more essential pop culture icon. George Perez also worked for Marvel Comics over many projects and was chosen to illustrate the memorable 2003 JLA/Avengers crossover series of Marvel and DC. Perez also worked with other publishers such as Malibu Comics for several Ultraverse comic books and Image Comics for Crimson Plague and Witchblade. In recent years, he was responsible for Sirens published by BOOM! Studios.
For me, Wonder Woman was best defined during the post-Crisis era of DC Comics which involved George Perez and Len Wein who wrote the early issues of the Wonder Woman monthly series in the late 1980s.
In his decades-long career in comics, Perez unsurprisingly earned varied awards and honors (references here, here, here and here to name a few).
I should say that George Perez is a long-time favorite comic book illustrator of mine. I enjoyed reading the superhero comic books he illustrated and I love his art style on the characters, the environments and crowds. If there is anything I love about Perez’s art, it is his distinct style along with his implementation of high levels of details on the characters, objects, creatures and surroundings. Perez is also known to capture the distinct visual elements of superhero characters such as Spider-Man’s costume and his spaghetti-like web, Superman’s physique and distinct letter S, Prime’s overly muscular body and more. Every time Perez is involved as artist, the result is almost always a visual feast that often adds punch to the script prepared.
When I was still actively collecting comic books back in the 1990s, I often get excited whenever I learned that George Perez illustrated upcoming comic books. In 1992, he drew Incredible Hulk: Future Imperfect (2 books) which was mind-blowing and intriguing for me! In 1993, I became a fan of the newly launched Ultraverse of Malibu Comics and I got very excited to learn that Perez was hired for their major UV crossover Break-Thru (2 issues). Perez also drew one issue of Prime and most of the early issues of the UV team UltraForce (issues #0, #1, #3, #4, #5 and #6). If you want to see Perez draw ALL the characters of the Ultraverse, you should read the 2-issue Break-Thru storyline.
A page from Break-Thru #2 showing just some of the many Ultraverse characters Perez illustrated. This was published before the release of UltraForce.
Speaking of UltraForce, check out this video by Crypto Comics (with observations on Perez’s art works)…
Going back to George Perez’s amazing run on Wonder Woman, I urge you to watch the video below…
For me, the most defining stories of Wonder Woman ever told in any art form are still the comics that Perez wrote (note: he co-wrote stories with Greg Potter and Len Wein respectively on the early issues) and illustrated during the post-Crisis era of DC Comics. Check out my retro reviews of Wonder Woman 1980s comics on this website.
Truly, George Perez will be missed by a lot of people and his countless pieces of works will be revisited in the foreseeable future. In closing this piece, posted below are varied works (comic book covers and interior art) done by the late creator through the decades for your viewing pleasure and learning. This is a tribute to Perez and may he rest in peace!
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Note: All images shown are properties of their respective companies.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, superhero fans, 1990s arts and culture enthusiasts and comic book collectors! Today we revisit the Ultraverse of Malibu Comics and examine one of its many stories told through an issue of the Sludge comic book series.
As seen in my previous Sludge retro review, the stakes were raised even higher and Sludge finds himself in the middle of a major conflict between the gangs of the city with the involvement of the group of the Pump. By this point, the titular character is not only desperate but also is getting torn between good and evil.
With those details laid down, here is a look back at Sludge #8, published by Malibu Comics in 1994 with a story written by Steve Gerber and drawn by Aaron Lopresti.
The cover.
Early story
The story begins with TV news coverage doing a recap of events that shook New York City and its people – the abduction of a drug mule, the destruction of a ship filled with illegal immigrants, the destruction in the cemetery left behind by a major conflict there, and the death of crime boss John Paul Marcello which involved action by Sludge.
Sludge then wakes up from another nightmare and finds himself inside a boiler room which has a TV set and a chair. It turns out the place was set up by a janitor who does not even know Sludge is present. Slowly, Sludge sneaks his way back to the sewer.
At a cemetery, the burial of Marcello is being attended by many people and among them is Don Celini who regarded the late crime boss as a man of vision who made a lot of money for many people. Vittorio, the former loyal assistant to Marcello, is told by Don Celini to demonstrate leadership qualities to the heads of the other gangs. In the evening at a discreet place, Vittorio meets with Bloodstorm with a lot of money on the side…
The reporter Shelley on the pursuit for details.
Quality
To make things clear about the storytelling, the conflict between the crime gangs not only became more intense but also turned out quite intriguing. Clearly writer Steve Gerber carefully planned out the events, character developments and twists for this series. That being said, this comic book has a fine mix of suspense, crime story and even the supernatural for the narrative’s progress, and the good news is that these elements were presented in a believable way.
As presented in the previous issues, Sludge’s desperation and death wish will keep on intriguing you especially when he gets bothered by the Pump (arguably the most evil figure of the entire Ultraverse). Even as the war between gangs heat up, the story even had space for investigative journalism moments through the news reporter Shelley (who encountered Sludge in person before) whose pursuit for the facts remains unrelenting.
Conclusion
Sludge in a dark boiler room.
While the previous issue made me think deeply about the state of Sludge’s character and the gang war he became involved with, Sludge #8 (1994) is an even more intriguing Ultraverse read complete with solid twists that must be seen. Without spoiling the story, this comic book will strongly resonate with readers who really started the Sludge series from issue #1 (note: Bloodstorm’s involvement in this comic book will be more relevant if you have previously read his detailed introduction in issue #2). The current storyline – Street Wars – went significant steps forward in this story and I can say that the creative team of Gerber and Aaron Lopresti were successful in making me anticipate the conclusion.
Author Carlo Carrasco 