crossover – Page 5 – Author Carlo Carrasco

A Look Back at Aliens vs. Predator #4 (1990)

June 30, 2023June 29, 2023carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1990 to take a close look at one of the more significant non-superhero crossover comic book events ever published – Aliens vs. Predator!

In my previous review, things changed for the worse for the humans as their colonial community gets overwhelmed by the presence of Aliens and Predators. Risking her own life, Machiko Noguchi does what she could to protect her constituents. Along the way, one certain Predator that was restrained and examined in the laboratory eerily decides to help the humans.

With those details laid down, here is a look back at Aliens vs. Predator #4, published in 1990 by Dark Horse Comics with a story written by Randy Stradley and drawn by Phill Norwood. This is the final issue of the mini-series.

Early story

The story begins with Noguchi and Miriam flying in a Copter and right below them is the chaos composed of a cattle stampede and the ongoing conflict between Alien Xenomorphs and the armed Predators. While flying, Noguchi and Miriam spot a lone Predator climbing up a tower while fighting off several Xenomorphs chasing him unrelentingly. It turns out the said Predator was Miriam’s own patient at the laboratory and she urges Noguchi to help him.

As part of the tower separates itself, the Predator is about to fall down and the Copter piloted by Noguchi comes closer to help him. Miriam uses a communicator to help the Predator realize they are helping him. As the Predator hangs on to one part of the Copter, an Alien jumps towards the vehicle causing Noguchi to react instinctively by jerking the controls. The Copter then spins on its axis as the nearby tower collapses.

The Copter begins to fall down on the street below…

Quality

*Even as this comic book is packed with lots of action scenes, thrills, and Aliens-Predator fights, the creative team succeeded in emphasizing the narrative all throughout.*

I am delighted to say that the Stradley-Norwood duo succeeded with maintaining the high quality works of this mini-series and concluded it with impact. At the heart of the story is the theme of survival with the humans being symbolized as casualties of a raging conflict between the fully determined and instinctive Aliens and the strategic and technological Predators.

Through the protagonist Machiko Noguchi, readers will realize that as a species, humans can survive not only by having a powerful will to progress backed with focus, but also by communicating and cooperating with an intelligent non-human species that shares their traits. In this case, the non-human species I’m referring to are the Predators. That being said, the Aliens are the non-human species with limited intelligence, fully determined to hunt anyone or anything, and absolutely do not care about morals nor the existence of any species they find different from themselves. All the symbolism about the three species got portrayed powerfully and creatively throughout the story here.

As before, the plot moved at a medium pace and details are emphasized through dialogue, visuals and narrations without ever dragging the pace down. This shows how the creative team proved to be efficient with explaining the details as they focused on telling the story in ways to keep readers engaged.

I should mention that the protagonist Machiko Noguchi became even more significant in this comic book. Without spoiling the details, I can say she blossomed into a heroic figure who risks her life to help many even as she faces tremendous odds. In case you are wondering, Noguchi is NOT a rip-off of Ellen Ripley as she is the colonial overseer dedicated to the corporation. It just so happens that Noguchi shares common traits with the cinematic icon such as bravery, the refusal to give up and having the will to help others even while risking her own life. I can only imagine Ripley and Noguchi conflicting with each other if they were together under normal circumstances.

Noguchis’s short but intense union with the cooperative Predator was told very believably which added depth to the story as well as impact on the conclusion.

As this is the final issue of the mini-series, the creative team really ramped up the big-payoff to what was built up before. In fact, the final conflict here seems to show that Stradley and Norwood were aware about what made the cinematic final conflicts of Aliens (1986) and Predator (1987) entertaining and memorable to moviegoers. That being said, I can say that certain action and sci-fi elements from those movies were implemented in this comic book’s final conflict which I found really engaging, inspired and fun to read.

Conclusion

*The union between Machiko Noguchi and this particular Predator is a must-read!*

Aliens vs. Predator #4 (1990) is truly a great comic book as well as a powerful conclusion to this very significant comic book mini-series. The creative team not only told the whole storyline with great quality, a steady pace and strong engagement all throughout. It is also here where you will get to see Machiko Noguchi become very significant not only within the Aliens-Predator comic book universe of Dark Horse Comics but in sci-fi comics in general. The ending of this comic book is very powerful and served also as a big pay-off to what preceded it. This is a genuine sci-fi comic book classic!

Overall, Aliens vs. Predator #4 (1990) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Superman vs. Aliens #2 (1995)

June 22, 2023June 19, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 to examine another chapter of the Superman vs. Aliens mini-series.

In my previous retro review, an object from space on Earth and Superman (who previously as Clark Kent learned of the Kryptonian language from the signals transmitted by the object) intervened the discovery of it in the presence of Lexcorp. After much talk and an agreement, Superman went into space with one of Lexcorp’s space ships (under the watch of Dr. Kimble who leads the corporation’s space division) leaving behind Lois Lane at the space station with Kimble. Deep in space, Superman arrives and discovers a ruined city with physical signs of struggle. What he does not realize is the presence of eggs and the Xenomorphs lurking within the new environment.

With those details laid down, here is a look back at Superman vs. Aliens #2, published in 1995 by Dark Horse Comics and DC Comics with a story written and drawn by Dan Jurgens with ink work done by Kevin Nowlan.

Early story

The story begins in space when a space ship sent home by Superman is about to collide with the space station near Earth. As one of the crew members failed to take remote control of the incoming ship, a very determined Dr. Kimble takes over the controls and eventually took command of the said ship. Lois Lane, who showed signs of self-restraint and deterioration of her professionalism as a journalist, watches. As Kimble, Lane and the crew members approach the ship at the station’s docking bay, one passenger was found dead (a Chestburster alien came out of him) while three others were still alive.

As Dr. Kimble and personnel brought the surviving passengers in the infirmary, Lois Lane takes advantage of the situation by climbing up the ship to examine it closely. She knows that without the ship, her beloved Clark Kent/Superman is stranded in space. She is completely unaware of the presence of a fully grown Xenomorph alien watching her from a dark corner.

Meanwhile at the ruined city on the other side of the galaxy, a blindfolded Superman is carefully guided by the armed Kara going to a place that has medical equipment and supplies…

Quality

*Lois Lane during her encounter with the Xenomorph inside the space station.*

This is a solid follow-up to what was established in issue #1. In this comic book, the creative team gradually raised the stakes as two sides of the story were told extensively in alternating fashion – the side of Superman and Kara in deep space, and the other side of Lois Lane and Dr. Kimble (clearly the 3^rd most important character in this mini-series) inside the space station.

As the story went on, Superman became even more vulnerable not only because he grew weaker as he has been cut off from the sun (a primary source of energy for him), but also because struggling with the aliens wore him down a lot and he still insists on avoiding any acts of killing due to what happened to him previously. As the Man of Steel became more vulnerable, Kara (who is experienced already in fighting the Xenomorphs which she referred to as the uglies) became an even more significant character (next to Dr. Kimble) and she became a highly essential partner for the icon.

Even for us readers, Kara creatively became even more engaging as she shared memories of events (note: exposition) that happened sometime prior which explains why her city got ruined and how the Aliens arrived and made her people’s problems even worse. The visualization of the said events were efficiently done for a good immersion into the past.

While the Superman-Kara thread emphasized survival facing tremendous odds, the Lois-Kimble thread became a more significant part of this mini-series as the space station became the new place for Xenomorph attacks. While Dr. Kimble remained obsessed with achieving results with scientific discoveries and corporate interests in mind, Lois Lane became the hunted similar in the style of Ellen Ripley in 1979’s Alien.

If you are looking for action, you will find a lot of them in both threads of the story. While just one Xenomorph on the space station led to some incidental action moments, a lot more action happened on Superman-Kara’s side of the story as they (along with a few human survivors on the ruined city) faced a huge horde of aliens that kept on attacking them from all sides. If you are looking for superhero spectacle, you won’t find it here as the action is more grounded with sci-fi’s interpretation of reality and Superman here is weaker and a lot more worn down physically. Then again, this is not surprising given the tone and concept the creators aimed for.

Conclusion

*Superman and Kara struggling hard as they are surrounded by lots of Aliens. One of Kara’s fellow people is present in this shot.*

Superman vs. Aliens #2 (1995) is really engaging to read and there were lots of fun moments along the way. Even as the creators were building up something for the third and final issue, they managed to pull off big pay-offs to what was built up in issue #1. While the lack of superhero-style spectacle is clear, it is not a problem at all as there is a lot of action involving the many Xenomorphs in the ruined city plus the bouts of suspense and incidental action executed during Lois Lane’s encounter with a single but deadly Alien. Considering how much fun and engagement this comic book has, it remains to be seen how the next issue will live up to it.

Overall, Superman vs. Aliens #2 (1995) is highly recommended!

+++++

A Look Back at Superman vs. Aliens #1 (1995)

June 15, 2023June 13, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 to examine what was back then one of the most unthinkable comic book crossovers to ever happen – Superman vs. Aliens (also referred to as Superman/Aliens).

I remember sometime back in 1994, I bought a new superhero comic book from the local comic book retailer and what caught my attention was the print ad on the back – an Alien chestburster crashing through the iconic Superman S logo. A few of my friends who saw the same print ad chuckled at the concept of having the Man of Steel together with the monsters from the movie franchise that first started in 1979 with Ridley Scott’s Alien. Then came 1995 and eventually the first issue of the Superman vs. Aliens mini-series made it on the shelves of local comic book stores. Its cover easily attracted the attention of many and I saw the image of Superman being smaller to the Xenomorph alien in the background, the concept of the crossover started to intrigue me.

With those details laid down, here is a look back at Superman vs. Aliens #1, published in 1995 by Dark Horse Comics and DC Comics with a story written and drawn by Dan Jurgens with ink work done by Kevin Nowlan.

Early story

The story begins in space when a fast moving object from nowhere heads towards Earth which was detected by a satellite of Lex Luthor’s corporation. Behind the scenes, personnel initiated an alert for a certain Dr. Kimble.

Clark Kent (Superman) and Lois Lane arrive at the headquarters of Lexcorp. It turns out they were suddenly called for by the corporation due to what happened in space. As they ride the elevator heading towards the rooftop, Clark and Lois talk about Lexcorp’s space program and Dr. Kimble who happens to lead the said program.

At the roof, they meet Dr. Cheryl Kimble and immediately ride with her in the helicopter going to a certain destination in anticipation of the probe’s estimated arrival. During the trip, Kimble reveals that they received radio signals from the incoming probe which were garbled almost unintelligible. She then plays an excerpt of the radio signals for Clark and Lois to listen to.

For Clark, he cannot help but feel shocked as he finds the audio sounding like Kryptonian…

Quality

*Superman finds a dead Facehugger alien.*

Firstly, I can say without any hesitation that the creative team succeeded in making the crossover between Superman and the Aliens believable within this very comic book. For one thing, Dan Jurgens came up with a script and visual design that radically different from what was shown in Superman comic books of the time. The script had this somewhat adulterated tone that made the comic book move away from superhero fantasy and move into the realm of cinematic science fiction. For setting the tone and the look, the creative team scored a home run.

Secondly, the script was properly structured to immerse readers with the tale initially following Superman, Lois Lane and Dr. Kimble which ultimately served as a build-up. The good news here is that readers don’t have to wait too long for the pay-off to be executed. In fact, the pay-off itself (which happens when the Man of Steel finally encounters the Xenomorph for the first time) is huge and immediately the tension and depth of the plot really shifted into high-gear which I enjoyed. Along the way, the expository dialogue or the presentation of details (to help readers understand) was nicely balanced.

Thirdly, I love the way how Dan Jurgens presented Superman as being more troubled and more vulnerable than usual. To see the American icon go into personal obsession over the Kryptonian details was a really unique way to presenting his human side. Also having Superman deep in space far away from any sun or star (the essential source for his powers) really made him truly vulnerable as he actually got weaker even before facing off with a Xenomorph. Being in a vulnerable state, you will see the Man of Steel in real danger which truly goes against type (note: being super strong and invulnerable all the time). As such, the danger of the Aliens against him is believable and intense. What I do find weird, however, is how awkward it is for me to see Superman actually trying to reason with the first Xenomorph he encounters. Of course, he has no previous knowledge about the violent nature of the Aliens but we readers – and millions of people who saw any of the movies – know better than him.

As part of the build-up, Dan Jurgens inserted details and flashbacks that recalled previous tales that were published during the early stage of the post-Crisis era of DC Comics. This not only includes Superman’s arrival on Earth but also his strategic killing of General Zod, Zaora and Quex-Ul using green Kryptonite (as published in Superman #22 of 1988). As such, Superman’s deep regret of taking life away from others serves as a build-up for his avoidance of killing in this crossover. This actually races the stakes for his upcoming encounters with the Aliens.

Even though the story is told through Superman, Dan Jurgens still had enough room to develop Lois Lane and Dr. Kimble. Kimble symbolizes the driven corporate executive who is in-charge of operations that could help her make claims on scientific discoveries and new technologies. Lois Lane here served as the intellectual opposite of Kimble without ever going into the extremes of gaining something for her journalistic career.

Conclusion

*Superman with Lois Lane and Dr. Kimble.*

Very clearly, Superman vs. Aliens #1 (1995) is indeed a great comic book as well as great opener for its mini-series. Dan Jurgens established a tale that had sufficient build-up and when the pay-off started, the crossover aspect really made the story more compelling to read. Ultimately, this one made the crossover between Superman and the Xenomorphs believable, engaging and intriguing. This comic book is a great start and I am eager to find out what happens next.

Overall, Superman vs. Aliens #1 (1995) is highly recommended!

+++++

A Look Back at Aliens vs. Predator #3 (1990)

June 8, 2023June 4, 2023carlocarrasco

In my previous review, the humans of Prosperity Wells begin to get impacted by the presence of the Predators and the Aliens. A family got killed by Predator hunters at their home in the wilderness and only a young boy was able to get away and catch people’s attention in the outpost. Machiko Noguchi and her team initiate defensive measures in response to what has been happening. Two people even brought back a living Predator with them from the ruins of a Predator ship they inspected in the wilderness.

With those details laid down, here is a look back at Aliens vs. Predator #3, published in 1990 by Dark Horse Comics with a story written by Randy Stradley and drawn by Phill Norwood.

Early story

The story begins with Noguchi who finds herself in a dangerous position. In front of her is a horde of Xenomorphs and behind her is one Predator warrior who even assisted her a few moments prior. Armed with futuristic weapons, the armored warrior suddenly jumps above her and right into the Xenomorphs. The Predator efficiently slashed off the parts of a few Aliens using a bladed weapon and blew up one of them using another weapon.

The warrior eventually gets overwhelmed by more Aliens that came into the action. As the Xenomorphs focused strongly on the downed Predator, Noguchi takes advantage of the situation to run away and somehow get back to protecting the people as the outpost has been clearly invaded by two deadly non-human species.

Meanwhile inside the huge cargo ship that did not launch, two crew members freed themselves from the Xenomorphs’ restraints and try to sneak by the Alien Queen which they perceived to be sleeping…

Quality

*This is a fine example by the creative team on telling a sequence of intense moments without a single word of dialogue.*

From a storytelling point-of-view, this one is a huge pay-off to the build-up established in the first two issues and I can say I enjoyed this one. At this stage of the 4-issue mini-series, the human colony has turned into a battle zone between the Predators and the Xenomorphs and this obviously results in a lot of action scenes and other wild turns of events. It is also in this story where you will get to see Machiko Noguchi at her bravest yet, as well as her uncompromising way of protecting her people and solving the crisis at hand. As she and her fellow humans are in the middle of a crisis, nothing straightforward could happen nor could they make solid plans with any real chance of succeeding. The decisions Noguchi made here came with risks and through her struggles, you will be able to relate with her and you will also witness how the series of unfortunate events turn out with unpredictable ways which added some suspense and surprise to the narrative.

The spectacle here, unsurprisingly, are the battles between the Aliens and Predators. Such conflicts happened mostly in the background which is effective enough to establish the chaos that the humans have to endure. One of the Predators – which does not have a name – became a notable additional supporting player to the cast and his presence and actions added some intensity to storytelling even as the narrative consistently focused on Noguchi.

The way the story is told, this one maintains the natural progression of details from issue #1 and even though the action has been ramped up, there were still plenty of opportunities for readers to understand the details and grasp the plot. There is also rising tension as the narrative moves forward.

Conclusion

*There is nothing like trying to sneak past an Alien Queen in an area surrounded by multiple eggs laid by her.*

Being a big pay-off to the huge build-up of issues #1 and #2, Aliens vs. Predator #3 (1990) is highly entertaining and compelling to read! The action scenes and chain of incidents were ramped up a lot and yet this comic book never turned into a brainless fest of violence. The creative team managed to add some breathing space to not only let readers absorb the story details but also to immerse themselves with the situations. By the time I reached the end, I experienced this great satisfaction as well as further motivation to discover how the story will conclude in the next issue.

Overall, Aliens vs. Predator #3 (1990) is highly recommended!

+++++

A Look Back at Aliens vs. Predator #2 (1990)

June 2, 2023June 4, 2023carlocarrasco

In my previous review, most of the humans living and working in Prosperity Wells are unaware about the creeping danger coming at them. Alien eggs were laid in the wilderness while a ship carrying multiple Predator hunters has landed. At the human outpost, the leader Machiko Noguchi remains disrespected as the staffers and ranchers still trust her predecessor Hiroki Shimura.

With those details laid down, here is a look back at Aliens vs. Predator #2, published in 1990 by Dark Horse Comics with a story written by Randy Stradley and drawn by Phill Norwood.

Early story

The story begins with the huge spaceship still at the launch platform of Prosperity Wells. The ship should have launched already with a huge cargo of indigenous animals – the Rynth – for export. It turns out that the two human pilots were captured by the Xenomorphs and in the presence of the Alien queen inside the ship, they witness one rynth (part of the herd from the ranching) die as a Chestburster alien comes out of its body.

Meanwhile, Machiko wakes up as her respected predecessor Shimura arrives and tells her that Dr. Revna still has not returned. During her talk with the wife (also a doctor), Machiko learns that the missing doctor was on his way to Iwa Gorge to find more aliens (note: the Facehugger alien) and that a lady worker (who made the first discovery of a Facehugger) informed him of the place.

As Machiko and Shimura analyze what they know, two outpost personnel discover the remains of a destroyed Predator space ship and, more notably, one unconscious Predator hunter…

Quality

*The Predators looks really odd with the colors implemented on them by the creative team of this comic book.*

If you were deeply engaged in issue #1, then you will have a lot to be engaged with in this issue. The script by Stradley is very solid and with a medium pace, details were consistently laid out for readers’ understanding while the build-up for the inevitable chaos – between Xenomorphs and Predators with humans in the middle literally – is strongly felt.

Machiko Noguchi’s management and ability to analyze situations really get tested in this story and along the way, you will see how much the outpost changes reflecting the moves made by her administration which is ultimately a response to a brewing crisis. At this stage of the comic book mini-series, the danger of the two galactic species begin to make impact on innocent humans in violent ways. The scene showing the home of people (located some distance away from the main complex of the outpost) getting invaded by the Predators has uncompromising violence which makes the incidental action look really disturbing.

More on the human characters, this comic book has very rich dialogue backed with special attention to details implemented by Stradley. This is very evident in the scene in which Machiko, Roth, Ackland and Shimura talk intensely about what happened and what factors caused those things to happen. Through the verbal exchange, you will witness Machiko’s bravery and leadership come to life as she confronts a rebellious rancher (who insulted her in a very personal way) over the truth about what happened. Not only that, you will also feel the stress she experiences as she manages the outpost at a time of crisis.

For the fans of Predators and Aliens reading this, you will see a lot more of them in this issue and I can assure you that Norwood is really great in visualizing them and showing them with violent action that will remind you of the movies. As with the previous issue, the colors implemented on the Predators remains very odd to look at.

Conclusion

*Live humans helplessly watching an animal die as a Chestburster alien comes out of it in the presence of the Alien queen.*

Aliens vs. Predator #2 (1990) is a great follow-up to issue #1. As expected, the stakes were raised higher and the tension really intensified as the narrative went on. The creative team really should be admired for not only crafting this high-quality chapter of the mini-series, but also for their believable and engaging build-up of the plot, the characters and conflict altogether. This comic book is a lively reminder of how great a non-superhero comic book crossover could be.

Overall, Aliens vs. Predator #2 (1990) is highly recommended!

+++++

A Look Back at Aliens vs. Predator #1 (1990)

May 30, 2023June 4, 2023carlocarrasco

For the newcomers reading this, the respective movie franchises of Aliens and Predator started many years before the comic book crossover event happened. By the year 1990, moviegoers had enjoyed Alien (1979), Aliens (1986), Predator (1987) and Predator 2 (late 1990). Cinematic between Arnold Schwarzenegger and the Predator in the jungle and that of Sigourney Weaver and the Queen Alien became unforgettable sequences for many millions of people. It should be noted that an Alien head was shown near the end of Predator 2 emphasizing a crossover.

With those details laid down, here is a look back at Aliens vs. Predator #1, published in 1990 by Dark Horse Comics with a story written by Randy Stradley and drawn by Phill Norwood.

Early story

The story begins in space when a fast-moving ship enters the atmosphere of Ryushi, a planet at the edge of the Chigusa Corporation’s holdings in the Beta Cygni System. On the planet is Prosperity Wells, a human outpost with a population of one hundred fifteen composed of freelance ranchers, their families and a staff of corporate overseers.

The ship’s presence gets detected by operators at Prosperity Wells and one of them speculated it to be a meteor that shows no signs of breaking up. Seeking Hiroki Shimura (no longer the head of the outpost), the operator instead contacts his replacement Machiko Noguchi and informs her about the perceived meteor. After talking with the operator, Noguchi tells her predecessor near her that even though she has been leading the outpost for nearly six months, people are still reporting to him as they treat her like a stranger. Shimura tells her that she’s been trying to adapt the job to her rather than adapting herself to it, and that she cannot just run an operation while hiding from it.

Meanwhile in the wilderness, a machine starts to climb out of the pit and starts releasing Alien eggs…

Quality

*Whenever there are Alien eggs, trouble is inevitable.*

I can say that this comic book is essentially one long build-up that intends to execute the conflict between the Aliens (also referred to as the Xenomorphs) and Predators later. While the two galactic species are indeed here, the narrative is told mainly through the humans whose operations – ranching, business administration, outpost activities – are emphasized with heavy and precise details. The result here is that by the end of the comic book, you will be fully immersed with the sci-fi concept, the characters and the related developments which ultimately will prepare you for the inevitable Aliens-Predator conflict. To put it clearly, Stradley crafted a script that efficiently introduces the characters (note: Noguchi is the clear protagonist), emphasize what has been going on while also moving the story forward in a well-paced manner without compromising the details.

That being said, don’t expect the Aliens and Predators to fight each other immediately here. This is one big build-up as a whole and very notably, there is nothing boring and there were no useless scenes portrayed. Everything told and shown in this comic book made sense, and if you are the kind of person who likes paying close attention to details of the story as well as the gradual development of the key characters, you will find this one an engaging read. The narrative moved at a medium pace and cleverly the suspense happens whenever the creative team gradually build-ups the tension for the inevitable Aliens-Predators fight.

As with many other entertainment tales across varied media forms, this story has a critical portrayal of the corporation slightly emphasizing greed while making the contractors (technically the laborers) look disadvantaged. It is not a one-sided portrayal against corporatism, however, as there were moments showing the contractors relying on deception (note: disregarding quality and the safety of consumers who will soon consume the products from the ranching operation) just to achieve their goals.

More on the protagonist Machiko Noguchi, she is not the typical corporate figure for readers to hate. In fact, she is somewhat sympathetic as she is has yet to earn the respect of others even though she had been working as the head of the outpost for months. The grudge against her is subtle yet clear. The comic book also made clear that she is destined for something significant in the upcoming fight between the two galactic species.

The art by Phill Norwood is very good. While the characters have that comic book aesthetic, the Aliens and Predators are easily recognizable and were drawn with sufficient visual details. What I find weird is the creative team’s approach on applying color on the Predators. Norwood also has a really nice approach on illustrating futuristic stuff (examples: the technologies, office equipment, clothes of the characters) while also emphasizing the wilderness of Ryuchi.

Conclusion

*Machiko Noguchi takes charge even though she is despised by many.*

Aliens vs. Predator #1 (1990) is one very detailed build-up type of comic book that happens to be pretty engaging to read and the set-up for the expected conflict between the two species worked nicely. By the time I reached the end of this tale, I got immersed into its concept, the situations and characters. The build-up also came out with really interesting parts here and there which made the reading experience a very good one. Right now, I am eager to read the next issue.

Overall, Aliens vs. Predator #1 (1990) is highly recommended!

+++++

A Look Back at Amazing Spider-Man #381 (1993)

May 18, 2023May 15, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1993 and explore a part of the Marvel Comics universe through one of the many tales of the Amazing Spider-Man comic book series.

To put things in perspective, 1993 was another busy year for the iconic Spider-Man who not only had four monthly series of his own but also appeared in the Venom: Lethal Protector mini-series, the 14-part Maximum Carnage crossover and in Marvel’s major crossover The Infinity Crusade. As expected, Spider-Man survived through those storylines.

With those details laid down, here is a look back at Amazing Spider-Man #381, published in 1993 by Marvel Comics with a story by David Michelinie and drawn by Mark Bagley.

Early story

The story begins inside the airport in New York where the incredible Hulk/Bruce Banner himself had just arrived from Scotland. Due to his tremendous size, his physical presence easily distract the people around him. Dr. Leonard Samson surprises Banner and informs him of an upcoming scientific demonstration and the scientists behind it have developed something that could have ramifications for people who got exposed to gamma radiation. Samson explains that there is a radiation virus that releases repressed emotions. The Hulk rejects Samson and leaps to the air above towards an unknow destination.

At a school yard in lower Manhattan, two kids bully another kid into giving them his lunch money. Spider-Man suddenly arrives to stop trouble and immediately the two bullies ran away…

Quality

I can say that is one of the more interesting crossovers between Spider-Man and the Hulk who at this stage in Marvel’s comic book history retained his intelligence and personality while in his huge, green-skinned form. Adding variety to the crossover was the presence of Doc Samson who was already an established and notable supporting character in comic books featuring the Hulk.

Set after the events of Maximum Carnage, the Infinity Crusade and Hulk’s time in Scotland (as told in Incredible Hulk #407), this story shows life in New York gradually normalizing. The peace, as it turns out, was only temporary as the big-time scientific demonstration in this story leads to a series of unfortunate events that compels Peter Parker to take action as Spider-Man.

The tale was nicely structured and the creative team took its time to build-up the story concept, the character motivations and execute the superhero spectacle at an overall medium pace. There is simply no boring scene nor any wasted moments. The appearances of Samson and the Hulk in this Spider-Man tale were nicely integrated and they each had their own impact on the plot. There is a lot of stuff here that fans of both Spidey and the green giant can enjoy.

When it comes to the art, I found Mark Bagley’s take on the Hulk distinctive and intriguing to look at. The final shot of this comic book is a must-see.

Conclusion

While there clearly is no villain, Amazing Spider-Man #381 (1993) still turned out to be a fun read complete with a fine crossover between Spider-Man, Doc Samson and the Hulk. Apart from the lack of space for character development, nothing here felt half-baked with the executions of the storytelling and the spectacle. This is a fun read and it was also a modern take on the personal encounter between Hulk and Spidey during the 1990s. This comic book has something enjoyable that fans of the two Marvel icons won’t find in any of the Marvel Cinematic Universe (MCU) movies and shows.

Overall, Amazing Spider-Man #381 (1993) is recommended.

+++++

A Look Back at Harbinger #22 (1993)

April 11, 2023April 8, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through the Harbinger monthly series.

In my previous review, Sting has been suffering and was revealed to have mononucleosis. After having a nightmare, he stubbornly re-entered his family’s home in the middle of the night trying to reconnect to his past life as Pete Stanchek. He eventually learned something harsh about his estranged father and went on to visit him in the hospital.

With those details laid down, here is a look back at Harbinger #22, published in 1993 by Valiant Comics with a story written by Maurice Fontenot and illustrated by Howard Simpson.

Early story

The story begins with Archer and Armstrong having fun at the amusement of Coney Island. They eventually bump into Flamingo, Faith, Shatiqua and Kris who happens to be with her uncle named Mel. Armstrong found Mel looking familiar causing the latter to feel uneasy.

Sometime later that day, Mel visits a bar in Brooklyn managed by a local crime boss called Anthony Carino. After going through some initial trouble with Carino’s tough talking employees, Mel finally meets with their boss and told him that decades Armstrong made a move on his fiancé and then he and his buddies ran him out of town. After revealing Armstrong’s name and his presence at Coney Island, the crime boss reacts with knowledge about him. It turns out, Armstrong busted up his bar sometime in the past. Carino agreed to help Mel get back on Armstrong…

Quality

To start with, I can say that this comic book’s main feature is the crossover between the team (minus Sting) and the duo of Archer and Armstrong which also serves as a reunion in relation to their time together during the Unity crossover storyline. This time around, these established Valiant Comics characters get to interact with each other during a more peaceful time and if you remember Armstrong delivering Kris’ child (note: Magnus Robot Fighter) during the Unity storyline, there is a nice scene between the two characters talking about it. As with other Valiant works of the 1990s, the crossover element here is strong and engaging.

On the story itself, Armstrong’s past encounter with Mel sparks a conflict here which eventually pulled Archer and the other team members into a wild chase that was somewhat entertaining. How the story ended was surprising and even intriguing. If you are looking for character development regarding Faith, Flamingo, Kris and Shatiqua, you won’t find much here which is a bummer. Again, the mentioned crossover is the key feature of this comic book.

Conclusion

*A reunion between Archer & Armstrong and the team (minus their leader Sting).*

While it shifted the focus away from the unlikable Sting, Harbinger #22 (1993) was more about a shared universe crossover between the other team members and Archer and Armstrong. In some ways, Armstrong himself was almost the main character in this tale and what he did in the past sparked a chain of unfortunate events that involved Kris, Faith, Flamingo and Shatiqua. As this comic book was more about crossover, it turned out to be a missed opportunity for the creative team to further develop the other team members. Still, this tale delivered some entertainment value and there definitely is something being built up for further issues.

Overall, Harbinger #22 (1993) is satisfactory.

+++++

A Look Back at Freex #15 (1994)

February 20, 2023January 27, 2023carlocarrasco

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts and comic book collectors! Today we go back to the wild 1990s and explore a part of Malibu Comics’ Ultraverse through a tale of Freex.

Since after facing off with Contrary (who eventually became part of UltraForce) and her so-called school and students, Freex had been traveling far and long (refer to my previous Freex reviews here, here and here) and gained Old Man as a useful companion. Along the way, they encountered the unknown deep underground and even saw a powerful being. They even got to the city of Denver temporarily. As they went on, they found the path that led them back to civilization.

With those details laid down, here is a look back at Freex #15, published in 1994 by Malibu Comics with a story written by Gerard Jones and drawn by Scott Kolins. This is a flip-side comic book with Ultraverse Premiere #9 (1994) on the other side.

Early story

The story begins with Freex – composed of Plug, Sweet-Face, Pressure, Anything and new member Cayman – have been traveling for some time deep underground with Old Man. They find themselves back in San Francisco, the one city that brought them together. While still a long distance away from the city proper and there are no locals who could see them, the team cautiously move to a high communications tower. Michael/Plug uses his special ability to transform himself into electronic matter and makes his way through the communications network of the city to do something very important. Cayman meanwhile becomes the object of discussion between Pressure and Sweet-Face as he has yet to share with them details about himself.

As Cayman himself was part of Contrary’s academy and joined Freex recently, he has trouble gaining the trust of the others. After wearing new clothes that Lewis found, a guy suddenly appears to them. He introduces himself to them as Evan…

Quality

*The very evil Rafferty monitoring Freex secretly and enjoying his advantage over them.*

Considering what happened in the previous issues, this story feels like a breath of fresh air not only because of the new location the team got into but also because of strong twists that happened. Instead of going through fantastical encounters, Freex found themselves in situations that are more grounded with reality (within Ultraverse standards specifically) and more notably, the story emphasized crossover as Freex and Old Man encountered Firearm. The said crossover, quite cleverly, sets up Freex into a collision course with the serial killer Rafferty (who encountered The Strangers elsewhere within the Ultraverse). For the newcomers reading this, Rafferty is one of the most evil characters of the Ultraverse who has murdered a lot of people – including his own parents – and has developed tremendous hatred of Ultras.

The inclusion of Rafferty here also sheds light on the Freex’s past connection with the Night Man (click here and here). More notably, the said serial killer turned out to be so resourceful and totally obsessed with murdering people with special abilities, he became a formidable force towards Freex. This leads to a pretty powerful and twisting conclusion that must be seen.

Conclusion

With a good amount of intrigue, characterization spectacle, strong dialogue and the element of crossover, Freex #15 (1994) is a pretty engaging comic book to read. The biggest feature here is having Freex in a conflict with a very obsessed killer who not only hates Ultras but also has an extensive record of murdering many people over a long period of time. In my view, the Freex-Rafferty conflict was nicely structured and it added depth to the plot. What happened in the end of this comic book should resonate with dedicated fans of Freex.

Overall, Freex #15 (1994) is highly recommended.

+++++

A Look Back at Superman vs. The Amazing Spider-Man (1976)

February 14, 2023January 10, 2023carlocarrasco

Welcome back superhero enthusiasts, 20^th century arts and culture enthusiasts, fans of Marvel and DC Comics, and comic book collectors! Today we go back to the year 1976 to examine what is truly a landmark event in the history of superhero comic book publishing – the first-ever superhero crossover event of Marvel Comics and DC Comics with Superman vs. The Amazing Spider-Man (also referred to as Superman vs. Spider-Man for short).

For the newcomers reading this, I previously reviewed the 2^nd Superman-Spider-Man crossover comic book titled Superman and Spider-Man. That was released in 1981 and was handled by a different creative team (led by Jim Shooter as writer) compared to the 1976 crossover of the two icons of Marvel and DC. Going back to the 1970s, a crossover between Marvel and DC looked like an impossible dream as the idea of the two companies coming into agreements over the legal, creative and financial aspects was perceived to be unachievable. Indeed there were headaches and challenges during the negotiations but ultimately Marvel and DC came into an agreement to publish a special comic book featuring Superman, Spider-Man and the related supervillains and supporting characters from both sides. Take note that the two publishing giants worked together previously with publishing an official comic book adaptation of the movie The Wizard of Oz (1939).

With those details laid down, here is a look back at Superman vs. The Amazing Spider-Man, published in 1976 by Marvel Comics and DC Comics with a story written by Gerry Conway and Ross Andru. This crossover event was described as the battle of the century.

Early story

The story begins at the World News Conference in New York City. Separated by several feet apart, Clark Kent (Superman) and Peter Parker (Spider-Man) arrive with their respective companions and associates. What the two heroes do not know is that Lex Luthor and Doctor Octopus recently escaped from prison.

Peter Parker gets berated by his boss J. Jonah Jameson for not being good enough as a photographer while Clark Kent learns the bad news from Edge Morgan that he is not wanted for the coverage of a national convention.

Shortly after, Lois Lane climbs up a scaffold to get a good view for some photography. Just as she is about to fall down, Peter Parker suddenly grabs her and pulls her to safety. After an exchange of pleasantries, Peter introduces Lois to Mary Jane Watson. Just as MJ and Lois start conversing, Superman suddenly arrives. The Superman figure then fires beams of light from eyes to Lois and MJ, causing them to vanish into thin air. It turns out, the caped figure is an impostor as Peter Parker and Clark Kent react in shock.

Peter quickly runs to the roof of the building and changes into Spider-Man. As soon as he leaps into action, he comes face to face with Superman himself…

Quality

*Superman, Spider-Man, Luthor, Dr. Octopus, Lois Lane and Mary Jane Watson shown in this scene.*

I can loudly say that this is one pretty enjoyable crossover tale that not only featured Superman and Spider-Man, but also gave their respective mortal enemies Luthor and Dr. Octopus a good share of the spotlight. To be very clear, the story and set-up of scenes do have a somewhat restrictive structure as the creators clearly did their best to make the spotlight on the characters more or less equal in terms of imagery, dialogue amount and the sharing of dynamic shots. While some may easily complain about the so-called old and tired formula of the major characters getting into fighting each other due to a misunderstanding followed by setting aside their differences to work together, take note that the said formula worked really well in this story written by Gerry Conway.

The story concept Conway came up was clearly made to justify Superman and Spider-Man encountering each other (note: the same goes with the super villains and supporting characters) and the way he wrote the two interacting with each other worked seamlessly and convincingly. There are lots of nice exchanges of dialogue between the Man of Steel and the webslinger.

*Even the superiors of Clark Kent and Peter Parker had their own crossover.*

*Don’t let the woke and socialists fool you. There is nothing racist in this comic book. Wokeness is foolishness. Political correctness distorts perception of reality.*

Even though the script has this set of creative restrictions to ensure fairness on both Marvel and DC’s sides, the synergy of friendship and cooperation between Superman and Spider-Man is fantastic to read. Similar qualities are also evident with the scenes of Luthor and Dr. Octopus. Very clearly, the creative team did intense research on the Marvel and DC characters and found ways to create a unique mix that resonates with the fans of Superman and Spider-Man.

As expected, this comic book has lots of superhero spectacle for readers to enjoy. The superhero violence is not intense but the action scenes were entertaining to look at. In my opinion, the highlights of the spectacle here is when Superman and Spider-Man literally exchanged mortal enemies to fight with. As for the fight between the two icons as emphasized in the title, it definitely is a special event that really kicked the story into high gear.

While this is indeed a fun superhero crossover to read, there are some notable weak points here. For one thing, the plot itself lacks a strong concept and Luthor’s evil plan is very flawed and unconvincing. That being said, as I read and re-read this comic book, there never was a sense of danger building up nor was the Luthor-Dr. Octopus team ever a grave threat.

Conclusion

*This is only a small sample of the fun in the battle between Superman and Spider-Man.*

By today’s standards, Superman vs. The Amazing Spider-Man (1976) is still a fun superhero crossover comic book to read and it remains as a significant part of not just Marvel and DC’s history of collaboration but also that of inter-company superhero crossover comic book publishing in general. While it is better than many other inter-company superhero crossover comic books I have read through the decades, this one is certainly not the best one from Marvel and DC. For me, Superman and Spider-Man (1981) has a more elaborate plot, higher fun factor and deeper impact than this comic book. Meanwhile, Batman vs. The Incredible Hulk (1981) exceeded this comic book in terms of plotting, character interactions, super villain portrayals and establishing a real sense of danger that requires the super heroes to solve. Still, Superman vs. The Amazing Spider-Man (1976) remains an enjoyable read and it definitely is worthy as the strong beginning of Marvel-DC superhero crossover projects of the 1970s and 1980s. It also has more dynamic visuals than its 1981 sequel. This one is also part of the Crossover Classics: The Marvel-DC Collection paperback.

Overall, Superman vs. The Amazing Spider-Man (1976) is recommended!

+++++

	Instapundit »… on Ibaraki Prefecture’s Rewards P…
	Instapundit »… on American Oil Arrives In J…
	Instapundit »… on Ibaraki Prefecture’s Plan On G…
	Andrew Diseker on Japan Revises Arms Export Limi…
	Heywood on Japan Revises Arms Export Limi…

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this: