Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book.
To be more specific, this retro review goes into one of the chapters of the Death of Superman storyline showing more of Doomsday’s rampage but before the climax of the battle with Superman. I’m talking about the 74th issue of the Superman monthly series of the time.
With those details laid down, here is a look back at Superman #74, published in 1992 by DC Comics with a story written and illustrated by Dan Jurgens.
The cover.
Early story
The story begins with Ice and Maxima in the presence of a suffering Blue Beetle who just got hurt badly by Doomsday. While Ice expresses concern for Blue Beetle, Maxima could only care less about him stating that he shall perish as a warrior fallen in battle and that there is no greater honor one can attain. After Ice pleaded her to help Blue Beetle and realize the need to help others who have fallen, Maxima then uses her power to help Blue Beetle to safety. Ice then proceeds to another direction to stop Doomsday.
Meanwhile, a young guy named Mitch arrives home feeling bad about his situation. His mother is taking care of his infant sibling. After a tense talk between them, Ice suddenly crashes into their home. Mitch and his mother look outside and see Doomsday (still covered in a space suit with only his left arm unrestrained as seen in Superman: The Man of Steel #18) carrying a damaged car with his left arm.
Suddenly Doomsday notices something – the arrival of Booster Gold and Superman…
Quality
Superman struck really hard by Doomsday!
Apart from being a build-up chapter of the Death of Superman storyline, this comic book is notable for two things: It has the first-ever encounter between Superman and Doomsday in comic book history. Second is the reveal of Doomsday’s face and other physical features as a result of his space suit and restraints getting torn.
The first-ever Superman-Doomsday encounter here is symbolic as it happened just minutes after the Justice League America (JLA) got overwhelmed by the unstoppable creature from outer space. While Superman had his TV interview, his JLA teammates failed miserably during their encounter with Doomsday (as told in Justice League America #69). By the time the Man of Steel and the creature meet, the stage was set for readers to find out once and for all who is more powerful between them.
Superman’s leadership is also emphasized in this story. The JLA in this issue does not have DC’s most famous superheroes as members but Ice, Maxima, Fire, Booster Gold, Bloodwynd and Guy Gardner functioned well and added nicely to the build-up of this storyline.
There is a lot of superhero spectacle to enjoy here but the most noticeable visual features are the scenes of destruction which strongly symbolize Doomsday’s immense strength, violent nature and complete disregard of both life and logic. The showing of an American family coming close to death in the presence of Doomsday remains disturbing to see.
Lastly, I should state the big reveal of Doomsday’s face and other physical features is excellent and even timeless. There is this undeniable combination of fright and intimidation that Dan Jurgens visualized here. In fact, the big reveal (which happened after Superman and the JLA combined their attacks on the creature) alone is a solid reason to read this comic book.
Conclusion
Doomsday the unstoppable force that completely disregards life and cannot be reasoned with.
Even as a build-up issue of the Death of Superman storyline, Superman #74 (1992) is still a great read on its own. Not only did it mark the first-ever encounter between Superman and Doomsday in the history of comics, it also emphasized how vulnerable and inferior the superheroes here really are. There is also the symbolism of Doomsday as the unstoppable being that completely disregards life (and can never be reasoned with) and still Dan Jurgens managed to spare some room to symbolize how the superheroes struggled in trying to stop the creature and take care of the helpless whenever they can.
Overall, Superman #74 (1992) is highly recommended.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book.
Previously, I reviewed Adventures of Superman #498 (1993) and Superman: The Man of Steel #20 (1993) which were chapters of the Funeral for a Friend storyline. In Superman: MOS #20, a large funeral took place which involved several special guests as well as other DC superheroes who paid tribute to Superman. The entire city of Metropolis is struggling to move forward as the sudden of Superman really impacted all the people, especially on Lois Lane.
With those details laid down, here is a look back at Superman #76, published in 1993 by DC Comics with a story written and illustrated by Dan Jurgens. This comic book marked the fourth chapter of the Funeral for a Friend storyline.
The cover.
Early story
The story begins with Shazam (AKA Captain Marvel) arriving at the rooftop of the Daily Planet where the Flash, Batman, Wonder Woman, Green Lantern, Maxima and others are present. The whole city is experiencing a very somber Christmas season as the death and burial of Superman remains very strong on the people.
On the streets of Metropolis, a long-haired guy named Mitch walks down in the rain feeling troubled not only because Superman died but also due to the fact that their home got smashed during the encounter with the unstoppable Doomsday. Mitch then arrives at a gathering of people outside of a building’s front door. There are several reporters covering a lady speaking to them with a microphone. She tells them that she is Mrs. Superman…
Quality
Wonder Woman reads a letter.
Being the 4th chapter of the Funeral for a Friend storyline, Dan Jurgens crafted a story that not only dramatized the post-disaster situation of Metropolis but also had notable twists and developments that proved to be worth reading.
For one thing, this comic book has Lois Lane reunited at last with Clark Kent’s earthly parents Jonathan and Martha which was not only really dramatic but also had very rich dialogue written. By this point in this particular storyline, Lois Lane has gone through waves of deep emotions and pain, while getting stressed with journalistic work. As such, there is this dramatic pay-off that happened during the reunion with the elderly Kent couple.
What is most notable here is the scene in which Superman’s super-powered allies visit a local post office that literally got flooded with lots of mail from around the world addressed to the Man of Steel. On face value, such a scenario looked silly but the way Dan Jurgens crafted the dialogue and the images, the post office scene became believable and sensible to read. This shows that superheroes like Aquaman, Wonder Woman, the Flash and others do have hearts to be caring and sensible to the people.
The scene of the ordinary guy Mitch is significant as well. Clearly the character symbolizes the poor and struggling American who remembers how a complete stranger like Superman came along, stood up to fight for Mitch’s family and died in the process (while Mitch’s father was absent).
This comic book is also a Christmas tale. How Christmas was dramatized here has to be seen and you readers should get a copy of this comic book to find out why. It should be noted that there are themes of reconciliation and the nuclear family that made the Christmas tale meaningful.
Conclusion
Lana Lang, Lois Lane and the elderly Kent couple.
Even without the presence of the Man of Steel and no good-versus-evil conflict, Superman #76 (1993) is a great read as it pushed forward the Funeral for a Friend storyline while successfully telling a meaningful Christmas tale of its own complete with a very unique portrayal of the Justice League and Superman’s allies. How people deal with emotions and stress over Superman’s death was portrayed as highly believable and Dan Jurgen’s writing here was done with really high quality.
Overall, Superman #76 (1993) is highly recommended.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book – the first full appearance of Doomsday!
To those of you who read my retro review of Adventures of Superman #498 (1993) – which was the opening chapter of the Funeral for a Friend storyline – you might be wondering why I decided to revisit the Death of Superman storyline so suddenly. It all comes down to context related to Superman’s eventual death and what killed him. Not only did Doomsday become a very important part of DC Comics’ gallery of super villains having achieved the killing of the Man of Steel, the oversized monster became part of DC’s further comic book universe reboots as well as part of multimedia adaptations of DC Comics stories specifically in the Smallville TV series as well as in 2016’s Batman v. Superman: Dawn of Justice.
Indeed, Doomsday’s place in American pop culture is sealed and that shows how much of an impact was made by the unstoppable super villain co-created by Dan Jurgens, Brett Breeding, Jerry Ordway, Louise Simonson and Roger Stern. Doomsday was conceived way back in 1991 during the brainstorming session of the Superman comics writers and editors of the time.
With those details laid down, here is a look back at Superman: The Man of Steel #18, published in 1992 by DC Comics with a story written by Louise Simonson and drawn by Jon Bogdanove. This comic book marked the beginning of the Death of Superman saga.
The cover.
Early story
The story begins deep underground as the left fist of a covered, large being keeps punching the metallic wall to get out of containment. As the punches keep on pounding the wall, the glove gets torn revealing a fist with gray skin and sharp bones protruding through the knuckles. After making its way out of containment, the earth shakes and the animals got disturbed as the creature – mostly covered with an alien body suit with only the left arm freed – makes its way from deep underground.
Miles away within the city of Metropolis, a young black boy buys a spray paint container (which has a fluorescent yellow paint that glows in the dark) inside a hardware store. In response to the curiosity of the store owner, the boy denies that he would use the glow-in-the-dark pain on a subway wall. The boy has a very tough task ahead of him as he will be going after monsters.
At a power station, a group of intelligent creatures make their way to steal electricity for their war machines…
Quality
Even with only his left arm free, Doomsday still caused massive destruction causing injuries and deaths to others.
To make things clear, this comic book tells two stories that moved in parallel together. The first story involving Superman, Lois Lane and the affairs that involved the mentioned young black boy is the typical good-versus-evil superhero tale. What made that story standout was Lois Lane’s involvement as she got into trouble facing the opposition before Superman came in to save the day. As before, seeing Lois Lane talk to Superman in the presence of others while keeping his identity secret remains engaging to read. This tale was good enough to read.
The other story that follows the sudden appearance and the early rampage of Doomsday is the more engaging one to read. This was clearly a build-up for the Death of Superman concept but it was highly effective, well-paced and clearly defined by the creative team. Not only will you see Doomsday’s unstoppable power of destruction, you will witness his complete disregard of life – animals and humans – which strongly hints the an immense danger that Superman, the Justice League America (JLA) and the people of Metropolis are not prepared for. Like the Terminator, Doomsday cannot be reasoned with as massive destruction and death are his core elements. Within the pages of this comic book, it can be viewed that Doomsday was designed for endless waves of destroying life and anything that gets in the way.
Lastly, I should state that Simonson and Bogdanove presented Doomsday not only to be destructive but also as a frightening force that people in real life would not want to see realized.
Conclusion
The other tale that involved Lois Lane and the young black boy.
Superman: The Man of Steel #18 (1992) remains a very powerful read. Yes, it is a build-up of Doomsday and the Death of Superman saga but it remains highly significant as it kicked-off the creative change of direction of DC’s Superman creative teams going towards tragedies that Superman and his allies cannot easily stop. This one marked start of Doomsday’s eventual high rise not only in comics but also in pop culture in general. That being said, this comic book is a must-have in your collection.
Overall, Superman: The Man of Steel #18 (1992) is highly recommended.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book.
Previously, I reviewed Adventures of Superman #498 (1993) which marked the first chapter of the Funeral for a Friend storyline and dramatized the impact left behind by the death of Superman. That particular comic book had strong writing and succeeded in dramatizing how Superman’s friends, associates and other characters coped with his death with the future looking uncertain to them.
With those details laid down, here is a look back at Superman: The Man of Steel #20, published in 1993 by DC Comics with a story written by Louise Simonson and drawn by Jon Bogdanove. This comic book marked the third chapter of the Funeral for a Friend storyline.
The cover.
Early story
The story begins with people in Metropolis struggling to move forward not only because their hero Superman died but also because of the tremendous damage left behind by Doomsday. In his headquarters, Lex Luthor is talking with the telephone surrounded by several people with Supergirl watching. The matter being discussed was the burial of Superman at Centennial Park particularly in a structure Luthor himself donated. While he has to live on with the fact that he failed to kill Superman, Luthor tells himself he can still bury him.
At the Kent farm far away from Metropolis, Jonathan and Martha Kent are agonizing not only because of the death of their beloved son but also because they realized they cannot even get near him at his funeral as it will be organized as a major event with only the important people allowed to attend…
Quality
It seems like destiny to have the super villain Lex Luthor in the presence of a fictionalized Bill Clinton and Hillary Clinton during the funeral of Superman. By today’s standards, the Clintons made it normal for America to bow to terrorists and make deals with them. That being said, their inclusion in this comic book is just wrong.
To go straight to the point, like Adventures of Superman #498 (1993), this comic book continues to dramatize the impact of Superman’s death on Metropolis and its people in a very engaging manner. It shows that DC’s creative teams in charge of Superman comic book at the time were really organized and coordinated with each other on crafting the Funeral for a Friend storyline. What makes this comic book stand out is the funeral itself which was organized as a public event (with the burial itself done in the presence of important people – including a very evil couple from the Democrats who love abortion and terrorism) and this includes the presence of many other DC Comics superheroes like Wonder Woman, Green Lantern, The Flash, Maxima, Shazam (AKA Captain Marvel) and others. The burial had its own share of intriguing and dramatic moments emphasizing the people’s struggle to adjust themselves knowing they don’t have Superman anymore to help them.
Wonder Woman, Green Lantern and Robin help out as the huge crowd became rowdy.
More on the post-death dramatization, the creative team managed to keep Superman’s associates Lois Lane, Jimmy Olsen and the other Daily Planet people feeling uneasy over the Man of Steel’s death which makes their work covering the funeral professionally a challenge. Unsurprisingly, Lois Lane gets her own fine share of the spotlight agonizing over the fact that she lost her beloved Clark (Superman to the public) whom she was supposed to get married with. The emotional struggle within her intensified as she experiences difficulty of informing the elderly Kent couple about what happened. This is rich writing prepared by the creators.
Not only that, the creative team also went all-out with dramatizing the impact of Superman’s good deeds on the people. You will see several people from Metropolis’ general population talk about how Superman helped them or inspired them. There are certain lines of dialogue that are quite touching to read.
Conclusion
A pretty powerful portrayal of Lois Lane’s struggle on dealing with the new reality that she lost her beloved Superman.
Superman: The Man of Steel #20 (1993) is another solid, post-death story emphasizing the new normal that Metropolis people and Superman’s friends are having difficulty adjusting to…a world without the Man of Steel. Based on the high quality of the storytelling and character development, it is easy to tell that the Superman titles’ creative teams planned ahead and prepared themselves for telling a post-death saga which was pretty risky given the iconic status of Superman and his decades-long legacy in comics and pop culture. This comic book really made Superman’s absence feel powerful and undeniable.
Overall, Superman: The Man of Steel #20 (1993) is recommended.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book.
To put things in perspective, the Death of Superman which climaxed in Superman #75 (1993) was a major comic book event published by DC Comics and it sure involved a whole lot of risks taken by the creative teams. To put the storyline’s concept short, Superman was beaten by an overwhelming, deformed alien humanoid from outer space who caused massive destruction around. Having no real choice and knowing that his fellow super-powered allies could not stand a chance against the alien called Doomsday, Superman went all-in fighting and stood up against him while defending Metropolis and its people. Superman #75 went on to sell many millions of copies and became an instant collector’s item.
Of course, just because Superman died does not mean that the shared DC universe at that time would come to an end and DC Comics had to keep on telling what happened afterwards.
With those details laid down, here is a look back at Adventures of Superman #498, published in 1993 by DC Comics with a story written by Jerry Ordway and drawn by Tom Grummett. This comic book marked the first chapter of the Funeral for a Friend storyline.
The cover.
Early story
The story begins just moments after the Superman passed away in Lois Lane’s arms. Jimmy Olsen, the body of Doomsday and a few of Superman’s allies were near them. Bloodwynd and Dubbilex shared their respective findings that there is no life left in Superman. As emergency personnel slowly approach Doomsday’s body, Lois Lane turns emotional stating that someone has to do something for Superman. More emergency personnel arrive and attempt to revive the Man of Steel who remains lifeless.
Nearby, a man spots an unrecognizable human-like body among the rubble which turns out to be alive. Suddenly the red-headed tycoon Lex Luthor arrives to take care of the ruined being and walks away carrying it. Luthor refers to the being as a female…
Quality
The Ordway-Grummett team should be recommended for this simple yet very dramatic look at the elderly Kent couple reacting to the death of their adopted son from Krypton.
As a post-death Superman story, it is clear that the creative team carefully explored how the many people of Metropolis would react to the sudden death of the Man of Steal while also leaving some room to set the stage to develop Lois Lane – who at this stage knew Superman’s true identity and kept it all secret – in a new way. There were also sub-plots started here particularly with Lex Luthor and Supergirl, the people working for the Daily Planet and the Kents (Clark’s earthly mother and father). The way all the dialogue and character expressions were crafted, there is an undeniable tone of discomfort and uncertainty which dominated the narrative as I read from start to finish.
What I liked the most about this story was how the creative team showed the heavy toll of Superman’s death on Lois Lane who not only has to deal with the loss of her beloved Clark (perceived by her peers to be missing as a possible victim of Doomsday’s rampage) but also do her best to keep working professionally as a journalist of the Daily Planet. I felt Lane’s pain a lot as I read on.
Conclusion
Tension and emotions turned high in relation to Superman’s sudden death.
In my view, Adventures of Superman #498 (1993) is a really gripping and highly dramatic post-disaster superhero tale to read. The way it was made, it strongly kicked off the Funeral for a Friend storyline with high emotions as well as an understandable amount of uncertainty that can be seen in the characters. Understandably, there is no good-versus-evil conflict in the story nor any superhero spectacle to watch out for but the sub-plots implemented added some depth which made this post-death tale worth reading. More notably, the creative team succeeded in making the people – both in the story and the reading public – start missing Superman.
Overall, Adventures of Superman #498 (1993) is recommended.
While the sudden release of the remastered version of the hit Japanese role-playing game (JRPG) Ni no Kuni on Xbox platforms and Xbox Game Pass (XGP) was indeed surprising, there was another major surprise pulled off by Konami that includes Xbox for a release some time in 2023 – Suikoden I&II HD Remaster Gate Rune and Dunan Unification Wars. Watch the official English-language trailer below…
To put things in perspective, posted below is an excerpt from the official press release from Konami’s website. Some parts in boldface…
Announced during Tokyo Games Show 2022, KONAMI confirmed several fundamental improvements and quality-of-life features in the upcoming remaster collection:
Graphical Improvements
Pixel sprites and environment art enhanced with new screen effects including lighting, clouds, and shadow animations Flickering flames, smoldering smoke, the movement of leaves and insects, all add up to a lively in-game atmosphere!
The effects and direction have been redesigned, bringing memorable scenes back to life in more beautiful ways!
New Character Drawings
All character portraits have been updated in HD. Junko Kawano, who designed the characters for the original version of Suikoden released in 1995, has newly re-drawn all the character portraits for Suikoden I HD Remaster Gate Rune War.
Sound Improvements
Field Sound – A large number of environmental sounds not found in the original version, such as the sound of running water in the river, wind, insects, and running footsteps, have been added. You can enjoy an immersive experience like never before!
Battle Sound – All sound effects are now in HD. In addition to the impact of the 3D effects, the realistic sound greatly enhances the dynamism of the battles!
Game System Improvements
Many new features have been added, such as dialogue log, auto-battle, double-speed battles, etc.
Footage of the remastered Suikoden JRPG from Konami’s official trailer.
The 2D sprites look the same but they do look sharper in HD. Even the background elements look sharper.
World exploration in Suikoden is no longer the flat 2D map it used to be.
As I have played Suikoden and Suikoden II on the original PlayStation console in the 1990s, the announcement of Suikoden I&II HD Remaster Gate Rune and Dunan Unification Wars is big dream come true for me personally. I always wanted to replay Suikoden and Suikoden II without the hassle of having to spend a lot of money to buy a PlayStation or a Nintendo console. In my experience, Suikoden II is the peak of excellence of its own franchise as the creative team listened to the fans and learned from their shortcomings on making the first game which resulted in very rich gameplay, several fun features and compelling story. Suikoden II also remains a great example of using 2D sprites aided with 3D camera movements and some polygonal effects. Read my retro review of Suikoden II at https://carlocarrasco.com/2021/07/15/a-look-back-at-suikoden-ii-1999/
The lighting in this particular part of Suikoden II was enhanced to be dramatic looking.
Battle sequence from Suikoden II as shown in Konami’s trailer.
This touching scene from Suikoden II looks better than ever.
That being said, Suikoden I&II HD Remaster Gate Rune and Dunan Unification Wars coming to Xbox (note: Xbox One was officially listed as the Xbox console) is a big bonus not just for Xbox gamers who enjoy JRPGs but also for long-time gamers who loved the early Suikoden games who have not been spending much time with console gaming. As seen in the official press release from Konami as well as in the revealed footage in the official announcement trailer, there were several enhancements to make Suikoden and Suikoden II more presentable in today’s age of high-definition gaming. While the 2D sprites and in-game art works of the two classic JRPGs look the same (note: with some minor adjustments), I noticed the improvements on sound effects, the in-game lighting, some adjustments on textures, the higher resolution resulting in sharper images, and the redrawn character portraits (in the first game specifically).
Suikoden I&II HD Remaster Gate Rune and Dunan Unification Wars coming to Xbox is looking like a great addition on the Xbox ecosystem’s growing global appeal as the haven for fantasy RPGs gamers and also for gamers who like other types of role-playing games! For Konami, selling the two classic JRPGs on Xbox could mean bigger sales than what they achieved on PlayStation decades ago. Remember that 2023 will see the eventual release of Eiyuden Chronicle: Hundred Heroes and the Xbox-eclusive Starfield. Right now, Konami is still at work on enhancing the remastered Suikodenand Suikoden II and they will have to decide which date in 2023 should mark the release. Personally, I can hardly wait to play Suikoden I&II HD Remaster Gate Rune and Dunan Unification Wars on my Xbox Series X console. Watch out for Konami’s announcement of the official 2023 release date. Also, here is hoping Konami will do a good job remastering the two classic JRPGs and that the promises they made in their press release will be fulfilled.
For the newcomers reading this, the Suikoden game franchise’s core concept has been based on the motif of the Chinese classic novel Water Margin and the creative team back then (led by a very young Yoshitaka Murayama who is now leading Rabbit & Bear studios making Eiyuden Chronicle: Hundred Heroes) created role-playing games that had engaging fantasy stories, feature-rich gameplay and a wide lineup of characters who collectively contribute to the game endings. The first Suikoden RPG of the mid-1990s follows a protagonist whose father is one of the empire’s five generals, as he gathers his 108 Stars of Destiny and friends to fight against the oppressive rule of the Empire in ruin. Suikoden II happens three years after the first game’s story, further evolving the game systems unique to Suikoden, such as Rune magic, the 108 Stars of Destiny, home base management, and Army Battles, which were well received in the previous game. Three childhood friends, including the protagonist, are tossed about by a great whirlpool of destiny.
Historically speaking, the Suikoden video game franchise has been strongly identified with PlayStation platforms. Suikoden and Suikoden II were released on the first PlayStation console while Suikoden III, Suikoden IV and Suikoden V were released on PlayStation 2. There were also some versions of Suikoden games that got released on Sega Saturn, Windows PC and Nintendo platforms. That being said, the inclusion of Xbox One as a platform for the upcoming Suikoden I&II HD Remaster Gate Rune and Dunan Unification Wars is very notable, even exceptional.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through the Harbinger monthly series.
In my previous retro review, the creative team of Fontenot-Simpson told another story that built up Harbinger’s concept some more while introducing yet another new character – Screen – who is not part of the team led by Sting. The story symbolically showed the further growth of the tremendous power of Toyo Harada not only through his control of the Harbinger foundation but also of his connection with the new United States President of the time.
With those details laid down, here is a look back at Harbinger #19, published in 1993 by Valiant Comics with a story written by Maurice Fontenot and illustrated by Howard Simpson.
The cover.
Early story
The story begins on the afternoon of January 25, 1993. Inside the New York facility of the Harbinger foundation, a pretty blonde, young lady named Natalie Toynbee – codename: Stunner – gets scanned by the technicians handling the technologies. A technician’s request for Natalie to urinate into a cup reveals that the lady has a huge ego and pride of herself as she reacts negatively.
Suddenly, the wall near Natalie and the technician got damaged by force unleashed by Sting who is accompanied by Faith, Flamingo and Shatiqua. Their mission is to free Natalie from the clutches of the Harbinger foundation which is a small part of their long-term vision of freeing and recruiting more powered young adults.
After subduing the Harbinger foundation personnel, Sting begins to explain to Natalie the situation and tells her to just trust him. Sting tells her to come with them which only drew more of Natalie’s ego along with skepticism. This reaction makes Faith think Natalie is not worth saving…
Quality
Imagine Iran invading America and causing terror like in this scene. Imagine Joe Biden and the Democrats allowing this to happen to Americans.
While the story was not crafted to follow-up closely on the events of issue #18, this comic book puts Sting and his teammates into a collision course with a new force of evil – the Iranians (note: issue #20 confirms their national identity) who have interests on specific young adults with powers and special abilities. Along the way, the Fontenot-Simpson team introduced a new sinister force in the form of a very manipulative Iranian named Kaliph.
Kaliph’s introduction here is easily the biggest feature of the story and he unsurprisingly overwhelms the debut of Natalie. Kaliph here works in service of his unidentified superiors and as he does his job, he uses his special ability of manipulating people’s minds through sight and sound to gain information, find directions, make them do his orders and gain access into places that he could never have had he been an ordinary person. By the end of the story, I was convinced that Kaliph was created to be an enduring or recurring villain for Sting and his team.
More on the primary characters of this monthly series, Sting and his teammates were portrayed to get more harbingers (powered young adults) to join them and become part of their long-term opposition against Toyo Harada and the Harbinger foundation, even though their own team lacks the resources needed to support themselves. The lack of resources was cleverly highlighted through Natalie’s reactions (related to her big ego) to what Sting’s team has for her to live with. Looking at the bigger picture going back to issue #1, Sting’s vision of defeating Harada and winning the trust of powered young adults without any solid foundation (specifically resources, connections and security) emphasize his recklessness and false sense of maturity as a team leader.
Conclusion
Kaliph and his companion arrive in America with a sinister plan.
In my view, Harbinger #19 (1993) is a solid change of direction for the monthly series complete with the introduction of a new, strong villain who originated from Iran which by today’s standards is the major force of terrorism in this world. The new villain Kaliph has a creepy aesthetic that other villains in this series lacked. More notably, the story remained consistently very engaging and pulled off some notable surprises which were indeed entertaining.
Overall, Harbinger #19 (1993) is highly recommended!
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through the Harbinger monthly series.
In my previous retro review, some twists of events happened for Sting and his teammates during the Christmas season. The story was part of the continuing build-up and expansion of the Harbinger series’ own space within Valiant Comics’ shared universe under the direction of Maurice Fontenot. As of issue #17, another new character from outside of Sting’s group got introduced for them to interact with.
With those details laid down, here is a look back at Harbinger #18, published in 1993 by Valiant Comics with a story written by Maurice Fontenot and illustrated by Howard Simpson.
The cover.
Early story
The story begins on January 1993. Within the city of New York, Faith, Shatiqua and Flamingo are being followed by a young man wearing a trench coat. They know they are being followed. They eventually found themselves just outside the same amusement joint where Shatiqua played a lot of arcade games and decide to enter.
Inside, many people recognized and greeted Shatiqua which reflects her outstanding reputation on arcade games. As Shatiqua, Faith and Kris approach a certain arcade game (that Shatiqua wants to play), they noticed the one playing it is the same little black boy (capable of disappearing) they encountered previously. Shatiqua then takes the first step to approach him and gain his attention.
The boy then disappears and reappears a short distance away from the three and right beside same trench coated man who earlier follow them. The boy then attempts to blow the place up with a hand grenade. The man in the trench coat reacts quickly revealing his power to Faith, Shatiqua and Flamingo.
Quality
Sting shows his ignorance and lack of maturity while getting checked by Dr. Hayward.
This is the latest build-up type of story Fontenot composed and like the previous issue, another new character unconnected to Sting’s team got introduced for them to interact with. The new character here is referred to as Screen and he clearly is a more interesting character than the one introduced in issue #17. Screen here is more impulsive and aggressive and he sure looks like he has what it takes to oppose Sting. I also liked the way the creative team showed the impulsiveness and lack of maturity of both Sting and Screen.
Within the script is the establishment of a new sub-plot which symbolizes the growing danger of the Harbinger foundation towards not only on Sting and teammates but also against the others that oppose Toyo Harada and his organization. In some ways, the sub-plot will make you speculate about the invisible yet sinister forces who wield tremendous power over the top government officials who are supposed to be serving their constituents within the republic.
With all of these details laid down, I can say they are all engaging to read as Fontenot’s writing continued to be really strong. For the art, I can say that Howard Simpson continued to pump out really solid visuals while successfully keeping the primary characters recognizable all the time.
Conclusion
This image is very symbolic as Bill Clinton and his wife Hillary made it normal for the United States to make deals with terrorists (notably Iran and Palestine) and betray the patriotic Americans. This makes this comic book socially relevant and what you see with the corrupt administration of Joe Biden reconnects strongly with the Clinton legacy.
Harbinger #18 (1993) is a very solid comic book to read. The build-up continues to happen and along the way, the titular characters got developed some more and this time around, the Harbinger foundation’s power continues to get stronger which convinced me to look forward to the next issue.
Overall, Harbinger #18 (1993) is highly recommended!
Welcome back, my readers and fellow Christians! In this newest edition of my Christian Music Appreciation (CMA) series, we will focus on a decades-old worship song that pastor Darlene Zschech composed during her time with Hillsong Church and the Hillsong Worship team – I Will Run to You.
As for Hillsong Worship, follow them by clicking here (Facebook), here (Instagram) and here (Twitter).
Before getting into the analysis of the Biblical relevance of I Will Run to You, posted below for your reference are the lyrics. Words and music of this song were credited to Darlene Zschech.
Your eye is on the sparrow
And Your hand, it comforts me
From the ends of the Earth to the depth of my heart
Let Your mercy and strength be seen
–
You call me to Your purpose
As angels understand
For Your glory, may You draw all men
As Your love and grace demand
–
And I will run to You
To Your words of truth
Not by might, not by power
But by the Spirit of God
Yes, I will run the race
‘Till I see Your face
Oh let me live in the glory of Your grace
–
You call me to Your purpose
As angels understand
For Your glory, may You draw all men
As Your love and grace demand
–
To begin with, let’s take a close look at the lyrics of the first paragraph of the song: Your eye is on the sparrow, And Your hand, it comforts me, From the ends of the Earth to the depth of my heart,Let Your mercy and strength be seen.
The above lyrics emphasize that the Lord is ever present and He will never abandon His faithful children no matter how divisive and chaotic this world is. As long we keep faith in Him, honor Him and follow Him, the Lord will keep us up with His mercy, strength and peace. This also means we should keep on pursuing Him wholeheartedly and without hesitation! To be with God requires being with His Son Jesus who is our Lord and Savior! Learn from the holy scriptures below…
And He said, “My Presence will go with you, and I will give you rest.”
Exodus 33:14 (NKJV)
Do not fear, for I am with you;
Do not be afraid, for I am your God.
I will strengthen you, I will also help you,
I will also uphold you with My righteous right hand.’
Isaiah 41:10 (NASB)
And you will seek Me and find Me, when you search for Me with all your heart.
Jeremiah 29:13 (NKJV)
But I’ll keep coming closer and closer to you, Lord Yahweh, for your name is good to me. I’ll keep telling the world of your awesome works, my faithful and glorious God!
Psalms 73:28 (TPT)
Jesus explained, “I am the Way, I am the Truth, and I am the Life. No one comes next to the Father except through union with me. To know me is to know my Father too.”
John 14:6 (TPT)
Next, take a close look at the following lines of lyrics from the 2nd paragraph: You call me to Your purpose, As angels understand, For Your glory, may You draw all men, As Your love and grace demand.
The above lyrics is a lively reminder that as creations of God, there is absolutely no way we could fully separate ourselves from Him. To be separated from Him is futile and only leads to darkness. When the Lord calls you, it is your destiny to answer His call which is undeniably a high call. Without the Lord, we are nothing, we won’t have glory and we would fall into darkness, sadness and wickedness. Answer the Lord’s call and come to Him. Run to Him and be with Him wholeheartedly! Never forget that God sent Jesus to save humanity and that alone shows how much He loves us and how faithful He is. We only need to answer the high call from our Lord and come to Him decisively with love and obedience. The Lord is always the holy one we must connect with. Learn from the scriptures below…
Faithful is He who calls you, and He also will do it.
1 Thessalonians 5:24 (NASB)
When he calls to me, I will answer him;
I will be with him in trouble;
I will rescue him and honor him.
Psalm 91:15 (ESV)
But as for me, I will call upon the Lord to save me, and I know he will!
Psalms 55:16 (TPT)
By having the eyes of your heart flooded with light, so that you can know and understand the hope to which He has called you, and how rich is His glorious inheritance in the saints (His set-apart ones),
Ephesians 1:18 (AMPC)
With this in view we constantly pray for you, that our God may deem and count you worthy of [your] calling and [His] every gracious purpose of goodness, and with power may complete in [your] every particular work of faith (faith which is that [a]leaning of the whole human personality on God in absolute trust and confidence in His power, wisdom, and goodness).
2 Thessalonians 1:11 (AMPC)
“Loving me empowers you to obey my commands. And I will ask the Father and he will give you another Savior, the Holy Spirit of Truth, who will be to you a friend just like me—and he will never leave you. The world won’t receive him because they can’t see him or know him. But you know him intimately because he remains with you and will live inside you. “I promise that I will never leave you helpless or abandon you as orphans—I will come back to you! Soon I will leave this world and they will see me no longer, but you will see me, because I will live again, and you will come alive too. So when that day comes, you will know that I am living in the Father and that you are one with me, for I will be living in you. Those who truly love me are those who obey my commands. Whoever passionately loves me will be passionately loved by my Father. And I will passionately love him in return and will reveal myself to him.”
John 14:15-21 (TPT)
There is no one holy like the Lord,
Indeed, there is no one besides You,
Nor is there any rock like our God.
1 Samuel 2:2 (NASB)
Exalt the Lord our God,
And worship at His holy hill;
For the Lord our God is holy.
Psalm 99:9 (NKJV)
Next, take a close look at the following lines of lyrics from the 3rd paragraph: And I will run to You, To Your words of truth, Not by might, not by power, But by the Spirit of God, Yes, I will run the race, ‘Till I see Your face, Oh let me live in the glory of Your grace.
The above lyrics collectively emphasize the Holy Spirit, God’s Word, His grace and our union with Him. The said lyrics, in my view, are the very essence of the Hillsong worship song. Learn from the holy scriptures below…
For the Word that God speaks is alive and full of power [making it active, operative, energizing, and effective]; it is sharper than any two-edged sword, penetrating to the dividing line of the [a]breath of life (soul) and [the immortal] spirit, and of joints and marrow [of the deepest parts of our nature], exposing and sifting and analyzing and judging the very thoughts and purposes of the heart.
Hebrews 4:12 (AMPC)
Jesus commented, “Even more blessed are those who hear God’s Word and guard it with their lives!”
Luke 11:28 (MSG)
Now, the “Lord” I’m referring to is the Holy Spirit, and wherever he is Lord, there is freedom. We can all draw close to him with the veil removed from our faces. And with no veil we all become like mirrors who brightly reflect the glory of the Lord Jesus. We are being transfigured into his very image as we move from one brighter level of glory to another. And this glorious transfiguration comes from the Lord, who is the Spirit.
2 Corinthians 3:17-18 (TPT)
May the God of your hope so fill you with all joy and peace in believing [through the experience of your faith] that by the power of the Holy Spirit you may abound and be overflowing (bubbling over) with hope.
Romans 15:13 (AMPC)
He gave us resurrection life and drew us to himself by his holy calling on our lives. And it wasn’t because of any good we have done, but by his divine pleasure and marvelous grace that confirmed our union with the anointed Jesus, even before time began!
2 Timothy 1:9 (TPT)
But those who trust in the Lord will find new strength. They will soar high on wings like eagles. They will run and not grow weary. They will walk and not faint.
Isaiah 40:31 (NLT)
But God shows and clearly proves His [own] love for us by the fact that while we were still sinners, Christ (the Messiah, the Anointed One) died for us.
Romans 5:8 (AMPC)
For God’s Word is something to sing about! He is true to his promises, his word can be trusted, and everything he does is reliable and right.
Psalms 33:4 (TPT)
Jesus answered him, I assure you, most solemnly I tell you, that unless a person is born again (anew, from above), he cannot ever see (know, be acquainted with, and experience) the kingdom of God.
John 3:3 (AMPC)
For I know the thoughts and plans that I have for you, says the Lord, thoughts and plans for welfare and peace and not for evil, to give you hope in your final outcome.
Jeremiah 29:11 (AMPC)
Just as the Father has loved Me, I also have loved you; remain in My love.
John 15:9 (NASB)
And it’s true: “Everyone who calls on the Lord’s name will experience new life.”
Romans 10:13 (TPT)
Indeed, the lyrics and title of I Will Run to You are holy and anointed! This Hillsong worship song is also musically beautiful and written to motivate your heart of worship of the Lord. That being said, I strongly recommend the playing of I Will Run to You during Sunday worship services as well as during church special events. I Will Run to You is clearly all about us – the children of God – to always come to our Heavenly Father through Lord Jesus no matter what happens. This Hillsong worship song is also a great reminder of our union with the Lord.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Sharing this Christian piece means spreading the good news of the Lord to others. It can help you save the unsaved and the lost souls out there. Also please consider making a donation to support my publishing of faith articles and CMAs.
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through the Harbinger monthly series.
In my previous retro review, Sting, Kris and Shatiqua got into trouble upon seeing the traitorous Ax and his powered companions. Their encounter turned into a radically different turn of events when the Harbinger foundation’s armed personnel and Eggbreakers members arrived targeting Ax.
With those details laid down, here is a look back at Harbinger #17, published in 1993 by Valiant Comics with a story written by Maurice Fontenot and illustrated by Howard Simpson.
The cover.
Early story
The story begins in the past – January 11, 1991 at the Woodville State Mental Institution in Pennsylvania. One of the local doctors leads two formal visitors into the secured room of one of their patients described as a “fascinating subject”. His name is Simon and the visitors turned out to be from the Harbinger foundation. They tell Simon, who is invisible, that the Harbinger foundation was established to help special people like him, help him understand and control his talents, and he will not be alone as the foundation has others like him.
In the present day of December 23, 1992, Faith is flying just above a truck which is slipping out of control along a major bridge in New Jersey. Sting is barely holding on the top of the truck. Being unable to utilize his power to control the situation, Sting instructs Faith to pull the driver out of the truck. Moments after Faith saves the truck driver, the truck itself stops but ended up hitting a vehicle.
As Flamingo uses her power to put out a fire, Kris finds Sting on the side of a car feeling terrible. Sting wonders what is wrong with him as he failed to stop the truck…
Quality
Even though he is already in a relationship with Kris, Sting focused on the blonde lady in the middle of a party.
I want to point out that this is yet another build-up type of story from Fontenot and Simpson, only this time it introduces Simon who is involved with the Harbinger foundation not as a trained Eggbreakers member but rather as a patient still relying on medical and psychological care. Through Simon, you will feel his loneliness, his trouble to fit in with society and his personal pain related to being unwanted. Through him, you will also realize that even though it has lots of resources and experts as employees, the Harbinger foundation is not the ideal replacement for Simon’s father (who rejected him in the first place). That should also remind you readers that government units also can never be your parent nor your guiding light no matter what socialists and Commies say in this age of Joe Biden and the fascist Democrats (read: the Satanic Left). Fontenot’s script here is, unsurprisingly, really strong and Simon’s introduction never felt like a throwaway piece.
Apart from Simon, Sting and his teammates got a lot more of the narrative’s spotlight this time around which is like a breath of fresh air since the previous two issues focused more on Harbinger and the Eggbreakers. Even though they are already dealing with their domestic problems, the primary characters still make efforts to solve problems and help others knowing that they would not be compensated by society.
More on character development, the team leader Sting continues to desire recruiting and helping powered young adults before the organization of Toyo Harada gets them first. This shows his arrogance and delusion as he rejects the reality that he and his team don’t really have the massive resources the Harbinger foundation has when it comes to recruitment and providing the constant needs of recruits. Furthermore, Sting does not even see his current problem (with his super power) as a hindrance at all when facing the Harbinger foundation.
Storywise, this comic book is more balanced with the spotlight on characters on the two sides of the spectrum with Simon being symbolically caught in the middle of the conflict. This is really solid storytelling.
Conclusion
Something’s wrong with Sting.
I like Harbinger #17 (1993) very much. What it lacks in spectacle, it bounces back big time with character development, deep dramatics and introducing a new character who gets connected with both Sting’s team and the Harbinger foundation. This story obviously keep on building up something for a future conflict between the two forces and already I am eager to find out what will happen in the next issue.
Overall, Harbinger #17 (1993) is highly recommended!
Author Carlo Carrasco 