The 1990s – Page 25 – Author Carlo Carrasco

A Look Back at 2099 Unlimited #10 (1995)

July 31, 2023September 22, 2024carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 to revisit one of the many tales of Marvel’s 2099 franchise focused on Spider-Man 2099 through the 2099 Unlimited quarterly comic book series!

Some time ago, I reviewed the inaugural issue of 2099 Unlimited which after all these decades remained entertaining and engaging enough to read. That comic book opened with a Spider-Man 2099 story handled by a creative team that did not involve the monthly series duo of Peter David and Rick Leonardi. Its 2^nd story introduced Hulk 2099 and it efficiently told his origin story while expanding the world of 2099 convincingly.

With those details laid down, here is a look back at 2099 Unlimited #10 published in 1995 by Malibu Comics with its main story written by the late Len Wein and drawn by Andrew Wildman. The two other stories were done by the creative teams of Nancy Collins/Gary Erskine and Bob Fingerman respectively.

Early story

The story begins with Miguel O’Hara (Spider-Man) and his brother Gabriel attending Woodstock 2099 at a wet and muddy open-air location. It turns out Miguel feels uneasy being present at the music festival which for Gabriel is too important an event to miss as they are attending the final weekend.

As they talk and walk together, trouble breaks out when a man is suddenly changing physically causing his body to rip out of his clothes. Immediately he leaves Gabriel, cuts in line to enter a portalet, changes into his disguise, opens the rear with his talons and leaps off into action as Spider-Man of 2099.

The man who ripped through his clothes has since turned even bigger and monstrous looking. He grabs a woman and was about to throw her when Spider-Man suddenly swings in to grab her and move away from the monstrous guy.

Right after Spider-Man and the lady land on the ground, the monstrous guy mutated even more and begins to charge right at him with the intention to kill him…

Quality

*There is nothing like encountering Spider-Man at the more isolated parts of the city in 2099.*

Focusing on what is clearly the main feature of this comic book, the Spider-Man 2099 tale “Chameleon 2099” turned out to be a really good story that sets itself apart from the monthly series while still emphasizing the essence of the titular hero. Written by the late legend Len Wein, this is a tale of the futuristic Spider-Man that was crafted to entertain and also intrigue readers. The build-up of the plot moved at a medium pace with some bouts of surprise or excitement that happened along the way. By the time the story reaches the final conflict, the plot details came together nicely and the purpose behind Spider-Man’s pursuit made a lot more sense as I kept reading. This is a must-read story and Andrew Wildman’s art really brought Len Wein’s script into life!

Without spoiling the plot, I can say that this tale sheds light on the following topics: Miguel O’Hara investigating questionable ends within the very corporation he works for; a growing society of freaks within a very high-tech society; illegal substance abuse and distribution; the loss humanity paving the way for unrestrained violence. I just love the way Len Wein fused the mentioned topics into the story and executed them all while still making the story understandable and believable.

It should be noted that Wein portrayed the titular hero as a very determined protagonist who still maintains his sanity as well as his concern for others even though he gets into very violent situations.

This comic book has two other stories that do NOT feature the other established protagonists of the Marvel 2099 universe. Not even Hulk 2099 – the one major 2099 character who debuted in the launch issue of this very same quarterly comic book series – is here. The 2^nd story introduces Machina Jones (who is not so interesting) and emphasizes a dark element within the 2099 society – the implantation of wetware programs into people’s bodies which are capable of controlling both the voluntary and involuntary motor responses.

The 3^rd story on the other hand is a very cartoonish look at the helplessness of 2099 society’s members who suddenly get displaced by the implementation of the urban reclamation project of Alchemax. This one does not have any of the established Marvel 2099 characters.

Conclusion

*Spider-Man 2099 at the field of Woodstock 2099.*

With one very solid Spider-Man 2099 tale and two other stories that never engaged me at all, 2099 Unlimited #10 (1995) is very clearly a mixed bag. The Spider-Man story is indeed the biggest feature and the main reason this comic book has good stuff. Too bad the other two stories were essentially wasted efforts.

Overall, 2099 Unlimited #10 (1995) is satisfactory. It is also the final issue of the quarterly series.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Freex #16 (1995)

July 26, 2023July 24, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 to revisit one of the many tales of Malibu Comics’ Ultraverse through the Freex monthly series.

In my previous review, the Freex encountered someone very deadly (note: Rafferty who also encountered The Strangers) and out of nowhere one of their members got killed as he made his move to protect someone’s life.

With those details laid down, here is a look back at Freex #16 published in 1995 by Malibu Comics with a story written by Gerard Jones and drawn by Klebs de Moura e Silva.

Early story

The story begins at midnight when Ruby arrives at a sorrowful gathering composed of Contrary, her academic students, the Night Man, the Old Man and the remaining members of Freex. They are all mourning over the dead body of Michael. Just after Old Man declared that everyone should move on and let Michael (Plug) rest, Contrary (now an established member of UltraForce) stated that her academy will keep him in the company of others like him at their Mt. Shasta Citadel headquarters as the dead Freex member does not have any known surviving family members.

The loss of Michael then begins to take its toll on Angela/Sweetface as she cries and states that there is nothing left to live for. Suddenly, something appears to the Freex…an angel-like figure who tells Angela to end the pain and join the only one who still cares for her. Valerie and Lewis try to help Angela resist the one who spoke…

Quality

*The Old Man becomes the target of Freex.*

What is obvious to me here is that this comic book is all about the consequences of the death of original Freex team member Michael and how his death impacted specific teammates who had really grown close with him. The plot in this comic book is pretty light as this was clearly written to have strong character dramatization and development.

While there were indeed a whole lot of characters who appeared here, this comic book highlights Sweetface as the one most affected by the sudden death of Michael. That being said, any dedicated Freex fan who seriously followed the series right from the start will be able to relate with Sweetface’s emotions and even feel her deep feelings with Michael. Incidentally, this paves the way for her to interact more with Lewis who also got impacted by the death of their teammate. As the story went on, there were key developments here that strongly symbolized that Freex will take a serious change of direction focusing more on team survival and avenging Michael while severing ties with the Old Man. Clearly the creative team were building up something for the team who at this point have been on a very long and painful journey as nomads.

All throughout, the script really is detailed, richly layered and engaging. Apart from Freex, Night Man, Contrary and her students, and other characters had their fair share of the spotlight strongly symbolizing the current state of the Ultraverse at the time.

Conclusion

*Even as she is mourning over the death of Michael, Angela suddenly sees a mesmerizing vision in front of the others.*

Freex #16 (1995) is indeed a solid comic book to read. The strong writing is its strongest feature and it really delivered the compelling stuff that will resonate most with the long-time Freex fans. The dramatization of the effects of Michael’s death really is strong and the new change of direction for the surviving Freex was implemented really smoothly. The lack of a good-versus-evil element was no problem at all here. By the end of the comic book, I became eager to find out what would happen next to Freex.

Overall, Freex #16 (1995) is recommended.

+++++

A Look Back at Venom: Funeral Pyre #2 (1993)

July 18, 2023July 15, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1993 to take a close look at the second issue of the second Venom comic book mini-series Venom: Funeral Pyre.

In my previous review, the Punisher and Venom encountered each other for the first time ever and along the way Gray – who is secretly a journalist with a mission – struggles to maintain his composure and his sanity as he finds himself in the middle of a very violent gang war in Oakland, California. The more time Gray spends time with the crime gang he joined, the tougher the situation becomes for him.

With those details laid down, here is a look back at Venom: Funeral Pyre #2, published in 1993 by Marvel Comics with a story written by Carl Potts and drawn by the late Tom Lyle.

Early story

The story begins with Gray and his gang companions riding a car approaching a group of people on the street. The gang leader pressures Gray to use his weapon to kill them. Gray is deeply worried not only because he has to prove his worth to the gang by killing other, but also because the rescue attempt he was waiting for had not yet happened.

Meanwhile, Venom finds himself trapped on the doorway of a building with the metal gate locked and with rays of microwave from the Punisher’s van radiating him painfully. As the Punisher leaves them behind, Venom manages to use the symbiote to reach into the van and smash the control panel inside which disabled the microwave rays.

Immediately, he recovers and breaks out to continue his mission: to rescue Gray…

Quality

*The murderous Venom actually helped the Punisher.*

When it comes to the storytelling, there are some improvements that made this comic book more readable than issue #1. For one thing, the exposition has been reduced which allowed the pace of the story to move faster. Most of the exposition here has been limited to Gray who at this stage of the mini-series was clearly bound to become the central object of the Funeral Pyre concept. Another thing is that the story’s structure here is simpler and easier to follow as Venom and Punisher moved on their own struggles separately before predictably getting together again.

While the mini-series has clearly been a tale of a city gang war – with a pretentious and unwilling gang member who expected to be rescued before things become too chaotic – that happened to pull the Punisher and Venom in for different reasons, Carl Potts added some elements that would resonate with Marvel Comics fans who are familiar with HYDRA and the Super Soldier aspects of the Marvel Comics universe history. Not only that, there is a science fiction-inspired setting near the end of the story that added variety to the in-story environment.

Like the first issue, this one is packed with a good amount of action scenes and that means Punisher and Venom fans have a lot of stuff to enjoy. Tom Lyle really is good with showcasing the respective spectacle of the vigilante and the symbiote-wearing murderer, and when he has the two together, his visual creativity intensifies.

Conclusion

*Grey shooting blindly at the targets while riding the car of the gangsters he joined.*

Venom: Funeral Pyre #2 (1993) is clearly an improved reading experience over issue #1 mainly because of the reduced information dump, the simpler plot structure and the creative showcase of Venom and the Punisher. While Gray remains uninteresting, his late-stage transformation turned out to be somewhat surprising and it was only near the end of this comic book that the Funeral Pyre concept became clear.

Overall, Venom: Funeral Pyre #2 (1993) is satisfactory.

+++++

What to watch on YouTube right now – Part 7

July 7, 2023July 5, 2023carlocarrasco

Have you been searching for something fun or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?

I recommend you check out the following topics and the related videos I found.

#1 Raiders of the Lost Ark videos

If you are feeling nostalgic about the Indiana Jones franchise and want to revisit the very first movie Raiders of the Lost Ark, then you are not alone. The new movie Indiana Jones and the Dial of Destiny (made by the woke Disney company and handled by the unpopular Kathleen Kennedy with James Mangold as director) turned off a lot of long-time fans and this incidentally created renewed interest about the very first movie from 1981. For the newcomers reading this, Indiana Jones is the joint creation of Steven Spielberg and George Lucas and they eventually collaborated together in making four Indy movies from 1981 to 2008. To learn more about Raiders of the Lost Ark and how the movie came to be, watch the videos below…

#2 Starfield is approaching and you can prepare yourselves for it

Starfield, the epic sci-fi role-playing game (RPG) from Bethesda (Skyrim, Fallout 4), is coming out on Xbox Series X, Xbox Series S, Windows PC plus Xbox Game Pass and PC Game Pass with an official release date of September 6, 2023. For those of you who missed out on the recent Xbox Games Showcase, you can still catch up and learn more about the Xbox-exclusive Starfield by watching the videos below…

#3 Planetshakers’ Worthy is the Lamb music video

Recently, Planetshakers released online the music video of their worship song Worthy is the Lamb (note: Words by Noah Walker and Andy Harrison, Music by Joth Hunt). The said song is indeed holy, beautiful and will help you move closer to the Lord. Just take note that this Planetshakers worship song is not to be confused with Hillsong Worship’s song with the same title. Watch the official Planetshakers music video of Worthy is the Lamb and the story video below…

#4 Get ready for Forza Motorsport (2023) this October

It took Team Xbox and Turn 10 a long time but they finally revealed that their much-anticipated Forza Motorsport (2023) will be released on October 10, 2023 only on Xbox Series X, Xbox Series S, Windows PC plus Xbox Game Pass and PC Game Pass. In relation to the announced release date, Turn 10 released a new trailer as well as an in-depth examination of the game. Watch the following videos of Forza Motorsport (2023) below…

#5 A look back at Indiana Jones’ Greatest Adventures

For those of you who are still feeling nostalgic or still craving for more Indiana Jones-related content, be aware that way back in the mid-1990s, there was an official video game of the cinematic icon – Indiana Jones’ Greatest Adventures. While I myself played the Super Star Wars games on the Super NES back in those days, I never got to play Indiana Jones’ Greatest Adventures which itself was an official adaptation of Raiders of the Lost Ark, Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade and made with side-scrolling adventuring in mind with a few Mode 7 sections set up to prevent the game from being too repetitive. Check out the following videos below…

+++++

A Look Back at Aliens vs. Predator #4 (1990)

June 30, 2023June 29, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1990 to take a close look at one of the more significant non-superhero crossover comic book events ever published – Aliens vs. Predator!

In my previous review, things changed for the worse for the humans as their colonial community gets overwhelmed by the presence of Aliens and Predators. Risking her own life, Machiko Noguchi does what she could to protect her constituents. Along the way, one certain Predator that was restrained and examined in the laboratory eerily decides to help the humans.

With those details laid down, here is a look back at Aliens vs. Predator #4, published in 1990 by Dark Horse Comics with a story written by Randy Stradley and drawn by Phill Norwood. This is the final issue of the mini-series.

Early story

The story begins with Noguchi and Miriam flying in a Copter and right below them is the chaos composed of a cattle stampede and the ongoing conflict between Alien Xenomorphs and the armed Predators. While flying, Noguchi and Miriam spot a lone Predator climbing up a tower while fighting off several Xenomorphs chasing him unrelentingly. It turns out the said Predator was Miriam’s own patient at the laboratory and she urges Noguchi to help him.

As part of the tower separates itself, the Predator is about to fall down and the Copter piloted by Noguchi comes closer to help him. Miriam uses a communicator to help the Predator realize they are helping him. As the Predator hangs on to one part of the Copter, an Alien jumps towards the vehicle causing Noguchi to react instinctively by jerking the controls. The Copter then spins on its axis as the nearby tower collapses.

The Copter begins to fall down on the street below…

Quality

*Even as this comic book is packed with lots of action scenes, thrills, and Aliens-Predator fights, the creative team succeeded in emphasizing the narrative all throughout.*

I am delighted to say that the Stradley-Norwood duo succeeded with maintaining the high quality works of this mini-series and concluded it with impact. At the heart of the story is the theme of survival with the humans being symbolized as casualties of a raging conflict between the fully determined and instinctive Aliens and the strategic and technological Predators.

Through the protagonist Machiko Noguchi, readers will realize that as a species, humans can survive not only by having a powerful will to progress backed with focus, but also by communicating and cooperating with an intelligent non-human species that shares their traits. In this case, the non-human species I’m referring to are the Predators. That being said, the Aliens are the non-human species with limited intelligence, fully determined to hunt anyone or anything, and absolutely do not care about morals nor the existence of any species they find different from themselves. All the symbolism about the three species got portrayed powerfully and creatively throughout the story here.

As before, the plot moved at a medium pace and details are emphasized through dialogue, visuals and narrations without ever dragging the pace down. This shows how the creative team proved to be efficient with explaining the details as they focused on telling the story in ways to keep readers engaged.

I should mention that the protagonist Machiko Noguchi became even more significant in this comic book. Without spoiling the details, I can say she blossomed into a heroic figure who risks her life to help many even as she faces tremendous odds. In case you are wondering, Noguchi is NOT a rip-off of Ellen Ripley as she is the colonial overseer dedicated to the corporation. It just so happens that Noguchi shares common traits with the cinematic icon such as bravery, the refusal to give up and having the will to help others even while risking her own life. I can only imagine Ripley and Noguchi conflicting with each other if they were together under normal circumstances.

Noguchis’s short but intense union with the cooperative Predator was told very believably which added depth to the story as well as impact on the conclusion.

As this is the final issue of the mini-series, the creative team really ramped up the big-payoff to what was built up before. In fact, the final conflict here seems to show that Stradley and Norwood were aware about what made the cinematic final conflicts of Aliens (1986) and Predator (1987) entertaining and memorable to moviegoers. That being said, I can say that certain action and sci-fi elements from those movies were implemented in this comic book’s final conflict which I found really engaging, inspired and fun to read.

Conclusion

*The union between Machiko Noguchi and this particular Predator is a must-read!*

Aliens vs. Predator #4 (1990) is truly a great comic book as well as a powerful conclusion to this very significant comic book mini-series. The creative team not only told the whole storyline with great quality, a steady pace and strong engagement all throughout. It is also here where you will get to see Machiko Noguchi become very significant not only within the Aliens-Predator comic book universe of Dark Horse Comics but in sci-fi comics in general. The ending of this comic book is very powerful and served also as a big pay-off to what preceded it. This is a genuine sci-fi comic book classic!

Overall, Aliens vs. Predator #4 (1990) is highly recommended!

+++++

A Look Back at Superman vs. Aliens #2 (1995)

June 22, 2023June 19, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 to examine another chapter of the Superman vs. Aliens mini-series.

In my previous retro review, an object from space on Earth and Superman (who previously as Clark Kent learned of the Kryptonian language from the signals transmitted by the object) intervened the discovery of it in the presence of Lexcorp. After much talk and an agreement, Superman went into space with one of Lexcorp’s space ships (under the watch of Dr. Kimble who leads the corporation’s space division) leaving behind Lois Lane at the space station with Kimble. Deep in space, Superman arrives and discovers a ruined city with physical signs of struggle. What he does not realize is the presence of eggs and the Xenomorphs lurking within the new environment.

With those details laid down, here is a look back at Superman vs. Aliens #2, published in 1995 by Dark Horse Comics and DC Comics with a story written and drawn by Dan Jurgens with ink work done by Kevin Nowlan.

Early story

The story begins in space when a space ship sent home by Superman is about to collide with the space station near Earth. As one of the crew members failed to take remote control of the incoming ship, a very determined Dr. Kimble takes over the controls and eventually took command of the said ship. Lois Lane, who showed signs of self-restraint and deterioration of her professionalism as a journalist, watches. As Kimble, Lane and the crew members approach the ship at the station’s docking bay, one passenger was found dead (a Chestburster alien came out of him) while three others were still alive.

As Dr. Kimble and personnel brought the surviving passengers in the infirmary, Lois Lane takes advantage of the situation by climbing up the ship to examine it closely. She knows that without the ship, her beloved Clark Kent/Superman is stranded in space. She is completely unaware of the presence of a fully grown Xenomorph alien watching her from a dark corner.

Meanwhile at the ruined city on the other side of the galaxy, a blindfolded Superman is carefully guided by the armed Kara going to a place that has medical equipment and supplies…

Quality

*Lois Lane during her encounter with the Xenomorph inside the space station.*

This is a solid follow-up to what was established in issue #1. In this comic book, the creative team gradually raised the stakes as two sides of the story were told extensively in alternating fashion – the side of Superman and Kara in deep space, and the other side of Lois Lane and Dr. Kimble (clearly the 3^rd most important character in this mini-series) inside the space station.

As the story went on, Superman became even more vulnerable not only because he grew weaker as he has been cut off from the sun (a primary source of energy for him), but also because struggling with the aliens wore him down a lot and he still insists on avoiding any acts of killing due to what happened to him previously. As the Man of Steel became more vulnerable, Kara (who is experienced already in fighting the Xenomorphs which she referred to as the uglies) became an even more significant character (next to Dr. Kimble) and she became a highly essential partner for the icon.

Even for us readers, Kara creatively became even more engaging as she shared memories of events (note: exposition) that happened sometime prior which explains why her city got ruined and how the Aliens arrived and made her people’s problems even worse. The visualization of the said events were efficiently done for a good immersion into the past.

While the Superman-Kara thread emphasized survival facing tremendous odds, the Lois-Kimble thread became a more significant part of this mini-series as the space station became the new place for Xenomorph attacks. While Dr. Kimble remained obsessed with achieving results with scientific discoveries and corporate interests in mind, Lois Lane became the hunted similar in the style of Ellen Ripley in 1979’s Alien.

If you are looking for action, you will find a lot of them in both threads of the story. While just one Xenomorph on the space station led to some incidental action moments, a lot more action happened on Superman-Kara’s side of the story as they (along with a few human survivors on the ruined city) faced a huge horde of aliens that kept on attacking them from all sides. If you are looking for superhero spectacle, you won’t find it here as the action is more grounded with sci-fi’s interpretation of reality and Superman here is weaker and a lot more worn down physically. Then again, this is not surprising given the tone and concept the creators aimed for.

Conclusion

*Superman and Kara struggling hard as they are surrounded by lots of Aliens. One of Kara’s fellow people is present in this shot.*

Superman vs. Aliens #2 (1995) is really engaging to read and there were lots of fun moments along the way. Even as the creators were building up something for the third and final issue, they managed to pull off big pay-offs to what was built up in issue #1. While the lack of superhero-style spectacle is clear, it is not a problem at all as there is a lot of action involving the many Xenomorphs in the ruined city plus the bouts of suspense and incidental action executed during Lois Lane’s encounter with a single but deadly Alien. Considering how much fun and engagement this comic book has, it remains to be seen how the next issue will live up to it.

Overall, Superman vs. Aliens #2 (1995) is highly recommended!

+++++

A Look Back at Spider-Man 2099 Special #1 (1995)

June 21, 2023June 18, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 and explore a part of the Marvel 2099 comics universe through a tale of the Spider-Man 2099 franchise.

Specifically speaking, we will examine a thick one-shot comic book about the futuristic Spider-Man simply referred to as a special. Back in those days, Marvel Comics hired the famous Brothers Hildebrandt and among the projects they worked on were varied pieces of captivating art about Marvel’s 2099 universe. In relation to this particular retro comic book review, the Hildebrandt brothers made the cover art for the special comic book which contained three standalone stories.

With those details laid down, here is a look back at Spider-Man 2099 Special #1, published in 1995 by Marvel Comics with the main story “The Menace of the Man-Spider” written by Jon Peterson and drawn by Joe St. Pierre.

Early story

The story begins at 1:45 AM inside the high-tech laboratory of Synthia when the Man-Spider (a human in a monstrous form of a huge spider) causes havoc and tries to hurt the personnel inside in response to their interference of his work. One of the troubled personnel manages to call for help as the Man-Spider tries to get them.

Just as the two workers get hit by the Man-Spider’s organic green web, armored elements of the security force arrived in response to the call and one of them fires a hot at the beast’s right arm causing a serious wound. Suddenly, the Man-Spider violently jumps away smashing through a large window going into the city. The Man-Spider escapes leaving behind a mess at the laboratory including a high amount of organic web that disgusts the people back there.

Hours later at another part of the city, Spider-Man got spotted by a floating drone which declares him as under arrest under the authority of the Public Eye. Spider-Man simply kept on swinging away to another destination until he uses his organic web on the drone and hurls it to a wall and explodes into several tiny pieces. Once alone, he changes into civilian clothes as Miguel O’Hara and rushes to Synthia’s facility…

Quality

Focusing on the main story (the first story), I find this particular tale of Spider-Man of 2099 rather worthy to read even though there were some flaws here and there. Jon Peterson crafted a story that took place sometime before the 34^th issue of the original Spider-Man 2099 monthly series while reflecting what was declared in issue #8 and building up something new with it. The main story was about Spider-Man getting into eventual conflict with the Man-Spider (note: it looks like someone at Marvel decided to copy DC Comics’ Man-Bat and make something new for the Marvel 2099 franchise) who in turn is an antagonist who is deeply troubled and yet not really evil. The Man-Spider is actually a man who does not have super abilities but rather high scientific intelligence and the capabilities to alter genetics using advanced technologies. The Man-Spider is not obsessed with destroying the world or murdering people, but achieving a major breakthrough backed with good intentions.

One of the most notable weaknesses of the script written by Peterson is the emphasis that Miguel O’Hara/Spider-Man 2099, Dana and the so-called resident mad scientist Antoine have a history together since their youth. This one felt very forced and ended up being unbelievable.

Still on the world-building aspect of the story, this comic book showed a true link between the company Synthia and the gigantic Alchemax which reflects what was state in issue #8. This link between the two corporations opened up opportunities for the creators to emphasize Alchemax’s moves on securing valuable stuff for the future.

Ultimately, the main story turned out to be a good read even though there were flaws that somewhat took away credibility from its core concept. I should also state that Joe St. Pierre established a rather unique look for the Spider-Man 2099 franchise. His work here is a nice alternative opposite Rick Leonardi’s Spidey 2099 art.

While the 2^nd story of this one-shot was not worth reading at all, the final story has a unique concept exploring voyeurism in 2099 which accidentally reminded me about how social media in real life could ruin the public’s perception and people themselves.

Conclusion

*Spider-Man 2099, Dana and the Man-Spider in a dangerous situation.*

With a good enough main story, one forgetful 2^nd story and a satisfactory third story, Spider-Man 2099 Special #1 (1995) is ultimately a mixed bag. You will find variety here as well as unique takes on the futuristic Spider-Man and 2099’s society from the creators, but don’t expect great stuff. I think the most die-hard Spidey 2099 and Marvel 2099 fans will enjoy this the most.

Overall, Spider-Man 2099 Special #1 (1995) is serviceable.

+++++

A Look Back at Amazing Spider-Man #385 (1994)

June 19, 2023June 15, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1994 and explore a part of the Marvel Comics universe through one of the many tales of the Amazing Spider-Man comic book series.

In my previous retro review, Spider-Man has been caught by the Jury and gets tried in a makeshift court that is so secretive, getting help from outside is impossible. The trial explored how Spider-Man, who brought the alien costume into their world which later led to the beginning of his murderous mortal enemy, is responsible for the deaths and other tragedies connected to Venom.

With those details laid down, here is a look back at Amazing Spider-Man #385, published in 1994 by Marvel Comics with a story by David Michelinie and drawn by Mark Bagley. This issue marks the final chapter of a 3-part storyline between the iconic webslinger and the Jury.

Early story

The story begins with a restrained Spider-Man declared guilty and sentenced to death by the so-called court of Orwell Taylor and the Jury. Just as the team members are about to execute the webslinger, their teammate Ramshot intervenes and says that Spider-Man saves lives which is a matter of public record. Disappointed by Ramshot’s behavior, Taylor mentions their secondary mission is to obtain a weapon that might allow them to eliminate their true enemy – Venom.

Taylor then says that if Spider-Man would help them destroy the greater evil, then the court would consider commuting his sentence…

Quality

*Something unfortunate happens during the mission involving Spider-Man and the Jury.*

Considering all the drama and tension that was built up in the previous two issues, the story here is a letdown. For one thing, all the discussions about Spider-Man being responsible for the killings and violence caused by Venom lead to nowhere as the story took a turn for the bizarre concept of the hero getting spared to work with the very team that went after him. Secondly, the mission that Spidey and the Jury worked on really did not have a justifiable goal. This resulted in a disappointing turn of events. Ironically, in this comic book you will see more of Taylor’s cunning on top of his own distorted view about justice.

If there is anything notable here, it is the fact that Spider-Man’s wife Mary Jane gets a good share of the spotlight as she literally moves towards the edge in relation to the deteriorating marriage. This shows that as Spidey spends more time away to do what is good and push back against the forces of evil, his wife gets lonelier and desperate as life turns for the worse. At the very least, this comic book expresses that the marriage of Peter and Mary Jane could be doomed.

Conclusion

*This is how Mary Jane deals with loneliness and the decline in her life.*

Considering what was built up and heavily dramatized in issues #383 and #384, Amazing Spider-Man #385 (1994) is a rather weak conclusion. The way Spider-Man and the Jury parted ways felt more like sudden retreat than a real finish to what was started between them. Strangely enough, the focus on Mary Jane’s decline and desperation literally saved this comic book from becoming a creative disaster. The ending does not have much to do between Spider-Man and the Jury, but it was surprising in a crude way.

Overall, Amazing Spider-Man #385 (1994) is serviceable.

+++++

A Look Back at Superman vs. Aliens #1 (1995)

June 15, 2023June 13, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 to examine what was back then one of the most unthinkable comic book crossovers to ever happen – Superman vs. Aliens (also referred to as Superman/Aliens).

I remember sometime back in 1994, I bought a new superhero comic book from the local comic book retailer and what caught my attention was the print ad on the back – an Alien chestburster crashing through the iconic Superman S logo. A few of my friends who saw the same print ad chuckled at the concept of having the Man of Steel together with the monsters from the movie franchise that first started in 1979 with Ridley Scott’s Alien. Then came 1995 and eventually the first issue of the Superman vs. Aliens mini-series made it on the shelves of local comic book stores. Its cover easily attracted the attention of many and I saw the image of Superman being smaller to the Xenomorph alien in the background, the concept of the crossover started to intrigue me.

With those details laid down, here is a look back at Superman vs. Aliens #1, published in 1995 by Dark Horse Comics and DC Comics with a story written and drawn by Dan Jurgens with ink work done by Kevin Nowlan.

Early story

The story begins in space when a fast moving object from nowhere heads towards Earth which was detected by a satellite of Lex Luthor’s corporation. Behind the scenes, personnel initiated an alert for a certain Dr. Kimble.

Clark Kent (Superman) and Lois Lane arrive at the headquarters of Lexcorp. It turns out they were suddenly called for by the corporation due to what happened in space. As they ride the elevator heading towards the rooftop, Clark and Lois talk about Lexcorp’s space program and Dr. Kimble who happens to lead the said program.

At the roof, they meet Dr. Cheryl Kimble and immediately ride with her in the helicopter going to a certain destination in anticipation of the probe’s estimated arrival. During the trip, Kimble reveals that they received radio signals from the incoming probe which were garbled almost unintelligible. She then plays an excerpt of the radio signals for Clark and Lois to listen to.

For Clark, he cannot help but feel shocked as he finds the audio sounding like Kryptonian…

Quality

*Superman finds a dead Facehugger alien.*

Firstly, I can say without any hesitation that the creative team succeeded in making the crossover between Superman and the Aliens believable within this very comic book. For one thing, Dan Jurgens came up with a script and visual design that radically different from what was shown in Superman comic books of the time. The script had this somewhat adulterated tone that made the comic book move away from superhero fantasy and move into the realm of cinematic science fiction. For setting the tone and the look, the creative team scored a home run.

Secondly, the script was properly structured to immerse readers with the tale initially following Superman, Lois Lane and Dr. Kimble which ultimately served as a build-up. The good news here is that readers don’t have to wait too long for the pay-off to be executed. In fact, the pay-off itself (which happens when the Man of Steel finally encounters the Xenomorph for the first time) is huge and immediately the tension and depth of the plot really shifted into high-gear which I enjoyed. Along the way, the expository dialogue or the presentation of details (to help readers understand) was nicely balanced.

Thirdly, I love the way how Dan Jurgens presented Superman as being more troubled and more vulnerable than usual. To see the American icon go into personal obsession over the Kryptonian details was a really unique way to presenting his human side. Also having Superman deep in space far away from any sun or star (the essential source for his powers) really made him truly vulnerable as he actually got weaker even before facing off with a Xenomorph. Being in a vulnerable state, you will see the Man of Steel in real danger which truly goes against type (note: being super strong and invulnerable all the time). As such, the danger of the Aliens against him is believable and intense. What I do find weird, however, is how awkward it is for me to see Superman actually trying to reason with the first Xenomorph he encounters. Of course, he has no previous knowledge about the violent nature of the Aliens but we readers – and millions of people who saw any of the movies – know better than him.

As part of the build-up, Dan Jurgens inserted details and flashbacks that recalled previous tales that were published during the early stage of the post-Crisis era of DC Comics. This not only includes Superman’s arrival on Earth but also his strategic killing of General Zod, Zaora and Quex-Ul using green Kryptonite (as published in Superman #22 of 1988). As such, Superman’s deep regret of taking life away from others serves as a build-up for his avoidance of killing in this crossover. This actually races the stakes for his upcoming encounters with the Aliens.

Even though the story is told through Superman, Dan Jurgens still had enough room to develop Lois Lane and Dr. Kimble. Kimble symbolizes the driven corporate executive who is in-charge of operations that could help her make claims on scientific discoveries and new technologies. Lois Lane here served as the intellectual opposite of Kimble without ever going into the extremes of gaining something for her journalistic career.

Conclusion

*Superman with Lois Lane and Dr. Kimble.*

Very clearly, Superman vs. Aliens #1 (1995) is indeed a great comic book as well as great opener for its mini-series. Dan Jurgens established a tale that had sufficient build-up and when the pay-off started, the crossover aspect really made the story more compelling to read. Ultimately, this one made the crossover between Superman and the Xenomorphs believable, engaging and intriguing. This comic book is a great start and I am eager to find out what happens next.

Overall, Superman vs. Aliens #1 (1995) is highly recommended!

+++++

A Look Back at Aliens vs. Predator #3 (1990)

June 8, 2023June 4, 2023carlocarrasco

In my previous review, the humans of Prosperity Wells begin to get impacted by the presence of the Predators and the Aliens. A family got killed by Predator hunters at their home in the wilderness and only a young boy was able to get away and catch people’s attention in the outpost. Machiko Noguchi and her team initiate defensive measures in response to what has been happening. Two people even brought back a living Predator with them from the ruins of a Predator ship they inspected in the wilderness.

With those details laid down, here is a look back at Aliens vs. Predator #3, published in 1990 by Dark Horse Comics with a story written by Randy Stradley and drawn by Phill Norwood.

Early story

The story begins with Noguchi who finds herself in a dangerous position. In front of her is a horde of Xenomorphs and behind her is one Predator warrior who even assisted her a few moments prior. Armed with futuristic weapons, the armored warrior suddenly jumps above her and right into the Xenomorphs. The Predator efficiently slashed off the parts of a few Aliens using a bladed weapon and blew up one of them using another weapon.

The warrior eventually gets overwhelmed by more Aliens that came into the action. As the Xenomorphs focused strongly on the downed Predator, Noguchi takes advantage of the situation to run away and somehow get back to protecting the people as the outpost has been clearly invaded by two deadly non-human species.

Meanwhile inside the huge cargo ship that did not launch, two crew members freed themselves from the Xenomorphs’ restraints and try to sneak by the Alien Queen which they perceived to be sleeping…

Quality

*This is a fine example by the creative team on telling a sequence of intense moments without a single word of dialogue.*

From a storytelling point-of-view, this one is a huge pay-off to the build-up established in the first two issues and I can say I enjoyed this one. At this stage of the 4-issue mini-series, the human colony has turned into a battle zone between the Predators and the Xenomorphs and this obviously results in a lot of action scenes and other wild turns of events. It is also in this story where you will get to see Machiko Noguchi at her bravest yet, as well as her uncompromising way of protecting her people and solving the crisis at hand. As she and her fellow humans are in the middle of a crisis, nothing straightforward could happen nor could they make solid plans with any real chance of succeeding. The decisions Noguchi made here came with risks and through her struggles, you will be able to relate with her and you will also witness how the series of unfortunate events turn out with unpredictable ways which added some suspense and surprise to the narrative.

The spectacle here, unsurprisingly, are the battles between the Aliens and Predators. Such conflicts happened mostly in the background which is effective enough to establish the chaos that the humans have to endure. One of the Predators – which does not have a name – became a notable additional supporting player to the cast and his presence and actions added some intensity to storytelling even as the narrative consistently focused on Noguchi.

The way the story is told, this one maintains the natural progression of details from issue #1 and even though the action has been ramped up, there were still plenty of opportunities for readers to understand the details and grasp the plot. There is also rising tension as the narrative moves forward.

Conclusion

*There is nothing like trying to sneak past an Alien Queen in an area surrounded by multiple eggs laid by her.*

Being a big pay-off to the huge build-up of issues #1 and #2, Aliens vs. Predator #3 (1990) is highly entertaining and compelling to read! The action scenes and chain of incidents were ramped up a lot and yet this comic book never turned into a brainless fest of violence. The creative team managed to add some breathing space to not only let readers absorb the story details but also to immerse themselves with the situations. By the time I reached the end, I experienced this great satisfaction as well as further motivation to discover how the story will conclude in the next issue.

Overall, Aliens vs. Predator #3 (1990) is highly recommended!

+++++

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