Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back fellow geeks, pop culture enthusiasts and comic book collectors! Way back in 1982, the horror comedy anthology film Creepshow was released in cinemas and it gave moviegoers a fun time getting scared as it featured well-made short stories written by Stephen King and directed by George Romero. The two creators were strongly influenced by the 1950s horror comic books of EC Comics when they made the movie. Very recently, Creepshow was released on 4K Blu-ray loaded with lots of extras for fans and moviegoers to enjoy. The said 4K Blu-ray release can be ordered online now.
I myself first saw Creepshow on home video sometime in 1983 and got to replay it occasionally on cable TV and DVD. Strangely enough, it was only a few years ago when I first learned that there was indeed a comic book adaptation of the movie that was also released the same year it hit cinemas.
With those details laid down, here is a look back at Stepehen King’s Creepshow published in 1982 by Plum with stories written by Stephen King and drawn by Bernie Wrightson (with Michele Wrightson). The cover was illustrated by the late EC Comics legend Jack Kamen.
The cover.
Early stories
Father’s Day – Sylvia Grantham, her nephew Richard, niece Cass and Hank (husband of Cass) enjoy time together at the Grantham estate anticipating the arrival of Bedelia for the annual family dinner. It is an open secret within the family that Bedelia killed her late father Nathan Grantham who was so overbearing to her as she became responsible on nursing him full-time.
Bedelia apart from her relatives in Father’s Day.
The Lonesome Death of Jordy Verril – A lonely farmer named Jordy witnesses the unexpected arrival of a meteorite from out space which landed violently on his farm. After realizing what it is, he touches it without any protection and gets his fingers burned. Considering the rarity of the object, Jordy begins to imagine making a lot money by bringing it to the local college.
A page of the story of Jordy and the meteor.
The Crate – In the basement level of Amberson Hall (science building of Horlicks University), a janitor accidentally finds a very old wooden crate located right under the staircase. The writings “Ship to Horlicks University via Julia Carpenter – Arctic Expedition – June 19, 1834” were marked on the crate. Meanwhile a faculty party is taking place across town. During the party, the mild-mannered college professor Henry Northrup experiences embarrassment as his unhinged wife Wilma (note: referred to as Billie) talks way too much in front of professor Dexter Stanley and many others. Henry reveals to Dexter that he has grown to hate his wife. Suddenly, someone tells Dexter that a telephone call for him is waiting. It was the janitor who made the call.
Henry, wife Wilma (AKA Bilie), the janitor and Dexter Stanley in The Crate.
Something to Tide You Over – At a beach, Harry Wentworth could do nothing but remain helplessly immobile as his entire body and neck have been buried under the sand by Richard. It turns out that Harry has been having an affair with Becky, Richard’s wife. The helpless Harry expressed that he and Becky were really in love with each other. For his part, Richard has something else to show to him and he certainly has some things prepared.
Richard and Harry in Something to Tide You Over.
They’re Creeping Up on You – A wealthy and cruel businessman named Upson Pratt is alone in his well-lighted apartment. He has been suffering from mysophobia and has been living in isolation and only communicates with others using the telephone and other electronic methods. Slowly but surely, cockroaches begin to multiply in his apartment.
Upson Pratt and the cockroaches in They’re Creeping Up on You.
Quality
Starting with the storytelling with emphasis on how the comic creators selected content from the movie and translated it all into illustrated literature format with a little over sixty pages to work with, I can say that this comic book is pretty much a faithful adaptation of the film’s five short stories (note: the cinematic prologue and epilogue were never adapted). For each short story, it is clear that sufficient details from each cinematic tale were adapted and the overall concepts, acts and characterizations were pretty much maintained. This is a credible piece of illustrated literature work as each tale is not only readable but also engaging and entertaining complete with shock moments. Take note that Stephen King not only wrote all these tales for the movie, there were two tales that were previously published in literary format before Creepshow was even made. Whoever participated in the editing process behind the production of this comic book deserves commendations.
While the writing used in adapting the film’s concepts and characters turned out good, it is clearly obvious that certain cinematic elements could not be translated here. Remember how frantic and scared Dexter Stanley (played by the late Fritz Weaver) was in the movie after he witnessed the janitor got killed by the monster? Those cinematic emotions never made it in illustrated literary format here.
The artworks by Bernie Wrightson are pretty good to look at. Similar to the writing, the visuals here were made to recapture the look of the movie not in a shot-for-shot manner but with the artist’s own approach on how such scenes should be presented. That being said, I should state that the comic book panels that appeared in the movie’s transition scenes (example: still live action image slowly turning into illustrated comic book form) are NOT here at all.
You will instead see Wrightson’s own visual interpretation of the scenes from the movie and the artworks were inspired a bit by the 1950s horror comics of EC Comics and ultimately were more in line with the contemporary approach of drawing comic book art of the 1980s. The gory scenes from the movie made it in this comic book. When it comes to drawing monsters or the undead, the art result was uneven. While Wrightson’s art of the monster in The Crate was really scary to look at (in accordance to how it appeared cinematically), the work on the walking dead in Something to Tide You Over looked much less scary compared to those in the film.
While Wrightson clearly did not prioritize recapturing the likenesses of the actors to illustrate their respective characters, there were a few shots in which professor Henry Northrup somewhat looked like the late Hal Holbrook, and the illustrated Bedelia resembled the late Viveca Lindfors.
Conclusion
The best way to describe Stephen King’s Creepshow (1982) is this…it is indeed a very solid adaptation of the movie and its five short stories. While it was clear that not all the dialogue and other types of content of the movie could ever fit in this comic book, the creators did a very credible job of adapting Creepshow’s core elements and succeeded in making what they had solidly presented for readers to enjoy. Each short story from the movie turned out to be cohesive and enjoyable for reading.
When it comes to really enjoying this graphic novel, I personally would recommend you readers to watch the Creepshow movie first before reading. The film is the complete package of entertainment showcasing the combined works of Stephen King and director George Romero, while this comic book is ultimately the companion piece for those who enjoyed the movie as well as EC Comics’s horror comic books of the 1950s.
Overall, Stephen King’s Creepshow (1982) is highly recommended!
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! Back in the early 1980s, I managed to watch on home video the 1982 horror comedy anthology film Creepshow which was a fine collaboration between director George Romero and author Stephen King clearly inspired by the 1950s horror comic books of EC Comics.
The good news for fans of the movie as well as those who love watching movies in the comfort of home without streaming is that the Creepshow Collector’s Edition 4K Blu-ray (2 discs inside the set) from Shout Factory is now available at retail and for ordering online. For those who want the best in visuals, Creepshow’s 4K version is in native 4K!
The 4K Blu-ray cover cleverly uses the same art from the original movie poster of 1982.
To begin with, posted below are the technical specs of Creepshow Collector’s Edition 4K Blu-ray sourced from its Blu-ray.com page. Some parts in boldface…
Packaging – Slipcover in original pressing, Reversible cover
Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A
In case you are wondering how much stuff you will get in return for purchasing Creepshow Collector’s Edition 4K Blu-ray, posted below is an excerpt from the Blu-ray.com announcement page. Some parts in boldface…
BRAND NEW 4K RESTORATION OF THE FILM FROM THE ORIGINAL CAMERA NEGATIVE (2023)
Audio Commentary With Director George A. Romero And Special Make-Up Effects Creator Tom Savini
Audio Commentary With Director Of Photography Michael Gornick
Audio Commentary With Composer/First Assistant Director John Harrison And Construction Coordinator Ed Fountain
Terror And The Three Rivers – A Round Table Discussion On The Making Of Creepshow With John
Amplas, Tom Atkins, Tom Savini, And Marty Schiff
The Comic Book Look – An Interview With Costume Designer Barbara Anderson
Ripped From The Pages – An Interview With Animator Rick Catizone
The Colors Of Creepshow – A Look At The Restoration of Creepshow With Director Of Photography Michael Gornick
Into The Mix – An Interview With Sound Re-recordist Chris Jenkins
Mondo Macabre – A Look At Mondo’s Various Creepshow Posters With Mondo Co-Founder Rob Jones And Mondo Gallery Events Planner Josh Curry
Collecting Creepshow – A Look At Some Of The Original Props And Collectibles From The Film With Collector Dave Burian
Audio Interviews With Director Of Photography Michael Gornick, Actor John Amplas, Property Master Bruce Alan Miller, And Make-up Effects Assistant Darryl Ferrucci
Tom Savini’s Behind-The-Scenes Footage
Horror’s Hallowed Grounds – A Look At The Original Film Locations Hosted By Sean Clark
Deleted Scenes
Theatrical Trailers
TV Spot, Radio Spots
Still Galleries – Posters, Lobby Cards, And Movie Stills
Still Galleries – Behind The Scenes Photos
Wow, the above sure is a lot of stuff for the long-time Creepshow fans and the Blu-ray/4K Blu-ray collectors to digest.
For the newcomers reading this, Creepshow is arguably a landmark American horror movie as it used a very unique format of telling not one, not two but five standalone horror comedy stories that each had its unique concept and different casts. As comedy is mentioned, it means there is dark humor implemented that prevents each story from being too grim with its horror. In other words, the horror in this anthology film is unique and fun to watch. Adding further zest into its creativity was the use of comic book-inspired panels and backgrounds that really captured the vibes of 1950’s EC Comics-published horror comic books. This passionate collaboration between a movie director best known for zombie movies and an author best known for horror and suspense literature really stood the test of time. Not to be outdone, however, is the movie makeup and special effects works done by fan-favorite Tom Savini.
I should also state that Creepshow several actors who made fine contributions on-screen. Horror genre standout Tom Atkins plays the angry father in the film’s prologue and epilogue. The late Leslie Nielsen, who is often remembered for cinematic comedy, cleverly plays a villain (with a fine mix of evil and humor in his performance) opposite Ted Danson. There were also Hal Holbrook and Adrienne Barbeau as a very unique couple. In the Father’s Day segment, you will see the late classic actress Viveca Lindfors as the unfortunate aunt as well as a much younger Ed Harris in a supporting role. The late E.G. Marshall is the lead star in the fifth segment. Last but not least, you will see Stephen King himself act in one of the segments concerning the crash of a meteor. Apart from the horror concepts and stylish directing of Romero, the lineup of actors alone add tremendous value to Creepshow’s overall attraction and fun value.
Leslie Nielsen.
Hal Holbrook and Adrienne Barbeau as a married couple.
Author Stephen King as Jordy.
The impact of this 1982 horror anthology movie cannot be denied. In the years following Creepshow’s release, the Twilight Zone: The Movie anthology film of 1983 (note: this one even involved Steven Spielberg directing one story), the Tales from the Darkside horror anthology TV series (created by George Romero himself) and the Tales from the Crypt horror anthology TV series were released.
To know more about Creepshow, watch the video from Minty Comedic Arts below…
If you want the best enjoyment possible from watching Creepshow Collector’s Edition 4K Blu-ray, I highly recommend you avoid watching Creepshow movie reaction videos and the spoileriffic retro movie reviews posted by YouTubers.
Have you been searching for something fun or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?
I recommend you check out the following topics and the related videos I found.
If you are feeling nostalgic about the Indiana Jones franchise and want to revisit the very first movie Raiders of the Lost Ark, then you are not alone. The new movie Indiana Jones and the Dial of Destiny (made by the woke Disney company and handled by the unpopular Kathleen Kennedy with James Mangold as director) turned off a lot of long-time fans and this incidentally created renewed interest about the very first movie from 1981. For the newcomers reading this, Indiana Jones is the joint creation of Steven Spielberg and George Lucas and they eventually collaborated together in making four Indy movies from 1981 to 2008. To learn more about Raiders of the Lost Ark and how the movie came to be, watch the videos below…
#2 Starfield is approaching and you can prepare yourselves for it
Starfield, the epic sci-fi role-playing game (RPG) from Bethesda (Skyrim, Fallout 4), is coming out on Xbox Series X, Xbox Series S, Windows PC plus Xbox Game Pass and PC Game Pass with an official release date of September 6, 2023. For those of you who missed out on the recent Xbox Games Showcase, you can still catch up and learn more about the Xbox-exclusive Starfield by watching the videos below…
Recently, Planetshakers released online the music video of their worship song Worthy is the Lamb (note: Words by Noah Walker and Andy Harrison, Music by Joth Hunt). The said song is indeed holy, beautiful and will help you move closer to the Lord. Just take note that this Planetshakers worship song is not to be confused with Hillsong Worship’s song with the same title. Watch the official Planetshakers music video of Worthy is the Lamb and the story video below…
#4 Get ready for Forza Motorsport (2023) this October
It took Team Xbox and Turn 10 a long time but they finally revealed that their much-anticipated Forza Motorsport (2023) will be released on October 10, 2023 only on Xbox Series X, Xbox Series S, Windows PC plus Xbox Game Pass and PC Game Pass. In relation to the announced release date, Turn 10 released a new trailer as well as an in-depth examination of the game. Watch the following videos of Forza Motorsport (2023) below…
#5 A look back at Indiana Jones’ Greatest Adventures
For those of you who are still feeling nostalgic or still craving for more Indiana Jones-related content, be aware that way back in the mid-1990s, there was an official video game of the cinematic icon – Indiana Jones’ Greatest Adventures. While I myself played the Super Star Wars games on the Super NES back in those days, I never got to play Indiana Jones’ Greatest Adventures which itself was an official adaptation of Raiders of the Lost Ark, Indiana Jones and the Temple of Doom and Indiana Jones and the Last Crusade and made with side-scrolling adventuring in mind with a few Mode 7 sections set up to prevent the game from being too repetitive. Check out the following videos below…
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back fellow geeks, pop culture enthusiasts and comic book collectors! I want to make things clear to all of you that when it comes to movies, Indiana Jones is truly an American icon who will be remembered for a long time thanks to the combined works of the legendary creative team of Steven Spielberg, George Lucas and Harrison Ford.
In case you are wondering, I have no intention to watch Indiana Jones and the Dial of Destiny (2023) since that movie was specifically handled by Kathleen Kennedy whose leadership of Lucasfilm (under the Disney banner) ruined Star Wars since 2015. It does not help that the new movie was not directed by Spielberg and clearly it does not involve George Lucas on the creative side. I should state that I reject wokeness, political correctness and identity politics which defined Kathleen Kennedy’s handling of Star Wars and Indiana Jones.
That being said, now is a good time to back into the 1980s when the Indiana Jones entertainment franchise was still new and creatively expanding into other forms of media. In fact, Marvel Comics started publishing an Indiana Jones comic book series between Raiders of the Lost Ark and Indiana Jones and the Temple of Doom.
With those details laid down, here is a look back at The Further Adventures of Indiana Jones #1, published in 1983 by Marvel Comics with a story written and drawn by John Byrne with ink work by Terry Austin.
The cover.
Early story
The story begins with Indiana Jones (wearing formal attire for his academic profession) attempting to whip a small stick off the mouth of Miss Greebly who was standing very still. Jones’ superior Dr. Marcus came in to witness the stunt.
Shortly after, Jones and Marcus meet with former student Charlie Dunne who reveals to them he and his sister Edith learned the location of the Ikons of Ikammanen. Just seconds after stating he could prove that the ikons exist, Dunne suddenly gets hit on the back with a knife.
With Dunne suddenly killed and the discreet killer already gone, Jones and Marcus examine the content of the victim’s bag and find a map of coastal Africa, a photograph of a temple and an address…
Quality
Indiana Jones and Edith on a dangerous search.
I will start by stating the obvious thing about this comic book…it looks and feels like a genuine Indiana Jones adventure with clear inspiration taken from the 1981 movie. The basic elements are here: Indy does research and some detective work, he travels overseas searching for answers, faces danger along the way, and gets involved in a series of unexpected events. The good news is that John Byrne crafted a fun and high-quality literary adventure featuring the cinematic icon.
This comic book has an original story concept and deliberately the narrative flowed at a medium pace which allows build-up to immerse readers into the details, followed by some bouts of pay-off to entertain readers. I also like the way the narrations laid down the details with the intention of helping readers understand not only the situations, locations and people, but also giving them unique perspectives about Indy himself. The dialogue was well written and clearly believable. When Indiana Jones explains details, he really uses the knowledge he gained through academic research as well as recollections from his past expeditions or adventures.
I should also state that Byrne gave Indiana Jones, the other characters and locations stylized looks. I don’t mind Jones not resembling Harrison Ford at all but Byrne still made him recognizable in his own unique way. There were some location images that looked pretty detailed.
Conclusion
And just like that, Indiana Jones takes a leave from academic work for his next adventure.
The best way to describe The Further Adventures of Indiana Jones #1 (1983) is this…John Byrne and his team succeeded in making this a fun read inspired by elements of Raiders of the Lost Ark. The story has a strong adventure feel with Indy having a strong presence and the introduction of new characters were executed smoothly. For a launch issue, this one is indeed engaging to read and it succeeded in convincing me to anticipate the next issue. Ultimately it is clear that John Byrne really is an effective Indiana Jones storyteller.
Overall, The Further Adventures of Indiana Jones #1 (1983) is highly recommended!
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! As you may have noticed, I am a 4K Blu-ray movie collector and I can say that I really am enjoying watching movies in 4K at the comfort of home with my Xbox Series X console as the 4K Blu-ray player.
When it comes to watching my favorite movies with the best possible video and audio qualities, I always had a grand time replaying Total Recall (1990) on 4K Blu-ray, and I can say the same with replaying the greatest Hollywood action movie ever made – Die Hard (1988)!
This is my copy of Die Hard 4K Blu-ray.
Back in 2021, I bought myself the 4K Blu-ray copy of Die Hard even though I already have the Blu-ray (1080p) copy. I simply wanted the best possible visuals and home entertainment experience of the classic movie that starred Bruce Willis and was directed by John McTiernan. In my life, I was fortunate to watch Die Hard in the local cinema here in the Philippines way back in 1988 and it was indeed the most thrilling in-theater experience I had as the film drew lots of reactions from all the moviegoers around me (note: this includes a standing ovation during the final conflict between John McClane and Hans Gruber) and its presentation turned out great. Simply put, Die Hard is one of my favorite movies all of time and the greatest Hollywood action movie of all.
As for Die Hard 4K Blu-ray itself, it came with the 4K Blu-ray disc, the Blu-ray disc and the digital code. I bought it online with a huge discount. Oh yes, the visuals were in native 4K resolution which I always preferred.
To put things in perspective, posted below are the technical details of Die Hard 4K Blu-ray as displayed on its Blu-ray.com page.
Video
Codec: HEVC / H.265 (49.50 Mbps)
Resolution: Native 4K (2160p)
HDR: HDR10
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Audio
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
Spanish: Dolby Digital 5.1
French: DTS 5.1
Spanish: DTS 5.1
German: DTS 5.1
Italian: DTS 5.1
Czech: Dolby Digital 2.0
Polish: Dolby Digital 5.1
Japanese: DTS 5.1
Subtitles – English SDH, French, German, Italian, Japanese, Spanish, Cantonese, Czech, Danish, Dutch, Finnish, Mandarin (Traditional), Norwegian, Polish, Swedish
Discs – 4K Ultra HD, Blu-ray Disc, Two-disc set (1 BD-66, 1 BD-50)
Digital – Digital copy expired, Movies Anywhere
Packaging – Slipcover in original pressing
Playback –4K Blu-ray: Region free, 2K Blu-ray: Region A
The Blu-ray disc, the 4K Blu-ray disc and the paper for the digital copy.
In my experience watching Die Hard on 4K Blu-ray disc, I noticed there were indeed visual improvements here and there. The film was remastered in 4K and it maintained the cinematic look precisely while it had assorted visual upgrades along the way. There was also a noticeable noise reduction on moments of intense brightness, particularly the explosions (note: they are longer overly bright and their precise colors and shapes became visible) and the fluorescent lights. I also enjoyed how the colors were improved and with the improvements on clarity, the tiny visuals details that were not visible on other formats became visible in 4K.
In connection to the improved visuals, watching Bruce Willis looking so much younger and with a full head of hair turned out to be unique part of the viewing experience. Oh yes, Alan Rickman as Gruber in a fancy looking suit looks better than ever in 4K!
Indeed, watching Die Hard 4K Blu-ray is the best and definitive way to enjoy the 1988 action classic at home. Don’t settle for streaming nor the 1080p Blu-ray nor DVD. Die Hard 4K Blu-ray is the best! If you don’t have it yet in your 4K Blu-ray collection, go for Die Hard 4K Blu-ray while it is still available and currently discounted!
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! Long before he went all-in with digital filmmaking and made the Avatar movies, James Cameron made a huge impact in the sci-fi action genre with the use of practical effects when they were still the standard in Hollywood filmmaking.
After making waves with The Terminator in 1984, Cameron went on to make the sequel Alienswhich became a huge success and remains a fine example of how to do sequels. To be very clear, the production of Aliens (which starred Sigourney Weaver who returned as Ellen Ripley) has a very detailed and colorful history about notable twists in Hollywood that connect it with The Terminator. As Arnold Schwarzenegger worked on a Conan sequel, production of The Terminator got delayed and along the way, Cameron – who got involved in the Alien sequel – used the extra time to make the script for Aliens (note: working title was Alien II) which was 90 pages long. That script was submitted to Fox’s then new president Larry Gordon who loved it and agreed to wait until Cameron completed The Terminator just so that he could direct Aliens.
Aliens was released in cinemas in 1986 and went on to gross over $130 million worldwide while winning mostly positive feedback from movie critics. When the film was shown on TV in 1989, a modified cut with additional scenes were shown. In 1991, the extended cut of Aliens was released on LaserDisc format and it was 20 minutes longer than the theatrical version.
In the year 2016, the 30th anniversary celebration of the movie happened with the release of a commemorative and feature-loaded Blu-ray and it contained the movie’s two cuts!
Aliens 30th Anniversary Edition Blu-ray.
On face value, the Aliens 30th Anniversary Edition Blu-ray is quite enticing to both movie fans and collectors as it contains the following content:
Theatrical Version and Special Edition of the movie (2 cuts)
NEW The Inspiration and Design of Aliens featurette
Deleted and Extended Scenes
Superior Firepower: Making Aliens
Superior Firepower: Making Aliens Enhancement
Pre-Production Galleries
The Art of Aliens
Gateway Station and Colony
Vehicles and Weapons
Aliens
Casting
Cast Portrait Gallery
Deleted Scene Montage
Look at all that stuff you will get with Aliens 30th Anniversary Edition Blu-ray! (photo source – Blu-ray.com)
Personally, I love watching Aliens which in my view is among the very best works of James Cameron and also the best movie of the entire Alien/Aliens film franchise. Through the decades I saw both the theatrical version and the special edition on different formats from video tape to LaserDisc, DVD and cable TV. The movie has Sigourney Weaver’s finest performance; a story that was crafted with a lot of inspiration; it has great action scenes, stunts and a very clever presentation of showing the Xenomorphs; it has very engaging music by the late James Horner; it has several moments of suspense that effectively served as build-ups for the action or intense pay-offs that followed; it has great creature effects by Stan Winston which proved to be an evolution of H.R. Giger’s designs; the Alien Queen was made possible by James Cameron and Stan Winston and ultimately became an essential addition into the Alien/Aliens lore; and ultimately this film moved the entire Alien/Aliens movie franchise forward creatively while respecting what was established in the first movie of 1979 (directed by Ridley Scott, written by Dan O’Bannon and Ronald Shusett).
Aliens also serves as a lively look back at the actors who made nice contributions. There was the late Bill Paxton who went on to appear in more films directed by James Cameron. There was The Terminator actor Michael Biehn who joined the film as a replacement. Lance Henriksen, who also appeared in The Terminator, played the new android Bishop which led to further appearances in two other films of the Alien film franchise.
As much as I love the movie, I have yet to acquire the Aliens 30th Anniversary Edition Blu-ray. In the back of my mind, a 4K Blu-ray release of Aliens could be announced suddenly and I have preference for 4K Blu-ray viewing. Be aware that already there is a 4K Blu-ray version of Alien in the market and even the hugely disappointing prequel Alien Covenant has a 4K Blu-ray release. With the woke Disney company in control of 20th Century Fox, there is no telling when will Aliens have a 4K Blu-ray version.
To know more about Aliens, watch the following videos below…
Among those four movies, the only one I actually enjoyed was Star Trek: First Contact (directed by Jonathan Frakes). While that movie has flaws and some questionable creative moves, the 1996 movie was still entertaining and turned out to be a lot more engaging than its 1994 predecessor. First Contact was the highlight of the Star Trek: TNG movies before things really went downhill with the 1998 and 2002 films. For the movie collectors and Star Trek fans reading this, Star Trek: First Contact 4K Blu-ray has been available since April 4, 2023. Were you able to buy a copy for your movie collection? If you did, were the visuals on the 4K Blu-ray disc really great to watch?
The 4K Blu-ray front cover of Star Trek: First Contact carries the popular image from the 1996 movie poster.
To put things in perspective, posted below are the technical details of Star Trek: First Contact 4K Blu-ray as displayed on its Blu-ray.com page…
Discs – 4K Ultra HD, Blu-ray Disc, Two-disc set (1 BD-66, 1 BD-50)
Digital – Digital 4K, iTunes, Vudu
Packaging – Slipcover in original pressing
Playback –4K Blu-ray: Region free, 2K Blu-ray: Region A
To be clear, I have not purchased a copy of Star Trek: First Contact 4K Blu-ray as of this writing. I am interested in it but I could not make a decision to do so due to financial and practical reasons. I recently purchased Casablanca 4K Blu-ray, Top Gun: Maverick 4K Blu-ray and a Blu-ray of the James Bond movie Licence to Kill and I really enjoyed watching those three. I am also replaying the 4K Blu-ray and Blu-ray movies I already have (note: V: The Original Miniseries and V: The Final Battle have very high replay value respectively, read about their respective Blu-ray releases here and here). As such, there’s no reason for me to rush to acquire Star Trek: First Contact’s 4K Blu-ray release.
I should also state that I was never a fan of the entire Star Trek entertainment franchise even though I enjoyed certain movies of it. While Star Trek II: The Wrath of Khan is my favorite among the movies of the classic Star Trek cast (led by Captain Kirk), Star Trek: First Contact is the only Star Trek TNG movie I ever enjoyed.
This is the rear of the Star Trek: First Contact 4K Blu-ray. Pay close attention to the technical details as well as the listed special features.
I first saw Star Trek: First Contact on a rented VHS tape in the summer of 1998 (note: I completely missed its 1996 theatrical release) and by the end of it, I felt this impact of fun, dramatics and visual effects. It was also in that movie where I saw Captain Picard really obsessed with saving his crew and saving the humanity’s future while struggling with his post-traumatic stress disorder (PTSD) with the Borg given his history being captured and assimilated by them. The Borg themselves were really terrifying although the inclusion of a queen brings down the concept of the unrelenting collective hive.
Just years ago, I bought a DVD copy of the 1996 movie. To be clear, I never bought the 2009 Blu-ray disc. At this stage, I have yet to replay Star Trek: First Contact in HD and Ultra HD. According to the Blu-ray.com review, Star Trek: First Contact 4K Blu-ray has a great 2160p/Dolby Vision UHD presentation and that the image is “nearly perfect”. For insight watch the comparison video below…
Perhaps someday, I could add the 4K Blu-ray release of Star Trek: First Contact into my collection. I am interested in it and the 4K visuals look attractive and they could look even better on our household’s 4K UHDTV. I should state that the Blu-ray disc of the 4K Blu-ray set contains a whole bunch of extras and special features. It’s a matter of timing, pricing (note: watch out for the occasional online sale) and entertainment-related priority on my part.
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! If you are into films about faith and Lord Jesus told through an American perspective, then you should check out Jesus Revolution on Blu-ray disc format which has been available in the market since April 25, 2023. It also emerged as a top-selling Blu-ray disc release and you can order it online right now!
Jesus Revolution Blu-ray cover.
To put things in perspective, posted below is the description of Jesus Revolution as well as its official trailer…
In the 1970s, young Greg Laurie (Joel Courtney) is searching for all the right things in all the wrong places: until he meets Lonnie Frisbee (Jonathan Roumie), a charismatic hippie-street-preacher. Together with Pastor Chuck Smith (Kelsey Grammer), they open the doors of Smith’s languishing church to an unexpected revival of radical and newfound love, leading to what TIME Magazine dubbed a JESUS REVOLUTION.
Posted below are the technical details about Jesus Revolution Blu-ray disc as sourced from the Blu-ray.com page of the movie…
Video
Codec: MPEG-4 AVC
Resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Audio
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
French: Dolby Digital 5.1
Spanish: Dolby Digital 5.1
Subtitles – English SDH, French, Spanish
Discs – Blu-ray Disc, Two-disc set (1 BD-50, 1 DVD), DVD copy
Digital, Digital HD, Digital copy included
Packaging – Slipcover in original pressing
Playback – 2K Blu-ray: Region A
While I have not seen Jesus Revolution in the local cinemas, I myself am interested in buying the Blu-ray disc soon. I am a person with unbreakable faith in Jesus who is truly the Lord and Savior! More on the what the movie has to offer, its release is timely as America has been so divided as many people moved away from the Lord to embrace evil elements such as critical race theory, homosexuality, LGBTQ culture, transgender concepts, abortion, anti-police movements, anti-Semitism, terrorism, illegal immigration, witchcraft, Communist/socialist/Marxist ideologies, negative elements affecting churches, vandalism of places of worship, Satanic values inserted through entertainment media, and a whole lot more. Watch the related CBN News videos below…
By today’s standards, the social unrest America had during the Vietnam War era looks smaller compared to what has been going on over the past few years. People are getting divided over race, gender, social class and a whole lot more. As such, Jesus Revolution has something that viewers can reflect about.
When it comes to restoring people and societies from the damage caused by evil forces, only the Lord can provide restoration and healing. That being said, you must praise the Lord and have unwavering faith in Him no matter what happens. Being a worldly person means living with unholy elements. A lot of people may not realize it but it is clear they need Jesus in their lives and in their societies! Learn from the holy scriptures below…
For God so loved the world, that He gave His only Son, so that everyone who believes in Him will not perish, but have eternal life.
John 3:16 (NASB)
Jesus once again addressed them: “I am the world’s Light. No one who follows me stumbles around in the darkness. I provide plenty of light to live in.”
John 8:12 (MSG)
Jesus answered and said to him, “Most assuredly, I say to you, unless one is born again, he cannot see the kingdom of God.”
Recently in the city of Las Piñas, the City Government continued to push local tourism further by teaming up with the Department of Tourism-National Capital Region (DOT-NCR) and conducted a tourism guidebook orientation, according to a Manila Bulletin news report.
To put things in perspective, posted below is the excerpt from the Manila Bulletin news report. Some parts in boldface…
The Las Piñas City government and the Department of Tourism-National Capital Region (DOT-NCR) conducted on Saturday, April 29, a tourism guidebook orientation to increase awareness and showcase the rich culture and history of the city.
The orientation was held at the Excelsior Hotel in Las Piñas City, attended by DOT- NCR Regional Director Sharlene Zabala-Batin and Project Development Officer Bamba Ramos among others.
Las Piñas Tourism and Cultural Office (TCO) Head Paul San Miguel said the city’s TCO is a newly created division in the local government tasked with implementing programs and initiatives to promote the city’s culture and history. He said the office was formed by Mayor Imelda Aguilar who wanted to present the city’s heritage to local and foreign tourists.
The tourism officer cited the famous Bamboo Organ, which was constructed in 1816 and can be viewed in St. Joseph Parish Church in the city. The organ has been recognized in 2003 by the National Museum of the Philippines as the “only surviving and functioning 19th-century Bamboo Organ in the country.”
He noted that the organ is usually visited by students conducting study tours, along with local and foreign tourists.
San Miguel said promoting the history and rich culture of the city will also help in economic growth.
Let me end this piece by asking you readers: If you are a resident of Las Piñas City, what is your reaction to this development? Do you think your city will become a stronger and more competitive player when it comes to attracting local and foreign tourists? Do you think that the City Government should team up with bloggers, vloggers and social media influencers to boost the city image as a tourist-friendly place? Don’t you think Las Piñas City is ready to host special events that can attract visitors such as sports competitions, fashion shows, fitness models’ pageants, comic conventions, cosplay festivals, food showcases, film festivals and the like?
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, readers! For only the 2nd time since the COVID-19 pandemic affected the world, I managed to watch a movie inside the local cinema at SM Southmall in Las Piñas City. What is intriguing is that the movie I saw is actually a carefully edited compilation of footage sourced from an upcoming live-action series that is an ambitious Philippine adaptation of a certain giant robot anime from Japan. The movie I saw was Voltes V: Legacy – The Cinematic Experience. Behind it all, the movie is part of GMA Network’s strategy of building up awareness for the Voltes V: Legacy TV series set to launch on May 8, 2023.
For the newcomers reading this, the original Voltes V anime series (Japanese title: Chôdenji mashin Borutesu Faibu) was launched in Japan in 1977. Shortly after, it made its English language debut here in the Philippines (note: Japanese characters’ names were Westernized) and ultimately it became very popular and it made an impact on millions of Filipinos who saw it and replayed it in the many years that followed. I noticed that many Filipinos of my generation think of Voltes V first when anime comes to mind. While I myself never became a fan, I saw lots of Voltes V anime episodes on TV at a time when Internet access, video streaming and social media were not yet realized here in the Philippines. I even saw GMA’s edited Voltes V anime movie (containing footage of the final five episodes of the anime series) in the cinema in 1999.
In recent years, GMA Network and its local talents joined forces with Toei Company of Japan to create a live-action TV series adaptation of the anime and there will be eighty episodes (double the anime TV series’ episode count) for broadcasting nationwide. This is Voltes V: Legacy and already the local production team went through lots of hard work making the episodes, the sets, the props, the costumes and the computer-generated images (CGI) to bring the classic series into life in coordination with Toei which reviewed and supervised the production. A lot of money has been spent into Voltes V: Legacy which was felt in GMA’s increased production costs.
As for Voltes V: Legacy – The Cinematic Experience, the so-called movie contains varied footage allegedly from the first three weeks’ worth of TV episodes and it was exclusively screened in SM Cinema sites around the country for a limited time.
The story begins in the planet of Boazan where people with horns live in prosperity and privilege while those without horns have no choice but to live a hard, lower life. A gifted young Boazanian man named Hrothgar – who was born into royalty without horns and lived with his personal secret long enough into adulthood – was exposed by Zambojil’s group to be hornless and unworthy of Boazan’s throne. Sometime later, Hrothgar leads several fellow slaves and prisoners in an uprising against Emperor Zambojil’s authority. Before getting overwhelmed by the imperial forces, Hrothgar escapes into space with an Boazanian spacecraft and crashes into the sea on Earth.
He is discovered by Mary Ann and he gets introduced to Dr. Smith and Commander Robinson. Hrothgar informs them of his Boazanian origin and he expressed to them that Earth’s defenses are too weak to protect its people from alien invaders. As he adjusts with Earth life, Hrothgar changes his name into Ned Armstrong, marries Mary Ann and have children together. After several years on Earth, Ned Armstrong worked closely with Dr. Smith to prepare the people for future invasions…
Quality
The iconic Voltes V looks bulkier and more mechanical in CGI form and the good news is that the overall quality is great and there is a lot of fun seeing the giant robot in action. (photo source – the Voltes V: Legacy – The Cinematic Experience trailer)
To begin with, the creative team of GMA managed to establish a cohesive narrative for the cinematic experience which is not an easy thing to do considering all the content from many selected episodes that had to be edited and arranged properly. This involves the presentation of the story details, the live-action elements, the CGI-heavy shots and the human performances to create a narrative that was easy enough to follow and absorb in my experience. I noticed that the so-called movie moved at a medium-to-fast pace which is not surprising because the goal of GMA was to entertain moviegoers and convince them to anticipate the live action TV series. Considering the speed of the pacing, there were some moments when I felt that some scenes were missing which only reminded me that the slower and more dramatic moments were being saved for the TV series.
When it comes to adapting the classic anime’s elements into live action, the creative team did a pretty good job most of the time. The costumes of the five pilots were made with a more practical physical design (note: they are not body tight) while retaining the classic colors and the V logo. The interior set of the Camp Big Falcon operations room looked more futuristic complete with having many people simultaneously operating. The interior set showing Prince Zardoz and his trusted companions closely resembles that of the anime. There was one particular physical set that did not look convincing – the outdoor street market in Boazan early in the movie had that indoor feel which not even the lighting could hide and the CGI shot showing the rest of the outdoor area and the far distance did not match with the place.
More on the artistic side of the presentation, I enjoyed the way the production people emulated the classic anime designs of not only the characters but also the key structures (places) and the giant robots (Voltes V and the two beast fighters) into live action. The cinematic Prince Zardoz looks so much like his anime counterpart and the same can be said about Dr. Smith and Mrs. Armstrong. The two beast fighters here were rendered to look much like their anime versions but were animated in a way to emphasize mass and scale.
The strategic posing in this notable shot is a fun and honorable throwback to a key moment in the very first episode of the original Voltes V anime TV series. (photo source – the Voltes V: Legacy – The Cinematic Experience trailer)
There were some notable artistic discrepancies and flaws however. The cinematic Princess Zandra, Draco and Commander Robinson clearly did not quite match their anime counterparts. For some reason, Princess Zandra appeared with a very different costume displaying subtle sexiness instead of royalty. Could it be possible the creative team took inspiration from the Fatima Blush character (played by Barbara Carrera) in the 1983 James Bond movie Never Say Never Again while modernizing Princess Zandra? As for Draco, he does not look as intimidating as his anime version and he even looks more like a cosplayer! Commander Robinson here does not display the maturity of the anime version due to the questionable quality of the costume provided and the actor’s appearance. In my experience watching the anime series, Commander Robinson looked and felt like a military man in his early fifties which the live action version never captured.
Now I want to talk about Voltes V itself. The highlight of the CGI combined with really good art direction is the iconic giant robot, including the five vehicles that compose it. To begin with, the use of CGI emphasizing multiple moving mechanical parts to emphasize Voltes V is a very smart move done by special effects team. While each vehicle has a new visual aesthetic to match the live action approach, they still remained recognizable to me. The biggest visual highlight in the movie is the volt-in sequence when each vehicle combined to form Voltes V in robotic form. As each vehicle connected to each other, the classic sequence from the anime was replicated excellently. Given the artistic direction and the CGI’s emphasis of multiple moving parts, the volt-in sequence here is much more detailed than the anime version! I should state that it is very likely that the visual effects team worked overtime to achieve the high-level of detail, the vibrant colors and the impressive animation on Voltes V.
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With the approach on multiple moving parts, Voltes V itself looks bulkier in a mechanical fashion which I really admire. It should be stated that showcasing the iconic giant robot in action – complete with CGI presentation of the many Voltes weapons – is a visual feast complete with very vibrant colors! Each time Voltes V hits a beast fighter by punching or using a weapon, there is strong impact felt with each blow! The sound effects team really did good work adding weight and power to the action.
The work done by the special effects crew in this external shot of Jamie Robinson’s cockpit is very impressive and detailed! Ysabel Ortega acted convincingly to what happened. (photo source – the Voltes V: Legacy – The Cinematic Experience trailer)
Considering the high detail and strong animation on Voltes V, the two beast fighters shown in this movie had very similar visual qualities. There was no major discrepancy on visual quality between the iconic robot and the enemy during battles.
More on the CGI, I can declare that the locally produced visual effects (by GMA Video and Riot, Inc.) looked very good for the most part! Apart from the battles between the giant figures, the sequences of animating the Voltes V vehicles, the Boazanian flying saucers (with fast moving sharp edges that make them resemble motorized wood-cutting blades), the fighter planes and physical damage of places were nice to see. There were, however, several explosions that were badly rendered (note: even looking flat and out of place) in key scenes and there were moments when military vehicles looked more like they belong in video games from a few console generations ago. The formation of the blade of Voltes V’s laser sword clearly needs more work as it looks unpolished. In the post-credits scene, CGI for Octo 1 was badly done!
Apart from action scenes, the giant robots and their weapons, CGI was also used on established places or structures. Camp Big Falcon really looks magnificent while the floating mechanical Boazanian skull appeared very creepy. In shots showing the far distance, Camp Big Falcon in the background still looks good even though the visual quality falls short of capturing true photo-realism.
Considering the way GMA edited the footage and selected visual effects shots for this so-called movie, the overall quality of the CGI literally landed some notches short of photo-realistic levels. That’s not criticism at all but a confirmation that Filipino-produced CGI showcased here is the best I have seen yet! All in all, an impressive ton of work by the special effects teams using computers.
As for the human performances, I can say that the cast collectively did a good job bringing the characters to life and this includes paying special attention to details from anime while adding certain elements that reflect modernization. Zardoz was portrayed to be sadistic and obsessed on conquering planet Earth which reflects his imperial task and the pressure that comes with it. Sometimes, Zardoz looked and acted even psychotic. Mary Ann Armstrong is the definitive mother figure here and the producers emphasized her more with scenes showing her as a very focused authority during crisis as well as a tender and loving woman during her time with the family. In some ways, Mary Ann Armstrong is almost like the protagonist of this so-called movie and the live action version looks deeper than the anime version. While the live action Commander Robinson needs a lot of improving, Dr. Smith here really looks and feels like he was instantly ripped off the anime resulting in a very straightforward version fans will recognize. The live action Ned Armstrong here has some elements that deviate from what was portrayed in the anime (note: a very skilled fighter whose moves were so obviously choreographed during an action scene) while retaining key elements that still made him recognizable.
The actors who played the five pilots of Voltes V performed nicely. Even with all the layered Tagalog expressions (including gestures that we Filipinos are familiar with), Steve, Big Bert, Little Jon, Mark and Jamie are all very recognizable not in terms of looks but through the dialogue, character details and acting. The production team really worked hard to not only balance their respective shares of the spotlight, but also get good enough performances from the actors. Take note that apart from the on-set dramatization, the actors of the Voltes V team had to perform accordingly in their respective cockpit scenes (note: the special effects teams painstakingly provided all the CGI to specifically reflect what had been happening with the pilots and with their machines) and this includes internal communications between the members. What we have right now are the best actors available portraying Steve, Big Bert, Little Jon, Mark and Jamie and making them recognizable in terms of characterization.
With regards to the music, I can say that this one clearly needs improvement. There is orchestrated music in this cinematic experience that played new tunes while also redoing/recycling classic tunes from the anime TV series. When the anime tunes were played by the orchestra with a modern approach, they were recognizable to my ears but the power and essence of the original tunes were not replicated successfully. Sometimes, I just wished that the anime tunes were played more while the orchestra focused more on providing new music.
As for the famous Voltes V theme song, the new version performed by Julie Anne San Jose is a letdown! I’m not saying San Jose is a bad singer but her version – which even used the Japanese lyrics – lacked impact compared to the original version. While the volt-in sequence proved to be a grand visual feast for the fans and viewers who love great looking CGI sequences, its cinematic impact was brought down a bit by San Jose’s version of the theme song. How I wish that the movie producers just used the classic song from the 1970s anime series!
This original theme song should have been used in Voltes V: Legacy instead of the new version.
Conclusion
As expected, Voltes V: Legacy – The Cinematic Experience has a mix of strong points and flaws. The good news is that the good outweighed the bad and I pretty much enjoyed this cinematic version of the live action adaptation done by GMA, its strategic partners and the local talents. As this so-called movie was a mix of content from several episodes edited to form a suitable narrative, it succeeded in entertaining and engaging me. Yes, there were flaws and there were some parts showing weaknesses but those things did not damage the viewing experience too much. There is a good amount of fun with this so-called movie.
Obviously this cinematic version is part of GMA Network’s strategy to build up anticipation for the upcoming TV series (which has a declared 80 episodes for broadcasting). While some people will perceive Voltes V: Legacy – The Cinematic Experience as a blatant form of marketing or even as corporate gimmick, I personally see it as a worthy showcase in the local cinema (note: cinemas here in the Philippines are still recovering from the massive damage of COVID-19) and it just might not be repeated. Let me remind you readers that this newest Voltes V adaptation highlights the peak of Filipino-produced CGI visuals and the Filipinos’ collective efforts to really make a worthy live action adaptation of a foreign entertainment property. This so-called movie is clearly not perfect (note: it is not deserving of perfect 10/10 scores that others gave it) but it is pretty good to watch in the cinema.
Voltes V looks better than ever and made a big entertaining impact in the cinema. How will Voltes V: Legacy turn out on TV given the fact that there are so many episodes set for broadcasting?(photo source – the Voltes V: Legacy – The Cinematic Experience trailer)
As mentioned earlier, I’m not a fan of the Voltes V anime and I’m not exactly anticipating the Voltes V: Legacy TV series. I do confirm that the long-lasting legacy Voltes V is clearly thriving here in the Philippines and the new TV series could potentially make a deep impact on Filipinos who love entertainment and possibly replicate what happened in the 1970s and 1980s when the classic anime TV aired on TV nationwide. How the new TV series will turn out is clearly GMA’s own problem.
Overall, Voltes V: Legacy – The Cinematic Experience is recommended.
Author Carlo Carrasco 