In its pursuit to keep the public informed and oriented, the new operator of the Ninoy Aquino International Airport (NAIA) – San Miguel-led New NAIA Infra Corporation (NNIC) – recently launched its official website as well as social media accounts, according to a Manila Bulletin news report.
To put things in perspective, posted below is an excerpt from the Manila Bulletin news report. Some parts in boldface…
San Miguel-led New NAIA Infra Corporation (NNIC), the new private operator of the Ninoy Aquino International Airport has launched the official website and social media pages of NAIA as the transformation of the Philippines’ primary gateway begins.
The new website, www.newnaia.com.ph, focuses on providing comprehensive information about NAIA — including details on the ongoing transformation project, its progress, and the future vision for the airport.
It serves as a hub for travelers, offering real-time flight information as well as updates on airport services and amenities.
In honor of the Philippines’ modern-day heroes, the website will feature a regular section called Bagong Bayani dedicated to inspiring stories about Overseas Filipino Workers (OFWs).
NNIC has also launched its social media pages on Facebook and X (formerly Twitter)under the name newnaiaph. These will serve as additional channels for sharing updates, engaging the public, and building a community around the NAIA transformation.
The public can also connect via email (feedback@newnaia.com), hotline (+63 2 8877 1111), and SMS (TextNAIA) at +63 917 839 6242.
“The launch of our website and social media pages is part of our commitment to open communication and transparency,” said San Miguel Corporation Chairman and NNIC President and CEO Ramon S. Ang.
Let me end this piece by asking you readers: What is your reaction to this recent development? As a traveler, have you tried searching for relevant information on newnaia.com.ph? Have you been following NNIC’s accounts on Facebook and Twitter? Is the flight status tool of the official website working properly?
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagement, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
During a graduation ceremony held recently in the City of Muntinlupa, Mayor Ruffy Biazon told the graduates to live life with integrity instead of wanting likes of social media, according to a Manila Bulletin news report.
To put things in perspective, posted below is an excerpt from the Manila Bulletin news report. Some parts in boldface…
Amid the popularity of social media like Facebook and Instagram, Muntinlupa Mayor Ruffy Biazon reminded graduates to live life with integrity and purpose beyond online validation.
“Live for others instead of for ‘likes.’ Think about how we can serve our families, communities, and fellow citizens,” he said in his speech to the Class of 2024.
He added, “Work hard to be a champion, not to chase clout. Strive for excellence and become champions in everything you do.”
Biazon attended the graduation and moving up ceremonies of more than 20,000 students in public elementary and high schools in Muntinlupa from May 29 to 31.
He acknowledged the importance of social media and noted that while likes are not inherently bad, they should not dictate people’s actions or compromise their values and principles.
Let me end this post by asking you readers: What is your reaction to this recent development? If you are a resident of Muntinlupa City, do you strongly agree with Mayor Biazon’s advice to the graduates? Do you think that the Filipino youth has gotten too addicted by social media? Do you think that social media companies genuinely care about the mental health of teenagers among their many users?
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
In recent times, the Philippine National Police (PNP) advised people to avoid scammers, protect their personal information and only transact with legitimate companies with regards to making arrangements for travel as the summer season approaches, according to a Philippine News Agency (PNA) news article. The PNP’s Anti-Cybercrime Group (ACG) noticed that scammers have been using digital methods and social media to deceive customers and take their money.
To put things in perspective, posted below is an excerpt from the PNA news report. Some parts in boldface…
The Philippine National Police (PNP) on Friday advised the public to ensure that they are transacting with legitimate companies to avoid falling victims to scams ahead of the summer travel season.
The PNP Anti-Cybercrime Group (ACG) issued the warning due to the upward trend in vacation or travel accommodation scams last year.
PNP spokesperson Col. Jean Fajardo, citing ACG data, said from 39 cases in 2021 and 91 cases in 2022, the police recorded 313 cases in 2023. This year, the police has so far recorded 35 cases.
Criminals utilize social media and digital technology to impersonate legitimate establishments, offering online accommodation services at much lower rates than usual.
However, upon arrival, victims discover that their reservations do not exist in the establishment’s system.
“We would like to take this opportunity to warn and remind our public na mag ingat (to be wary). Katulad ng sinasabi natin (As we have been saying), this is not only limited sa mga (to) vacation scam. Pati nga ‘yung mga nagbebenta ng mga murang services, nagbebenta ng mga ano-anong produkto, mag-ingat tayo especially kung ang kapalit agad nun is magpapadala kayo ng pera without you not knowing kung sino ang mga iyon (This includes those offering cheap services, selling different kinds of products, let’s be wary especially if the scheme means you have to send money without you knowing who are these),” she added.
ACG director Maj. Gen. Sidney Hernia Director urged netizens to exercise utmost caution and refrain from providing personal or financial details online without verifying the legitimacy of the recipient.
Let me end this piece by asking you readers: What is your reaction about this recent development? Do you think the scammers have been victimizing a lot of local travelers lately? Have you seen lots of enticing travel promos on social media that promised huge discounts? If you have been traveling lately, do you do your bookings online or over the counter with a travel agency?
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Marvel Comics shared universe through a tale of the Spider-Man monthly series.
In my previous retro review, Todd McFarlane told a tale of the iconic web-slinger with intense build-up leading to another rematch with his old nemesis the Lizard (Dr. Connors). While the writing was pretty weak, McFarlane still managed to tell a tale with a strong element of horror and supernatural stuff. McFarlane’s approach with visual violence and graphic stuff was clearly adulterated. What was presented daringly tested the limits allowed under the Comics Code Authority (CCA).
With those details laid down, here is a look back at Spider-Man #2, published in 1990 by Marvel Comics with a story written and drawn by Todd McFarlane. This is also the 2nd chapter of the Torment storyline.
The cover.
Early story
The story begins in New York City where two men got suddenly murdered by the Lizard in an alley during the night. The next morning Peter Parker reads the newspaper (showing the photograph and the news story of the Lizard’s murder of the two men) while having a breakfast moment with his wife Mary Jane. As soon as his wife mentions the word “monster”, Peter takes a 2nd look at the newspaper’s photograph and finally notices the bloody writing “CNNR” on the alley wall which makes him realize that the Lizard is back again.
Feeling very troubled, Peter leaves Mary Jane quietly and dresses up as Spider-Man to go out once again.
Elsewhere in the city, a sorceress uses her evil method of crafting a potion which creates an unrelenting sound of disturbance which Spider-Man hears. As the sound goes on, his focus and Spider Sense get overwhelmed…
Quality
A quick look at the origin of the Lizard by McFarlane.
While the writing by McFarlane remains weak, he still succeeded in making this story a marginal improvement over the previous issue in terms of moving the plot forward, paying off a good chunk of the build-up in issue #1, and establishing his own visual corner (inspired by horror and adulterated stuff) within the Spider-Man franchise of comics of the time.
The biggest feature here is the physical conflict between Spider-Man and the Lizard. As expected, McFarlane drew the big fight with a lot of intense action, powerful violence (note: it was clear the editorial team recommended moves to tone down the graphic violence), suspense and a good amount of horror. Not only does the big fight move the story forward, it allowed McFarlane to dramatize Spider-Man as a vulnerable hero who not only has to cope with the disturbance from the sorceress far away, but also deal with the poison he got from the Lizard. That being said, Spidey also struggles with his sanity and the new fact that the Lizard has turned into a murder machine which disturbs him a lot as he personally knew Dr. Connors.
Considering what happened here and in the previous issue, there is still a greater force of evil that awaits Spider-Man and the Lizard happens to be an ultra-violent tool.
Conclusion
Many times Spider-Man finds himself in a disadvantage while fighting the Lizard.
Being the 2nd chapter of the Torment storyline, Spider-Man #2 (1990) is a slight improvement over the previous issue in terms of moving the story forward, spectacle and dramatization. While the big fight between Spider-Man and the murderous Lizard is clearly the big feature of the story, McFarlane does a good job portraying Spider-Man as vulnerable and on the edge towards defeat. McFarlane’s writing here is still weak but the other positive elements achieved outweighed the weakness.
Wow. That was a wild ride. For several days, Xbox fans were disturbed by persistent rumors and so-called news reports that Microsoft will end its Xbox console business and go all-in with releasing multiple games (including Xbox-exclusives) on platforms outside of the Xbox ecosystem (meaning consoles like PlayStation 5 and Nintendo Switch). A lot felt that Microsoft would go the way Sega did when it quit the console business and became a multiplatform publisher.
And then there were nonsensical and wild social media posts like the one below…
Fortunately, Team Xbox had its Business Update podcast on February 15, 2024 with top executives like Phil Spencer, Sarah Bond and Matt Booty answering key questions and made notable clarifications about the future of Xbox. Watch the podcast of Team Xbox below…
Xbox fans can rest assured that contrary to rush of “Xbox to end and spread its games to other consoles” news and rumors by content creators, vloggers, bloggers and the so-called journalists, Team Xbox went straight to the point that the Xbox console business will remain, there will still be Xbox-exclusive games, Xbox Game Pass service will remain within the Xbox ecosystem (you should stop dreaming about Game Pass on Nintendo and Sony consoles), Activision Blizzard games are about to be released for XGP subscribers to enjoy, and there are simply four Xbox games that will be released on platforms outside of the Xbox ecosystem.
While a lot of people speculate that Hi-fi Rush, Sea of Thieves, Pentiment and Grounded will be the Xbox games that will be released on PlayStation and Nintendo consoles, no titles have been confirmed and no specific non-Xbox platform was revealed. That being said, Starfield, Forza Motorsport (2023), Senua’s Saga: Hellblade II, Avowed, Indiana Jones and the Great Circle are still Xbox-exclusive.
“So we made the decision that we’re going to take four games to the other consoles. Just four games, not a change to our kind of fundamental exclusive strategy. We’re making these decisions for some specific reasons. We make every decision, really, with the long-term health of Xbox in mind,” Xbox chief Phil Spencer said. “And long-term health of Xbox means growing a platform, our games performing, building the best platform for creators, reaching as many players as we can.”
The way I look at Spencer’s words, it seems Team Xbox has been looking for ways to not only build up the Xbox ecosystem but also reach out to millions of players who own non-Xbox consoles by releasing a limited number of Xbox-original games that could sell and bring in much-needed revenue. The fact is the cost of making games, marketing them, distributing them and other business expenses just keep going up. As to why a heavily structured single-player game like Starfield is not coming to PlayStation 5, it seems to me that porting that massive game will be labor intensive, very time consuming and expensive to do. This means that other Xbox-original games like Sea of Thieves (obviously made with multiplayer in mind) and Pentiment (a simpler production) make more sensible and more doable releases on PS5 and Nintendo Switch. That is, if Sony and Nintendo themselves will accept such games into their respective platforms (read: protection of their first party games and their own game studios).
As Spencer himself said, they seriously took feedback from the Xbox community. I’m glad that their team listens because there are a lot of long-time Xbox fans and physical product owners that they cannot just abandon. I myself sent tweets to Team Xbox (click here, here, here, here and here) reminding them of their legacy of investing big on Xbox-exclusive games through the console generations. I even reached out to other Xbox fans online to make themselves heard by Team Xbox.
A lot of gamers bought the Xbox Series X or Xbox Series S for Xbox-exclusive games and the big value of XGP’s service. In my view, Team Xbox itself is convinced that Xbox-exclusive games – especially the big-budget productions – are essential on maintaining fan loyalty as well as standing out in the highly competitive market of video games. In connection with having multiple Xbox game studios to produce exclusive games, I want to see Team Xbox remain competitive with Sony and Nintendo on console hardware, games and quality of gaming services. I want to see Phil Spencer and his team secure even more deals with the independent game developers on making more exclusive games. It would also be nice to see Xbox get into joint productions with the publishers in Japan like Square Enix, Capcom and From Software.
I just finished Final Fantasy IX (digital copy) on my Xbox Series X console. It was my 2nd time to complete the game. I previously completed it on PlayStation way back in 2000.
As for this year, Xbox fans should watch out for exclusives coming out such as Senua’s Saga: Hellblade II on May 21 plus Avowed and Indiana Jones and the Great Circle later. Don’t forget the announced Xbox showcase this June.
As far as the Bureau of Internal Revenue (BIR) is concerned, implementing taxes on social media influencers and collecting from them are still hard to do, according to a Philippine Star news report.
To put things in perspective, posted below is an excerpt from the Philippine Star news report. Some parts in boldface…
The Bureau of Internal Revenue (BIR) continues to have difficulty in making social media influencers comply with the country’s tax laws even amid a widening adoption of various social media platforms as a form of income.
BIR Assistant Commissioner Jethro Sabariaga said the country’s largest revenue collecting agency remains in dialogue with social media influencers for them to pay their tax obligations to the government.
The BIR decided to seek a dialogue with the influencers in March this year. Sabariaga admitted that it is difficult for the BIR to get revenues from the digital space.
“Yes, (it is difficult). We will not mince with words. It might take some time, but that’s what we’ve been doing,” Sabariaga said.
“We are trying to win their side in the engagement process. The more that you can ask them to do voluntary compliance, the better rather than to fight with them,” he said.
BIR defines social media influencers as people whose digital posts are being monetized, classifying them as self-employed individuals or persons engaged in trade or business as sole proprietors.
The BIR earlier said it was looking into some 250 top earning social media influencers to see if they have been paying their obligations.
Based on BIR’s circular, influencers are required to pay income tax and percentage tax or value-added tax, if applicable, as mandated by the Tax Code.
According to the BIR, influencers derive their income from YouTube, sponsored social and blog posts, display advertising and affiliate marketing, among others.
Let me end this piece by asking you readers: What is your reaction to this recent development? Do you agree with the BIR’s plan to tax social media influencers? Is your favorite vlogger or YouTuber based in the Philippines who might have made some revenue online based on his or her output?
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 and explore a part of the Marvel 2099 comics universe through a tale of the Spider-Man 2099 franchise.
In my previous retro review, Spider-Man worked together with Strange 2099 on an abrupt mission dealing with a grave digger who is obsessed with his long dead sibling just as the undead in Mexico start walking again.
With those details laid down, here is a look back at Spider-Man 2099 #34, published in 1995 by Marvel Comics with a story written by Peter David and drawn by Andrew Wildman.
The cover.
Early story
The story begins with Miguel O’Hara and Xina returning from Mexico speeding on a lonely road by car. O’Hara suddenly got scanned from a distance. Just as Xina shares to Miguel her newest observations and opinion about Spider-Man, the man suddenly got snatched from the car by uniformed authorities riding a floating vehicle. Miguel tells his abductors to let him go and one of them replies stating that he is being taken to the White House at the request of his Alchemax superior Tyler Stone.
Meanwhile inside an apartment located near the White House in Washington, DC, Dana converses with Tyler Stone by holographic call complaining that without him, the city is getting lonely for her. As soon as her communication ends, someone knocks her out cold…
Quality
For the newcomers reading this, this page shows the first time ever that Doom 2099 sees Miguel O’Hara in person (Spider-Man 2099 without the mask and costume). Spidey and Doom encountered each other previously in The Fall of the Hammer storyline.
I will start what is very obvious about this comic book…its story is totally intriguing as it reflects a very dramatic turn of events within the 2099 realm at the time of publication. I’m talking about the rise of Doom 2099 as the new President of the United States and this comic book dramatizes in detail how the new leader impacts Miguel O’Hara’s career which adds tension to his already hectic 2nd life as the webslinger. This is all about the storyline of One Nation Under Doom and for context, you must read Doom 2099 #26 to #30.
As I just mentioned, life for Miguel became more complicated as he has to deal with the federal government under the control Doom who himself is connected with the powerful tycoon Tyler Stone (Miguel’s own boss at Alchemax). For the newcomers reading this, this is not the first time Doom and Spider-Man of 2099 encountered each other as they were together in the Fall of the Hammer storyline (read my past reviews by clicking here, here, here, here and here).
In relation to the dramatic turn of events that changed the direction of the 2099 comics franchise, I can confirm that the writing by Peter David in this comic book is indeed very strong and highly engaging to follow. You will not see a good-versus-evil superhero tale here but the impact of Doom as US President on Spider-Man and local society. Along the way, this tale has a theme about gaining absolute power, how it affects the one who gains it and how the more powerful person affects many others. You will see the mentioned theme reflected on Spider-Man who himself already has super powers and even a following of idolaters.
Compared to the previous two issues, the dialogue by Peter David here is very rich and I also enjoyed the way how he presented the exposition of details to help Spider-Man 2099 readers understand how Doom’s rise as US President impacts the titular hero and many others. Speaking of Doom, I enjoyed the way how David portrayed him here.
Conclusion
Gabriel O’Hara, Kasey and the Spider-Man 2099 idolaters doing the old fashioned way of protesting against US President Doom.
Spider-Man 2099 #34 (1995) is indeed a great comic book and one of the best tales of the original Spider-Man 2099 monthly series. As Doom’s takeover of the US Presidency really changed the direction of the entire 2099 franchise of comics in the 1990s, it was inevitable that the repercussions would be reflected in a Spider-Man 2099 tale. The result here is a fascinating tale of the futuristic webslinger that does not even have the usual good-versus-evil conflict. What you will see here is how the stakes got raised for Miguel O’Hara not only as a superhero but also as a civilian who has a strong record within Alchemax. Not only that, this is the tale that took place just before the very memorable first encounters between Spider-Man and Venom 2099 (click here, here, here and here).
Overall, Spider-Man 2099 #34 (1995) is highly recommended!
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the year 1995 and explore a part of the Marvel 2099 comics universe through a tale of the Spider-Man 2099 franchise.
In my previous retro review, Miguel O’Hara arrives in Mexico with Xina and they shared a room together. It turns out his brother Gabriel was also there even occupying the next room. Elsewhere, a lady practicing sorcery (Strange 2099) is told that Spider-Man will be her ally and they will work together to fulfill a mission. Elsewhere, a grave digger performs rituals over the skeletal remains of his beloved sister. Issue #32 had a dark and totally different tone as the sci-fi element of the monthly series got pushed aside.
With those details laid down, here is a look back at Spider-Man 2099 #33, published in 1995 by Marvel Comics with a story written by Peter David and drawn by Andrew Wildman.
The cover.
Early story
The story begins when Spider-Man 2099 and his new ally Strange 2099 crash into a room on a mission they must complete. They see the grave digger clinging to a magical item that he believes should resurrect his dead sister.
In an attempt to find a solution, Strange touches the item and suddenly becomes a hideous looking monster.
Meanwhile, the streets of Mexico City suddenly gets filled with several undead people walking. On the street, Xina (walking with Kasey and Gabriel) begins to worry about Miiguel. Soon enough, some of the undead move towards them…
Quality
Spider-Man helps to ensure safety.
As this story is the continuation to the events of issue #32, this one keeps on building up on sorcery and evil forms of the supernatural as the key elements of the narrative as well as the setting. That being said, the usual science fiction element remains completely absent and this opened the opportunity for the creative team to show Spider-Man in action within a supernatural atmosphere complete with the unfortunate event of a demonic possession.
Spider-Man’s team-up with Strange (obviously the futuristic take of Dr. Strange) inevitably led to a conflict with evil and the ironic thing is that the grave digger himself is not even the villain but someone obsessed with bringing his sister back to life by means of resorting to magic and tapping the demonic force he could not even see. The Spidey-Strange team-up clearly dominated the narrative but I should say that the sorceress is not too interesting as a character and she barely has any chemistry with the futuristic web-slinger. It seems to me that Strange 2099 was created to emphasize racial diversity and rabid feminism than to really add any depth to the 2099 universe and its lineup of supporting characters.
As for the concept of the undead walking along many people who happen to be commemorating the day of the dead on the city streets, it really heightened the horror and supernatural aspects of the story while escalating the sense of danger.
Conclusion
Spidey, Strange 2099 and the grave digger.
In line with the concept of the previous issue, Spider-Man 2099 #33 (1995) is a supernatural tale of Spider-Man on a misadventure teamed up with a futuristic take on Dr. Strange. Its pay-off to the build-up in issue #32 was barely felt and I could not help but feel the presentation was rushed. Strange 2099 was simply not interesting and the grave digger’s personal pursuit over his dead sister did not have much of an impact. That being said, the concept of this 2-part story felt more like a diversion than a meaningful story. If there is anything worth focusing on in this comic book, it is Spidey himself struggling in the very nation where he previously got his costume.
Overall, Spider-Man 2099 #33 (1995) is satisfactory.
For the newcomers reading this, over the past years a notable number of Square Enix games were released without versions on Xbox consoles. It is already out in the open that Sony had been signing deals with game publishers and developers to exclude Xbox consoles and Xbox Game Pass so that the PlayStation platforms will gain the competitive edge (click here and here). This seems evident in Square Enix’s announcement of Final Fantasy Pixel Remaster Collection coming to multiple platforms except Xbox.
Going to what happened this past weekend, almost out of nowhere Xbox chief Phil Spencer appeared alongside Square Enix CEO Takashi Kiryu and Square Enix video game producer Naoki Yoshida (AKA Yoshi-P) on stage during a Las Vegas event and symbolically confirmed the renewal of their business relationship. Adding credibility to the renewal was the announcement of Final Fantasy XIV for Xbox Series X and Xbox Series.
To put things in perspective, posted below is the Tweet from Xbox chief Phil Spencer himself…
Out of nowhere, today, Square Enix was joined on stage by Microsoft Gaming CEO and Xbox lead Phil Spencer to reveal that Final Fantasy 14: A Realm Reborn is finally coming to Xbox consoles in 2024.
Final Fantasy 14 is one of the best MMORPGs on the market, and one of the only credible alternatives to World of Warcraft, an MMO that Microsoft is poised to soon own with the Activision-Blizzard deal likely going through. FF14 has brought some serious competition to WoW in recent years, forcing Blizzard to up its game. It seems Square Enix isn’t taking that lying down either, announcing its own fresh expansion coming next summer, dubbed Dawntrail.
Additionally, incoming Square Enix CEO Takashi Kiryu had some warm things to say about Xbox that fans will no doubt be eager to hear (via Nova_Crystallis). Kiryu praised Phil Spencer for his “support” in bringing Final Fantasy 14 to Xbox. I believe Microsoft had to revert some of its long-standing Windows store policies around third-party content delivery networks in order to help get FF14 onto Xbox, and Spencer was naturally likely instrumental in getting that policy change through. Surprisingly, Kiryu also said that “with today’s announcement, and wherever possible, we are planning to bring our games to Xbox.”
“First off, I have thank you Phil-san for making the Xbox version of FF14 a reality. This is a project that would not have been possible without Spencer’s support. Please give him the biggest round of applause. As CEO of Square Enix, we want to continue to deliver fabulous games to fans across the globe. We want to welcome the Xbox community as well. Starting with today’s announcement and whenever possible we are planning to bring our games to Xbox for players to enjoy. Final Fantasy XIV is only going to get bigger and better. So I hope Xbox players give it a try.” – Takashi Kiryu, Square Enix CEO
Xbox lead Phil Spencer also emphasized that he looks forward to “building” on the relationship that brought Final Fantasy 14 to Xbox, and wants to partner with Square Enix on future games as well.
Indeed the renewal of ties between Xbox and Square Enix is a very positive breakthrough that will benefit not only the many millions of Xbox gamers (including those using Windows PC) worldwide but for video gaming as a whole. While Square Enix still has contracts signed with PlayStation still in effect, they and Team Xbox can collaborate on other available games for Xbox release. Whatever feelings you have towards the company behind the Final Fantasy games, this development opens the possibilities of releasing Legend of Mana games and a potential remaster of Xenogears on Xbox platforms. There is also the potential that Team Xbox can sign new deals with the Japanese titan to release more of its games on Xbox Game Pass (XGP).
While Final Fantasy XIV Online’s Xbox launch is still some time away, Xbox gamers have a lot to enjoy along the way with exclusives such as Starfield and Forza Motorsport (2023). Looking at the Xbox ecosystem as a whole, the renewed Xbox-Square Enix ties means more games from the Japanese titan will be released in the near future. Square Enix’s RPGs – both modern and classic – will add weight to Xbox as the ecosystem for RPG fans. That being said, I encourage you Xbox gamers to watch out for SE’s future releases. Also you might want to try the existing Square Enix RPGs still available on the Xbox store such as Chrono Cross: The Radical Dreamers Edition.
Final Fantasy XIV Online on Xbox
To gain a deeper understanding of the Final Fantasy XIV Online announcement, posted below is the excerpt from the Xbox.com article. Some parts in boldface…
After much anticipation, it’s finally confirmed – critically acclaimed MMORPG Final Fantasy XIV Online is officially coming to Xbox Series X|S.
First announced at the Final Fantasy XIV Fan Fest 2023 in Las Vegas by FFXIV Producer and Director Naoki Yoshida and CEO of Microsoft Gaming Phil Spencer, let’s break down the announcement and reveal and what it means for Xbox gamers now that one of gaming’s most welcoming communities is set to get even bigger!
What is Final Fantasy XIV Online? – Firstly, if you’re not familiar with Final Fantasy XIV Online, as the name would suggest, it’s the fourteenth mainline game in the highly esteemed Final Fantasy series. As with all mainline numbered Final Fantasy games however, each entry is a standalone game that doesn’t require any previous experience with the franchise. If you’ve never played a Final Fantasy game before, FFXIV is the perfect place to jump in!
FFXIV takes place in the world of Hydaelyn – a vibrant planet blessed by the Light of the Crystal. Amid azure seas, encompassing the westernmost of the Three Great Continents, there lies a realm embraced by gods and forged by heroes. Her name — Eorzea. It is here that your tale begins to unfold. Beckoned by the Mothercrystal — the source of all life — you must embark upon a quest to deliver the land from an eternity of Darkness.
As an online massively multiplayer role-playing game, FFXIV offers a realm where you and 27 million adventurers worldwide can embark on epic quests together. Filled with bustling cities, towering forests, and deadly deserts, FFXIV’s constantly updated, and ever-engaging world takes you to the far reaches of the land and beyond, with a captivating and ongoing story. But it isn’t just about defeating massive monsters with your personalized Warrior of Light. You can also gather materials and craft items, enjoy series staples including Chocobos, Moogles, and Airships, enjoy a day of mini-games and mahjong at the Gold Saucer, and even buy a house.
Your adventure, played your way! – If all this sounds a bit overwhelming, never fear! Though initially designed to be played online with others, FFXIV includes a feature called the Duty Support system that enables tackling content with a party of NPC allies as opposed to other players. In fact, by the time the open beta launches it’ll be possible to complete all the main story dungeons from A Realm Reborn through Endwalker solo, enabling you to comfortably experience the stories of Eorzea on their own.
When can I play it…and what have I heard about a Free Trial? – Final Fantasy XIV Online is set to launch in open beta on Xbox Series X|S as part of the Patch 6.5x series, which means you can expect it very soon indeed! Alongside 4K support on Xbox Series X, both consoles will enjoy fast loading times, making sure your time in Eorzea looks and plays great.
Additionally, you may have seen some copypasta lurking around the internet pertaining to a certain free trial… well, rest assured, the Final Fantasy XIV Online Expanded Free Trial will indeed be coming to Xbox Series X|S, meaning you too will be able to enjoy the entirety of A Realm Reborn as well as the award-winning Heavensward and Stormblood expansions up to level 70 with no restrictions on playtime!
In concluding this post, posted below are Xbox-related videos for your enjoyment.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1980s culture enthusiasts and comic book collectors! Today we go back to the year 1987 and explore a chapter of the post-Crisis DC Comics universe through a Superman tale.
To put things in perspective, John Byrne became in charge of redefining the iconic Superman during the post-Crisis age and he sure had a lot of creative freedom to not only modernize the character but also make him relevant to the public while also pleasing long-time fans. To say the least, the post-Crisis era was a time of daring concepts with the established superheroes of DC Comics. For more insight on Byrne’s handling of the Man of Steel, read my other retro comic book review by clicking here.
With those details laid down, here is a look back at Superman #5, published in 1987 by DC Comics with a story written and drawn by John Byrne.
The cover.
Early story
The story begins with Clark Kent having an outrageous dream in which he and Wonder Woman fight powerful enemies together. Shortly after arriving at the Daily Planet for duty, Clark learns from his boss Perry White that his office rival Lois Lane is already in South America literally digging on a significant discovery there. After being sent there by his boss, Clark flies to the south as Superman.
Upon arrival, Superman does a super speed reconnoiter at the dig site in the middle of a forest before changing back into Clark Kent. He eventually finds Lois Lane who is very surprised to see him. Even though he explained things to her, Lois remains doubtful of Clark as she still sees him as a journalistic rival who could potentially ruin her hot scoop…
Quality
In his civilian form as Clark Kent, Superman fights the huge mummy figure.
I can say that John Byrne’s brilliance is very evident in this comic book. Firstly, this is a story that sheds light on the journalistic rivalry between Lois and Clark that brings back memories about what happened with the Superman hot scoop in The Man of Steel limited series. Here, Lois remains doubtful about Clark and even shows some bitterness as she is on the verge of a major discovery in South America.
Secondly, this story is also an accidental adventure that creatively has a mix of Indiana Jones, UFOs and ancient horror all throughout. The build-up here is pretty strong as the tale focused strongly on the discovery aspect of the dig site which eventually led to a series of action-packed unfortunate events that really pushed Clark Kent both as civilian and as a superhero. Here, Clark has the tough task to fight an over-sized enemy (note: Byrne’s own take on the mummy) to keep Lois and the others safe while also making certain that he keeps his identity secret.
Along the way, Byrne inserted lots of in-depth details backed with observations (by the characters) which made this action-packed tale a cerebral read. This is a fine example of being creative with handling Superman while catering to readers who love spectacle as well as satisfying those who enjoy a smart presentation of the icon. In other words, there is nothing brainless or dumb to find here.
Conclusion
The journalistic rivalry between Clark and Lois Lane is really engaging to read.
Superman #5 (1987) is a very good read and this is fine showcase of the brilliant handling of the Man of Steel done by John Byrne. Aesthetics aside, this comic book is a relic that highlights the time when Lois and Clark were rival writers and the idea of them getting romantically involved seemed very unlikely at the time of its publishing during the early stage of the post-Crisis era. It was in many ways a defiance of the status quo of the original DC multiverse that had Lois and Superman as lovers. As an adventure, this comic book is very entertaining and engaging and the thing here is that it is only the first part of its arc.
Overall, Superman #5 (1993) is highly recommended.