Perry White – Author Carlo Carrasco

A Look Back at Superman #412 (1985)

July 7, 2025July 1, 2025carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 20^th century pop culture enthusiasts and comic book collectors! Today we go back to the mid-1980s to take a close look at one of the many tales published through the original Superman monthly series (first launched in 1939).

For the newcomers reading this, the original multiverse of DC Comics formally ended with Crisis on Infinite Earths (1985-1986). That being said, a lot of DC’s monthly comic book series had respective tales the reflect the closing period of the old multiverse (which lasted for decades) and the Superman monthly series of the era was part of the trend.

With those details laid down, here is a look back at Superman #412, published in 1985 by DC Comics with a story written by Cary Bates and drawn by Curt Swan.

Early story

The story begins at the unemployment bureau in Metropolis. Clark Kent, who recently lost his jobs with WGBS and the Daily Planet, stands in line and waits for his turn. Being unemployed, Clark feels troubled and other people nearby recognize him.

As his turn at the counter starts, Clark senses something and decides to get out quickly. He enters the emergency exit, changes into Superman and flies out of the building. It turns out a high-rise building accident has occurred and already several pieces of sharp glass have been falling down. To prevent further harm, Superman uses his heat vision to convert the falling glass and collectively turn them into a growing molten ball. He brings the giant molten ball to the top of the building (still in construction/expansion) and meets the hard-hat workers before flying away.

Elsewhere, Lana Lang announces news to TV viewers regarding the dismissal her of close friend Clark Kent which was the result of the fake headline news story about Superman and the NASA satellite. In another location, Lex Luthor is very pleased watching the same broadcast knowing his plan of ruining Superman succeeded and got Clark Kent as a fake news casualty. Luthor is not done with Superman yet…

Quality

*Lex Luthor here is ruthless, strategic and obsessed with defeating Superman.*

I really like this Superman tale. This is a story about Superman who is still dedicated to doing acts of good by helping people with problems even though he is socially in deep trouble being unemployed as Clark Kent. Not only is the unemployment aspect relevant, the consequences of fake news and their negative effect on people made this tale more socially relevant with today’s world of fake news and unethical journalism.

Going back to Superman, it is clear that the embarrassment and unemployment of his civilian identity impacted him as a superhero. This is evident when Lana Lang accused him of betraying Clark Kent resulting in a fake news story that led to the firing by WGBS and the Daily Planet. Lana, who does not realize Superman and Clark are the same person, blamed the Man of Steel that the firing of Clark is so devastating to her as she cares for him so much (note: Clark and Lana were romantically involved during their teenage years at Smallville).

The powerful writing by Cary Bates does not end there. In this comic book, you will see Lex Luthor execute his other plans to ruin Superman whom he personally accused over the loss of his family and his own world Lexor (click here and here for references). This is a Luthor who is not simply being evil but also someone who is well organized, strategic and even fearless. By this stage, the criminal mad scientist Luthor has accumulated a lot of resources to have his own headquarters, technologies and a dedicated staff. In some ways, Luthor in this comic book eerily resembled his financial tycoon version in the post-Crisis era (click here and here for relevance).

I should also state that the personal encounter between Superman and Luthor here is a great pay-off to the build-up that preceded it. You readers should see it for yourselves because to reveal more in this review will ruin it.

Conclusion

*As Lana Lang delivers the news to TV viewers regarding Clark Kent and Superman, tension is brewing over at the Daily Planet.*

Superman #412 (1985) is undeniably a great Superman story published during the very late stage of the original multiverse (note: Superman #423 was one of the final tales of Superman of this particular era. Superman #424 was part of the post-Crisis era). The portrayal of Superman being disturbed by the huge setback he suffered as a civilian is really compelling to see and his encounter with Lex Luthor really brought the tension and suspense to high levels. At the same time, the consequences of Superman’s actions (including those of his civilian form as Clark Kent) are very evident and nicely dramatized by the Bates-Swan team. You really feel that the creators were wrapping up their Superman stories and decided to move this series to a new direction knowing that the original multiverse will end. This is a must-read tale!

Overall, Superman #412 (1985) is highly recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Action Comics #438 (1974)

June 23, 2025June 20, 2025carlocarrasco

Welcome back superhero enthusiasts, 1970s arts and culture enthusiasts, DC Comics fans and comic book collectors! Today we go back to the year 1974 to take a close look at a part of the DC Comics universe through a tale of the Action Comics monthly series.

Throughout the superhero comics publishing history of DC Comics, Lois Lane is the definitive leading lady of Superman. Traits of her personality and journalistic work ethic got emphasized through her interactions with fellow reporter Clark Kent (Superman). At times, Lois Lane becomes a rival of Kent’s when it comes to getting the hottest scoop and getting the approval of their boss Perry White for publishing it on the next issue of the Daily Planet. But have ever seen Lane become a monster strong enough to take on Superman?

With those details laid down, here is a look back at Action Comics #438, published in 1974 by DC Comics with a story written by Cary Bates and drawn by Curt Swan.

Early story

The story begins on the busy streets of Metropolis with Clark Kent and Lois Lane riding in a taxi. He gives her a very unique looking necklace as an advanced birthday gift which she gladly wears. Lois then kisses Clark on the lips which surprises him. Moments later, the taxi stops on a sidewalk as something inside happened. Seconds later, a monstrous woman emerges from the taxi which turned out to be none other than Lois Lane in a transformed state. The monster Lois gets out of the taxi, throws the necklace away and leaves Clark behind. The incident causes a commotion in the city.

Still inside the taxi, Clark discreetly changes into Superman and flies away to search for Lois Lane…

Quality

*As Superman works to find monster Lois Lane, the media buzz about her begins on television. This was the time when social media was decades away from realization.*

To begin with, the concept of this comic book is clearly outlandish and the creators decided to make a monster out of Lois Lane and explore what would happen to both the city and Superman. The good news here is that the storytelling has a firm structure and the dialogue – most notably that of Superman – still made sense and was believable to follow. Without spoiling the plot, I can say that Superman is still the main focus of the story and how he made moves to solve problems while still caring for Lois Lane is engaging to read.

In this comic book, you will see some interesting developments that emphasize how Clark Kent works within the limitations of his journalistic career and connections, how Superman takes responsibility things he did before, and how he works to protect his secret identity. The Bates-Swan duo really delivered the goods here.

Conclusion

*Superman has two problems to deal with – finding monster Lois Lane and preventing a train disaster from happening.*

Action Comics #438 (1974) is a fun read but it is not a brainless nor a low-intelligence tale. This is a tale about Superman relying less on his powers and using more of skills as civilian Clark Kent to handle the problem of monster Lois Lane. The story lacked the superhero spectacle of action but it still is entertaining to read, and the emphasis on Superman and Lois alone is worth reading. As for The Atom short story included, it is essentially a somewhat fun additive.

Overall, Action Comics #438 (1974) is recommended.

+++++

A Look Back at Action Comics #436 (1974)

June 18, 2025June 20, 2025carlocarrasco

If you know the Superman lore in comics, you should be aware that Perry White (first appeared in 1940) is the editor-in-chief of the Daily Planet and is the superior of Clark Kent (Superman), Lois Lane and Jimmy Olsen. As Perry White got race-swapped (a woke move that’s also idiotic) and presented as a black man in Zack Snyder’s Man of Steel and James Gunn’s Superman (2025), be aware that the long-lasting character originated in the comics as a white man who symbolized dedication and management consistently. I still remember the live-action versions of Perry White played by Jackie Cooper in the 1978 movie and by Lane Smith in the TV series Lois & Clark: The New Adventures of Superman.

I read a lot of Superman comic books and many times Perry White appeared as a supporting character. He also appeared in the memorable crossover comic book Superman and Spider-Man, interacting with Peter Parker (Spider-Man). As a supporting character in Superman tales, Perry White occasionally provides journalistic direction or a challenge to Clark Kent who in turn tackles problems in his civilian identity or as Superman.

But what if Perry White overshadows Superman himself?

With those details laid down, here is a look back at Action Comics #436, published in 1974 by DC Comics with a story written by Elliot S. Maggin and drawn by Curt Swan.

Early story

The story begins deep within Metropolis when the Daily Planet’s editor Perry White enters the Galaxy Building. White does not realize that he is being watched by two adults who turned out to have special abilities and together they levitated a gift for him before he reaches his office. The gift for Perry White was their response to the help he provided to them – the mutants – to escape the influence of Calixto sometime before. The two adults then vanished.

As White arrives in his office, Superman discreetly flies into the Galaxy Building and changed into his civilian form as Clark Kent. With his enhanced hearing, Kent heard the phone in his office ringing and quickly rushes to it. Through the phone, White (who was notified he won the Pulitzer Prize again) tells him that Edge Morgan has something big happening on both TV and on paper, and they should fly out to New York to work together…

Quality

*Superman and Perry White fly towards an enemy.*

To get straight to the point, this Superman tale shows the wild concept of Perry White overshadowing the Man of Steel in terms of capabilities instead of journalistic power. On paper it sounds crazy but the good news is that the wild concept was told nicely and it is actually fun to follow without ever going over the top.

*With witnesses around, Perry White uses his super powers.*

Apart from the story’s outlandish idea, the plot shows a new dimension of Perry White transforming from a supporting player (in the form of a newspaper editor) into a more heroic figure. Instead of being a helpless witness of events happening, White becomes more involved and contributes something to the prevention of disaster and even tackling evil head on. That being said, this situation allowed the creative duo to show a new side of White’s personality as he himself realizes the sudden weight and pressure that comes with having super powers, and he still has journalistic standards to live up to.

Conclusion

*Superman is surprised to witness Perry White fly and prevent a small plane from crashing.*

A product of its time, Action Comics #436 (1974) has a short story that had a zany concept which turned out to be an entertaining read. It is nice to see Perry White actually becoming super while the storytelling done by the Maggin-Swan team never became too outlandish. Think of this comic book – which also has a short story of Green Arrow – as a bout of fun focused on Superman and Perry White. I first read this comic book as a young boy and now as an adult, it is still enjoyable to read again. No woke garbage and no Zack Snyder-style darkness here. This is classic Superman.

Overall, Action Comics #436 (1974) is recommended.

+++++

A Look Back at The Man of Steel #4 (1986)

February 28, 2025February 25, 2025carlocarrasco

Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the mid-1980s to explore a part of the DC Comics shared universe through a tale of the iconic Superman.

Shortly after the end of the original multiverse of DC Comics, the publisher organized a massive reboot of its superhero franchises and universe. To reboot and modernize the iconic Superman, DC hired John Byrne and backed him up with a solid creative team. The result was the 6-part comic book mini-series The Man of Steel. Previously, I reviewed The Man of Steel #1 and #2 which collectively established Superman and Lois Lane as the iconic superhero and the definitive supporting character of the post-Crisis age respectively. Of course, the super villain opposite the post-Crisis Superman had to be established.

With those details laid down, here is a look back at The Man of Steel #4, published in 1986 by DC Comics with a story written and illustrated by John Byrne.

Early story

The story begins when a daringly dressed Lois Lane arrives at the apartment of Clark Kent who has not even fully prepared himself for their trip to an extravagant gathering. It turns out, Lois’ ride picked her up earlier than expected which explains her early arrival.

After entering Clark’s apartment, she slowly begins to discover what he looked like in school and who his parents are. By this time, it has been almost eighteen months since Clark beat her to the first-ever Superman news story at the Daily Planet.

Afterwards, Lois and Clark took a surprising helicopter ride going to the luxurious ship of the powerful tycoon Lex Luthor…

Quality

*Superman intervenes to protect Lois Lane from one of the terrorists.*

To make things clear, this issue is all about John Byrne presenting a new version of Superman’s definitive rival Lex Luthor with the 1980s in mind. Instead of a mad scientist, the post-Crisis Luthor is a billionaire whose corporation (Lexcorp) has an interest in virtually every business in Metropolis and his immense wealth makes him a very powerful figure. This new version of Luthor was clearly done to be more grounded with reality, specifically with regards to the rise of tycoons in America in the 1980s. In short, Luthor was the ruthless and powerful businessman before Michael Douglas even got to play Gordon Gekko in 1987’s Wall Street.

While the effort of making a really new version of Superman’s arch-rival is clear, Luthor here does not appear too menacing at first. The story and impact of Luthor’s evil really started to materialize as soon as the South American terrorists appeared, but not in a way that you might expect. As mentioned above, Luthor here is more grounded with reality and that means you won’t see him oppose Superman with science and technology. Instead, Luthor simply has wealth, the power and resources to go against the Man of Steel. The tycoon also knows that the American-born Kryptonian would not dare attack him as laws already exist.

Having read lots of Superman’s encounters with Luthor in the pre-Crisis era – particularly the 1970s up to the mid-1980s – it is clear to me that their first post-Crisis encounter turned out underwhelming and never dynamic. In fairness, I really enjoyed reading the 2^nd encounter between Superman and Luthor as the words of the latter were filled with anger and tension. It should be noted that Byrne’s visual approach on showing the city and the people as Luthor’s dialogue went on was a great touch.

When it comes to the storytelling, it is quite simple which is not surprising because it was crafted to make way for post-Crisis Luthor to be introduced and dramatized. As for the character development, there is indeed progress with regards to the chemistry between Clark Kent and Lois Lane who are portrayed as friends living with a journalistic competition between them. It was also in this comic book where you will see Superman follow the law and the command of Metropolis’ highest official.

Speaking of law, you will notice what kind of impact Luthor has on others when he really does things his own way. This is something you should read in this comic book.

Conclusion

*This is John Byrne’s version of Lex Luthor in the form of a powerful tycoon. A complete departure from the mad scientist Luthor of the pre-Crisis era of DC Comics.*

While the first-ever conflict between Superman and Luthor in the post-Crisis age was indeed underwhelming, it was John Byrne’s in-depth writing and portrayal of events that made The Man of Steel #4 (1986) a worthy read. Don’t expect to see a lot of action here nor anything spectacular with Superman. Clearly, the tycoon Lex Luthor is the feature character of this tale and the start of his hatred towards Superman is really worth reading. In retrospect, Luthor’s ruthlessness and evil got stronger and clearer after the end of this comic book (for reference, click here).

Overall, The Man of Steel #4 (1986) is recommended.

+++++

A Look Back at Superman #79 (1993)

February 10, 2025February 4, 2025carlocarrasco

Welcome back superhero enthusiasts, 1990s pop culture enthusiasts and comic book collectors! Today we go back to the year 1993 and explore a notable chapter of the post-Crisis DC Comics universe through the Superman monthly series.

Months after DC Comics published the death of Superman with the best-selling Superman #75 (1993), the publisher went on to shake things up with the Reign of the Supermen storyline. One of the four Supermen was Cyborg Superman who first appeared in Adventures of Superman #500 (1993) and had his first story in Superman #78 (1993).

With those details laid down, here is a look back at Superman #79, published in 1993 by DC Comics with a story written and drawn by Dan Jurgens.

Early story

The story begins inside a dark part of The Daily Planet with journalist Ronald Troupe starting his work in the absence of Clark Kent. Since Superman’s death, the very accomplished Kent has been absent and was perceived to have died somehow while covering Doomsday’s rampage through Metropolis.

With Kent absent, the newspaper lost one of its best writers. This opened an opportunity for Ronald Troupe to approach Perry White to fill Kent’s slot and work. White, who was close with Kent, values hungry reporters and challenged Troupe to bring him a story so big, he could not turn it down.

With the sudden presence of the Supermen, Troupe viewed Cyborg Superman as a major subject to report about…

Quality

The evil Cyborg Superman handing over a device to US President Bill Clinton. This image is strangely symbolic as both of them are evil figures – one is fictional and the other is real. Clinton’s legacy of empowering Palestinian terrorists through the mass murderer Yasser Arafat still remains.

I want to start with the approach Dan Jurgens took to come up with this particular Reign of the Supermen story. Instead of telling the tale through the viewpoint of the more established Daily Planet journalist Lois Lane or photographer Jimmy Olsen, Jurgens instead used the newcomer Ronald Troupe who happened to be a hungry journalist tasked with coming up with a compelling report about Cyborg Superman. This creative approach resulted in a very fresh look at the events involving the caped cyborg complete with the use of a journalistic narrative Troupe wrote on his computer (the paragraphs are stylishly displayed on each page). The writing done was pretty lively to read from start to finish.

I do have a problem with how specific events turned out. To ensure that Troupe would encounter Cyborg Superman, the established character Max Lord (who is working directly with the US President over very sensitive matters) very unrealistically had his government-provided limousine stop (while entering the White House gate half-way) and actually got out to meet Troupe only because the reporter convinced him too easily. Even back in the 1990s, such a scenario is very unrealistic and no person working with the US President would ever stop to give a reporter special attention while compromising security of the White House.

And then there was the short sequence in which Troupe – already within the White House perimeter with several defense turrets already firing energy blasts – miraculously managed to get close to Cyborg Superman without getting hit was also very unbelievable. Very clearly, Troupe is this comic book’s magical black man.

To come up with the superhero spectacle, elements of Islamic terrorism (represented by the fictional Qurac and its terrorists) attacking the White House plus Cyborg Superman’s sudden involvement were implemented. Quite predictably, the caped cyborg became the centerpiece of the action. I can say the spectacle here was fresh and intriguing to see.

Conclusion

*Cyborg Superman fights the terrorists of Qurac.*

Superman #79 (1993) has a very unique approach on storytelling but the above-mentioned unbelievable turnout of events plus Ronald Troupe being the magical black person (literally protected by plot armor) somewhat ruined the reading experience for me. By the time the story ended, the anticipated pay-off to everything that was built-up ended up weak and unsatisfying. To be clear, this is not a badly made comic book but its flaws really ruined it. Also by today’s standards, Cyborg Superman is a very evil character and having him with the American flag on the cover is disgusting.

With regards to geopolitics, having Bill Clinton as the US President made this comic book age very badly. As President, Clinton empowered Palestinian terrorists and anti-Semitic people through the mass murderer Yasser Arafat (a real-life demon) while disrespecting Israel and its people. People who love abortion, political correctness (which leads to wokeness), victimhood and LGBTQ rights also benefited from Clinton’s sinister leadership. By today’s standards, having Clinton and Cyborg Superman appear together strongly symbolize real-life evil and fictional evil in a rather creative way.

It was destiny that his wife Hillary Clinton lost the 2016 US Presidential Election to Donald Trump. This is because the Clinton legacy remains very bad for the whole world. Trump, who is now the US President once again, is already working to make serious corrections while also restoring dignity in America.

Overall, Superman #79 (1987) is not worth your time. Only those who are really obsessed with the Reign of the Supermen storyline can enjoy it. For those looking for the iconic Superman, better look for another comic book!

+++++

A Look Back at Superman #385 (1983)

January 3, 2025December 22, 2024carlocarrasco

Welcome back superhero enthusiasts, 20^th century pop culture enthusiasts and comic book collectors! Today we go back to the year 1983 to take a close look at one of the many tales published through the original Superman monthly series (first launched in 1939).

Back in 1983, DC Comics published Action Comics #544 which marked the 45^th anniversary of Superman and celebrated it by executing things very differently – introducing the new look of Lex Luthor in battle armor and showing Brainiac in a more robotic body. I really loved reading Action Comics #544 for its very rich storytelling and modernizing the two classic super villains. With regards to what happened in Lex Luthor’s story in the comic book, his tale actually continued with the Superman monthly series afterwards.

With those details laid down, here is a look back at Superman #385, published in 1983 by DC Comics with a story written by Cary Bates and drawn by Curt Swan.

Early story

The story begins with the armored Lex Luthor alone and grieving in deep space surrounded by floating rocks. His world Lexor just got destroyed and his wife and child are gone. He blames Superman for being responsible of the massive destruction. He remembers the moment when he fired an energy blast at Superman which got deflected towards the neutrarod (a device Luthor made to shoot a steady stream of stabilizing neutrons into the planet’s unstable core) which started a chain reaction transmitted directly into the core. Lexor detonated but Superman and Luthor survived.

Using the intense power and technologies of his armor, Luthor moves an island-sized rock (a remaining piece of Lexor) towards planet Earth. He is determined to have his revenge against Superman and will stop at nothing to make it happen…

Quality

*This is a great visualization of Lex Luthor (in his warsuit) by Curt Swan.*

Through the decades, I have read lots of Superman comic books that involved Lex Luthor as the main antagonist. This particular story of good-versus-evil is actually very unique thanks to the approach taken by the Bates-Swan duo. To be clear, this is actually a build-up type of story done with the next conflict between Superman and Luthor in mind.

Without spoiling the plot, I can say that Luthor – following the events of Action Comics #544 which really hurt him deeply – got a nice share of the spotlight and deservedly so. He is determined to get back at Superman whom he holds responsible for the destruction of Lexor and its many inhabitants (including Luthor’s wife and child). Luthor does not rush things as he is very focused on preparing himself first which reminds me of Batman’s approach to preparations. In some ways, Luthor has his own principles and he is not just being evil for the sake of it. There is this very human portrayal of him and Bates’ writing could make you even forget that he is a madman.

As for the Man of Steel himself, Bates wrote him to be really burdened by having his share of the responsibility of the billions of deaths of the people of Lexor. Instead of the focused Superman dedicated to doing good, you will see him feeling really uneasy and even distracted. He even commits huge blunders! This is a Superman who is showing signs of internal weakness and not even his civilian life as journalist Clark Kent could relieve the tension he is experiencing. I really like this portrayal of DC Comics’ icon.

But there is more! There is the sub-plot of Lois Lane taking a much-needed break from work to relieve herself and it sure is a really interesting portrayal of her. Even Perry White has his own share of the spotlight. There is also the spotlight on some obscure DC villains which actually added to the plot.

Conclusion

Superman #385 (1983) is clearly a very engaging read and it is a worthy follow-up to what happened in Action Comics #544. I really like the way the armored Lex Luthor is portrayed here and the build-up for his upcoming conflict with Superman is really powerful. I’m really glad to have read this particular Superman-Luthor story and I can say that I am looking forward to the next issue to see what will happen.

Overall, Superman #385 (1983) is highly recommended.

+++++

A Look Back at The Man of Steel #2 (1986)

February 14, 2024February 23, 2025carlocarrasco

Previously, I reviewed the first issue of The Man of Steel mini-series written and drawn by John Byrne. Using a unique structure for storytelling, Byrne gradually told how the post-Crisis version of Superman came to be while also retaining specific classic elements that made DC’s icon inspirational. That very comic book had its influences on other portrayals of Superman beyond comic books such as he Lois & Clark: The New Adventures of Superman TV series and even the very divisive Man of Steel movie.

With those details laid down, here is a look back at The Man of Steel #2, published in 1986 by DC Comics with a story written and illustrated by John Byrne.

Early story

The story begins in the middle of Metropolis when the newly established hero Superman (now in full costume) flies just above the busy road which distracted Daily Planet editor-in-chief Perry White (who was having a coffee break with reported Lois Lane inside a coffee shop). Remembering how the space plane and its crew got saved by Superman (Clark Kent in civilian clothes) sometime prior, White tells Lane (who first encountered Superman immediately after the space plane was saved) to go after him to get the hot scoop.

While Lane crosses the road, a limousine’s opens with the driver telling her that Mister L (Lex Luthor the tycoon) wants to her. Lane declines and proceeds with her chase for Superman…

Quality

*An act of help by Superman for someone who was in trouble.*

This story is set during the early days of Superman as the new, randomly appearing hero of Metropolis whose impact on local society is just growing stronger. At the same time, this shows Clark Kent being a very new resident of the city still looking for a job. This is inspired work by Byrne on building up the Man of Steel for what was back then the modern age.

That being said, the most intriguing fact here is that this Superman story has Lois Lane as the actual protagonist. While Lane’s literary presence here is slightly stronger than DC’s icon, this tale is clearly all about her unrelenting approach with newspaper journalism, her use of the Daily Planet’s valuable connections and resources, and how much risk she would take to get the facts, the statements and other details all for the sake of getting the hot story. This is Byrne’s modernization of Lois Lane highlighting the concept that Clark Kent will have serious competition with her within the Daily Planet.

That being said, there is no romance between Clark and Lois here. This is after all their 2^nd encounter (the saving of the space plane in issue #1 was shown in flashback with Lois Lane already present) and Byrne took a careful approach on establishing the first lengthy encounter and interactions between the two. Their encounter here is really engaging.

More on Superman himself, the writer kept the pace of developing him flow smoothly and steadily. You will see how Superman keeps himself in control whenever he talks with normal people or when he encounters criminals who cause danger on others. While he has a priority to help others in need using his powers, he does not neglect his actual identity (and personal life) as Clark Kent and this includes moderating or limiting the use of his special abilities as he levels himself with the rest of the civilian population.

Conclusion

*Lois Lane portrayed as the unrelenting and very determined newspaper reporter. Even though Superman always flew away, she just won’t give up.*

The Man of Steel #2 (1986) is clearly a very solid follow-up to issue #1. The continued development of Superman remains solid and the dramatization of Lois Lane as the strongly determined newspaper journalist is compelling to see. With regards to the build-up of the post-Crisis DC Comics shared universe, this particular Superman tale is one of essential parts of it.

Overall, The Man of Steel #2 (1986) is highly recommended!

+++++

A Look Back at Superman #5 (1987)

May 24, 2023January 30, 2025carlocarrasco

Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the year 1987 and explore a chapter of the post-Crisis DC Comics universe through a Superman tale.

To put things in perspective, John Byrne became in charge of redefining the iconic Superman during the post-Crisis age and he sure had a lot of creative freedom to not only modernize the character but also make him relevant to the public while also pleasing long-time fans. To say the least, the post-Crisis era was a time of daring concepts with the established superheroes of DC Comics. For more insight on Byrne’s handling of the Man of Steel, read my other retro comic book review by clicking here.

With those details laid down, here is a look back at Superman #5, published in 1987 by DC Comics with a story written and drawn by John Byrne.

Early story

The story begins with Clark Kent having an outrageous dream in which he and Wonder Woman fight powerful enemies together. Shortly after arriving at the Daily Planet for duty, Clark learns from his boss Perry White that his office rival Lois Lane is already in South America literally digging on a significant discovery there. After being sent there by his boss, Clark flies to the south as Superman.

Upon arrival, Superman does a super speed reconnoiter at the dig site in the middle of a forest before changing back into Clark Kent. He eventually finds Lois Lane who is very surprised to see him. Even though he explained things to her, Lois remains doubtful of Clark as she still sees him as a journalistic rival who could potentially ruin her hot scoop…

Quality

*In his civilian form as Clark Kent, Superman fights the huge mummy figure.*

I can say that John Byrne’s brilliance is very evident in this comic book. Firstly, this is a story that sheds light on the journalistic rivalry between Lois and Clark that brings back memories about what happened with the Superman hot scoop in The Man of Steel limited series. Here, Lois remains doubtful about Clark and even shows some bitterness as she is on the verge of a major discovery in South America.

Secondly, this story is also an accidental adventure that creatively has a mix of Indiana Jones, UFOs and ancient horror all throughout. The build-up here is pretty strong as the tale focused strongly on the discovery aspect of the dig site which eventually led to a series of action-packed unfortunate events that really pushed Clark Kent both as civilian and as a superhero. Here, Clark has the tough task to fight an over-sized enemy (note: Byrne’s own take on the mummy) to keep Lois and the others safe while also making certain that he keeps his identity secret.

Along the way, Byrne inserted lots of in-depth details backed with observations (by the characters) which made this action-packed tale a cerebral read. This is a fine example of being creative with handling Superman while catering to readers who love spectacle as well as satisfying those who enjoy a smart presentation of the icon. In other words, there is nothing brainless or dumb to find here.

Conclusion

*The journalistic rivalry between Clark and Lois Lane is really engaging to read.*

Superman #5 (1987) is a very good read and this is fine showcase of the brilliant handling of the Man of Steel done by John Byrne. Aesthetics aside, this comic book is a relic that highlights the time when Lois and Clark were rival writers and the idea of them getting romantically involved seemed very unlikely at the time of its publishing during the early stage of the post-Crisis era. It was in many ways a defiance of the status quo of the original DC multiverse that had Lois and Superman as lovers. As an adventure, this comic book is very entertaining and engaging and the thing here is that it is only the first part of its arc.

Overall, Superman #5 (1993) is highly recommended.

+++++

A Look Back at Superman: The Man of Steel #20 (1993)

October 10, 2022August 26, 2024carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book.

Previously, I reviewed Adventures of Superman #498 (1993) which marked the first chapter of the Funeral for a Friend storyline and dramatized the impact left behind by the death of Superman. That particular comic book had strong writing and succeeded in dramatizing how Superman’s friends, associates and other characters coped with his death with the future looking uncertain to them.

With those details laid down, here is a look back at Superman: The Man of Steel #20, published in 1993 by DC Comics with a story written by Louise Simonson and drawn by Jon Bogdanove. This comic book marked the third chapter of the Funeral for a Friend storyline.

Early story

The story begins with people in Metropolis struggling to move forward not only because their hero Superman died but also because of the tremendous damage left behind by Doomsday. In his headquarters, Lex Luthor is talking with the telephone surrounded by several people with Supergirl watching. The matter being discussed was the burial of Superman at Centennial Park particularly in a structure Luthor himself donated. While he has to live on with the fact that he failed to kill Superman, Luthor tells himself he can still bury him.

At the Kent farm far away from Metropolis, Jonathan and Martha Kent are agonizing not only because of the death of their beloved son but also because they realized they cannot even get near him at his funeral as it will be organized as a major event with only the important people allowed to attend…

Quality

It seems like destiny to have the super villain Lex Luthor in the presence of a fictionalized Bill Clinton and Hillary Clinton during the funeral of Superman. By today’s standards, the Clintons made it normal for America to bow to terrorists and make deals with them. That being said, their inclusion in this comic book is just wrong.

To go straight to the point, like Adventures of Superman #498 (1993), this comic book continues to dramatize the impact of Superman’s death on Metropolis and its people in a very engaging manner. It shows that DC’s creative teams in charge of Superman comic book at the time were really organized and coordinated with each other on crafting the Funeral for a Friend storyline. What makes this comic book stand out is the funeral itself which was organized as a public event (with the burial itself done in the presence of important people – including a very evil couple from the Democrats who love abortion and terrorism) and this includes the presence of many other DC Comics superheroes like Wonder Woman, Green Lantern, The Flash, Maxima, Shazam (AKA Captain Marvel) and others. The burial had its own share of intriguing and dramatic moments emphasizing the people’s struggle to adjust themselves knowing they don’t have Superman anymore to help them.

*Wonder Woman, Green Lantern and Robin help out as the huge crowd became rowdy.*

More on the post-death dramatization, the creative team managed to keep Superman’s associates Lois Lane, Jimmy Olsen and the other Daily Planet people feeling uneasy over the Man of Steel’s death which makes their work covering the funeral professionally a challenge. Unsurprisingly, Lois Lane gets her own fine share of the spotlight agonizing over the fact that she lost her beloved Clark (Superman to the public) whom she was supposed to get married with. The emotional struggle within her intensified as she experiences difficulty of informing the elderly Kent couple about what happened. This is rich writing prepared by the creators.

Not only that, the creative team also went all-out with dramatizing the impact of Superman’s good deeds on the people. You will see several people from Metropolis’ general population talk about how Superman helped them or inspired them. There are certain lines of dialogue that are quite touching to read.

Conclusion

*A pretty powerful portrayal of Lois Lane’s struggle on dealing with the new reality that she lost her beloved Superman.*

Superman: The Man of Steel #20 (1993) is another solid, post-death story emphasizing the new normal that Metropolis people and Superman’s friends are having difficulty adjusting to…a world without the Man of Steel. Based on the high quality of the storytelling and character development, it is easy to tell that the Superman titles’ creative teams planned ahead and prepared themselves for telling a post-death saga which was pretty risky given the iconic status of Superman and his decades-long legacy in comics and pop culture. This comic book really made Superman’s absence feel powerful and undeniable.

Overall, Superman: The Man of Steel #20 (1993) is recommended.

+++++

A Look Back at Adventures of Superman #498 (1993)

October 6, 2022October 7, 2022carlocarrasco

To put things in perspective, the Death of Superman which climaxed in Superman #75 (1993) was a major comic book event published by DC Comics and it sure involved a whole lot of risks taken by the creative teams. To put the storyline’s concept short, Superman was beaten by an overwhelming, deformed alien humanoid from outer space who caused massive destruction around. Having no real choice and knowing that his fellow super-powered allies could not stand a chance against the alien called Doomsday, Superman went all-in fighting and stood up against him while defending Metropolis and its people. Superman #75 went on to sell many millions of copies and became an instant collector’s item.

Of course, just because Superman died does not mean that the shared DC universe at that time would come to an end and DC Comics had to keep on telling what happened afterwards.

With those details laid down, here is a look back at Adventures of Superman #498, published in 1993 by DC Comics with a story written by Jerry Ordway and drawn by Tom Grummett. This comic book marked the first chapter of the Funeral for a Friend storyline.

Early story

The story begins just moments after the Superman passed away in Lois Lane’s arms. Jimmy Olsen, the body of Doomsday and a few of Superman’s allies were near them. Bloodwynd and Dubbilex shared their respective findings that there is no life left in Superman. As emergency personnel slowly approach Doomsday’s body, Lois Lane turns emotional stating that someone has to do something for Superman. More emergency personnel arrive and attempt to revive the Man of Steel who remains lifeless.

Nearby, a man spots an unrecognizable human-like body among the rubble which turns out to be alive. Suddenly the red-headed tycoon Lex Luthor arrives to take care of the ruined being and walks away carrying it. Luthor refers to the being as a female…

Quality

*The Ordway-Grummett team should be recommended for this simple yet very dramatic look at the elderly Kent couple reacting to the death of their adopted son from Krypton.*

As a post-death Superman story, it is clear that the creative team carefully explored how the many people of Metropolis would react to the sudden death of the Man of Steal while also leaving some room to set the stage to develop Lois Lane – who at this stage knew Superman’s true identity and kept it all secret – in a new way. There were also sub-plots started here particularly with Lex Luthor and Supergirl, the people working for the Daily Planet and the Kents (Clark’s earthly mother and father). The way all the dialogue and character expressions were crafted, there is an undeniable tone of discomfort and uncertainty which dominated the narrative as I read from start to finish.

What I liked the most about this story was how the creative team showed the heavy toll of Superman’s death on Lois Lane who not only has to deal with the loss of her beloved Clark (perceived by her peers to be missing as a possible victim of Doomsday’s rampage) but also do her best to keep working professionally as a journalist of the Daily Planet. I felt Lane’s pain a lot as I read on.

Conclusion

*Tension and emotions turned high in relation to Superman’s sudden death.*

In my view, Adventures of Superman #498 (1993) is a really gripping and highly dramatic post-disaster superhero tale to read. The way it was made, it strongly kicked off the Funeral for a Friend storyline with high emotions as well as an understandable amount of uncertainty that can be seen in the characters. Understandably, there is no good-versus-evil conflict in the story nor any superhero spectacle to watch out for but the sub-plots implemented added some depth which made this post-death tale worth reading. More notably, the creative team succeeded in making the people – both in the story and the reading public – start missing Superman.

Overall, Adventures of Superman #498 (1993) is recommended.

+++++

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