Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the year 1983 to examine the Marvel Comics universe through the exploits of Dazzler!
As seen in the cover of the next Dazzler comic book I reviewed, the lady has Power Man and Iron Fist with her. In short, there is a crossover within Marvel Comics’ universe just waiting to be unveiled. Who exactly will Dazzler, Power Man and Iron Fist be facing? What kind of situation are they entering into?
With those details laid down, here is a look back Dazzler #24, published by Marvel Comics in 1983 with a story written by Danny Fingeroth and drawn by the late Frank Springer.
The cover.
Early story
The story begins with Rogue (of the Brotherhood of Evil Mutants) breaking through the front door of the apartment of Alison Blaire who remains her target. She realizes that Dazzler is absent which is inconvenient as she believes that the singer is key in her quest to find Angel and the rest of the X-Men. Rogue makes a mess of Alison’s things in the apartment and decides to wait for her to return.
A short time later, Alison is approached by her friend Frank on her way home. He tells her that someone broke into her apartment and made a mess inside. Realizing that the trespasser is none other than Rogue (note: they encountered each other in Dazzler #22) and that she alone does not have much of a chance in fighting her, she calls Power Man and Iron Fist for their professional help…
Quality
Alison Blaire desperately getting away from Rogue.
To begin with, this is one action-packed tale of Dazzler that still manages to emphasize the development of the protagonist and her newly formed bond with her half-sister Lois (who appeared a short time before this comic book was released). As a crossover set within the Marvel Comics universe, Danny Fingeroth’s story makes mention of the X-Men as Rogue continues her quest on getting Dazzler to get to Angel in order to find Charles Xavier’s team which is all part of the Brotherhood of Evil Mutant’s lust for revenge. Along the way, readers will get to see Rogue take on Power Man and Iron Fist (note: these two met with Dazzler in Dazzler #23) which was fun to see.
More on Dazzler herself, the stakes are raised again as she not only has to survive encountering Rogue but also of the fact that the powerful Brotherhood of Evil Mutants member becomes aware of Lois. I should state that there are two encounters between Dazzler and Rogue here, and each one was entertaining to read.
Conclusion
Alison Blaire plus Power Man and Iron Fist.
Dazzler #24 (1983) is a Marvel crossover tale which the creators made to add some action-packed variety while telling the story of Dazzler. That being said, the dramatic character development that this comic book series was notable for was lightened a bit to make way for the superhero spectacle. Not only does this comic book provide readers additional insight into the duo of Power Man and Iron Fist, it also showed some development about the conflict between the X-Men and the Brotherhood of Evil Mutants. Ultimately, this is one old and fun comic book to have.
If you are seriously planning to buy an existing hard copy of Dazzler #24 (1983), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $57 while the near-mint copy of the newsstand edition costs $113.
Overall, Dazzler #24 (1983) is recommended.
+++++
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the 1980s to examine the Marvel Comics universe through the exploits of Dazzler!
In my retro review of Dazzler #21 (1982), I observed that the story had no good-versus-evil conflict at all as it was purely character-driven and focused a lot on the personal development of Alison Blaire/Dazzler. More notably, the story shed light on both Alison’s father (a judge) and mother (who left the judge) and how the past affected the protagonist. Very clearly, Dazzler’s development really went deep since her first-ever appearance in an X-Men comic book. Speaking of the X-Men, I must say that one of the team’s notable members had an early (not the first) appearance in the next Dazzler issue I just reviewed. That character is none other than Rogue and she looks nothing like the way Jim Lee modernized her in the 1990s.
With those details laid down, here is a look back Dazzler #22, published by Marvel Comics in 1982 with a story written by Danny Fingeroth and drawn by the late Frank Springer.
The cover.
Early story
The story begins in the air high above the streets of New York City. Warren Worthington III/Angel’s flight gets disrupted as a group of hawks suddenly attack him from all sides. With quick thinking, he uses different methods to gradually lure each hawk and trick them into bumping into something to end their pursuit.
Meanwhile, as Alison Blaire rides the car driven by her field manager Lance going to the studio, she saves a roller-skating lady from colliding with a car using clever methods. At the studio, Alison prepares herself for a recording session under the watch of the perfectionist music producer L.B. Holman…
Quality
The Brotherhood of Evil Mutants led by Mystique.
As expected, the story in this comic book showed natural progression on developing the protagonist as well as her parents while also reviving the superhero trope of good-versus-evil which was clearly done for entertainment value. While the cover art had Rogue hitting Dazzler, the good-versus-evil conflict within is actually bigger than that as the story involves not only Rogue but also notable X-Men villainess Mystique plus Destiny.
As this was in the early 1980s, Rogue was not a member of the X-Men at the time and was still new (her first-ever appearance was in Avengers Annual #10 in 1981). Regarding Mystique, her appearance in this comic book was not merely just an appearance but rather an extension of the exploits of her group called the Brotherhood of Evil Mutants and it has been her desire to get back at the X-Men over what happened in Uncanny X-Men #142 (part 2 of the Days of Future Past storyline). As such, having Dazzler encounter the evil group in the presence of the X-Men’s Angel was a very strategic move by Danny Fingeroth as it emphasized the crossover aspect within the Marvel Comics universe of the time complete with pretty good dialogue and details emphasized.
This also helps remind readers of Dazzler’s previous involvement with the X-Men and cleverly gave them the idea of what would things be like if the protagonist someday really joined the team of mutants.
On character development, dramatizing Alison’s mother and father shows progress from what happened near the end of the previous issue which is a nice touch. Even Alison’s boyfriend Ken got his own share of the spotlight. What is most notable when it comes to characterization in this comic book is the smooth and fine chemistry between Alison and Warren Worthington. The two made convincing friends and how their respective circumstances brought them together here was well executed by the creators.
Conclusion
Discreetly, Alison Blaire uses her power to help someone.
Dazzler #22 (1982) is enjoyable and has that fine balance between characterization, plotting and spectacle. The good-versus-evil conflict here should really catch the attention of readers, especially those who are deeply interested with the X-Men-related characters and groups of the early 1980s. There is also enough superhero action to keep readers entertained and clearly this was done to make up for the lack of action in the very dramatic issue #21.
If you are seriously planning to buy an existing hard copy of Dazzler #22 (1982), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $57 while the near-mint copy of the newsstand edition costs $113.
Overall, Dazzler #22 (1982) is recommended.
+++++
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the year 1982 to examine the Marvel Comics universe through the exploits of Dazzler!
While my most recent retro review of Dazzler was the 4th issue of its monthly series, I have decided to jump straight to issue #21 for this new retro review. By the time Dazzler #21 got published, the unusual superhero went through a lot and illustrator Frank Springer became fully established as the monthly series’ definitive artist.
With those details laid down, here is a look back Dazzler #21, published by Marvel Comics in 1982 with a story written by Danny Fingeroth and drawn by the late Frank Springer.
The cover.
Early story
The story begins with Alison Blaire/Dazzler being carried above the buildings of New York City by Angel (Warren Worthington) of the X-Men. At this point in time, Alison’s father judge Carter Blaire snapped under the weight of turmoil related to the death of his wife and his daughter’s rebelliousness. As Dazzler, Alison had gone through intense encounters with the likes of the Incredible Hulk, She-Hulk, a top-secret syndicate that made her a test subject and even Galactus.
Recently, Bella – Alison’s grandmother – could not cope with her son’s breakdown and reached out to Warren Worthington to help her reach Alison. Since after being found, Alison had been traveling with Angel by air.
Along the way, Spider-Man sees them and recognizes Alison as Dazzler. He swings to try to get their attention but was ignored as they were so focused on their objective. A short time later, Angel and Alison arrive at judge Blaire’s home. Her grandmother greets them and tells her she hopes that she can get through to judge Blaire.
The doctor, however, advised against that tactic and states that Alison’s intervention may worsen her father’s condition as much of it was centered on her…
Quality
Alison Blaire and her friend Vanessa try out new clothes.
I’ll go straight to the point about what the story of this double-sized comic book is about without spoiling it. It is a pretty dramatic look at the protagonist in her civilian form as Alison Blaire. You will get to see her as Dazzler in this comic book but if you are looking for a lot of superhero moments of her or if you are looking for Dazzler in a conflict with evil elements, you won’t find it here.
More on the plot, this comic book explores deeply the emotional and personal dimensions of Alison and along the way, stories about her own past as well as the respect past events of both her father and mother got dramatized. The story tackles themes like independence, maturity, marriage, personal development, family ties and personal conflicts of interest. The good thing here is that the script by Danny Fingeroth is very well-written and it seems he did his research on constructing a personal story about Alison Blaire that is very grounded in reality. That being said, the superhero elements have been pushed aside most of the time and the ironic thing is the fact that the other Marvel superheroes – Spider-Man, Fantastic Four, The Avengers and more – appeared here as if to remind readers this is still a superhero tale.
Very clearly, this story was written for the very dedicated or even the die-hard Dazzler fans in mind. When it comes to the fun factor, the results could be mixed depending on what readers want to see in this comic book. For me personally, it is a pretty engaging story to read and at the same time it is fun enough as well.
Conclusion
Alison tries to help her troubled father.
Dazzler #21 (1982) could be barely received or strongly received or even rejected even though it has a very rich and dramatic script. The clear lack of the superhero presentation of Dazzler in favor of heavy drama and in-depth characterization may not win the approval of readers/collectors who love superhero stuff but it will resonate with the readers who really love the character and had immersed themselves into her life. As far as characterization goes, this comic book marks a significant turning point of Dazzler herself and in its story, she really developed a lot since making her first-ever appearance in Uncanny X-Men #130. If you are a Dazzler purist who does not mind the lack of superhero spectacle, this one could engage you.
If you are seriously planning to buy an existing hard copy of Dazzler #21 (1982), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $28 while the near-mint copy of the newsstand edition costs $60.
Overall, Dazzler #21 (1982) is recommended.
+++++
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, superhero enthusiasts, 1990s culture enthusiasts, and comic book collectors! Today we revisit the world of 2099 within the universe of Marvel Comics back in the 1990s, specifically through the Spider-Man 2099 monthly series.
Today we will look back at the sixth issue of Spider-Man 2099. Previously, Spider-Man struggled long and hard with the Japanese agent called the Specialist not knowing that they are being monitored by powerful forces behind the scenes. As Alchemax’s Tyler Stone wanted Spider-Man, something unexpected happened before issue #5 ended.
With those details laid down, here is a look back at Spider-Man 2099 #6, published in 1993 by Marvel Comics with a story written by Peter David and drawn by Ricky Leonardi.
The cover.
Early story
The story begins in downtown New York which is the historic and original section of the city located far below the modern-day society and its skyscrapers (referred to as Uptown). Lots of people are living in poverty in downtown New York and even so they are not spared by people who claim to have authority over them as public service personnel. A woman and her child got approached by two men who believe that the mother is two months behind her security payments.
As the physical struggle between them went on, they all found themselves close to a dead end with a pile of trash located on it. Suddenly, a human arm comes out pushing the trash out of the way which stuns them all. Spider-Man then emerges and asks for help…
Quality
Spider-Man of 2099 is so weak and vulnerable, he could not even swing his way around and has to take a ride in downtown New York City.
If there is anything clear about this comic book, it is the fact that Peter David portrayed the futuristic Spider-Man as not only struggling for survival but also as a fugitive complete with a brand-new physical environment which is a dark, far futuristic vision of 20th century New York City. The good news is that David succeeded with what he executed and to say the least, this story has a completely different feel compared to issues #2, #3, #4 and #5.
On Spider-Man, the protagonist was shown to be very vulnerable. His fall from uptown to downtown really wrecked his health and due to the genetic modifications that happened to Miguel O’Hara in issue #1, his above-normal (albeit slow) recovery and strength to even move out the medical facility while being injured are justified creatively. Spider-Man being hunted together by Private Eye and their downtown counterparts (note: there is a clash of cultures and attitudes between them which was nicely dramatized) adds a new layer of suspense mixed with tension which easily reminds me of the fact that the futuristic web-slinger is just a worm within the futuristic and oppressive society of New York in 2099 under Alchemax (note: clearly anti-corporatism is a key element of Marvel 2099 which can be deceiving and misleading to readers, especially those who are vulnerable to the lies and deception of socialists, Marxists, Communists, liberals and other elements of the Satanic Left).
As expected, Peter David further dramatized relationships or connections between the supporting characters. He further spiced up the script with the gradual first appearance of a key 2099 villain for Spider-Man to face off with. I won’t reveal which villain is that and I encourage you to find out by reading this comic book.
Conclusion
Early in the comic book.
Spider-Man 2099 #6 (1993) is fun and compelling to read. What makes it compelling is the creative way the author changed the mood of the story as it shifted into downtown New York of 2099 filled with poverty, darkness and hopeless living. Spider-Man as a fugitive here is similar yet different enough compared to how local authorities perceive the classic Spider-Man/Peter Parker. At this point of the monthly series, Spider-Man of 2099 is shown to be very vulnerable and Miguel O’Hara finally becomes desperate not just to survive but also get back home somehow.
If you are seriously planning to buy an existing hard copy of Spider-Man 2099 #6 (1993) be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30 while the near-mint copy of the newsstand edition costs $90.
Overall, Spider-Man 2099 #6 (1993) is recommended.
+++++
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/
The fear and panic over Omicron is still strong and already several government units reacted heading towards the enactment of mandatory vaccinations, according to a recent CBN News report.
To put things in perspective, posted below is an excerpt from the statement published by CBN News. Some parts in boldface…
The World Health Organization admits there has yet to be a single death from the Omicron variant, but that hasn’t stopped some governments–especially in Europe–from using it as another reason to enact mandatory vaccinations.
Here in the U.S., Omicron cases are now confirmed in at least 17 states.
“We have several dozen cases and we’re following them closely. And we are, every day, hearing about more and more probable cases,” said CDC Director, Dr. Rochelle Walensky.
But so far, Omicron does not seem to be dangerous. Initial studies show it has a similar genetic structure to the common cold, making it more transmissible. But in South Africa, where Omicron first emerged, hospitalizations have not increased significantly.
Dr. Anthony Fauci, director of the National Institute of Allergy and Infectious Diseases said, “We really need to be careful before we make any determinations, but thus far the signals are a bit encouraging regarding the severity.”
Peter McGinn of Minnesota tested positive for Omicron after a visit to New York City.
He had been fully vaccinated and received a booster.
“I felt kinda tired. I felt bad for about a day. I did my absolute best to follow the guidelines, I had my mask on the entire time,” McGinn said.
COVID guidelines and restrictions have become a significant issue in Europe, where some nations are requiring citizens to be vaccinated. And that has sparked massive and sometimes violent demonstrations across the continent.
At a protest in Brussels, a Belgian woman said, “I don’t agree with the mandatory vaccinations because these vaccines, I don’t think they’re great yet. “
A Spanish protestor in Barcelona said, “The dead from COVID-19 are mostly vaccinated people instead of non-vaccinated. That’s in all hospitals.” Another said, “We don’t want the COVID-19 passport. We want freedom. It’s a human right. We don’t want vaccines, neither for us or our children. This is a genocide.”
Austria has announced it plans to become the first country in Europe to make COVID-19 vaccinations mandatory. Germany plans on making vaccinations compulsory for some jobs.
European Union leader Ursula von der Leyen says it’s time for the E.U. to discuss a Europe-wide vaccine mandate.
Posted below is the related news video of CBN News…
Omicron also a factor as mentioned by New York City’s outgoing mayor
In the City of New York, the exiting Mayor Bill de Blasio announced his own vaccine mandate for private employers and vaccine passports on the people (including children) according to a separate CBN News report. De Blasio mentioned the Omicron variant as a new factor as well as the cold weather creating additional challenges on dealing with the Delta variant in the city.
The weird thing about the NYC mandate is that the federal private employer mandate has been put on hold. Kathryn Wylde, the head of the business group Partnership for NYC, questioned the mayor’s authority to impose the local mandate on private employers. The United States Representative of Long Island Lee Zeldin called the mandate a “job-killing, small business-suppressing mandate.”
“When you dangerously combine a far-left, lame-duck politician, who is anti-business, one-dimensional, unaccountable, not bright and has a perpetual ‘I always know best’ attitude,’ you get Bill de Blasio, the Worst Mayor in America,” Zeldin further said.
Let me end this piece by asking you readers: What can you say about these newest developments overseas related to the Omicron variant? Do you think that the government units from New York City to Europe panicked or overreacted? If you are physically in New York City or Europe right now, did you witness any protests or riots related to the vaccination mandates? Do you believe that the secular, Left-leaning and liberal news outlets magnified the Omicron variant too much and distorted the details to spread fear and panic?
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/
Do you seriously believe that the intergovernmental organization called the United Nations (UN) is really working for the good of the world as well as maintaining peace and security? Are you comfortable with the ideas that the UN would affect your personal liberty, violate your nation’s sovereignty and meddle in the local affairs?
I asked these questions for you my readers to be aware of what has been going and what is happening around us all in this very divided, screwed-up world we live in. Very recently, the UN had its 76th General Assembly in New York and UN Secretary General Antonio Guterres went ahead with what could be described as acts of fearmongering and making people even more worried during this COVID-19 pandemic.
To put things in perspective, posted below is an excerpt from the Philippine News Agency (PNA) report. Some parts in bold…
United Nations Secretary General Antonio Guterres raised the alarm on Tuesday as world leaders convened in New York for the 76th General Assembly, telling them to “wake up” in the face of cataclysmic challenges.
Speaking as the General Debate opened, Guterres said the international community is facing “the greatest cascade of crises in our lifetimes.”
“We are on the edge of an abyss and moving in the wrong direction. Our world has never been more threatened or more divided,” he said. “The Covid-19 pandemic has super-sized glaring inequalities. The climate crisis is pummeling the planet. Upheaval from Afghanistan to Ethiopia to Yemen and beyond has thwarted peace. A surge of mistrust and misinformation is polarizing people and paralyzing societies. Human rights are under fire, and science is under assault.”
Guterres blasted searing inequity in vaccine access with the developed world mulling booster shots for its populations while many in developing regions are desperately searching for immunizations.
“This is a moral indictment at the state of our world. It is an obscenity. We passed the science test, but we are getting an F in ethics,” he said.
The UN chief further warned that current national climate commitments will see emissions go up 60 percent by 2030, which he said would bring a “hellscape of temperature rises of at least 2.7 degrees above pre-industrial levels” as nations remain “light years away from reaching our targets.”
“Instead of humility in the face of these epic challenges we see hubris. Instead of the path of solidarity, we are on a dead-end to destruction,” he said.
The stark warning comes after the UN issued a report last week that said the commitments established in the 2015 Paris climate accord, which are largely not being met, would lead to a 16 percent increase in emissions by 2030 compared to 2010 levels. A cut of 45 percent by 2030 is needed to achieve carbon neutrality by mid-century, it added.
Guterres continued to warn of the dangers posed by ongoing great power competition between China and the US, saying he fears the world is heading toward “two different sets of economic, trade, financial and technological rules; two divergent approaches in the development of artificial intelligence, and ultimately, the risk of two different military and geopolitical strategies.”
“And this is a recipe for trouble. It would be far less predictable than the Cold War,” he said.
Amid the potential global split, Guterres said the UN’s powers remain too limited to address the globe’s challenges and need to be updated to ensure it could adequately address them.
When it comes to the climate change topic, the year 2030 is repeated yet again and as such it is important to point out that related climate change initiatives like the Green New Deal is a scam and renewable energy is itself unreliable as it depends on the cooperation with the weather (note: established energy forms like fossil fuels and nuclear power remain consistent, reliable and essential). It should be noted that climate change initiatives can be quite destructive to people socially and economically. Learn from the following videos below…
When it comes to the international community, the UN has a history of condemning Israel (click here and here) within its spectrum. Anti-Semitism is the norm for the UN for a long time now and there does not seem to be any movement from the UN leadership to stop it. As such, Israel has to keep defending itself. The lies that Israel is evil continue to circulate and I urge you readers not to be consumed by all the deception propagated by the enemies of Israel within the UN’s membership. As the UN cannot even solve its anti-Semitism problem within, how can they even prove their worth internationally with such developments like the what happened recently in Australia due to COVID-19 and Pakistan’s link with the Taliban in connection to the tragedies that happened in Afghanistan? Do we really need the United Nations at all? Learn from the videos below…
Finally, I want to point out that as the children of the Heavenly Father, we the faithful should follow Him, not the world. What is worldly is clearly not holy. Even world leaders are not immune to sin and the many temptations that come with the power they wield over people. The evil one – Satan – is clearly causing division worldwide using many methods and human pawns, and not a lot of people depending on worldly authorities and influences realize that. Learn from the holy scriptures below…
The Festival of Unleavened Bread, which is also called Passover, was approaching. The leading priests and teachers of religious law were plotting how to kill Jesus, but they were afraid of the people’s reaction.
Then Satan entered into Judas Iscariot, who was one of the twelve disciples, and he went to the leading priests and captains of the Temple guard to discuss the best way to betray Jesus to them. They were delighted, and they promised to give him money. So he agreed and began looking for an opportunity to betray Jesus so they could arrest him when the crowds weren’t around.
Luke 22:1-6 (NLT)
Thus says the Lord:
“Cursed is the man who trusts in man
And makes flesh his strength,
Whose heart departs from the Lord.
Jeremiah 17:5 (NKJV)
Jesus answered and said to him, “Most assuredly, I say to you, unless one is born again, he cannot see the kingdom of God.”
John 3:3 (NKJV)
Lord, it is so much better to trust in you to save me than to put my confidence in someone else.
Yes, it is so much better to trust in the Lord to save me than to put my confidence in celebrities. Once I was hemmed in and surrounded by those who don’t love you. But by Yahweh’s supernatural power I overcame them all!
Yes, they surrounded me, like a swarm of killer bees swirling around me. I was trapped like one trapped by a raging fire; I was surrounded with no way out and at the point of collapse. But by Yahweh’s supernatural power, I overcame them all!
Psalm 118:8-12 (TPT)
Trust in the Lord with all your heart,
And lean not on your own understanding;
In all your ways acknowledge Him,
And He shall direct your paths.
Proverbs 3:5-6 (NKJV)
Very clearly, it is only the Heavenly Father, His Son Lord Jesus and the Holy Spirit who can protect us, heal us, lift us up and protect us all from Satan and the screwed-up world. The United Nations cannot do the same for it (along with other worldly bodies out there) is vulnerable to sin and temptation, not to mention being influenced by the climate change extremists, the Marxists, the socialists, the secularists, the abortionists, the Communists, the liberals, the SJWs, the covetous, the religious extremists, the atheists, the fascist and the terrorists. Where is the spark for the UN to reform itself in and out? What we can do is pray to the Lord so that the worldly forces will realize their errors, stop doing Satan’s will, come to the Lord, repent to Him and submit themselves to His authority.
Any person of faith knows it is only the Lord anyone can truly trust wholeheartedly and worship eternally. It is only the commands from the Lord we should follow, not the commands of the worldly. As people of faith, we must always stand with the Lord and spread the Word of God to the countless unsaved and lost souls everywhere to help them realize that Jesus is Lord and Savior of all and He is truly the only way to salvation. True peace, stability, security and prosperity will be realized under the Lord, not under worldly forces.
+++++
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, superhero enthusiasts, comic collectors, 1990s culture enthusiasts and fans of Marvel Comics! After a very fine start, things really went downhill with the story and presentation in Dazzler #2. That comic book had Dazzler (then a hot new property for Marvel Comics) completely overshadowed by the big mix of established Marvel superheroes fighting opposition elements. To say the least, Dazzler #2 was a major letdown, a very big disappointment and anyone who loves Dazzler should avoided it.
Will we see Dazzler presented much better in the next issue? We can find out in this look back at Dazzler #3, released in 1981 by Marvel Comics with a story written by Tom DeFalco and drawn by John Romita, Jr., and A. Kupperberg.
The cover.
Early story
The story begins with Dazzler (not wearing her face paint) participating scientific test conducted by Fantastic Four leader Reed Richards/Mr. Fantastic at his team’s headquarters in New York. Dazzler has been converting every nearby sound into radiance and she’s beginning to sense her limitations. The test was done to determine Alison Blaire’s mutant capabilities. Also present were Johnny Storm, Ben Grimm and Sue Richards. Johnny reads a newspaper report about the United Nations’ plan to display the crown jewels that once belonged to their deadliest enemy Dr. Doom.
Afterwards, Dazzler meets her boss at his office and learns that she will be one of the openers at the benefit concert of UNICEF which is supposed to help her with her music career. The next morning, she decides to visit her old home where her father lives in. Over at the Bavarian Alps, Dr. Doom gets informed that among the jewels set to be displayed at the Unite Nations is the Merline stone. This compels him to make a move…
Quality
Dazzler versus Dr. Doom!
When compared to the disaster of issue #2, this comic book’s story is indeed an improvement as it has the expected superhero storytelling formula intact. The good news here is that the character development on Dazzler has returned and there is once again the strong emphasis on her relevance with the people of New York with regards to her being both a superhero and a musician.
The story moved at a moderate pace and it is clear that the creative team took the necessary steps to gradually build up the plot leading to the inevitable encounter between Dazzler and the Fantastic Four’s most definitive enemy (and Marvel Comics’ iconic villain). Take note, however, that the Dazzler-Dr. Doom conflict here is only the beginning.
As this story is more focused on Dazzler, you will get to see an early look at her tainted relationship with her father who desired her to become a lawyer like him, plus there is some focus on the behind-the-scenes development in one of the big events involving her. When it comes to spectacle, there is a right amount of it here which makes this comic book more fun to read than the previous issue.
Conclusion
A look at the business side of the music industry that Alison Blaire/Dazzler is involved with.
Dazzler #3 (1981) is indeed fun to read and the creators succeeded in developing Alison Blaire more while delivering the good stuff. While the match-up between her and Dr. Doom looks awkward from the surface, the strong writing justified it and all along Dazzler never looked like she was out of place being with Marvel’s iconic supervillain.
If you are seriously planning to buy an existing hard copy of Dazzler #3 (1981), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $28 while the near-mint copy of the newsstand edition costs $60.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, superhero enthusiasts, comic collectors, 1990s culture enthusiasts and fans of Marvel Comics! Way back in 1981, Marvel Comics had a successful comic book series launch with Dazzler #1 (read my retro review by clicking here) which sold over 400,000 copies and further sealed Dazzler as an advantageous addition for the company’s superhero comics franchise. Dazzler, a creation of a deal between Marvel and a certain record company, debuted in Uncanny X-Men #130 and got involved with the X-Men until Uncanny X-Men #131. Dazzler appeared with Marvel’s famous webslinger in Amazing Spider-Man #203.
Dazzler #1 ended with a brewing rivalry between the title character and Enchantress. With those laid down, here is a look back at Dazzler #2, published in 1981 by Marvel Comics with a story written by Tom DeFalco and drawn by John Romita, Jr.
The cover.
Early story
The story begins with Dazzler preparing for her big show at Numero Uno, a prestigious disco in the city of New York. Just before the show starts, a huge crowd of people are in attendance and among them are Wolverine, Peter Parker (Spider-Man), Captain America, Johnny Storm, Ben Grimm and Tony Stark (Iron Man) to name some.
Just as Dazzler appears on-stage and draws a frenzied applause from the audience, the revenger-hungry Enchantress slowly makes her moves to ruin the lady who outclassed her to be the main attraction of the club. Even with her desire for revenge, the Enchantress decides to use her magic sparingly on Dazzler. In the audience, Peter Parker/Spider-Man begins to sense something is about to happen…
Quality
This shows what this comic book is really about.
The way the story was told is disappointing. This is because the spotlight on Dazzler and her anticipated conflict with the Enchantress got overwhelmed by the amount of superhero filler on the narrative. To be clear, it is fun and interesting to see a mix of the varied superheroes of Marvel together but this comic book ended up being an all-star showcase (X-Men, Avengers and Fantastic Four members included) than a real, standalone Dazzler story. In fairness, Tom DeFalco showed how skilled he is with plot structuring and capturing the personalities and tropes of the different superheroes (note: unsurprisingly, DeFalco accurately captured Spider-Man’s personality and he went on to be a major force behind Spider-Man comic books) but that does not change the fact that this comic book should have been more about Dazzler.
When it comes to the conflict between Dazzler and the Enchantress, it was executed with no depth at all. Literally speaking, there is not enough meat to consume here and it the conflict really ended up looking very rushed. As if that was not bad enough, there is not enough justification to show Dazzler defeating a monster summoned by the Enchantress. Considering how shallow the Dazzler-Enchantress match-up turned out, it’s no wonder why there is so much Marvel all-star filler in the script.
As for the late-stage attempt to shift the narrative back to Dazzler, it is rather over-the-top and unsatisfying.
Conclusion
You recognize someone in the audience?
Dazzler #2 (1981) is an example about a creative team’s lack of confidence on crafting a decent story to develop a new superhero and ultimately resorting to fill it with a mix of other superheroes involved which itself symbolizes desperation. This comic book is not really a Dazzler story but an all-star showcase with Dazzler becoming a minor character in her own monthly series.
If you are seriously planning to buy an existing hard copy of Dazzler #2 (1981), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $28 while the near-mint copy of the newsstand edition costs $60.
Overall, Dazzler #2 (1981) is unsatisfactory. Anyone who loves Dazzler or who wishes to discover more of her will be disappointed with this comic book.
+++++
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Disclaimer: This is my original work with details sourced from playing Top Gear and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Remember back in the early 1990s how impressive the Super Nintendo Entertainment System (SNES or Super NES) was when it comes to fulfilling your early expectations of the enhanced gaming experience aided by new technology?
Super Mario World was astounding the first time I got to play it on our Super NES. The same experience too I had with The Legend of Zelda: A Link to the Past.
And then there was our first Super NES racing game titled Top Gear (not to be confused with the popular motoring media franchise) developed by Gremlin Graphics and published by Kemco.
The game cover.
Concept and Game Design
Top Gear is a car-focused racing game that had over thirty tracks and creatively emphasized the global locations in it. The very meat of the game is its global tournament in which you need to finish at least in 5th place in order to qualify to join the next race.
Creatively, each race has courses that vary in distance, the sharpness of turns (as far as 2D graphics allowed), number of laps and, strangely enough, have certain obstacles that can distract or even surprise such as stones, iron plates and even trees.
Before choosing a car, you must pay attention to the maximum speed, acceleration, tire grip and fuel consumption.
On the player’s side, there are cars offered and they vary in terms of maximum speed, acceleration, tire grip and fuel consumption. Cars also have nitro which come in limited amounts and can be used to give you a boost
For its visual presentation, Top Gear is strictly a split-screen game even during times you play only single-player. In my experience, split-screen is more lively to watch when playing against a fellow human player.
Quality
I can say clearly that Top Gear was highly enjoyable to play, and it was more fun 2-player sessions. On the very gameplay itself, I enjoyed the high-speed challenges that include overtaking other cars on the road while trying to climb up the rankings enroute to the finish line. Speaking of challenges, the aspect of managing your fuel supply while dealing with speeding and overtaking others is memorable and there were times when my car ran out of gas and stopped because I was not able to make a pit stop during the race.
The pit stop itself can be an advantage or disadvantage depending on situations. If you are low on fuel and you still have a long way to go, you need to refuel at the pit stop. However, the more time you spend on the pit stop, the more your opponents traveled catching up with you or increasing their lead over you. There were also memorable times when I had sufficient fuel and my opponent had to refuel at the pit stop. While opponent was refueling, I just kept driving and used the nitro to increase my speed and keep on moving forward.
Split-screen all the time, even when you play single.
Going back to the fuel management aspect, there were times when my car ran out of gas and stopped. Suddenly, an AI-controlled car from behind hit my car and gave me some forward movement. There were a few, unexpected times that my gas-empty car got pushed enough to cross the finish line.
Visually, race courses are limited in the sense that the game only shows split-screen views. You always have a road to travel on which can suddenly turn left or right depending on the race course. What adds visual variety are the surroundings specifically the elements on the sides of the road (examples: the desert environment Las Vegas, the snow of Sweden, the rain forest trees of Brazil) and background art (example: the metropolitan view of Tokyo). Sprite scaling is limited but that is understandable given the limits of the Super NES. Even so, the feeling and look of 3D is sufficient.
Night driving in 2D.
While the sound effects of cars bumping, tires screeching and engines are satisfying, what really stood out is the soundtrack which, for the most part, is energetic and even encouraging enough to keep me and my friends playing. Barry Leitch produced the music and due to the lack of time provided to him, he had to literally recycle and arrange his other musical works from Lotus games.
Conclusion
One car still racing on the road with low fuel, the other car is in the pit stop refueling.
Top Gear was truly a well-made game and it succeeded not only in delivering a true console generation upgrade over our NES for console racing but also created lots of bouts of fun for me and my friends. In my experience, this Kemco-published game was the first true gem of multiplayer on the Super NES. Even by today’s standards, Top Gear remains unique and still is very enjoyable for anyone who loves 16-bit, 2-dimensional console racing.
Overall, Top Gear is highly recommended!
+++++
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, X-Men fans, superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today, we look back at the year 1980 specifically the time when the Uncanny X-Men monthly series was spearheaded by legendary creators Chris Claremont and John Byrne. In fact, we will examine here the comic book debut of Dazzler, a mutant with the ability to convert the vibrations of sound into light and energy beams. Dazzler is quite unique among all superheroes as she has been portrayed as a singer, an actress, a model and got associated with other Marvel superheroes. Marvel Comics went on to actually publish a regular comic book series about Dazzler which lasted over forty issues.
To say the least, the creation of Dazzler is quite intriguing as it involved a commission by an American record label for a special project with a disco queen character as the core concept and that Marvel Comics itself would develop the superhero (in the form of a singer) and that an actual singer will be produced by the said record label. Then Marvel editor-in-chief Jim Shooter wrote a treatment for the project which turned from an animated special into a live-action film. As creative process for Dazzler went on at Marvel, Tom DeFalco (who later succeeded Shooter as editor-in-chief) wrote her creation while John Romita, Jr. did the character design. The name Dazzler was the result of a suggestion by Roger Stern. There also was some Bo Derek influence on the creation of Dazzler.
While the special project did not happen due to the financial problems of the record label, Marvel went on to formally introduce Dazzler in the pages of an Uncanny X-Men comic book handled by Claremont-Byrne team.
With those details laid down, here is a look back at Uncanny X-Men #130, published by Marvel Comics in 1980 with a story co-written by Chris Claremont and John Byrne. Byrne drew the art.
The cover.
Early story
The story begins on Delano Street in Lower Manhattan. Scott Summers/Cyclops, Jean Grey and Nightcrawler had just arrived on a mission to locate a mutant (detected by Cerebro) not knowing that they themselves are bring monitored by a hidden sinister force. With Nightcrawler left in-charge of guarding their Rolls Royce, Scott and Jean enter a deteriorating building only to find a club on an upper level full of lights, loud music, dancing and a lot of people. They begin to start searching for the detected mutant.
Outside, a truck parks on the other side of the same street where the X-Men’s Rolls Royce was parked at. Inside the truck one of the operators communicates to a certain Mr. Shaw who states that the Hellfire Club is proud. Over at the Hellfire Club’s headquarters, Sebastian Shaw and Jason Wyngarde talk about the X-Men members searching the disco. Wyngarde moves on with his plan to subvert Jean Grey and gather her into their fold…
Quality
Dazzler’s very debut on this page.
The storytelling is great which is not surprising as this was done by Claremont and Byrne. It is clear that there was a good amount of preparation done which explains this comic book’s excellent ways on emphasizing the following story points: the build-up of the Hellfire Club as a potent force of evil that await the X-Men, Kitty Pryde/Shadowcat’s growing involvement, the vulnerability of Jean Grey, the build-up of the Phoenix, and the debut of Dazzler. Along the way, the creative team also ensure that the dialogue was rich (the same thing also with the thought balloons Claremont came up with), the emphasis of super powers made sense, the action scenes were satisfying and there was a good amount of suspense here.
I love the way Dazzler’s first-ever appearance was handled as it happened just after an intriguing scene about Jean Grey’s vulnerability took place. Her debut also occurred at a point when Jean and Scott seemed to be failing to find her. Of course, the 1970s disco vibe was very strong with Dazzler.
Conclusion
The plot thickens…
Without a doubt, Uncanny X-Men #130 (1980) is a classic X-Men tale by the Claremont-Byrne team who succeeded in not only introducing Dazzler into Marvel’s comic book universe but also with strongly emphasizing the Hellfire Club as a powerful opposition which went on to have a key part in the legendary Dark Phoenix storyline that followed. Dazzler meanwhile became a very popular superhero of Marvel’s going into the 1980s. For the modern-day comic book reader, this comic book can be quite challenging to read as it is very wordy (typical of Claremont).
If you are seriously planning to buy an existing hard copy of Uncanny X-Men #130 (1980), be aware that as of this writing, MileHighComics.com shows that the very fine copy of the regular edition costs $1,407 while the fine copy of the newsstand edition costs $1,013.
Overall, Uncanny X-Men #130 (1980) is highly recommended!
+++++
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Author Carlo Carrasco 