The Commission on Elections (COMELEC) expressed confidence that its mall voting project with this October’s Barangay and Sangguniang Kabataan Elections (BSKE) will push through, according to a Malaya Business Insight news report.
To put things in perspective, posted below is an excerpt from the Malaya report. Some parts in boldface…
UNLIKE in 2016, the Commission on Elections (Comelec) is confident its mall voting project will push through during the conduct of the October 30 Barangay and Sangguniang Kabataan Elections (BSKE).
In an interview, Comelec chairman George Garcia said they do not see a repeat of the fate of the mall voting initiative in 2016, which was cancelled just days prior to Election Day.
“It was unfortunate that in 2016, we were almost able to hold mall voting in the country.
But now, the entire Comelec en banc approved this (project). We all supported this initiative,” Garcia said.
The poll chief said the full support comes after the success of the Register Anywhere Project (RAP), which was pilot tested in selected malls.
“We thought that if we can do registration in malls, why not do voting in malls as well,” said Garcia.
Back in the 2016 polls, then Comelec chairman Andres Bautista pushed for the mall voting project. But, with barely two weeks before Election Day, it was thumbed down by the Commission en banc with a vote of 4 against and 3 in favor.
Back then, the Comelec en banc reasoned that the Omnibus Election Code (OEC) does not allow the transfer of polling precincts within 45 days before a regular election.
For the October 30 polls, five SM malls and five Robinsons malls are already set to host mall voting.
Eyed as voters, estimated to be at 300,000 individuals, are those belonging to barangays near the participating malls.
Let me end this piece by asking you readers: What is your reaction to this recent development? Do you favor the idea of voting inside a shopping mall for the BSKE this October?
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 and explore a part of the Marvel 2099 comics universe through a tale of the Spider-Man 2099 franchise.
In my previous retro review, Miguel O’Hara arrives in Mexico with Xina and they shared a room together. It turns out his brother Gabriel was also there even occupying the next room. Elsewhere, a lady practicing sorcery (Strange 2099) is told that Spider-Man will be her ally and they will work together to fulfill a mission. Elsewhere, a grave digger performs rituals over the skeletal remains of his beloved sister. Issue #32 had a dark and totally different tone as the sci-fi element of the monthly series got pushed aside.
With those details laid down, here is a look back at Spider-Man 2099 #33, published in 1995 by Marvel Comics with a story written by Peter David and drawn by Andrew Wildman.
The cover.
Early story
The story begins when Spider-Man 2099 and his new ally Strange 2099 crash into a room on a mission they must complete. They see the grave digger clinging to a magical item that he believes should resurrect his dead sister.
In an attempt to find a solution, Strange touches the item and suddenly becomes a hideous looking monster.
Meanwhile, the streets of Mexico City suddenly gets filled with several undead people walking. On the street, Xina (walking with Kasey and Gabriel) begins to worry about Miiguel. Soon enough, some of the undead move towards them…
Quality
Spider-Man helps to ensure safety.
As this story is the continuation to the events of issue #32, this one keeps on building up on sorcery and evil forms of the supernatural as the key elements of the narrative as well as the setting. That being said, the usual science fiction element remains completely absent and this opened the opportunity for the creative team to show Spider-Man in action within a supernatural atmosphere complete with the unfortunate event of a demonic possession.
Spider-Man’s team-up with Strange (obviously the futuristic take of Dr. Strange) inevitably led to a conflict with evil and the ironic thing is that the grave digger himself is not even the villain but someone obsessed with bringing his sister back to life by means of resorting to magic and tapping the demonic force he could not even see. The Spidey-Strange team-up clearly dominated the narrative but I should say that the sorceress is not too interesting as a character and she barely has any chemistry with the futuristic web-slinger. It seems to me that Strange 2099 was created to emphasize racial diversity and rabid feminism than to really add any depth to the 2099 universe and its lineup of supporting characters.
As for the concept of the undead walking along many people who happen to be commemorating the day of the dead on the city streets, it really heightened the horror and supernatural aspects of the story while escalating the sense of danger.
Conclusion
Spidey, Strange 2099 and the grave digger.
In line with the concept of the previous issue, Spider-Man 2099 #33 (1995) is a supernatural tale of Spider-Man on a misadventure teamed up with a futuristic take on Dr. Strange. Its pay-off to the build-up in issue #32 was barely felt and I could not help but feel the presentation was rushed. Strange 2099 was simply not interesting and the grave digger’s personal pursuit over his dead sister did not have much of an impact. That being said, the concept of this 2-part story felt more like a diversion than a meaningful story. If there is anything worth focusing on in this comic book, it is Spidey himself struggling in the very nation where he previously got his costume.
Overall, Spider-Man 2099 #33 (1995) is satisfactory.
Not even the embarrassment that hit the Department of Tourism’s (DOT) “Love the Philippines” slogan previously could stop its momentum as support for it nationwide grew, according to a Philippine News Agency (PNA) news article. To say the least, there were hundreds of local government units (LGUs) and other stakeholders that confirmed support for “Love the Philippines” campaign.
To put things in perspective, posted below is an excerpt from the PNA report. Some parts in boldface…
Nearly 900 local government units and stakeholders across the country have so far adopted the “Love the Philippines” campaign, the Department of Tourism (DOT) said Thursday.
In her remarks during the Philippine Tour Operators Association (PHILTOA) general meeting in Alabang, Muntinlupa City, Tourism Secretary Christina Frasco confirmed anew that the country will carry the slogan amid the previous issue with the advertising agency that conceptualized the campaign.
“Love the Philippines is an effort on the part of our national government to remind our fellow Filipinos that there is so much to love about our country. We are only one of the 18 mega biodiverse destinations in the world. We are a treasure trove of heritage, history, culture and the creative arts,” she said.
She said the campaign is a call to action to highlight “that if we love our country, we will herald the best of the best of our destinations”.
“To love the Philippines is to ask the difficult questions, to try to understand what we can do to introduce difficult but helpful solutions to programs and projects that have never been done before, but are being implemented now as our response to global tourism trends,” she said.
Frasco said nearly 900 local government units and stakeholders all over the Philippines “have expressed this deep love for the Philippines” by adopting the slogan in their own local destinations.
She called on stakeholders present to join the movement and “localize” the campaign in their towns.
“We love our country. We all love the Philippines. And it is this deep love for our country that will propel us and give us the daring to say that the Philippines deserves a much more primary position in Asia and the world as a tourism powerhouse,” she said.
The DOT terminated its contract with advertising agency DDB Philippines after discovering that it used stock footage shot abroad in the new tourism campaign video.
The advertising firm publicly apologized, saying it is taking full responsibility for the non-original materials used in the now-deleted video.
The DOT adopted “Love the Philippines” as the country’s new tourism campaign slogan in June, replacing the decade-old “It’s More Fun in the Philippines”.
Let me end this piece by asking you readers: What is your reaction to this recent development? Are you convinced that the DOT’s “Love the Philippines” campaign will succeed in terms of public awareness, marketing and attracting more tourists (both local and foreign)? Is your local government’s tourism office localizing the new DOT slogan?
Have you been driving lately along the Muntinlupa-Cavite Expressway (MCX)? In case you missed the news, the MCX has officially been acquired by a company led by the influential Villar group for almost P4 billion, according to a Manila Standard news report.
To put things in perspective, posted below is an excerpt from the Manila Standard news article. Some parts in boldface…
Prime Asset Ventures Inc., a company led by the Villar Group, on Wednesday finalized the acquisition of the four-kilometer Muntinlupa-Cavite Expressway from Ayala Corp. for P3.8 billion.
PAVI said in a statement it signed the implementing agreements for the acquisition of MCX after the Department of Public Works and Highways in July approved the transfer of ownership of from Ayala Corp. to the Villar Group.
Vista Land chairman Manuel Villar Jr. and Ayala Corp. president and chief executive Cezar Consing attended the signing ceremony at Brittany Hotel in Bonifacio Global City, Taguig.
“This momentous event shows our resolve to provide our countrymen better services in the area of roads and toll ways. You’ll be surprised of the many wonderful things to come in Villar City,” Villar said.
MCX is a four-kilometer controlled-access toll road linking the southern part of Cavite to Muntinlupa. It is the first public-private partner project under the Aquino administration.
Ayala signed the 30-year concession agreement for the operation of MCX Expressway in 2012. It invested P2.2 billion for the project including a P902-million cash payment to the government.
Ayala announced in March 2022 it would sell its entire stake in MCX Project Company Inc., which holds the concession for the MCX to the Villar Group for P3.8 billion.
“Ayala developed MCX over a decade ago to connect Metro Manila to Imus, Dasmarinas and Bacoor in Cavite which were experiencing rapid growth. MCX succeeded in relieving traffic congestion and reducing the travel time between Metro Manila and Cavite. The sale of MCX represents another example of our recycling capital to benefit from opportunities in our core and emerging businesses,” Consing said.
The acquisition will further expand Villar Group investment portfolio which currently includes housing, retail, food, water, power, and utilities, to integrated resorts and entertainment.
Let me end this piece by asking you readers: What is your reaction to this recent development? Do you think there will be major changes regarding the MCX under the new owners? Do you constantly travel along the MCX?
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
To put things in perspective, posted below is an excerpt from the GMA news report. Some parts in boldface…
The Philippine economy continued its downtrend as it grew at a slower pace in the second quarter of 2023 — its slowest pace in nine quarters since the country entered the positive territory in the middle of 2021 following a pandemic-induced recession— amid high inflation that tempered consumption during the period, the Philippine Statistics Authority (PSA) reported on Thursday.
The economy, as measured by gross domestic product (GDP) or the total value of goods and services produced in a specific period, grew by 4.3% during the April to June 2023 period, PSA chief and National Statistician Claire Dennis Mapa said at a press conference.
This is slower than the 6.4% growth rate seen in the first quarter of the year and far slower than the 7.5% GDP growth seen in the same quarter last year. Quarter-on-quarter, it posted a decline of -0.9% during the period.
This also marks the fifth straight quarter of deceleration for the country’s GDP, and its slowest footing in nine quarters since it exited the pandemic-induced recession in the second quarter of 2021.
The economy was pulled out of recession in the April to June period of 2021 with a GDP growth rate of 12%.
The second quarter print brought the year-to-date economic growth rate at 5.3%, according to Mapa.
To achieve the government’s 6% to 7% target, National Economic and Development Authority (NEDA) Secretary Arsenio Balisacan said the economy “needs to grow by 6.6% in the second half.”
“Notwithstanding the challenges, we believe this is still attainable,” Balisacan said, reading the joint statement of the economic team.
The country’s chief economist earlier floated that the second quarter GDP growth is expected to “further moderate.”
High inflation, interest rates – The slower growth came amid a still high inflation environment and the consequential costly interest rates to temper rising prices.
As of the first half of the year, inflation or the rate of increase in the prices of goods and services clocked in at 7.2%, still far above the government’s comfortable ceiling of 2% to 4%.
To tame inflation, the Bangko Sentral ng Pilipinas (BSP) raised monetary policy rates by a cumulative 425 basis points since May last year.
“For the second quarter, the moderate economic expansion was driven by increases in tourism-related spending and commercial investments, but was tempered by high commodity prices, the lagged effects of interest rate hikes, the contraction in government spending, and slower global economic growth,” Balisacan said.
Notably, Household Final Consumption Expenditure (HFCE) contracted by 0.1% quarter-on-quarter.Likewise, Agriculture, Forestry, and Fishing posted a quarter-on-quarter decline of -0.97% in the second quarter.Industry and Services sectors also saw contractions of 0.7% and 1.02%, respectively, during the period
Let me end this piece by asking you readers: What is your reaction to this recent development? What do you think must be achieved to boost economic growth for the rest of 2023? Do you think the Philippine economy will achieve growth of at least 6% by the end of this year?
Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back fellow geeks, pop culture enthusiasts and comic book collectors! Way back in 1982, the horror comedy anthology film Creepshow was released in cinemas featuring the combined talents of author Stephen King and the late director George Romero who were clearly inspired by the 1950s horror comic books published by EC Comics. That being said, Creepshow was a comic book movie that was not even based on a comic book.
To make things clear, the movie was first shown on the big screen in France during the Cannes Film Festival in May 1982. The comic book adaptation of Creepshow (note: read my retro comic book review) was released in July 1982 and the art it contained is not the same as the in-movie comic book (also titled Creepshow) that appeared in transition scenes. The movie’s general release in America happened on November 10, 1982 and it was successful commercially and critically. In recent times, Creepshow was released on 4K Blu-ray with lots of extra stuff for fans and moviegoers to enjoy. The said 4K Blu-ray release can be ordered online now.
Some of you might be wondering if the Creepshow movie has aged well and what exactly does it offer for younger moviegoers and movie collectors to enjoy. Some of you might be wondering if King and Romero were ever a special creative duo for cinema.
Prologue – A father very angrily berates and hits his young son after discovering the horror comic book titled Creepshow was with him. The father called the comic book’s content crap.
Father’s Day – Sylvia Grantham, her nephew Richard, niece Cass and Hank (husband of Cass) enjoy time together at the Grantham estate anticipating the arrival of Bedelia for the annual family dinner. There is a dark secret regarding Bedelia and her late father…
The Lonesome Death of Jordy Verril – A lonely farmer named Jordy witnesses the unexpected arrival of a meteorite from out space which landed violently on his farm. After realizing what it is, he touches it without any protection and gets his fingers burned…
Something to Tide You Over – a prominent man named Richard visits Harry at his home. It turns out, Harry has been having an affair with Richard’s wife Becky. Even so, Richard maintains his cool and made clear his uncompromising determination of always keeping what is his. Richard plays an audio recording of Becky’s voice which even includes a call for Harry to help her….
The Crate – In the basement level of Amberson Hall (science building of Horlicks University), a janitor accidentally finds a very old wooden crate located right under the staircase. The writings “Ship to Horlicks University via Julia Carpenter – Arctic Expedition – June 19, 1834” were marked on the crate…
They’re Creeping Up on You – A cruel businessman named Upson Pratt is alone in his well-lighted apartment. He has been suffering from mysophobia and has been living in isolation and only communicates with others using the telephone and other electronic methods. Slowly but surely, cockroaches begin to multiply in his apartment…
Quality
Two couples from different short stories of the movie: At left were Hal Holbrook and Adrienne Barbeau. At right were Elizabeth Regan and Ed Harris.
To begin with, I’d like to focus on the combined creativity of Stephen King and director George Romero. While all five short stories, the prologue and epilogue each have varying levels of quality, engagement and entertainment value, it is safe to say that Creepshow as a whole remains entertaining and intriguing to watch. This is a cinematic horror-comedy anthology that is still fun to watch from start to finish.
Very clearly, the King-Romero team were heavily inspired by the EC Comics-published horror comics of the 1950s and along the way, they added their own creative touches to make each short story not only unique but also memorable. Given the fact that Romero remains remembered for his zombie movie works, two of the five short stories can be viewed as shorter zombie tales by the director but with notable differences – the comic book-inspired visuals used (note: moody lighting, stylish backgrounds and comic-inspired frames) and the fine performances from the actors involved. As for the three other short stories that have nothing to do with zombies, I felt they reflected more of Stephen King’s concepts (note: King himself acted as Jordy) which Romero apparently directed to be reflective of the author’s works while still injecting EC Comics-inspired visuals. Speaking of comic books, the filmmakers used traditional animation (note: hand-drawn) specifically in the transition scenes when the movie moved from one segment to the next. Within the context of the movie was the comic book Creepshow which made the father mad at his son.
With moody lighting combined with Leslie Nielsen’s convincing terrified expression, this image captures the look and feel of similar moments in the horror comic books of EC Comics.
As it is clear that each short story has different concepts and varying levels of quality, entertainment and engagement, I can describe them in short results as follows: Father’s Day really looks and feels like it was written for EC Comics in the 1950s; The Lonesome Death of Jordy Verril is a clever mix of dark humor, science fiction and horror; Something to Tide You Over is very intriguing to watch and Leslie Nielsen pulled off a very unique portrayal of a villain; The Crate is a fine combination of monster horror and struggling characters with a university setting; and They’re Creeping Up on You is symbolically a socialist mobbing against someone powerful in the most unusual fashion, and it definitely is the weakest of all the five short stories as it was made to disgust viewers who are afraid of bugs. Creepshow’s prologue and epilogue meanwhile carried an anti-family theme that supposedly reflects the moral outrage against EC Comics in the 1950s made to resonate with people who love comic books at the expense of morality and family. I personally dislike the anti-family theme because I truly believe that minors should never read adulterated comic books and they should never become rebellious.
As each short story, the prologue and epilogue were strongly presented to be entertaining and engaging in varying ways, there is one aspect of the creativity that made Creepshow stand the test of time – the respective performances of the actors.
Leslie Nielsen’s portrayal of the villain Richard is the performance highlight of the entire film. Here’s a powerful man dealing with pain as a result of being betrayed by his wife by being in full control of his emotions and he keep moving on with uncompromised determination to proceed with his diabolical plans patiently and orderly. He is a very angry man who happens to be very calm. He is definitely evil who happens to be very principled. You will even see little traits of comedy in Richard and this should remind you of Nielsen’s eventual move into comedy in his later years. In the same short story, Ted Danson is believable as the man who had the affair with Richard’s wife.
In another short story, Adrienne Barbeau really stands out as the obnoxious and unhinged Wilma (AKA Billie) who is the complete opposite of her mild-mannered husband Henry (played by Hal Holbrook). She is so wild, she easily embarrasses her husband and the others who were present in the faculty social gathering. Quite symbolically, Barbeau’s act as Wilma is easily the most lively thing to watch in the said gathering. Without spoiling the plot of The Crate short story, I can say that Hal Holbrook has a nice range of displaying emotions within Henry as the story progressed. Even the guy who played the professor Dexter Stanley (Fritz Weaver) had his own share of the spotlight and displayed a good acting range as well.
Even author Stephen King himself acted in a leading role in another short story as Jordy. King is surprisingly good in being comedic and he really knows his character in and out. In the first short story Father’s Day, you will see a very young Ed Harris as part of a family waiting for the arrival of Bedelia (Viveca Lindfors). The waiting family members were nicely played by Elizabeth Regan, Warner Shook and the late Carrie Nye. They were convincing as relatives. In the final short story, the late E.G. Marshall played Upson Pratt to be so ruthless, he will irritate you.
Conclusion
Comic book-style visuals implemented cleverly in the movie.
It is clear that Creepshow (1982) remains fun and engaging to watch thanks to the combined creative efforts of the King-Romero team as well as the fine performances of the actors involved. Although the final short story starring E.G. Marshall is the least interesting tale to watch, this horror-comedy anthology has lots of good stuff to entertain viewers. By today’s standards, Creepshow (1982) is very unique and also fun to watch. If you want to see this movie with the best visuals possible today, I urge you to buy the 4K Blu-ray release.
Recently in Las Piñas City, police officers arrested vloggers known for organizing public pranks and publishing videos, according to a Philippine Daily Inquirer news report. For reference, read my previous posts by clicking here and here.
To put things in perspective, posted below is the excerpt from the Inquirer news report. Some parts in boldface…
Three vloggers who went viral for staging a kidnapping prank were arrested by authorities last August 1, according to the Philippine National Police (PNP).
In a report on Monday, the PNP said Las Piñas City Police Station arrested vloggers Mark Heroshi San Rafael, Mark Lester San Rafael, and Eleazar Steven Fuentes after their video, which was uploaded last April 7 went viral and drew flak online.
The video was uploaded on the vloggers’ YouTube channel “Tukomi,” featuring one of its members buying food from several side street vendors and food stalls along Saging Street, Phase 2 in Barangay CAA, Las Piñas when suddenly a group of men onboard a vehicle seized him.
After the video went viral, PNP-Integrity Monitoring and Enforcement Group Staff Sergeant Ronnie Conmigo lodged the complaint against the trio, which led to the issuance of a warrant of arrest by Judge Lynnette May Deloria-Manarang of Metropolitan Trial Court (MTC) Branch 124.
For further insight, watch the mentioned April 7, 2023 Tukomi prank video below…
Let me end this piece by asking you readers: If you are a resident of Las Piñas City, what is your reaction to this development? Do you think public pranks that involved acts of crime are very disturbing? Did the arrested vloggers organize a public prank in your local community over the last twelve months?
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1993 to take a close look at the second issue of the second Venom comic book mini-series Venom: Funeral Pyre.
In my previous review, the gang-driven violence intensifies as the Punisher makes his move armed with lots of resources (including a van loaded with weapons and computerized functions). Venom struggles to free himself from the temporary prison the Punisher placed him in. As the violence escalated, Gray Russell finds himself in much deeper trouble as the anticipated rescue does not happen.
With those details laid down, here is a look back at Venom: Funeral Pyre #3, published in 1993 by Marvel Comics with a story written by Carl Potts and drawn by the late Tom Lyle. This if the final issue of the mini-series.
The cover.
Early story
The story begins inside a building with high-tech equipment from HYDRA. Gray Russel is no longer himself but as the red-skinned, highly radiated figure Pyre. He fires a microwave blast at Venom which hurts him so much. In response to Venom’s claim that he came to rescue him, Pyre reacts with rage telling the murderous man with the symbiote that he arrived too late which resulted in the forced killing of people during the gang violence on the streets of Oakland.
Being filled with pure rage, Pyre intends to burn Venom alive. Thinking that Pyre is distracted, the Punisher leaps to get a gun on the floor which causes the radiated person to fire a microwave blast at him. The Punisher takes cover behind a machine but notices the microwaves sparking off the metal.
Venom then takes advantage of situation…
Quality
This page shows Venom at a disadvantageous state with Pyre whose microwave blasts are more than enough to kill him.
As the conclusion of the mini-series, this comic book went all-out portraying what turned out to be the final conflict involving the murderous Venom, the vigilante Punisher and the energy-filled Pyre. As a result, the narrative strongly focused on the final conflict (note: stretched out to last several pages) and never bothered to look back at the people and activities on the city street.
That being said, you will get to see more of the two established Marvel figures struggling hard against an unexpected force of opposition who was previously an undercover news reporter who infiltrated a certain gang and sent a message (delivered by a young boy) that caught Eddie Brock’s attention. At this point, it is clear that Venom’s effort to rescue Gray (who became Pyre after using a super soldier chamber left behind by HYDRA) ended in total failure and finds himself facing someone who could kill him and his alien costume together.
If there is anything notable about this issue, it is the portrayal of Venom being highly disadvantaged and even vulnerable. There are no armed men with sonic weapons and high-tech equipment to bring Venom down but Pyre whose microwave blasts are deadlier than flame and sonic. In connection to the situation, Venom is not his aggressive self but a struggling figure who strives to survive and somehow find solutions during the heat of danger.
The Punisher, meanwhile, also struggled to survive but would simply not run away even though his chances of escape are much better. Instead, he focuses on actually eliminating Pyre without hesitation and Venom’s attempt to rescue Gray meant absolutely nothing to him.
More on Pyre, he is not really interesting nor was he ever engaging as the one powerful force of opposition that Venom and the Punisher must face. His being consumed by unrestrained rage and wielding so much power did not really raise the tension of the story. Had he eliminated the two Marvel figures who got in his way, what would Pyre do afterwards? Devastate the entire city of Oakland because he lost his identity as Gray and could not get over his involvement of taking other people’s lives while in the middle of gang activities? Would he proceed to San Francisco’s underground community and eliminate the people only because he blames Venom (note: Eddie Brock got involved with the underground people of San Francisco as seen in the Lethal Protector mini-series) for his failure of rescuing him? Pyre is nothing more than a throwaway comic book force of opposition.
From a visual standpoint, Tom Lyle once again pushed his creativity hard and showed some dynamic shots of spectacle here and there. At this stage, he proved to be very capable of visualizing Venom and the Punisher.
Conclusion
The Punisher refuses to give up and gets Microchip to assist him.
While issue #2 was a notable improvement over the first issue, Venom: Funeral Pyre #3 (1993) does not have much to offer in terms of engagement and entertainment. This is because it was crafted as a strict Venom-Punisher-Pyre conflict that provided spectacle and intrigue but ultimately ended up hollow. To see Venom at a huge disadvantage is interesting but did not add much weight to the plot. The Punisher was his usual self and in some ways overshadowed Venom for a while. Too bad there was not much space left for Venom and Punisher to fight each other again.
As the final issue of this mini-series, the story concluded with a whimper. Ultimately the Funeral Pyre storyline ended up as a diversion within the Marvel Comics shared universe that happened to attract Punisher, Venom and the gangsters of Oakland.
Overall, Venom: Funeral Pyre #3 (1993) is satisfactory.
More patients around the country can avail of the bivalent vaccines for COVID-19 as a result of the Department of Health’s (DOH) revision of its guidelines, according to a Manila Times news report. This developed as less than 50% of the initial batch of bivalent vaccines have been used on patients limited to health care workers and senior citizens.
To put things in perspective, posted below is an excerpt from the Manila Times report. Some parts in boldface…
THE general population can now be administered with Covid-19 bivalent vaccine after the Department of Health (DoH) issued revised guidelines on the updated jab.
A bivalent vaccine protects against both the original virus that causes Covid-19 and the Omicron variants.
In a memorandum dated July 10 but was released to the public only this week, the DoH said those under the A3 group, meaning persons with comorbidities and compromised immunity, can now receive the Pfizer bivalent vaccine in hospitals and health facilities nationwide.
Health Secretary Teodoro Herbosa added that the general public can also avail of bivalent vaccine, noting their decision stemmed from the slow consumption of the updated jab among the A1 (health care workers) and A2 (senior citizen) subgroups. He said only 38 percent of the 391,000 donated doses allotted for these groups were used.
“Because of that, we have decided to make it available to those who want to get vaccinated with the booster. We only decided on this last week as the uptake was slow,” Herbosa said in Filipino and English in a radio interview.
The government’s stock of donated bivalent vaccines are set to expire on July 31, with an extension date of August 30.
Herbosa said a person can only receive a bivalent vaccine four to six months after getting the second booster dose.
He added that the government is negotiating with the global Covax Facility for additional bivalent vaccine doses.
Pfizer, Herbosa said, has issued a certificate of product registration that would make the vaccine available in drugstores across the country, but the lack of local cold chain storage proves to be a hindrance.
Let me end this piece by asking you readers: What is your reaction to this recent development? Are there many people in your local community who have been wanting to get immunized with the bivalent vaccines?
Recently in Las Piñas City, a maid got arrested by the local police for allegedly stealing her superior’s cash and jewelry in the home, according to a Philippine Daily Inquirer (PDI) news report.
To put things in perspective, posted below is the excerpt from the Inquirer news report. Some parts in boldface…
A house help was arrested in Las Piñas City after her boss discovered that she had stolen millions worth of cash, pieces of jewelry, and a watch, the police said on Thursday.
According to the Southern Police District (SPD), Las Piñas City Police Station personnel identified and apprehended suspect Rosanna Salvadora at her employer’s residence along Versailles Alabang Daang Hari, Almanza Dos last August 1.
Based on SPD’s report, the employer found that her safe went missing on the same day after coming home from work. The victim immediately turned to Salvadora and asked about the vault, who then pointed to the kitchen.
When the complainant found her safe, it was already forcefully opened and empty. Police said missing items include P1.5 million worth of cash, P1 million worth of watch, and P2.1 million worth of jewelry.
The employer immediately sought the assistance of the police, who immediately arrested the suspect.
Let me end this piece by asking you readers: If you are a resident of Las Piñas City, what is your reaction to this development? Do you think the suspect acted all alone over the theft of her superior’s cash and valuables?
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Author Carlo Carrasco 