Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1970s arts and culture enthusiasts, DC Comics fans and comic book collectors! Today we go back to the year 1978 to take a close look at a part of the DC Comics universe through a tale of the Action Comics monthly series.
Believe it or not, there were times when Superman used advanced technology and machinery to achieve his goals, to win a battle or at least survive. This is something we people today can relate with since a lot us have smartphones and computers being used daily. As for the Man of Steel, there was a time when I saw an episode of Super Friends on TV in which a very vulnerable Superman had no choice but to use his personal flying vehicle called the Supermobile to travel and do something. It turns out, the Supermobile itself started in comic books.
With those details laid down, here is a look back at Action Comics #481, published in 1978 by DC Comics with a story written by Cary Bates and drawn by Curt Swan.
The cover.
Early story
The story begins on a city street as Amazo (who recently gained the powers of Justice League members in a previous encounter) is about to strike a weakened Superman and Professor Ivo (who is responsible for Amazo) in front of many people. Amazo strikes but ends up smashing the part of the road as his targets vanished.
It turns out Superman and the professor were teleported safely all the way into the Fortress of Solitude. With his powers gone due to red radiation, Superman revealed that he made some preparations in relation to Amazo’s eventual rampage….
Quality
Exposition about the Supermobile in this page showing the trapped Justice League members.
This early, I want to point out that this comic book is not merely a shallow tale designed to introduce the Supermobile in lazy fashion. In fact, there is a lot of work done by the Bates-Swan duo here and this includes plot build-up backed with payoffs, lots of details that were revealed and, most notably, the story has a solid structure complete with smooth execution.
This story was preceded by an unfortunate series of events in which Amazo gained the powers of the Justice League members and had them trapped in space, while Superman got hit by red radiation and managed to get out for a new fighting chance. Here, Superman is powerless and vulnerable, and the fact that Amazo is so powerful, the unveiling and use of the Supermobile is clearly justified. Amazo himself is a fine example of a scientific creation gone wrong and seem inspired by the monster of Frankenstein in literature.
By looking close at the details, the dialogue and the execution of event, this is clearly not a rushed job to introduce the Supermobile. It is a sufficient story on its own and it even delivers a good amount of superhero spectacle to satisfy readers.
Conclusion
Superman and the professor inside the Fortress of Solitude.
Action Comics #481 (1978) is indeed a satisfying and fun read. The build-up leading to the Supermobile’s debut is sufficient and the creators went on to keep building up the plot with Amazo getting bigger as a threat to not only against Superman but also against the Justice League. The Supermobile’s debut is justified and definitely it is not a cheap addition to the plot. The idea of Superman using a personal transport looked silly on face value but this comic book proved it is believable and sensible.
Overall, Action Comics #481 (1978) is recommended.
Welcome back Xbox fans, geeks, retro gaming enthusiasts and other gamers!
There is nothing like having fun with retro gaming on a modern console. With regards to my Xbox gaming experience, when Team Xbox falls short on delivering great fun with their latest releases, retro gaming fills the gap nicely. The good news here is that there are a lot of collections of old games or remastered releases available on the Xbox online store.
Right now, I am having fun playing for the first time ever Zombies Ate My Neighbors on my Xbox Series X. I recently purchased online the remastered collection Zombies Ate My Neighbors and Ghoul Patrol (fully titled as Lucasfilm Classic Games: Zombies Ate My Neighbors and Ghoul Patrol) for that 1990s, 2D adventuring gaming experience. The remastered collection was released in 2021.
The game’s box cover for the SNES.
Back in 1993, I was playing games on the Super Nintendo Entertainment System (SNES) but I never had the opportunity to rent nor purchase Zombies Ate My Neighbors. Back then, the 2-page print ad of the game that appeared in comic books and gaming magazines really caught my attention as well as my interest.
Zombies Ate My Neighbors – the SNES version specifically – is fun, charming and has a unique type of challenge when played on my Xbox console. The game developers did a fine job remastering the game without drastically altering the 2D graphics design. The 2D sprites looked unaltered and because of the high definition visuals, I can see them looking pretty detailed. This is pixel art that was preserved and looking lively in HD. The game controls are responsive enough on the Xbox controller and you only need to use a few buttons along the way.
There is nothing like encountering a giant ant in the local community.
Imagine making your way through the local grocery only to encounter a zombies and a masked man armed with a chainsaw.
Zombies Ate My Neighbors has a creative concept that combines elements of the sci-fi, horror and adventure genres of pop culture. Don’t let the cover art and the title of the game fool you. Zombies are definitely not the only monsters you will encounter. In fact, there are werewolves, spiders, evil dolls, vampires, blobs, giant ants, mummies and even UFOs!
This is a game that puts the player in the middle of an American city (composed of suburbs, commercial joints, museums and parks to name some) filled with monsters. Your mission is not only to survive but also to save at least a few surviving neighbors in order to proceed to the next level (by means of a door appearing out of thin air near you).
Those little ones carrying axes are mechanical dolls, not little kids.
You better have a lot of weapons and some med kits when encountering the giant baby.
As this is an adventure game, there is a unique touch on the action made by the developers. The action is about attacking monsters with varied weapons such as the Uzi water gun, bazookas, explosive soda cans (makeshift grenades), ice pops, fire extinguishers and silverware to name some. Since the game was made with a wholesome audience in mind, the violence is unsurprisingly cartoony to look at.
The exploration aspect of the game involves collecting useful items for your survival and your ability to fight monsters. In fact, there is an abundance of weapons and ammunition. Getting medkits is essential and there are simply not enough of them which should remind you to be more strategic where you go and what you encounter. The game allows you to save anywhere.
Zombies Ate My Neighbors will keep gamers busy not just because of the adventure and the action, but also due to the fact that the developers created so many levels (50+) for you to explore and make your way through! Had I played this game on the SNES back in 1993, I definitely would have gotten a lot of value for my money with its content and length.
Conclusion
If you saved at least one surviving neighbor, this door will appear for you to exit. This will end the current level.
I can say clearly that Zombies Ate My Neighbors is pretty enjoyable. I made it through a lot of the levels and there’s not a moment of frustration as I played. This game from 1993 is a playable gem and already I’ve gotten a lot of entertainment value from my purchase of the Zombies Ate My Neighbors and Ghoul Patrol remastered collection (which also includes extra stuff and retrospective fun). I will play Ghoul Patrol as soon as I’m done with Zombies Ate My Neighbors. This is indeed retro gaming fun that Xbox gamers should check out.
Welcome back my readers, YouTube viewers and all others who followed this series of articles focused on YouTube videos worth watching. Have you been searching for something fun or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?
I recommend you check out the following topics and the related videos I found.
#1 Modern feminists’ survival weakness exposed – Are you surrounded by the so-called modern feminists who kept boasting they can excel in anything men can do? I was just browsing YouTube until I spotted a video by Christine Grace Smith who shared her own reaction to another video that examined a series of tests of survival for two separate groups – one group of men and the other group of women – on an uninhabited tropical island far away from each other. Smith’s video is a must-watch and I encourage you to pay attention to the details as you view it. Her video and thoughts can change the way you look at survival as well as women empowerment.
#2 The 1993 World Trade Center bombing examined – Fern recently released an in-depth explanatory video about the 1993 bombing of the World Trade Center committed by Islamic terrorists. This is an important video to watch given the fact that the 1993 bombing is often forgotten since the WTC twin towers collapsed on September 11, 2001. It will give you some insight on the radicalized evil Islamists live with and how far they are willing to go to commit murder and destruction. The moral lesson here is that being an Islamist means being evil.
#3 Ashleigh Burton reacts to Weird Science – Are you fond of 1980s Hollywood teen comedies or do you prefer 1950s science fiction tales of Weird Science published by EC Comics? Back in 1985, there was a teen comedy and sci-fi film titled Weird Science directed by the late John Hughes. Its concept was actually inspired by the EC Comics-published “Made of the Future” tale from the Weird Science comic book series. YouTuber Ashleigh Burton’s reaction video of the film is enjoyable to watch and I encourage you to see it.
#4 PatmanQC examines Berzerk – I still the old days when I played Berzerk a lot on the Atari 2600 (read my retro gaming review by clicking here). Being so young back then, I was not even aware about the arcade version of Berzerk. That being said, it’s a good thing that YouTuber PatmanQC made a retrospective video about Berzerk. If you are interested to find out what inspired the concept of Berzerk and who exactly created the game, watch the retro gaming video below.
#5 You, Me and the Movies react to 1978’s Piranha –When Steven Spielberg’s Jaws achieved tremendous commercial success in the mid-1970s, there were a lot of creature feature movies approved for production as other producers wanted to cash in on the craze. Among those flicks was 1978’s Piranha directed by Joe Dante and produced by low-budget movie king Roger Corman. You, Me and the Movies’ reaction video of Piranha is a must-see.
Welcome back, my readers, YouTube viewers and all others who followed this series of articles focused on YouTube videos worth watching. Have you been searching for something fun or interesting to watch on YouTube? Do you feel bored right now and you crave for something to see on the world’s most popular online video destination?
I recommend you check out the following topics and the related videos I found.
#1HolyLandSite’s comprehensive videos about the Temple Mount in Jerusalem, Israel – I love Israel and I will always stand with it in accordance to my uncompromising faith in the Lord and His Word (the Holy Bible). During the one and only day-off of the Israel 2023 pilgrimage tour I joined, I visited the Temple Mount in the Old City of Jerusalem and it is truly one of the most significant places to visit in the entire world. The Dome of the Rock (the Muslim shrine) occupies the space where the two Jewish temples used to be and inside it is the Foundation Stone (preserved layer of mountain top rock) which is the spot where Abraham almost sacrificed Isaac before God sent the angel to intervene. Be aware that during the time of Lord Jesus, the 2nd Jewish temple was established.
HolyLandSite produced the most in-depth and most informative videos about the Temple Mount and I encourage you to watch them now.
#2 The #10 billion Apple Car disaster – You ever heard of the Apple Car? Such a project from the very same company behind iPhone actually existed and it ended up as a disaster worth an estimated $10 billion. What happened behind the scenes at Apple? Did the technology giant really believe it could make a positive impact on the automobile industry? You can find out more by watching ColdFusion’s video below.
#3 Venom: Lethal Protector revisited and explained – I should mention first that I am not a fan of the Marvel Comics super villain Venom. For the newcomers reading this, Venom emerged in the late 1980s as Spider-Man’s deadliest enemy and went on to become a murderer who somehow helped Marvel Comics sell a lot of comic books. Because comic book fans wanted more of him so much, Marvel went on to publish the Venom: Lethal Protector limited series in the early 1990s and it led to even more comic books showcasing him as an anti-hero (specifically a killer helping the powerless people). If you are interested to learn about the Venom: Lethal Protector limited series without having to go through all the trouble of finding the comic books, watch the video below. Better save your money.
#4 You, Me and the Movies’ reaction videos of the first three Jaws movies – YouTube channel You, Me and the Movies recently posted their movie reaction videos of Steven Spielberg’s Jaws (1975), Jaws 2 (1978) and Jaws 3-D (1983). Having seen all three movies before, I enjoyed these reaction videos. The first movie from 1975 is a true cinematic classic directed by a very young Spielberg and if you have not seen it, I encourage you to watch it entirely first before seeing the related reaction video. I cannot say the same about Jaws 2 and Jaws 3-D (AKA Jaws 3). Once you are ready, enjoy the videos below.
#5 Retrospective videos of Suikoden and Suikoden II – Recently, Konami announced that it will finally be releasing the anticipated collection Suikoden I&II HD Remaster Gate Rune and Dunan Unification Wars on March 6, 2025 for varied game consoles plus Steam. The said collection was supposed to have been released in 2023 but a delay happened and Konami was very silent until recently. Now that fans of the first two Suikoden games have something to look forward to in 2025, here are some retrospective videos that will help you understand what the games are and why they are still popular among Japanese RPG (JRPG) enthusiasts.
#6 The wickedness and wokeness of Rachel Zegler exposed – Actress Rachel Zegler is not worth trusting as she went ballistic while promoting the new Snow White movie from woke Disney. Not only did she go against the legacy of the classic Snow White animated movie, she sided with the pro-Palestine movement and their terrorists. While her tweet could encourage pro-Palestine believers to watch the new Snow White, it is a fact that there already a movement of people who hate Israel telling people to boycott the said movie simply because it has Israeli actress (and Wonder Woman star) Gal Gadot. By being woke and reckless, Zegler is only turning off people from watching the new Snow White and if the movie fails, it will cost Disney a lot of money. Watch and learn from the selected videos below.
#7 Popcorn in Bed reacts to King Kong (1933) and Godzilla (1954) – I really enjoy watching the movie reaction videos of Popcorn in Bed (PIB) and recently she posted new videos about two very significant movies…the original King Kong of 1933 and the original Godzilla (Gojira) film of 1954. As the two mentioned movies are cinematic classics, I encourage you to watch them first before watching Popcorn in Bed’s reaction videos. To those who saw classics already, watch the reaction videos below.
Disclaimer: This is my original work with details sourced from watching the film and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
With those details laid down, here is a look back at The Blob, a sci-fi horror movie released in 1958 starring Steve McQueen and Aneta Corsaut, written by Kay Linaker and Theodore Simonson, and directed by Irvin S. Yeaworth, Jr. (Irvin Yeaworth for short). This was a low-budget local-level production by Valley Forge Films, Fairview Productions and Tonylyn Productions.
The Blob movie poster.
Early story
The story begins somewhere within a small town in Pennsylvania. During one evening, teenagers Steve Andrews and Jane Martin spend a romantic time together in a car only to be disturbed when a meteorite from outer space crashes nearby. This easily sparks Steve’s curiosity as he decides to drive to find the spot of the crash taking Jane with him.
Meanwhile, an old man who happened to be living near the spot of the crash went out of his home and finds the meteorite first. Out of curiosity, he pokes the meteorite with a stick which slowly causes it to break open revealing a gelatinous substance (the blob) inside. He uses the stick on the substance, lifts it up and examines it closely. Against gravity, the substance suddenly moves up the stick and wraps itself on the old man’s hand causing him to become desperate to remove it. He failed.
As Steve drives down the road, the old man with the blob suddenly crosses down their path. The old man tells Steve to take him to a doctor…
Quality
Steve McQueen (3rd from left) as teenager Steve Andrews with Earl Rowe (2nd from right) as Lt. Dave and other over-aged actors playing teenagers.
I can say that I really like this old movie which has always been an independent, low budget production that made a solid contribution to the sci-fi genre and pop culture in general.
To begin, this film has a simple plot about an alien creature in the form of a gelatinous blob from outer space which attached itself into an old man’s hand, grew a lot when the man made it to the doctor, and then started consuming people which made it grow so big, life in the town got disrupted and people found themselves in danger. Unsurprisingly, the blob itself does not dominate the narrative considering the limitations the filmmakers had on making special effects work plus they focused more on the characters to move the plot forward. Rest assured, however, that the production team went all out with their limited resources on making the monster look menacing in the final fifteen minutes. I should state that the special effects team did a convincing job with the way they made the blob move to specific directions.
Given the simple plot, it is not surprising to see the narrative focusing more on the characters particularly with teenagers Steve and Jane (both played by obviously over-aged actors Steve McQueen and Aneta Corseaut). The story clearly follows the two mentioned teenagers who have the best knowledge about the blob and what happened, and it just so happens that they are always at a disadvantage when asked by adults to prove things.
With a monster that large within the local community, you know that something must be done before it causes further damage and kills more people. The blob was portrayed to be unrelenting in consuming and killing people which causes it to grow even bigger and with no limits determined. The blob does not care at all about the pain and anguish of its victims which parallels the evil of Communism/Marxism/socialism/anti-Semitism in real life.
Jane (Aneta Corseaut) and Steve (Steve McQueen) with the local doctor (Stephen Chase) early in the film.
The interactions between teenagers (note: Steve McQueen and Aneta Corseaut are not the only over-aged looking actors playing youth) and the mature authorities (local police, parents, educator and house keeper to name some) dramatized a gap in which the youth lacked credibility while the adults remain difficult to convince. Very notably the backward car race early in the film symbolically reflects the Hollywood film trend of the 1950s in which American teenagers are portrayed to be troublesome and living without real purposes.
Going back to the protagonists Steve and Jane, the screenplay was designed to highlight what good teenagers can do when a crisis strikes the local community and why the adults should get over their doubts about the youth.
Given the structure of the script, there are a lot of talk scenes throughout and the progress of the blob growing as a menace within the plot helped break the monotony. While he is clearly too old to play a teenager, Steve McQueen here remains convincing as a youth who strives to achieve something worthy even as he lacks maturity. The same can be said about Aneta Corseaut whose character was designed to help Steve move forward apart from having romance with him. When her character feels troubled, Steve comes in to support her in return. If you ignore their mature looks and focus on the dialogue, you will find convincing lines of youth within Steve and Jane. The same can be said about the other teenagers.
Considering the low budget and the limitations of technology at the time, the man-made practical effects in this movie are still good.
I can say out loud that watching movies inside the cinema is always better than streaming. The best way to enjoy a movie at home, on the other hand, is with physical media like Blu-ray and 4K Blu-ray.
While McQueen and Corseaut performed well, there were some moments of stiff acting and lifeless delivery of lines of dialogue scattered throughout.
Those of you who are so used to fast-paced films with thrills and jump scares, you should temper your expectations as this movie moved at a slow-to-medium pace with very little horror elements and very little violence. As this was a low-budget local-level production, certain shots had to be made with very obvious creative shortcuts. Even though this movie was filmed on several locations in Pennsylvania, the filmmakers failed to establish a true sense of geography and this means no scenic shots.
Going back to the blob itself, its jello appearance may not look menacing at first and there were times when the lack of scale (note: they did not have equipment to achieved the depth-of-field visual effect) was noticeable. What I liked here is the way the blob was portrayed – unrelenting and totally immune to the emotions and concerns of people it encounters. The blob here somewhat reminds me of the T-800 in The Terminator (1984) in the sense that it simply would not stop to attack people, consume them and then keep on growing into one very large mass which causes a crisis on the small town community.
In case you are wondering, there were accidents that happened during the memorable scene of moviegoers running out of the cinema in the film. The tripping of some people were purely accidental.
When it grabs someone and starts to consume the victim physically, the blob does not care about the pain it causes on its prey. While it is clear that the movie’s script was written during the early stages of the Cold War, it is possible that the blob served as a symbol of Communism infiltrating America, endangering people and taking their lives (and liberties) away. That being said, the rampant Leftist influence and social violence in the minds of millions of Americans today makes this film socially relevant and the blob’s threat has gotten even more symbolic. Lastly, I should state that composer Ralph Carmichael managed to come up with music to emphasize the threat of the blob.
Conclusion
In my honest opinion The Blob (1958) is still a good movie to watch and it deserves its place in film history as well as in the sci-fi genre of movies in general. While it had its shortcomings, this low-budget local-level production managed to be a worthy viewing experience and set the foundation for its movie franchise (note: a sequel was made in 1972 and the memorable remake of 1988 followed). To say the least, this movie paved the way for Frank Darabont and Chuck Russell to produce the 1988 remake that was very intense and a lot of fun to watch.
The Blob (1958) in Blu-ray disc format from The Criterion Collection. This is the best way to enjoy the movie at home.
The blob itself went on to inspire creative imitations (referred to as blobs or ooze) and new monsters in other forms of entertainment (note: the blob appears as one of the monsters in the 1982 Intellivision game Advanced Dungeons & Dragons: Cloudy Mountain). Steve McQueen himself went on to become one of Hollywood’s elite stars in the decades that followed and this film should interest both die-hard fans and any film buff who wants to learn more about him.
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! Back in the late 1980s, I saw the 1988 version of The Blob – let’s refer to it as The Blob (1988) – on home video and it turned out to be a fine mix of thrills, scares and science fiction concepts that ultimately became fun to watch. Being young at a time when Internet connection and online research were not yet available, I was not even aware that The Blob (1988) was a remake of the 1958 original Blob movie that starred Steve McQueen.
If you who love the late 1980s Blob movie and if you have been looking to add something to your home entertainment collection of Blu-ray and 4K Blu-ray movies, be aware that the Collector’s Edition 4K Blu-ray of The Blob (1988) is now available in the market and you can order it online right now and have it delivered to your home. The new release by Shout Factory! is loaded with features and it has native 4K visuals.
The Blob (1988) 4K Blu-ray cover.
To put things in perspective, posted below are the technical specs from The Blob (1988) 4K Blu-ray page at Blu-ray.com. The said website highly recommended it in its review.
Video Codec: HEVC / H.265 (84.99 Mbps) Resolution: Native 4K (2160p) HDR: HDR10 Aspect ratio: 1.85:1 Original aspect ratio: 1.85:1
Discs – 4K Ultra HD, Blu-ray Disc, Two-disc set (1 BD-100, 1 BD-50)
Packaging – Slipcover in original pressing, Reversible cover
Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A
Having seen both the 1958 and 1988 versions of The Blob, I can say to the newcomers and movie buffs reading this that you can’t go wrong with either version. I enjoyed both movies and I can say that each film has distinctive attractions for viewing. The Blob of 1958 is more sci-fi and has very little horror elements.
However, if you want thrills, the 1980s culture, stronger horror elements, stronger sci-fi elements, the creative approach done by director Chuck Russell and Frank Darabont on reimagining The Blob‘s concept, and the great-looking practical effects (note: the blob effects were made with physical stuff and a lot of man-made work without computers), then The Blob (1988) is the definitive choice. Take note I mentioned thrills as the movie has some fast-paced scenes that happen from time to time as you watch it. Considering its use of sci-fi concepts mixed with action, The Blob (1988) really stood out among the many horror movies released by Hollywood throughout the 1980s. I should also state that the remake has Kevin Dillon, Shawnee Smith, Jeffrey DeMunn, Joe Seneca, Candy Clark and Donovan Leitch Jr. in its cast.
As a 4K Blu-ray collector, I plan to acquire a copy of The Blob (1988) 4K Blu-ray in due time. I was already aware of the Blu-ray release from 2019 but I waited for the 4K version to be made.
If you want the best enjoyment possible from watching The Blob (1988) Collector’s Edition 4K Blu-ray, I highly recommend you avoid watching movie reaction videos and the spoileriffic retro movie reviews posted by YouTubers.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 to examine what was back then one of the most unthinkable comic book crossovers to ever happen – Superman vs. Aliens (also referred to as Superman/Aliens).
I remember sometime back in 1994, I bought a new superhero comic book from the local comic book retailer and what caught my attention was the print ad on the back – an Alien chestburster crashing through the iconic Superman S logo. A few of my friends who saw the same print ad chuckled at the concept of having the Man of Steel together with the monsters from the movie franchise that first started in 1979 with Ridley Scott’s Alien. Then came 1995 and eventually the first issue of the Superman vs. Aliens mini-series made it on the shelves of local comic book stores. Its cover easily attracted the attention of many and I saw the image of Superman being smaller to the Xenomorph alien in the background, the concept of the crossover started to intrigue me.
With those details laid down, here is a look back at Superman vs. Aliens #1, published in 1995 by Dark Horse Comics and DC Comics with a story written and drawn by Dan Jurgens with ink work done by Kevin Nowlan.
The cover.
Early story
The story begins in space when a fast moving object from nowhere heads towards Earth which was detected by a satellite of Lex Luthor’s corporation. Behind the scenes, personnel initiated an alert for a certain Dr. Kimble.
Clark Kent (Superman) and Lois Lane arrive at the headquarters of Lexcorp. It turns out they were suddenly called for by the corporation due to what happened in space. As they ride the elevator heading towards the rooftop, Clark and Lois talk about Lexcorp’s space program and Dr. Kimble who happens to lead the said program.
At the roof, they meet Dr. Cheryl Kimble and immediately ride with her in the helicopter going to a certain destination in anticipation of the probe’s estimated arrival. During the trip, Kimble reveals that they received radio signals from the incoming probe which were garbled almost unintelligible. She then plays an excerpt of the radio signals for Clark and Lois to listen to.
For Clark, he cannot help but feel shocked as he finds the audio sounding like Kryptonian…
Quality
Superman finds a dead Facehugger alien.
Firstly, I can say without any hesitation that the creative team succeeded in making the crossover between Superman and the Aliens believable within this very comic book. For one thing, Dan Jurgens came up with a script and visual design that radically different from what was shown in Superman comic books of the time. The script had this somewhat adulterated tone that made the comic book move away from superhero fantasy and move into the realm of cinematic science fiction. For setting the tone and the look, the creative team scored a home run.
Secondly, the script was properly structured to immerse readers with the tale initially following Superman, Lois Lane and Dr. Kimble which ultimately served as a build-up. The good news here is that readers don’t have to wait too long for the pay-off to be executed. In fact, the pay-off itself (which happens when the Man of Steel finally encounters the Xenomorph for the first time) is huge and immediately the tension and depth of the plot really shifted into high-gear which I enjoyed. Along the way, the expository dialogue or the presentation of details (to help readers understand) was nicely balanced.
Thirdly, I love the way how Dan Jurgens presented Superman as being more troubled and more vulnerable than usual. To see the American icon go into personal obsession over the Kryptonian details was a really unique way to presenting his human side. Also having Superman deep in space far away from any sun or star (the essential source for his powers) really made him truly vulnerable as he actually got weaker even before facing off with a Xenomorph. Being in a vulnerable state, you will see the Man of Steel in real danger which truly goes against type (note: being super strong and invulnerable all the time). As such, the danger of the Aliens against him is believable and intense. What I do find weird, however, is how awkward it is for me to see Superman actually trying to reason with the first Xenomorph he encounters. Of course, he has no previous knowledge about the violent nature of the Aliens but we readers – and millions of people who saw any of the movies – know better than him.
As part of the build-up, Dan Jurgens inserted details and flashbacks that recalled previous tales that were published during the early stage of the post-Crisis era of DC Comics. This not only includes Superman’s arrival on Earth but also his strategic killing of General Zod, Zaora and Quex-Ul using green Kryptonite (as published in Superman #22 of 1988). As such, Superman’s deep regret of taking life away from others serves as a build-up for his avoidance of killing in this crossover. This actually races the stakes for his upcoming encounters with the Aliens.
Even though the story is told through Superman, Dan Jurgens still had enough room to develop Lois Lane and Dr. Kimble. Kimble symbolizes the driven corporate executive who is in-charge of operations that could help her make claims on scientific discoveries and new technologies. Lois Lane here served as the intellectual opposite of Kimble without ever going into the extremes of gaining something for her journalistic career.
Conclusion
Superman with Lois Lane and Dr. Kimble.
Very clearly, Superman vs. Aliens #1 (1995) is indeed a great comic book as well as great opener for its mini-series. Dan Jurgens established a tale that had sufficient build-up and when the pay-off started, the crossover aspect really made the story more compelling to read. Ultimately, this one made the crossover between Superman and the Xenomorphs believable, engaging and intriguing. This comic book is a great start and I am eager to find out what happens next.
Overall, Superman vs. Aliens #1 (1995) is highly recommended!
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the mid-1990s which was a pretty wild time for comic collectors. To be more specific, this newest retro comic book review revisits the Ultraverse through The Night Man monthly series.
In my previous review, the Night Man was pitted against TNTNT which was the same group of villains who fought againstThe Strangers. The encounter was not only packed with solid action, the pacing was done strategically and I loved the way how the comic book creators presented the Night Man taking on each TNTNT member creatively. For this new issue, a new enemy awaits the titular hero which the scary looking cover clearly shows.
With those details laid down, here is a look back at The Night Man #7, published in 1994 by Malibu Comics with a story written by Steve Englehart and drawn by Kyle Hotz.
The cover.
Early story
The story begins in an unknown place where a man talks to a lady who just died. After wearing his coat and grabbing his cane, he leaves behind a place with lots of blood around and things ruined. The body of the dead lady had been damaged so much, the flesh on the front of her upper body is gone leaving the bones exposed.
The said man walks down the street of San Francisco. As he recalls a key part of California’s history, he witnesses three armed men coming out of a jewelry store followed by Night Man. Immediately, he witnesses the city’s vigilante fight two of the men with brutal violence. The third thug (with long hair) takes the opportunity to move away only to face the man with the cane…
Quality
The new villain meeting with the tycoon JD Hunt.
This tale of The Night Man is gritty and engaging to read from start to finish. It introduces an all-new villain who has a Russian legacy with historical connections to the city of San Francisco and northern part of California. The new figure of evil (note: quite obvious due to his murdering of the innocent) is quite a layered character and he seemed to be designed by Steve Englehart to be a recurring villain against the Night Man.
At this point in the comic book series, Night Man has established himself to be a very capable vigilante who truly believes in helping the people of the city on his own and his victories in the previous issues solidified his reputation. This essentially sets the stage for the debut of the new villain (note: the scary looking wolf on the cover) and the next big challenge for the titular hero. Without spoiling what happened, I can say the pay-off was indeed worth the build-up.
Another strong point of this comic book is the way the creators dramatized the differences and similarities between the Night Man and the new villain. Both men are violent and their each have their own obsessions directly related to their respective goals.
Conclusion
The Night Man takes on thugs as the new villain watches.
The Night Man #7 (1994) is a pretty engaging read on its own and it shows how much the Night Man himself progressed as the Ultraverse’s San Francisco-based vigilante who really pushes himself to the limits fighting evil even though his resources are very limited. The introduction of the new villain in this comic book not only proved to be a solid addition into the Ultraverse lore but also added to the titular hero’s development as well as his vigilante justice campaign. This comic book may not be as action packed as the previous issue, but you can rest assured there is a really good quality writing here and the build-up was nicely paid-off by the end. As with the previous issues, Kyle Hotz’s gritty art made this Night Man tale really look lively and very stylish.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, superhero fans, 1990s arts and culture enthusiasts and comic book collectors! Today we revisit the Ultraverse of Malibu Comics and examine one of its many stories told through an issue of the Sludge comic book series.
As seen in my previous Sludge retro review, the stakes were raised even higher and Sludge finds himself in the middle of a major conflict between the gangs of the city with the involvement of the group of the Pump. By this point, the titular character is not only desperate but also is getting torn between good and evil.
With those details laid down, here is a look back at Sludge #8, published by Malibu Comics in 1994 with a story written by Steve Gerber and drawn by Aaron Lopresti.
The cover.
Early story
The story begins with TV news coverage doing a recap of events that shook New York City and its people – the abduction of a drug mule, the destruction of a ship filled with illegal immigrants, the destruction in the cemetery left behind by a major conflict there, and the death of crime boss John Paul Marcello which involved action by Sludge.
Sludge then wakes up from another nightmare and finds himself inside a boiler room which has a TV set and a chair. It turns out the place was set up by a janitor who does not even know Sludge is present. Slowly, Sludge sneaks his way back to the sewer.
At a cemetery, the burial of Marcello is being attended by many people and among them is Don Celini who regarded the late crime boss as a man of vision who made a lot of money for many people. Vittorio, the former loyal assistant to Marcello, is told by Don Celini to demonstrate leadership qualities to the heads of the other gangs. In the evening at a discreet place, Vittorio meets with Bloodstorm with a lot of money on the side…
The reporter Shelley on the pursuit for details.
Quality
To make things clear about the storytelling, the conflict between the crime gangs not only became more intense but also turned out quite intriguing. Clearly writer Steve Gerber carefully planned out the events, character developments and twists for this series. That being said, this comic book has a fine mix of suspense, crime story and even the supernatural for the narrative’s progress, and the good news is that these elements were presented in a believable way.
As presented in the previous issues, Sludge’s desperation and death wish will keep on intriguing you especially when he gets bothered by the Pump (arguably the most evil figure of the entire Ultraverse). Even as the war between gangs heat up, the story even had space for investigative journalism moments through the news reporter Shelley (who encountered Sludge in person before) whose pursuit for the facts remains unrelenting.
Conclusion
Sludge in a dark boiler room.
While the previous issue made me think deeply about the state of Sludge’s character and the gang war he became involved with, Sludge #8 (1994) is an even more intriguing Ultraverse read complete with solid twists that must be seen. Without spoiling the story, this comic book will strongly resonate with readers who really started the Sludge series from issue #1 (note: Bloodstorm’s involvement in this comic book will be more relevant if you have previously read his detailed introduction in issue #2). The current storyline – Street Wars – went significant steps forward in this story and I can say that the creative team of Gerber and Aaron Lopresti were successful in making me anticipate the conclusion.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, superhero fans, 1990s culture enthusiasts and comic book collectors! Today we revisit the Ultraverse of Malibu Comics and examine one of its many stories told through an issue of the Sludge comic book series.
In my previous retro review about Sludge #4 (1994), we got to see an inspired monster-versus-monster conflict between the protagonist and a huge, intelligent alligator aced with elements of society, urban legends, idolatry and journalism. That particular issue also showed more of the creative side of series artist Aaron Lopresti when it comes to writing. The next issue reviewed also involved Lopresti as writer.
With those details laid down, here is a look back at Sludge #5, published by Malibu Comics in 1994 with a story written and drawn by Aaron Lopresti.
The cover.
Early story
The story begins in New York City. Darkness descends on Manhattan like a shroud, providing haven for those who shun the light. As a man and a lady walk down the sidewalk talking to each other, a very hideous human-like monster comes out of the shadow of the alley and grabs them both.
In the sewers, Sludge hears one of the victims scream which compels him to run to where the trouble happened. As soon as he climbs out of the sewer, he sees the monster in the alley which makes eye-contact with him. As Sludge approaches the alley, the monster gets away leaving the dead bodies of the man and woman behind. As Sludge examines the dead bodies and realizes that the monster ate them, a police car with two officers arrived.
In reaction, Sludge quickly grabs one part of the police car and turns it upside down to buy himself time to get back into the sewer. The details of the encounter between the police and Sludge made it to Shelley, the same New York Daily Globe news reporter who encountered him and the intelligent alligator Veffir Voon Iyax. She discusses the newest information with her skeptical boss…
Quality
Obvious parallel to Mary Shelley’s Frankenstein here.
Let me start first with what is obvious with regards to the plot and presentation. Similar to what happened in Sludge #2, there is noticeably less spotlight on Sludge as creative space had to be used to develop the new monster, emphasize its background story (with an additional new character who has significance) and there were even scenes focused on Shelley and what goes on inside the office of her newspaper which became aware of the events that took place.
The next thing I want to point out is the creative inspiration used in this particular story. This comic book has really clear parallels to the literary classic Frankenstein: or, The Modern Prometheus and there was even a mention of its author Mary Shelley. That being said, there is a scientist-and-walking-abomination aspect with regards to the mentioned additional significant character connected with the new monster. That is not to say that this comic book copied Victor Frankenstein and his nameless monster, rather Aaron Lopresti took inspiration from them, mixed things up and implemented them in telling this new tale of Sludge. When it comes to keeping things fresh in telling another Sludge story, I can say that Lopresti succeeded.
More on the story itself, this one has a clever mix with regards to the dimensions used. In here, Sludge is more determined on helping people who shouted for help while Shelley won’t give up on finding out the truth about the tragic events in their city. Without spoiling the details, I can say that there is this deep dramatization about the monster and the new character responsible for its return from the dead.
As for the quality of the writing, Aaron Lopresti’s work here is not only expressive but also impressive. There is this one page near the end that has these few yet powerful words that strongly connect with the images of Sludge and the monster (who is so creepily drawn!).
Conclusion
This is the 2nd straight Sludge comic book that has reporter Shelley and her newspaper focused on what has been happening. At this point, Shelley had encountered Sludge.
Sludge #5 (1994) in my view is another inspired and intriguing Ultraverse tale to read! While issue #4 had parallels to the 1980 film Alligator, this comic book took inspiration from Mary Shelley’s most famous work of fiction which added elements about resurrection, man’s abuse of science, and the consequences of dealing with the unnatural into Sludge’s side of the Ultraverse. I should state that this comic book also has the scariest looking monster Aaron Lopresti drew for the Ultraverse at the time of publication.
If you are seriously planning to buy an existing hard copy of Sludge #5 (1994) be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $16 while the near-mint copy of the newsstand edition costs $48.
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