To keep on strengthening the drive of tourism all over the Philippines, the Department of Tourism (DOT) recently unveiled its plans for 2025, according to a Manila Times news report.
To put things in perspective, posted below is an excerpt from the news report of the Manila Times. Some parts in boldface…
The Department of Tourism (DOT) unveiled its plans for 2025 to propel Philippine tourism to new heights and give travelers more reason to love the Philippines.
“Tourism will be a cornerstone of our nation’s recovery. We embraced the challenge—not just to rebuild but to innovate, not just to promote, but to develop, to transform, to lead,” Tourism Secretary Christina Garcia-Frasco said at the DOT’s year-end press briefing on Tuesday.
The DOT has formed a partnership with the Department of Health (DOH) to develop Tourist First Aid Facilities and is in talks with key government agencies to establish tourist courts that will be open 24 hours a day, seven days a week, to “resolve tourist-related crimes.”
Tourist First Aid Facilities will be established in tourist-heavy locations such as La Union, Boracay Island in Aklan, Siargao Island in Surigao del Norte, Panglao Island in Bohol, Palawan, and Puerto Galera.
The department will also soon initiate “Layover Tours” as part of the Hop-on Hop-off Bus Tours program, which Frasco said “would make layovers more enjoyable and provide seamless access to our iconic attractions.”
The Philippines Hop-on Hop-off Bus Tours program, which started in 2023, allows solo and group tourists to plan fast, self-guided trips using an advanced bus network and a specific smartphone app.
The DOT also plans to establish the “Golf Experience” initiative, which Frasco described as “geared to enthusiasts motivated to discover the world-class golf destinations.”
It will continue to construct more Tourist Rest Areas across the country, equipped with new features such as rainwater harvesting facilities and solar panels, in addition to basic amenities such as clean and adequate restrooms, a tourism information center, and a pasalubong center.
Let me end this post by asking you readers: What is your reaction to this recent development? Do you think the DOT’s plans for the new year will create positive results for the nation’s tourism industry? Do you think the DOT should recognize special events like car shows, fashion shows, film festivals and cosplay events so that more local and foreign tourists could join them?
Recently in the City of Muntinlupa, the City Government approved an ordinance establishing a moratorium on the collection of the amusement tax on Filipino films (note: movies produced by Philippine companies/organizations) within the city for the next three years, as reported by the Manila Bulletin. The ordinance was signed into law by Mayor Ruffy Biazon.
In short, local companies here in the Philippines whose films are shown in theaters within the jurisdiction of Muntinlupa City could earn more as the amusement tax won’t be imposed for most of the year for the next three years while the cinema operators themselves can benefit along the way.
I say most of the year because the moratorium does not cover the time period of December 25 to January 7 which is precisely the time when the annual Metro Manila Film Festival (MMFF) happens.
To put things in perspective, read the excerpt from the Manila Bulletin news report posted below. Some parts in boldface…
Muntinlupa Mayor Ruffy Biazon and the City Council approved an ordinance granting a three-year moratorium on the collection of amusement tax from Filipino films in the next three years.
The Muntinlupa City Council passed and Biazon signed Ordinance No. 2024-229 “Declaring Moratorium on the Collection of Amusement Tax for Filipino Films in the City of Muntinlupa from January 08 to December 24 of every year for the next three (3) years.“
Under the existing Local Government Code, “The province may levy an amusement tax to be collected from the proprietors, lessees, or operators of theaters, cinemas, concert halls, circuses, boxing stadia, and other places of amusement at a rate of not more than ten percent (10%) of the gross receipts from the admissions fees.”
In February, the Metro Manila Council adopted the Metropolitan Manila Development Authority (MMDA) Resolution No. 24-11 “Declaring a Moratorium on the Collection of Amusement Tax for Filipino Films in Metro Manila from January 08 to December 24 of Every Year for the Next Three Years.”
In the Muntinlupa ordinance, it was stated that the MMDA resolution “was adopted to recognize the importance of the local film industry in promoting cultural and economic development and in response to the appeal of the local filmmakers to boost the film industry after the impact of the COVID-i9 Pandemic on the production and exhibition of Filipino Films, and the dominance of foreign films.”
Under the ordinance, all cinemas in Muntinlupa can avail of the moratorium on the collection of amusement taxes for Filipino films from Jan. 8 to Dec. 24 of every year for the next three years.
When it comes to the state of cinemas within Muntinlupa City, Commercenter has four screens and I noticed over the past two months that only 2 or 3 were operating during my visits there. Over at Festival Mall, their 4-screen modern cinemas are fully operating but their original cinemas (located several feet away by foot on the same floor) are still dark and depressing as only 2 or 3 screens (out of ten screens) were operating almost all the time.
As for the cinemas in Alabang Town Center, they seem to be operating normally and continue to attract a steady amount of moviegoers.
Going back to the approved moratorium, it remains to be seen if it could lead to a potential reduction of ticket prices in relation to Filipino movies within Muntinlupa. Even if ticket prices get reduced, would it be enough to convince people to come to the Muntinlupa cinemas and buy tickets for the cinematic experience. There is also the factor of the quality of Filipino movies showing in Muntinlupa movie theaters plus the factor of foreign movies.
As a resident of Alabang who saw lots of movies in the local cinemas, I noticed that Muntinlupa City is lacking when it comes to hosting film festivals (note: the annual MMFF does NOT count). Special events about movies focusing on variety, quality and artistry being held in Muntinlupa can help cinema operators attract moviegoers as well as the enthusiastic film buffs.
Perhaps the City Government or barangays could someday organize a special event of short films made by Muntinlupa-based filmmakers and have such films screened in local cinemas. Organizing another film festival showcasing films by independent filmmakers from around the country and having them screened in theaters within the city could help too.
Still on the topic of Filipino movies, when will the time come when the major local movie producers will have premieres of their new movies held in cinemas here in Muntinlupa and give locals the chance to see their favorite movie stars in person?
Let me end this post by asking you readers: What do you think about the 3-year moratorium approved by the City Government of Muntinlupa? Do you think that cinemas in Muntinlupa are losing money? Do you think the newly approved moratorium could be disadvantageous to the City Government in terms of revenue?
As far as the chief economists of the Rizal Commercial Banking Corp. (RCBC) and China Banking Corp. are concerned, the recovery of Philippine tourism is still lacking and a lot more needs to be done which includes relying on tourists from China, according to a BusinessWorld news report.
To put things in perspective, posted below is an excerpt from the BusinessWorld news report. Some parts in boldface…
THE RECOVERY of the tourism market lags the rest of the region due to infrastructure constraints and the slow rebound of visitor arrivals from China, analysts said.
Michael L. Ricafort, chief economist of Rizal Commercial Banking Corp., said the Philippines’ tourism performance was lagging even before the pandemic.
“There has been a lot of catching up since the pandemic and also even before the pandemic with other ASEAN or Asian neighboring countries,” Mr. Ricafort said in a Viber message.
“This is largely due to infrastructure constraints that limit the capacity of airports and accommodation and MICE (meetings, incentives, conferences, & exhibitions) facilities to cater to a much larger number of foreign tourists,” he added.
Mr. Ricafort said upgrades are needed to airports, particularly the Ninoy Aquino International Airport (NAIA), which will share future traffic to and from the capital with the Bulacan and Sangley airports.
“There is a need as well as for integrated tour packages that will be cheaper and more convenient to attract more foreign tourists,” he said.
“There is also a need for more mass transport systems such as railways that are integrated into major airports to make it more convenient for local and foreign tourists to travel,” he added.
China Banking Corp. Chief Economist Domini S. Velasquez said slow growth can be attributed to geographical constraints and absence of Chinese tourists.
“The Philippines lags behind its other ASEAN neighbors in terms of tourist arrivals, which can be attributed partly to geographical constraints, as the country cannot be accessed by land,” Ms. Velasquez said in a Viber message.
“However, another factor contributing to the below-target numbers, especially during the pandemic, is the absence of Chinese tourists,” she added.
Before the pandemic, China was the country’s second top source of international arrivals after South Korea. However, China only ranked fifth last year.
South Korea remained the top source of international visitors accounting for 26.41%, followed by the US (16.57%), Japan (5.61%), Australia (4.89%), and China (4.84 %).
“The sluggish growth and high unemployment in China have hindered the phenomenon known as “revenge travel,” wherein Chinese tourists typically exhibit strong travel demand. As a result, the expected influx of Chinese tourists has been limited,” Ms. Velasquez said.
Mr. Ricafort said the Philippines has strong potential in further growing the tourism economy with much room to improve in many elements of the product offering.
“The tourism business is low-hanging fruit that can generate more business, employment, and other economic activities as a major source of growth or a bright spot for the economy,” he said.
Let me end this piece by asking you readers: What is your reaction to this recent development? Do you agree with the analysts’ findings as to why Philippine tourism is still lacking and what should be done to improve it? Do you think the Department of Tourism (DOT) should focus more on attracting tourists from other nations instead of depending so much on China? What do you think are the five biggest problems of Philippine tourism right now? Do you think the DOT should be more active in promoting local film festivals, fashion shows, sports events and food tours to foreigners?
The success of the Philippines attracting visitors from overseas and generating the related revenue in 2023 has finally been confirmed by the newly released numbers from the Department of Tourism (DOT): 5,450,557 international visitors and P482.54 billion (US$8.7 billion according to the foreign exchange rate of January 2, 2024) in tourism revenue, according to a Philippine News Agency (PNA) news article.
For the newcomers reading this, the final 2023 statistics exceeded the declared targets of 4.8 million international tourists and US$5.8 billion revenue. For further comparison, the Philippines attracted 2.65 million international arrivals and over P200 billion in revenue for the year 2022. To say the least, 2023 is undeniably a successful year for Philippine tourism and it seems that the controversial blunder behind the “Love the Philippines” tourism campaign did not lead to a massive failure (which the enemies and haters of President Ferdinand “Bongbong” Marcos, Jr., have been dreaming of).
To put things in perspective, posted below is an excerpt from the PNA news article. Some parts in boldface…
The Philippines welcomed a total of 5,450,557 international visitors in 2023, well above the 4.8 million target arrivals the Department of Tourism (DOT) earlier set for the entire year.
Of this number, 91.80 percent or 5,003,475 are foreigners while the remaining are 447,082 overseas Filipinos.
From January to Dec. 31, 2023, the country also generated an estimated PHP482.54 billion in international tourism revenue, more than double the receipts it recorded in 2022.
“My deepest appreciation goes to every tourism stakeholder, collaborative partner, and passionate contributor who propelled our shared aspirations forward. Under President Ferdinand ‘Bongbong’ Marcos Jr.’s guiding vision and leadership, tourism has become a pivotal force driving our nation’s economic resurgence,” Tourism Secretary Christina Frasco said in a statement Tuesday.
“These numbers speak very well of the performance of the tourism industry under the Marcos Administration,” she added.
She said the DOT will continue its work to “realize the vision of this administration to make tourism a catalyst for economic growth and resurgence.”
More than a quarter or 1,439,336 of the arrivals came from South Korea, retaining its spot as the country’s main source of international visitors.
This was followed by the United States with 903,299 tourists (16.57 percent) visiting the country; Japan with 305,580 (5.61 percent); Australia with 266,551 (4.89 percent); and China with 263,836 (4.84 percent).Ranking sixth was Canada followed by Taiwan, the United Kingdom, Singapore, and Malaysia.
Frasco said the 2023 visitor receipts also show that the tourism industry is “recovering faster than expected.”
The country’s 2023 international tourism receipts grew by 124.87 percent compared with the PHP214.58 billion estimated visitor receipts from 2022.
Before the pandemic in 2019, the DOT recorded PHP482.15 billion in international tourism receipts.
In 2023, the DOT’s marketing arm the Tourism Promotions Board (TPB) generated PHP6.317 billion in total sales leads both from international and local business-to-business and promotional events.
While reintroducing Filipino destinations before the global tourism arena, the Philippines represented by Frasco last year was also elected Vice President of the 25th General Assembly of the United Nations World Tourism Organization (UNWTO), a prestigious global position last held by the country more than two decades ago.
She was also elected as chair of the Commission for East Asia and the Pacific, allowing the country to host the Joint Regional Meetings of the Committee for East Asia and the Pacific and South Asia in Cebu in 2024.
The Philippines in 2023 bagged at least 15 travel and tourism honors from prestigious award-giving bodies in diving, beach, cruise, culinary, retirement, and Muslim-friendly tourism, “a testament that the Philippines is indeed an emerging tourism powerhouse.”
“The extraordinary journey of Philippine tourism in 2023 saw the world express its love for the Philippines with our country’s rise to global prominence as the World’s Leading Beach and Dive Destination, and Asia’s Best Cruise Destination, among many other accolades,” Frasco said.
“The indomitable spirit of the Filipino has been globally acclaimed with the Philippines receiving the Global Tourism Resilience Award with our country seen as a benchmark for innovation amidst trials and challenges,” she added.
By 2024, the DOT targets 7.7 million international visitors, around 500,000 lower than the country’s pre-pandemic arrivals of 8.2 million.
Let me end this piece by asking you readers: What is your reaction to this recent development? Do you think the Philippines will be able to meet its declared 2024 target of 7.7 million international visitors and possibly generate between P600 billion to P700 billion in tourism revenue? Did anyone from the haters/critics of President Marcos and Secretary Frasco bother you to make you believe that Philippine tourism will fail because of the “Love the Philippines” campaign blunder that was so widely reported in the mainstream news media?
Going back to tourism, do you think the Philippines should have more international-level fashion shows, film festivals, worship conferences, food festivals, sports events and trade shows to make the nation more attractive to visitors from overseas?
For decades now, I have been living in Alabang and I witnessed how much Muntinlupa City modernized along the way. Bordering Barangay Ayala Alabang is Filinvest City (formerly called Filinvest Corporate City) which itself is home to several business or facilities such as the Filinvest Tent, Commercenter, Acacia Hotel Manila, Crimson Hotel, Westgate and, of course, the wildly popular place to be in – Festival Mall.
For the newcomers reading this, Festival Mall opened in May 1998 with its initial name Festival Supermall. Way back then, out of pure curiosity, I entered the mall for the first-time ever during its soft opening on May 1, 1998 (Labor Day here in the Philippines) as I was already looking for a new place and new discoveries at a time when I got tired of Alabang Town Center (ATC).
Being very new back then, Festival Mall’s presence of retailers or tenants was not yet dynamic as there were still businesses inside that could not open in time for the mall’s opening. I do remember walking down seeing lots of vacant retail spots covered with signs such as “opening soon”, “coming soon” and the like. Back in those days, the Philippine economy and society itself were dampened by the 1997 Asian Financial Crisis.
As the months passed by, more businesses opened and Festival Mall’s early attractions include the X-Site Amusement Center (which already had the indoor roller coaster) and, of course, the brand new cinemas which had several screens operating at a very spacious area on the top floor. I still remember seeing lots of people lining up for tickets and seats to watch Armageddon which ended up as the highest grossing movie of the world in 1998.
Indeed, for more than a decade, Festival Mall’s original cinemas became a favorite destination of mine to watch movies in Alabang and I definitely was not alone. I also remember the times when the said cinemas attracted a whole lot of moviegoers when the annual Metro Manila Film Festival’s (MMFF) opening day (every December 25) happened resulting in long lines. Watch the YouTube videos below…
As you can see in the above videos, Festival Mall’s original cinemas was a hot spot for moviegoers. It should be noted that the mall is strategically located in close proximity to the Alabang Viaduct and the South Luzon Expressway (SLEX) which ensures visibility to motorists and accessibility to commuters on a daily basis. The old cinemas were also a hot spot for a variety of small businesses selling different kinds of food and drinks to moviegoers and others who just passed by.
Festival Mall at 25
This past May, Festival Mall turned 25 and its anniversary was highlighted with special events as well and publicity through the media. There were these Festival Mall 25th anniversary feature articles that got published in different newspapers almost simultaneously. In the commemorative article that got published in the Manila Bulletin, President and CEO of Filinvest Development Corporation Josephine Gotianun Yap was quoted which goes as follows in the excerpt below. Some parts in boldface…
“We would not be where we are today without the unwavering support of our customers, merchants, suppliers, and employees who have journeyed with us through the years. It is humbling to think that when we first opened the mall, we only had 30 stores and no anchor supermarket. But thousands of visitors came on our first day, attracted by our amusement centers, cinemas, and food court. And now the mall has 800 tenants and eight leading anchor stores. We value our collaboration with major retailers, which has enabled us to bring together SaveMore, Ace Hardware, Robinson’s Department Store, Handyman, Shopwise, H&M, Decathlon, and Landmark all under one roof. As we build on its strong foundations for the future, we see Festival Mall continuing to serve as a place where time stops for making memories with family and friends,”
As seen above, the Filinvest Development Corporation executive clearly referred to the original cinemas which was one of the early attractions of Festival Mall way back in 1998. As mentioned earlier, Festival Mall today has more modern cinemas located at the expanded area on the same floor but several meters away from the original cinemas. So how does Festival Mall’s original cinemas look like nowadays? Watch the video below…
Yes, indeed the mall’s original cinemas have turned depressing. There are much less customers who pass by the area and many of the businesses that operated within have closed down! As I personally found out, Festival Mall is still using a few screens at the old cinemas for moviegoers while leaving the many others closed and left in the dark. If you think about it carefully, what does the mall management have in mind with regards to all of those cinema seats, sound systems, projectors, screens and other pieces of equipment inside each and every closed screen of the original cinemas?
A closed screen at one end of the original cinemas of Festival Mall. Just imagine what is left of all the hardware (examples: projectors and speakers) and seats inside.
This was a premium place to watch movies at. It had more comfortable seats and better equipment that made the cinematic experience more immersive. It was here where I saw 2001’s Final Fantasy: The Spirits Within.
This is where I used to buy movie tickets for many years. For some time now, the selling of movie tickets here has stopped. To buy tickets, you have to go to the modern cinemas of the mall several meters away by foot at the same floor.
Apart from seeing more of the screens of the original cinemas closed down, the number of small-time businesses that sold different kinds of food and drinks are also gone which is depressing. Those businesses offered moviegoers different choices of what to eat or drink apart from the usual popcorn and drinks sold by the cinema’s concessionaires. I do remember a certain business joint that sold really good coffee (both hot and cold) that is also affordable.
There used to be different kinds of small business joints that sold a variety of food and drinks located on the floor spots at the original cinemas area. Those businesses have since closed down and left.
I remember the times I bought popcorn and drinks at this place before watching a movie. Now there are no food, no drinks and no people selling to customers anymore.
With the way things are right now, walking through the original cinemas area of Festival Mall is lonely and depressing to do. The area is almost lifeless and it easily is the saddest place inside the mall which itself has become a major attraction for shoppers and families. I can only wonder if Festival Mall’s management has any plan to revive the original cinemas area. Will they someday renovate at least a few of the screens and install brand new seats and other equipment to accommodate more moviegoers? Do they plan to attract new businesses to occupy the vacant commercial spaces and floor spaces near the old cinemas?
It would be nice to know if Festival Mall’s management or Filinvest itself has any plan to revive commerce at the original cinemas area which is now the saddest and loneliest part of the mall.
To be very clear with you all reading this, I never worked for a shopping mall nor have I ever worked in the movie theater business. I am a long-time resident of Alabang who often visits Festival Mall for purchasing needed items, dining and availing of services. Watching movies at Festival Mall used to be a big reason for me to spend time at the mall. I know for a fact that operating movie theaters is difficult and attracting people to watch movies on the big screen is tougher because of streaming. It does not help that the COVID-19 pandemic convinced people that watching new movies at home via streaming is the new standard which also made them think that movie theaters are unnecessary.
As a movie enthusiast, I can say out loud that watching a movie inside the cinema is still the best and most definitive way to enjoy watching. The movie theater experience can never be matched by streaming nor could the biggest HDTV at home could ever come close to the size and visual impact of a cinema screen. That being said, I can only hope that Festival Mall could someday revive the movie experience and commerce at their original cinemas area. They already have the modern cinemas at the expanded area but those are only 4 screens.
If you are living here in South Metro Manila and you have been to Festival Mall several times before, what do you think the mall management should do about their old cinemas? Is Festival Mall your favorite place to watch movies in? Do you think that hosting multiple film festivals – both foreign and domestic – each year would justify renovating the old cinemas of the mall?
Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back fellow geeks, pop culture enthusiasts and comic book collectors! Way back in 1982, the horror comedy anthology film Creepshow was released in cinemas featuring the combined talents of author Stephen King and the late director George Romero who were clearly inspired by the 1950s horror comic books published by EC Comics. That being said, Creepshow was a comic book movie that was not even based on a comic book.
To make things clear, the movie was first shown on the big screen in France during the Cannes Film Festival in May 1982. The comic book adaptation of Creepshow (note: read my retro comic book review) was released in July 1982 and the art it contained is not the same as the in-movie comic book (also titled Creepshow) that appeared in transition scenes. The movie’s general release in America happened on November 10, 1982 and it was successful commercially and critically. In recent times, Creepshow was released on 4K Blu-ray with lots of extra stuff for fans and moviegoers to enjoy. The said 4K Blu-ray release can be ordered online now.
Some of you might be wondering if the Creepshow movie has aged well and what exactly does it offer for younger moviegoers and movie collectors to enjoy. Some of you might be wondering if King and Romero were ever a special creative duo for cinema.
Prologue – A father very angrily berates and hits his young son after discovering the horror comic book titled Creepshow was with him. The father called the comic book’s content crap.
Father’s Day – Sylvia Grantham, her nephew Richard, niece Cass and Hank (husband of Cass) enjoy time together at the Grantham estate anticipating the arrival of Bedelia for the annual family dinner. There is a dark secret regarding Bedelia and her late father…
The Lonesome Death of Jordy Verril – A lonely farmer named Jordy witnesses the unexpected arrival of a meteorite from out space which landed violently on his farm. After realizing what it is, he touches it without any protection and gets his fingers burned…
Something to Tide You Over – a prominent man named Richard visits Harry at his home. It turns out, Harry has been having an affair with Richard’s wife Becky. Even so, Richard maintains his cool and made clear his uncompromising determination of always keeping what is his. Richard plays an audio recording of Becky’s voice which even includes a call for Harry to help her….
The Crate – In the basement level of Amberson Hall (science building of Horlicks University), a janitor accidentally finds a very old wooden crate located right under the staircase. The writings “Ship to Horlicks University via Julia Carpenter – Arctic Expedition – June 19, 1834” were marked on the crate…
They’re Creeping Up on You – A cruel businessman named Upson Pratt is alone in his well-lighted apartment. He has been suffering from mysophobia and has been living in isolation and only communicates with others using the telephone and other electronic methods. Slowly but surely, cockroaches begin to multiply in his apartment…
Quality
Two couples from different short stories of the movie: At left were Hal Holbrook and Adrienne Barbeau. At right were Elizabeth Regan and Ed Harris.
To begin with, I’d like to focus on the combined creativity of Stephen King and director George Romero. While all five short stories, the prologue and epilogue each have varying levels of quality, engagement and entertainment value, it is safe to say that Creepshow as a whole remains entertaining and intriguing to watch. This is a cinematic horror-comedy anthology that is still fun to watch from start to finish.
Very clearly, the King-Romero team were heavily inspired by the EC Comics-published horror comics of the 1950s and along the way, they added their own creative touches to make each short story not only unique but also memorable. Given the fact that Romero remains remembered for his zombie movie works, two of the five short stories can be viewed as shorter zombie tales by the director but with notable differences – the comic book-inspired visuals used (note: moody lighting, stylish backgrounds and comic-inspired frames) and the fine performances from the actors involved. As for the three other short stories that have nothing to do with zombies, I felt they reflected more of Stephen King’s concepts (note: King himself acted as Jordy) which Romero apparently directed to be reflective of the author’s works while still injecting EC Comics-inspired visuals. Speaking of comic books, the filmmakers used traditional animation (note: hand-drawn) specifically in the transition scenes when the movie moved from one segment to the next. Within the context of the movie was the comic book Creepshow which made the father mad at his son.
With moody lighting combined with Leslie Nielsen’s convincing terrified expression, this image captures the look and feel of similar moments in the horror comic books of EC Comics.
As it is clear that each short story has different concepts and varying levels of quality, entertainment and engagement, I can describe them in short results as follows: Father’s Day really looks and feels like it was written for EC Comics in the 1950s; The Lonesome Death of Jordy Verril is a clever mix of dark humor, science fiction and horror; Something to Tide You Over is very intriguing to watch and Leslie Nielsen pulled off a very unique portrayal of a villain; The Crate is a fine combination of monster horror and struggling characters with a university setting; and They’re Creeping Up on You is symbolically a socialist mobbing against someone powerful in the most unusual fashion, and it definitely is the weakest of all the five short stories as it was made to disgust viewers who are afraid of bugs. Creepshow’s prologue and epilogue meanwhile carried an anti-family theme that supposedly reflects the moral outrage against EC Comics in the 1950s made to resonate with people who love comic books at the expense of morality and family. I personally dislike the anti-family theme because I truly believe that minors should never read adulterated comic books and they should never become rebellious.
As each short story, the prologue and epilogue were strongly presented to be entertaining and engaging in varying ways, there is one aspect of the creativity that made Creepshow stand the test of time – the respective performances of the actors.
Leslie Nielsen’s portrayal of the villain Richard is the performance highlight of the entire film. Here’s a powerful man dealing with pain as a result of being betrayed by his wife by being in full control of his emotions and he keep moving on with uncompromised determination to proceed with his diabolical plans patiently and orderly. He is a very angry man who happens to be very calm. He is definitely evil who happens to be very principled. You will even see little traits of comedy in Richard and this should remind you of Nielsen’s eventual move into comedy in his later years. In the same short story, Ted Danson is believable as the man who had the affair with Richard’s wife.
In another short story, Adrienne Barbeau really stands out as the obnoxious and unhinged Wilma (AKA Billie) who is the complete opposite of her mild-mannered husband Henry (played by Hal Holbrook). She is so wild, she easily embarrasses her husband and the others who were present in the faculty social gathering. Quite symbolically, Barbeau’s act as Wilma is easily the most lively thing to watch in the said gathering. Without spoiling the plot of The Crate short story, I can say that Hal Holbrook has a nice range of displaying emotions within Henry as the story progressed. Even the guy who played the professor Dexter Stanley (Fritz Weaver) had his own share of the spotlight and displayed a good acting range as well.
Even author Stephen King himself acted in a leading role in another short story as Jordy. King is surprisingly good in being comedic and he really knows his character in and out. In the first short story Father’s Day, you will see a very young Ed Harris as part of a family waiting for the arrival of Bedelia (Viveca Lindfors). The waiting family members were nicely played by Elizabeth Regan, Warner Shook and the late Carrie Nye. They were convincing as relatives. In the final short story, the late E.G. Marshall played Upson Pratt to be so ruthless, he will irritate you.
Conclusion
Comic book-style visuals implemented cleverly in the movie.
It is clear that Creepshow (1982) remains fun and engaging to watch thanks to the combined creative efforts of the King-Romero team as well as the fine performances of the actors involved. Although the final short story starring E.G. Marshall is the least interesting tale to watch, this horror-comedy anthology has lots of good stuff to entertain viewers. By today’s standards, Creepshow (1982) is very unique and also fun to watch. If you want to see this movie with the best visuals possible today, I urge you to buy the 4K Blu-ray release.
Recently in the city of Las Piñas, the City Government continued to push local tourism further by teaming up with the Department of Tourism-National Capital Region (DOT-NCR) and conducted a tourism guidebook orientation, according to a Manila Bulletin news report.
To put things in perspective, posted below is the excerpt from the Manila Bulletin news report. Some parts in boldface…
The Las Piñas City government and the Department of Tourism-National Capital Region (DOT-NCR) conducted on Saturday, April 29, a tourism guidebook orientation to increase awareness and showcase the rich culture and history of the city.
The orientation was held at the Excelsior Hotel in Las Piñas City, attended by DOT- NCR Regional Director Sharlene Zabala-Batin and Project Development Officer Bamba Ramos among others.
Las Piñas Tourism and Cultural Office (TCO) Head Paul San Miguel said the city’s TCO is a newly created division in the local government tasked with implementing programs and initiatives to promote the city’s culture and history. He said the office was formed by Mayor Imelda Aguilar who wanted to present the city’s heritage to local and foreign tourists.
The tourism officer cited the famous Bamboo Organ, which was constructed in 1816 and can be viewed in St. Joseph Parish Church in the city. The organ has been recognized in 2003 by the National Museum of the Philippines as the “only surviving and functioning 19th-century Bamboo Organ in the country.”
He noted that the organ is usually visited by students conducting study tours, along with local and foreign tourists.
San Miguel said promoting the history and rich culture of the city will also help in economic growth.
Let me end this piece by asking you readers: If you are a resident of Las Piñas City, what is your reaction to this development? Do you think your city will become a stronger and more competitive player when it comes to attracting local and foreign tourists? Do you think that the City Government should team up with bloggers, vloggers and social media influencers to boost the city image as a tourist-friendly place? Don’t you think Las Piñas City is ready to host special events that can attract visitors such as sports competitions, fashion shows, fitness models’ pageants, comic conventions, cosplay festivals, food showcases, film festivals and the like?
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Author Carlo Carrasco 