A Look Back at X-Men 2099 #19 (1995)

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

Issue #18 had some political flavor as it tried to shake the foundation of the X-Men 2099 series. It also had symbolism that reminded me about the criminal past of Las Vegas, the twisted Black Panthers (the evil Marxist-Leninist and black power political organization of America) and the social unrest that happened in America during the era of Richard Nixon as US President. At this point in the series, the futuristic X-Men are a shell of themselves as the members have been separated and are involved in different developments far away from each other.

With those details laid down, here is a look back at X-Men 2099 #19, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

Cover of Marvel's X-Men comic issue 19 from April 2055, featuring bold yellow and red title text, 'Winner Take All for Vegas', and characters including a muscular hero and a villain with a green appearance, surrounded by dark, swirling elements.
The cover.

Early story

The story begins inside an old facility in New Mexico. Shakti, who is only wearing a t-shirt and a panty – has been unconscious for several minutes. After waking up, she learns that a thermionic detonator (left by their former leader Xi’an) has been set to explode and time is quickly running out. She also realizes that the bodies of the Chosen have been taken.

In desperation, she wakes up Skullfire and Luna, and they ran out of the facility to save themselves. The facility blows up and Skullfire asks Shakti for an explanation. She reveals to him that Xi’an – whom she momentarily encountered several minutes prior – is responsible for the destruction and he clearly made an attempt to kill them all. As such, Xi’an is now an enemy of the X-Men.

Meanwhile in Las Vegas, a heavily mutated and oversized Lytton Synge grabs his sister Desdemona by the neck. While explaining details to him, Desdemona uses a failsafe device to cause him to stop moving and free her. She puts on additional gear that enables her to control Lytton’s body and she made it clear to him that he will be used against Halloween Jack…

Quality

A comic book page featuring a confrontation between a woman with pink hair and a villainous figure. The woman expresses anger while the villain makes a smug remark. Various characters engage in dialogue, highlighting tension and supernatural elements.
Desdemona, Halloween Jack and Meanstreak are together again. Desdemona here had a desperate attempt to reclaim the casino and their company from Halloween Jack.

There is a good amount of intrigue in this comic book covering the three plot threads. The thread of Shakti, Skullfire and Luna was very short but it added to the tension about having their former leader Xi’an as a deadly enemy.

On the other hand, the events set in Las Vegas saw the return of Lytton Synge in a bloated, Hulk-like figure as Desdemona used him to attack Halloween Jack who has gained control of the Synge business empire (at least in the building they are in) as he continues with his obsession of changing Las Vegas and moving forward with his plan that could mean doom for the city. In this particular plot thread, Halloween Jack has prepared highly advanced technology to redefine Las Vegas in the most phenomenal way. What I find disturbing is Meanstreak’s lack of morality as he keeps on assisting Halloween Jack (his old friend Jordan) with his sinister plan. This makes Meanstreak appear cold-hearted, sinister and unbecoming as an X-Men member.

Over at California, Krystalin pursues a mission to find Billy the Kid as she has absolutely no choice as the life of her brother is at stake. The Free Radicals literally have her cornered and she cannot do anything except doing what they want her to do. In this particular plot thread, the creators did a good job presenting Krystalin as desperate as she is in the middle of a conflict between the Panthers of Wakanda (where her brother belongs to) and the Free Radicals.

Conclusion

A comic book page featuring a distressed woman in a white outfit, looking alarmed as she interacts with a control panel, with countdown clocks and dialogue about a bomb and urgent questions.
Shakti in a very dangerous situation with not much time left.

X-Men 2099 #19 (1995) unsurprisingly moved plot developments forward. Apart from developing the X-Men members more, this comic book also expanded the lore of 2099 America nicely. At this stage, I am eager to find out what would happen next to the X-Men members in their respective plot threads. That said, I am still engaged enough to continue with the remaining X-Men 2099 issues that I have yet to read.

Overall, X-Men 2099 #19 (1995) is recommended.

+++++

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A Look Back at X-Men 2099 #18 (1995)

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

After 17 issues read, it is clear that the futuristic X-Men were destined to be separated from each other before getting back together against all odds. By having the team in disarray and the members separated with different situations that affected them, it provided the comic book creators opportunities to really develop each member extensively while expanding the lore of Marvel 2099 in creative ways. After seventeen issues, Skullfire has transformed into a more reasonable person who aligned himself with Shakti closely. Meanstreak meanwhile went to Las Vegas with Halloween Jack to do something that could alter the city seriously. Krystalin in California is on a quest to find her kidnapped brother.

With those details laid down, here is a look back at X-Men 2099 #18, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

Cover of X-Men 2094 comic book, featuring characters in dynamic poses with vibrant colors and the title prominently displayed.
The cover.

Early story

The story begins in Berkeley where Krystalin and her companion visit a ruined part of the city. She is told that it is best for them to turn around but Krystalin insists on finding the Free Radicals who are responsible for kidnapping her brother Zak. As they walk further, they both fall into a trap door only to find themselves in a very dark wind tunnel which caused their fall to slow down. After landing on the floor, gas is suddenly pumped on them. A very bright light followed which disoriented them both. A man and woman appear to take them in. Krystalin decides to fight and find her brother.

Meanwhile in the mountains of New Mexico, three intruders appeared inside a secret laboratory while Shakti struggles to sleep. The intruders analyze Zhao’s attempt to make analogs of the original 20th century X-Men members which ended in failure. One of them thinks that Shakti has finally halted and reversed the deterioration. Using technology, they have the three fossilized bodies teleported to the Theater of Pain.

Shakti, who has been unable to sleep, senses the presence of a mutant inside the laboratory…

Quality

A group of diverse, stylized characters in a comic book setting, gathered in a futuristic underground location. The central figure, wearing a yellow robe and holding a glowing orb, is flanked by various characters with unique features, including a woman in black, a man with a muscular build, and a child with colorful attire, all engaged in a discussion.
Krystalin and her companion meet the Free Radicals, a group of dangerous freaks.

As expected, this comic book continues the tales of the previous issue, specifically Krystalin’s quest and Halloween Jack’s takeover of Las Vegas. Things, however, turned for the weird and the wild.

Krystalin’s quest for her kidnapped brother Zack led her to facing off with the Free Radicals, a group of freaks composed of scientists who have been waging guerilla war against governmental and corporate oppression. Elements of politics were mixed into the narrative of Krystalin’s tale as it brings back memories of radicalized groups in America who engaged in crime, political activism and terrorism during the rule of President Richard Nixon (for insight, click here). As expected, Krystalin finds herself on a huge disadvantage and her will to get her brother (a highly prominent part of the Panthers) back really got tested here.

As for the other important tale, Halloween Jack (assisted by Meanstreak) pushed forward with his insane intention to take over the Synge casino and bring down the syndicate while Desdemona Synge is helpless. This tale easily reminds me of the Las Vegas legacy of crime, particularly with the establishment of businesses owned by gangsters many decades ago. As Marvel 2099 has a strong anti-corporate message (which confirms the Leftist bias and philosophies with Marvel Comics and creators during the 1990s), the boundary that separated good and evil got blurred away in this tale. While Halloween Jack believes he is doing something good and significant by bringing down the Synge empire and changing Las Vegas, he does not realize he himself is evil and is executing a plan of one evil force replacing the current evil force. This should remind you about the Black Panthers, the Palestinian terrorists, the Black Lives Matter (BLM) movement and other wicked forces of the world who see themselves as liberators and went to the extremes with violence and coercion.

Along the way, Meanstreak assists Halloween Jack without any hesitation which made him a pawn of evil. As such, Meanstreak’s character and moral standing got compromised a lot which makes his membership of the X-Men questionable.

Indeed, there is a lot of symbolism in the tales of Krystalin and Halloween Jack here and the undeniable thing is that John Francis Moore implemented a good amount of depth within.   

Conclusion

A comic book panel featuring a dialogue between two characters. One character, a shadowy figure in a black suit, speaks to another character, a woman with long dark hair, wearing a yellow top and black shorts. A glowing green container is present in the background, indicating a sci-fi setting.
Shakti, who has the ability to sense the presence of mutants, encounters the intruder.

X-Men 2099 #18 (1995) is clearly an attempt to shake the foundation of the series itself. Las Vegas has always been a key location since the beginning, and the Synge empire was the original enemy of the futuristic X-Men. Even as the mentioned two tales resulted in the weird and the wild, the creators succeeded in ensuring a cohesive read.

Overall, X-Men 2099 #18 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at X-Men 2099 #17 (1995)

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

I like the way the direction of the series went with issue #16. The X-Men are in disarray and they are not even complete nor are they stable enough for any opposing force that could come their way. As Krystalin went to California for an uneasy reunion with her brother, Meanstreak has the past catching up to him. Firstly, he is not comfortable with Luna (Skullfire’s former tormentor and romantic partner) being part of their team. Secondly, a friend of his from Alchemax returned but in a radically different form.

With those details laid down, here is a look back at X-Men 2099 #17, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

The cover.

Early story

The story begins with Meanstreak and Halloween Jack (Jordan Boone who previously appeared as Loki during the Fall of the Hammer storyline) arriving in Las Vegas. Halloween Jack tells his pal that they benefit a lot from Las Vegas once they reshape it to their desires. For Meanstreak, trusting Jordan Boone (his friend since their days at the Alchemax academy) is very tough as he has changed so drastically into a dangerous psychopath as Halloween Jack. Jordan tells his fast friend that revenge is motivating him to take over Las Vegas.

Deep inside the Synge Casino & Hotel, Desdemona appears to her fallen brother Lytton who is paying the penalty of having murdered their late father Noah Synge. Even though he is in prison and has been isolated, Lytton remains addicted to shriek

Quality

A civil talk between Krystlin and her extremist brother Zak.

This comic book has two main plot threads – one is about Meanstreak and the obsessed Halloween Jack tackling the top of the Synge empire by confronting Desdemona personally, and the other follows Krystalin in California. Thematically, the two main plot threads are about dealing with the past and doing something with the future in mind.

In the case of Meanstreak (now separated many miles away from his teammates), his uneasy reunion with Jordan Boone puts him into a direct encounter with the head of the Synge empire which itself has a powerful grasp on Las Vegas. Meanstreak is witnessing Halloween Jack’s move to take over the city which effectively puts him in a very awkward position and none of the X-Men could help him.

As for Krystalin, she has the burden of dealing with her brother Zak who is obsessed with the ways of Wakanda and still lives with the obsession that everyone – including his sister – has to follow the Wakandan ways and agenda even if it means betraying the X-Men and their mother’s legacy. In fact, Zak here is pretty extreme and there are hints of racism and discrimination in his beliefs. This comic book also reveals the conflict of beliefs between Krystalin’s own parents which remains in effect between her and Zak.

Conclusion

Desdemona is the head of the Synge empire.

With its two plot threads, new sub-plots and character-driven focus, X-Men 2099 #17 (1995) moved this series to a direction that can be described as suspenseful, intriguing and also uncertain. That said, the current state of the X-Men looks even bleaker and more uncertain. Still, this comic book has set up something about Las Vegas and Krystalin’s personal struggle, and I am interested enough to discover more.

Overall, X-Men 2099 #17 (1995) is recommended.

+++++

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A Look Back at X-Men 2099 #16 (1995)

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the Marvel Comics shared universe through one of the many tales of the X-Men 2099 monthly series.  

Having read the first fifteen issues of the monthly series, the X-Men have so much uncertainty ahead of them. Their leader Xi’an not only left them, but he also joined the sinister Theater of Pain which is led by the demonic Brimstone Love. The twisted Skullfire returned to the X-Men with a renewed purpose, but Kystalin had to leave them to settle a private matter. In Las Vegas, something is brewing within the Synge empire.

With those details laid down, here is a look back at X-Men 2099 #16, published by Marvel Comics in 1995 with a story written by John Francis Moore and drawn by Ron Lim.

Cover art of X-Men 2099 #16 featuring a character in a blue and red outfit with a serious expression, and a ghostly figure looming menacingly behind. The title 'X-Men 2099' is prominently displayed at the top, with 'Halloween Jack' as the subtitle.
The cover.

Early story

The story begins in Las Vegas when operators of the Synge empire attempt to kill a man. The man successfully avoids getting hit then jumps off the building and transforms into an eagle. Using their flying vehicle, the operators chased the eagle and successfully knocked it out cold using the neural scattershot.

In Oakland, Kystalin attends the grand funeral of Andre Daniel Ogada, one of the founding soldiers of the panther who helped rescue a community from violence. There, she is reunited with her brother Zak who is addressed by others s Minister Ogada. Krystalin could not believe that Andre Daniel Ogada is gone as she always thought he was invincible. Zak tells her she should have been at his side. Kystalin suddenly finds herself in a conflict between being with her family and being one of the X-Men as Zak tells her that her duty is with the family instead of the mutants…

Quality

A comic book page featuring a dynamic action scene with a character, a woman with white hair and a dark outfit, fighting and using a whip in a confrontational pose. The dialogue includes playful banter and expressions of defiance.
Luna got slashed from behind by someone with serious business with Meanstreak.

To begin with, this comic book really moved a lot of developments forward involving the X-Men members in creative fashion. This one has four plot developments that even include Desdemona Synge and her empire’s struggle with one very notable gang that gave them a lot of trouble.

Among the four plot developments, the one involving Meanstreak – who appeared on the cover art – is the closest thing to being the most important one to follow. This is because each plot development has a lot of depth and John Francis Moore ensured character developments would happen along with intrigue and surprise sprouting from the narrative. The part about Desdemona and the Synge empire is very compelling to read on its own and there is something new to discover about how it operates as it combats individuals perceived to be crooks or terrorists. The plot thread about Kystalin reuniting with her brother carries a lot of emotional weight as the legacy of her family was well defined. To see Krystalin getting conflicted between two families – her biological family and the X-Men – is absolutely intriguing and you might end up speculating about what lies ahead for her.

Conclusion

A comic book scene depicting a fight between characters, with dynamic action lines showing impact. One character receives a kick, while another character is poised for a strike. Speech bubbles reveal dialogue about teamwork and combat skills.
At this stage in the X-Men 2099 series, Skullfire and Shakti are focused on keeping the team together while knowing fully well that the Theater of Pain is one powerful enemy to deal with.

The best way to describe X-Men 2099 #16 (1995) is this…it sparked a wave of emotions from the X-Men members while creatively reconnecting this series to what was told in the early issues (specifically issues #1 to #5) and even paving the way for an uncertain future that awaits the team. This is the kind of comic book that builds up anticipation for the next issue and if you are an X-Men 2099 reader who cares a lot about the characters, then this one will resonate with you.

Overall, X-Men 2099 #16 (1995) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.