Looks like Xbox will be the haven for fantasy RPG enthusiasts in the 9th console generation

Looks like Xbox will be the haven for fantasy RPG enthusiasts in the 9th console generation

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A shot from the trailer of Avowed.

With the Xbox Games Showcase behind us all, it is becoming clear that Xbox as an ecosystem is turning into a haven for gamers who love playing fantasy role-playing games (fantasy RPGs).

Let me emphasize my point starting with a key development from the 3rd party support that I never anticipated, a development announced during the pre-show period prior to the Xbox Games Showcase of July 23.

I’m referring to the announcement of DRAGON QUEST XI S: Echoes of an Elusive Age – Definitive Edition by Square Enix coming this December to Xbox One (note: the Xbox Series X guarantees backward compatibility), Windows 10 PC and the fast-growing Xbox Game Pass subscription service! Watch the video below and check out Dragon Quest creator Yuji Horii make his verbal presentation.

While Dragon Quest XI was previously released on other game consoles since 2017, its announcement for Xbox is still highly significant not simply because the game’s Definitive Edition will come with a lot of extra stuff and fun content but mainly because it marks the first-time ever that the Dragon Quest franchise becomes part of the Xbox ecosystem.

“I’m hugely pleased to finally see DRAGON QUEST make its Xbox debut,” Horii stated.

For the bigger picture, the Dragon Quest RPG franchise is over 30-years-old. While the Final Fantasy RPG franchise is wildly popular in the West in terms of video game sales, the same cannot be said with the Dragon Quest franchise of games.

Square Enix’s decision to release Dragon Quest XI’s Definitive Edition on Xbox One, PC and the XGP service could not only help itself sell more games (both physical and digital copies) to Xbox and Windows users who understand English, but also set the foundation they need to potentially release even more Dragon Quest games in the Xbox ecosystem.

While I can only speculate on what exactly was discussed in the business negotiations between Microsoft’s Xbox team and Square Enix (note: Xbox head Phil Spencer confirmed visiting Japan to meet game creators and publishers there), in my view Microsoft tried hard to earn the trust and support of Japanese game creators/publishers to add variety of games for Xbox/PC users. The debut of the Dragon Quest series on Xbox is most likely the result of that.

When it comes to fantasy RPGs, Dragon Quest itself is highly significant given its commercial history and cultural impact with Japanese gamers. If the Definitive Edition of Dragon Quest XI (which is now up for pre-order) sells enough with Xbox gamers, it may lead to even more DQ games released in the future.

Next reason why Xbox as an ecosystem will be the haven for gamers who love fantasy RPG is because of the confirmed revival of Microsoft’s very own Fable RPG franchise being developed by a team within Playground Games (Forza Horizon series) for Xbox Series X and Windows 10 PC.

To put things in perspective, Fable is composed of three main fantasy RPGs developed by Lionhead Studios for the original Xbox and Xbox 360. While the main games (Fable, Fable II and Fable III) were flawed respectively, they resulted mostly positive reviews from the critics and many millions in game sales. Since after Fable III, however, the series went downhill in terms of quality and reception. Not only was Fable Legends canceled, Lionhead Studios itself closed down.

The trailer that end the Xbox Games Showcase of July 23 confirmed that it was indeed true that Fable as a franchise was being revived with the Forza Horizon studio doing the hard work.

Now there were concerns raised by gamers about Playground Games’ ability to not only make the new Fable game but how it will live up to the legacy and the factors that defined the game franchise.

Pay close attention to what Xbox executive Matt Booty said in an article by The Guardian related to Fable: “I just look at what Playground has done with the Horizon series – that attention to detail, the ability to represent these naturalistic landscapes. They also have a real passion for the IP and a unique point of view on what’s core to Fable. Everything I’ve seen as the game progresses tells me this is going to be a very high-quality release.”

In addition, the upcoming new Fable game will NOT be an MMO (massively multiplayer online) game but an action-oriented RPG with the single-player experience in mind. Having finished Fable and Fable III myself, this is great news and anyone looking for compelling single-player campaigns in the fantasy RPG genre can be confident with the new Fable game.

For those of you who never played any Fable game before, below is a retro review of Fable III for your viewing pleasure.

Of course, how exactly Playground will craft the new game and decide what kind of features it will have, and how it will balance between old features and new features for gameplay remains a mystery. Still there is hope that it will be high quality product since the Forza Horizon developer have people who previously worked on big projects that have nothing to do with racing games. Listen to the excerpt in Dealer Gaming’s video below.

“With any kind of franchise like that, where you’ve had existing versions, there’s always that balance between what you’re going to bring forward, what still stands up, and what you want to add that’s new,” he says. “It’s like the challenge of making a new Star Wars movie – there’s stuff that everyone wants you to bring along, but then you’ve got a responsibility to take that to new places and I trust Playground has a good vision for that,” Booty added in The Guardian.

If the new Fable game turns out great, it should inspire other game developers to make more action-oriented fantasy RPGs for the next-generation Xbox Series X.

Finally, the other factor as to why the future is bright for fantasy RPG enjoyment on the Xbox ecosystem is Avowed, the ambitious new first-person fantasy RPG developed by RPG specialists Obsidian Entertainment for Xbox Series X and Windows 10 PC.

Beyond the trailer, here are some details. The game is set in the world of Eora which itself is part of Obsidian’s established Pillars of Eternity games franchise. In terms of gameplay, not much has been revealed but the trailer suggests first-person movement and action will be the core way of playing which is fine by me since I played Elder Scrolls IV: Oblivion, Elder Scrolls V: Skyrim and Fallout 4. Potentially, Avowed will feature exploration of a large fantasy world laced with mysterious creatures, magic, varied locations and eventually varied quests to take part in. There is no release date yet although it is speculated it will be released in 2022. As it is being made for Xbox Series X, gamers sticking with their aging Xbox One consoles should upgrade if they really want Avowed.

Having enjoyed The Outer Worlds (a sci-fi, first-person shooting RPG) so much on my Xbox One, I really believe Microsoft made the right move on acquiring Obsidian and providing them the resources and time to make something that will be enjoyable and engaging. I also believe that from a business point of view, the Xbox executives know there is a huge group of gamers/consumers who are willing to spend good money on big budget, content-heavy, deep exploration fantasy RPGs like Elder Scrolls V: Skyrim. I am confident Team Xbox knows their history that a great majority of the 3.4 million copies of Skyrim sold within the first two days of release in 2011 were on Xbox 360 (more than double what was on PS3).

As such, by now the Xbox executives should believe that making similar ambitious games like Skyrim makes great business sense and Avowed being made for Xbox Series X alone adds great value to the Xbox brand and ecosystem.

With Microsoft heavily investing in Avowed, this should attract the attention of other game publishers/developers who have vested interests in making fun, lengthy single-player RPGs to make such games on Xbox Series X.

Conclusion

With the new Fable, Avowed and the Definitive Edition of Dragon Quest XI coming in the foreseeable future, the Xbox as an ecosystem will be the hot spot for gamers who love fantasy RPGs. Apart from those future RPGs, there are already several Final Fantasy RPGs already available on Xbox not to mention the past Fable games and past RPGs developed by Obsidian such as Dungeon Siege III, Pillars of Eternity and Pillars of Eternity II.

Be confident, gamers! Xbox’s appeal to gamers will no longer be limited to Halo, Forza and Gears of War. Microsoft’s two fantasy RPG franchises will break the mold and raise the level of enjoyment and engagement for Xbox fans and new gamers. Do not forget that there are other Xbox game studios that have yet to reveal their upcoming exclusive games on Xbox Series X. Who knows? There could be even more fantasy RPGs coming from those studios! What else? If the 3rd party game developers and publishers are watching the rise of prominence of Xbox in the 9th console generation, they may go ahead in bringing even more video games to Xbox Series X!

In ending this, posted below is Colteastwood’s newest video about the next big Xbox digital event…


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

What I Hope to See in Microsoft’s Xbox Digital Event this July

This past May, Microsoft organized its first digital event of the year highlighting upcoming games produced by their publishing partners and independent developers for its next-generation Xbox Series X console. In case you missed that, watch the video.

Okay. There were several games showcased but in my honest opinion, the event felt underwhelming overall due to the presentation – there was just not enough real-time gameplay sequences shown as there was too much emphasis on showing the games’ concepts in a more cinematic fashion. Even The only games from that digital event that interested me were Dirt 5 and The Ascent.

This July, Microsoft has another digital event coming only this time it will be a showcase of upcoming Xbox Series X video games made by varied game studios working under the Xbox banner. A date has yet to be announced as of this writing.

As this will be a showcase of products from the 1st party game makers and announcements from Microsoft to prove their dedication with the next-generation of gaming, I hope to see the following happen.

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  • Halo Infinite showcased in both cinematic and real-time gameplay demonstration – It has been two years since Halo Infinite was first announced and with the expected Xbox Series X launch happening late this year, the time is right to emphasize that game’s concept with real-time cinematic scenes and show how it plays and what new gameplay features have been implemented by 343 Industries. Here is hoping that the developers have learned from the mistakes they made with Halo 5: Guardians.
  • Forza Motorsport 8 and Forza Horizon 5 announced together – this is a long shot but I hope to see the next-generation games of both Forza Motorsport and Forza Horizon to be announced in the same event as this will be Microsoft’s chance to show why Xbox Series X will be the console of choice for gamers who love cars and racing (be it simulation or open-world) as well as the machine that will give racing-driving car developers all the resources and opportunities they need to make their dream projects come true. There’s no telling yet if the expected Forza Motorsport 8 will be a launch title with Xbox Series X but it is clear that a follow-up to Forza Motorsport 7 is already due. As for Forza Horizon 5, I don’t expect it to be released until 2022 but an early announcement would not hurt. Going back to Forza Motorsport 8, if any gameplay footage will be shown, here is hoping it will run in 4K resolution with 120 frames-per-second frame rate and ray-tracing turned on.
  • New Fable – Considering how long the next-generation Fable RPG (popularly referred to as Fable 4) has been rumored to be in production under Playground Games, this year is the right time to finally confirm it and show at least some concept art if no gameplay footage is available. The game makers should also make clear if the new Fable is a sequel or a reboot, and more importantly, emphasize what its fantasy concept will be, what kind of gameplay can be expected, and what the game’s tone will be like.
  • Brand new, 1st party open-world video game – When it comes to open-world games involving Microsoft, I am NOT a fan of the Crackdown franchise of games and I certainly don’t want to see that game series to continue at all. Considering how many game studios are working under the Xbox banner, I’d rather see a brand new open-world game that will not only be different from Crackdown but be a lot of fun (regardless of what its concept will be), be very engaging and be made with high-grade quality production values. It will also be an opportunity for an Xbox game studio to make an open-world adventure game that can be different from the fantasy, crime or post-apocalyptic concepts.
  • The Outer Worlds sequel plus new RPGs from Obsidian Entertainment – I love playing and replaying The Outer Worlds on my Xbox One, and I certainly hope to see Obsidian Entertainment announce a sequel (at least show a video), only this time it will be Xbox-exclusive now that they are owned by Microsoft. Given the very positive critical and commercial success of The Outer Worlds, making a sequel that can be bigger and even better is the way to go. Going beyond The Outer Worlds, I hope that brand new RPGs will be announced.
  • More from Ninja Theory – I hope to see more of what Ninja Theory could do. They already showed a video of Senua’s Saga: Hellblade II some months back and I hope they will show actual gameplay of it this time. Apart from that upcoming sequel, it would be nice to see what new games they are working on will be announced.
  • The Initiative’s first game – The Initiative is a new game studio set up by Microsoft which reportedly has a lot of very talented game developers working together in Santa Monica, California. What they are working on remains unknown but I hope that at least an announcement about their first game will be made.
  • Xbox Series S console – While I personally want the Xbox Series X to replace my aging Xbox One, to see the rumored Xbox Series S console (expected to be smaller, less powerful and more affordable) get confirmed and showcased will still be welcome. I hope to see it having a very compact design (note: most likely it will come without an UHD Blu-ray drive), very good graphical and technical performance and a $199 tag price.
  • At least one new game each from the other Xbox game studios announced – The other Xbox game studios like Undead Labs, Rare, inXile Entertainment, Double Fine and Compulsion Games should each have something new to be announced. I’m talking about new, Xbox-exclusive games that gamers are willing to wait for to be completed and released. As for The Coalition, I don’t expect a new Gears of War sequel to be announced yet.
  • $399 launch price for Xbox Series X – This is something I really hope will be confirmed by Microsoft. Considering that Microsoft itself can afford to lose some money on launching hardware as they make money from Xbox Game Pass and paid services and game sales via Xbox LIVE, a $399 launch price will definitely make Xbox Series X a very attractive next-generation console for consumers. Granted, the technologies and components for Xbox Series X are surely expensive (apart from the amount of money spent on developing the console) and the Xbox One X itself was launched at $499 in 2017, but still a $399 launch price is not impossible for Microsoft to pull off. In terms of competition, the attractive launch theoretical launch price will add tremendous pressure to Sony to follow suit with PS5.

Now that those are the things I hope to see, we can only wait for Microsoft to announce exactly when this July they will organize their digital event. Stay tuned!


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Night of the Creeps

Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

When you craft a story meant to entertain people, it is already tough to mix genre elements and make them work together while still telling a cohesive story. Imagine how hard that could be when making a movie with the mentioned creative mix?

Back in the mid-1980s, a young film enthusiast named Fred Dekker not only pulled it off but actually made a feature-length film titled Night of the Creeps which was his cinematic directorial debut. Before making that science fiction/horror/comedy movie, Dekker grew up watching movies of horror, science fiction and fantasy and developed a passion for movies (and movie production eventually).

After much learning through UCLA, Dekker broke into Hollywood and started a professional career in film and eventually got his dream project in the form of Night of the Creeps.

“Night of the Creeps is very much a first feature with the attitude of many first features. The I-may-not-get-to-do-another-movie-so-I’m-going-to-do-everything-I-want-to-do-in-this-movie attitude. It’s an attitude that often backfires, but in this case, it’s exactly what makes Night of the Creeps so much fun,” Dekker stated.

With the short film history lesson done, it’s now time to take a look back at Night of the Creeps written and directed by Fred Dekker, and released in 1986 by TriStar Pictures.

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If you were the police chief, how many police officers would send to corner one zombie?

Early story

The story begins inside a space ship where one alien creature (carrying a canister) is running away from two armed personnel. With the two chasers delayed, the creature manages to shoot the canister into the realm of space.

On Earth, the year is 1959. In a typical American suburb, a college student visits a sorority house to pick up his date. Together, along with a few other pairs in cars, they spend time at a parking spot with a nice night view. A young police officer, who is aware of the news about a potential killer on the loose, approaches the pair and recognizes the lady from the sorority house. He tells them to go home for their safety, and then leaves them.

Shortly after, the canister from space arrives and crashes nearby causing the college student to drive the car (with his date with him) and find the spot of the crash. He parks the car by the woods and moves into woods leaving the sorority girl alone, sitting and waiting. He finds the canister and decides to look at it closely. Through an opening, an alien slug suddenly jumps from the canister and into his mouth. Meanwhile, the lone lady in the car hears the news about the loose killer and realizes the details about their location (being the destination of the killer). Slowly creeping up on her is a man with an axe.

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What teenagers in America used to do in the 1950s.
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Someone closing in…

In 1986, at the same locality, college students party around and engage in lots of activities in relation to pledge week being organized at a local university. Among the students walking down the sidewalk are Chris Romero and his handicapped friend J.C. Chris spots a pretty girl from a distance and instantly falls for her at first sight. With the help of J.C., he decides to pursue her…

Quality

Even with a low budget, Night of the Creeps is very creatively done and comes with a good amount of fun for viewers who enjoy elements of horror or sci-fi, 1950s romance, 1980s teen comedy and even detective story. What made this movie a cinematic gem is that Fred Dekker and his creative team combined their strengths with the talents of their cast members specifically Jason Lively, James Marshall, Jill Whitlow and Tom Atkins.

At its core, Night of the Creeps is a zombie horror flick that had sci-fi elements of UFOs and the 1950s as a strong foundation (in addition to serving in the background of the plot). Those combined genre elements alone (backed with a plot that is cohesive enough thanks to Dekker) made this movie solid and yet, the implementation of detective/crime storytelling and 1980s teen comedy (specifically college culture) further added more punch and variety in making the film really engaging and fun.

That being said, the actors delivered the goods with their respective performances. Jason Lively and Steve Marshall have excellent chemistry together as the 1980s college boys Chris Romero and J.C. They started their acts as typical college guys trying to achieve something when it comes to campus achievements and winning the girl’s heart. They also delivered strong performances on the comedy and they pushed their dramatic limits further when the film’s tone shifted to horror. Jill Whitlow is interesting as sorority girl Cynthia who has that girl-next-door charm. She proved to be talented with acting as she had convincing romantic chemistry with a certain jerk and Chris.

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Steve Marshal, Jason Lively and Jill Whitlow as J.C., Chris Romero and Cynthia.
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The horror film genre legend himself, Tom Atkins!

The standout performer among them all, unsurprisingly, is Tom Atkins as detective Ray Cameron. Before making this movie, Atkins worked in horror movies and a few cult movies, and got involved with the legendary John Carpenter. As such, playing the veteran detective Cameron here was a natural fit for the actor. As the aging and troubled detective, Atkins portrayed him dramatically and because of his very rugged touch, the actor really looked like he actually lived through decades of police work in the fictional town. Atkins also proved to be very good with quotes, specifically with “Thrill me!” It should be noted that this is Atkins’ personal favorite role in the horror genre.

When it comes to telling a cohesive story to emphasize the mixed genre elements, I should say Fred Dekker and his team succeeded. The pacing ran at a medium pace for the most part and even during the slower scenes, there was never a boring moment. More on storytelling, Night of the Creeps’ concept made sense for the most part (about how a slug from outer space would gradually cause zombification on people and even animals, in the midst of college-related events happening) and still had room for suspense, spectacle (note: Jason Lively and Jill Whitlow themselves used dangerous weapons near the end of the film) and, yes, character development! All of that pulled of nicely in roughly ninety minutes and the viewing experience was ultimately fun and engaging.

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I wonder if this image would be considered offensive by the SJWs…
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Perhaps this will inspire you to research what American life was like back in the 1950s.

It should be noted that, in terms of presentation, key scenes were very well directed and strong performances from the actors were realized. The scene where detective Cameron and Chris had a private talk was intriguing to watch, and that one had the strongest act Tom Atkins made in the film. I should also mention that, apart from the dramatics and performances, I enjoyed the cinematography done by Robert C. New especially with the way the camera moved as the actors delivered their lines in key sequences. There were closeups that perfectly captured the moments when the actors delivered their strongest acts. Last but not least, the music by Barry De Vorzon fit the film’s tone and concept smoothly.

Conclusion

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Here they come…

I really love Night of the Creeps and I want you – my readers and fellow film buffs and pop culture geeks – to watch it from start to finish. I never saw this movie in the cinemas in the 1980s but was fortunate enough to watch it on cable TV on a late night in 1998 (twelve years after its cinematic release). That was a night I’ll never forget because Night of the Creeps delivered the fun and exceeded my expectations. Then years ago, I finally acquired the Sony Pictures Blu-ray disc release which I replayed from time to time at the comfort of home with my Xbox One console as the disc player. The film looks even better in high-definition!

The best thing I love about Night of the Creeps is its big mix of genre elements which was supported by solid storytelling and performances. When it comes to spectacle or shock moments, it should be stated that the practical effects used (note: no CGI or computer-generated images here) in the movie still stand up strongly until now although I must say that the aliens creatures in the early part of the story were just not convincing enough.

Even by today’s standards, Night of the Creeps is enjoyable and gripping to watch, and the fact is nobody in Hollywood is making anything like it, nor are there any filmmakers willing to do a big mix of genre elements and tell a cohesive story with good performance from hired talents. This alone makes Fred Dekker’s directorial debut a cinematic gem that has been overlooked by too many people

In light of modern society and its norms, I declare that Night of the Creeps will give you a good dose of escapism not only from real life but also from the corrupted and highly politicized culture of Hollywood which points to the Political Left (whose central figure Barack Obama supports Iran, the terrorists and illegal immigrants) and its trouble makers (examples: social justice warriors or SJWS, the socialists, the radical feminists, the LGBTQ) who managed to infiltrate the American film industry and even the American media (note: you can tell if a movie review was written by an SJW who only writes something to fit his/her social justice agenda). This old movie was made to deliver fun without any political garbage whatsoever. That being said, it will make you wish that Hollywood would just focus on making their movies truly entertaining and be free from political poison at the same time. Movies that carry political overtones or emphasize identity politics are major turn-offs.

Overall, Night of the Creeps is highly recommended! That being said, I urge you to order a Blu-ray copy of Night of the Creeps now at Shout Factory and Amazon. Whichever Blu-ray version you acquire (note: the Shout Factory version has newer and more extra stuff), you can’t go wrong with Night of the Creeps in high-definition.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

E3 2020 Cancelled!

This coming June, the usual excitement for video gaming won’t happen as the 2020 edition of the annual Electronic Entertainment Expo (E3) got officially cancelled and already its effects on the game publishers, the game developers, the City of Los Angeles and the gamers are strongly felt.

For your reference, here is the official statement at the website of the E3 Expo:

After careful consultation with our member companies regarding the health and safety of everyone in our industry – our fans, our employees, our exhibitors, and our longtime E3 partners – we have made the difficult decision to cancel E3 2020, scheduled for June 9-11 in Los Angeles.

Following increased and overwhelming concerns about the COVID-19 virus, we felt this was the best way to proceed during such an unprecedented global situation. We are very disappointed that we are unable to hold this event for our fans and supporters. But we know it’s the right decision based on the information we have today.

Our team will be reaching out directly to exhibitors and attendees with information about providing full refunds.

We are also exploring options with our members to coordinate an online experience to showcase industry announcements and news in June 2020. Updates will be shared on E3Expo.com.

We thank everyone who shared their views on reimagining E3 this year. We look forward to bringing you E3 2021 as a reimagined event that brings fans, media, and the industry together in a showcase that celebrates the global video game industry.

As you can see above, the raging coronavirus (COVID-19) negatively impacted the organizing and worldwide there are a lot of people who have gotten so scared by it their livelihood and lifestyles have been altered dramatically.

Going back to the E3, the cancellation is very unfortunate as a whole lot of game makers and publishers had previously signed up with the organizers to be part of the convention as exhibitors. All their plans to present their games and sell just vanished which will most likely affect their respective finances negatively. No amount of refunds can make up for that.

Also disappointed are the gamers who are fortunate to gain access into the event as attendees, plus the many millions of other gamers worldwide who could only view the E3 via video, blogs and website coverage. Speaking of the Internet, there are a whole lot of bloggers, YouTubers and social media personalities who won’t be able to cover the event live together this year. For Xbox-related coverage of E3 of 2019, I followed the updates from Colt Eastwood who attended the convention. Eastwood’s updates of that particular E3 were so engaging and exciting.

Speaking of Xbox, Microsoft had big plans to organize their media presentation at E3 2020 to formally showcase to the whole world their next-generation console Xbox Series X.

With the cancellation of the big event, Microsoft now has to do a digital event to show off and explain their next-generation plans. Check out Xbox head Phil Spencer’s Tweet below.

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I myself have been anticipating the Xbox Series X not only for playing video games but also for my household’s home entertainment. I have been looking forward to not just new, cutting edge technology and special features, but also the many upcoming games that are already being produced by the many game studios that Microsoft acquired to strengthen the Xbox brand.

From this point on, in the absence of E3, those who are anticipating Xbox Series X and future games will just have to wait for new details from Microsoft as to when their planned digital event will be held, how will it be presented, how much will they be able to show, etc.

Watch out for updates right here.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

Resident Evil 3 Remake Coming Out April 2020 (UPDATED January 16, 2020)

Early this year, I had a grand time playing the big budget remake of Resident Evil 2 on my Xbox One. Because I had a lot of fun and engagement with that particular game, I wish that a remake of Resident Evil 3: Nemesis (which I enjoyed a lot back in 1999) would be made.

For those of you who missed the hot news, Capcom formally announced that a remake of Resident Evil 3 is being produced and it will be released for Xbox One, PS4 and PC on April 3, 2020!

Watch the trailer here now.

For those who never played Resident Evil 3: Nemesis, that game was originally a spin-off but was titled like a sequel since there was an agreement back then for RE games released on PlayStation to have their titles numbered. Sure RE3 lacked the depth of the acclaimed Resident Evil 2 (released in 1998) in terms of storytelling, production values and fantasy concept but it proved to be a whole lot of fun and it went on to sell over 3 million copies worldwide.

The 2019 remake of Resident Evil 2 sold more than 5 million units worldwide. Considering its commercial and critical success, the announcement of Resident Evil 3’s remake hardly is surprising. What I do find surprising, however, is that the new game will be released much sooner than expected. Come to think of it, RE3 on PlayStation was released over a year after RE2.

Now we take a look at the remake of RE3.

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Like the Resident Evil 2 remake, a 3rd-person shooting view is implemented. (visual source – RE3 Developer Diary Video)
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Resident Evil 3’s story begins a day before the events of RE2 and it explores more of the streets and alleys of zombie-fested Raccoon City.

No surprise, the developers used the same game engine from RE2 on RE3 remake. They also implemented the 3rd-person views (including the by-the-shoulder view when aiming to fire) and controls.

Like its 1999 version, RE3’s story took place a day before the events of Resident Evil 2. Before Leon Kennedy and Claire Redfield arrived in Raccoon City, the outbreak (caused by the top secret virus of Umbrella) took place causing a lot of people to become zombies. Somewhere along the way, Jill Valentine (now wearing dark pants and a sleeveless top) avoided getting infected but finds herself in the middle of an entire city with many zombies and other monsters lurking on the streets, the alleys and inside varied establishments. Her goal is simply to escape and survive somehow.

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The ever familiar Brad Vickers.
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A rougher looking Carlos Oliveira.

As Jill struggles, something tall, strong and grotesque walks around the city…Nemesis. Unlike the zombies and monsters around, Nemesis exists to search and destroy members of S.T.A.R.S. (Special Tactics and Rescue Service). That happens to be the same team Jill was part of and she becomes a target. Complicating matters is the sudden presence of armed Umbrella Biohazard Countermeasure Service personnel (which includes Carlos Oliveira).

While the official game trailer showed bits and pieces of what will come with regards to storytelling, too little was shown about the gameplay which, in my analysis, will be very similar in style and execution to RE2’s remake but this particular remake may have more gameplay features to make it distinct like the unpredictable dodging of the 1999 RE3, more sprinting sequences, an improved 180-degree turn and, eventually, decision-making in key moments of storytelling scenes (which is a major new feature of the 1999 RE3).

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The modernized look of Jill Valentine. Do you miss her tube top and mini-skirt from the 1999 Resident Evil 3? (visual source – RE3 Developer Diary Video)
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Nemesis looks a bit redesigned for this game.

Like the RE2 remake, the characters of this game have been redesigned to look modern. Carlos Oliveira, who was a temporary playable character in the 1999 Resident Evil 3, now has shaggier hair and facial hair. Jill Valentine does not start the game with her 1999 look (the tube top and mini-skirt) but rather with dark pants and a sleeveless top. Gamers who want the 1999 styles of Carlos and Jill to be in the game can do that by pre-ordering the new game which will grant paying gamers the Resident Evil 3 Classic Costume Pack. Xbox One gamers who want to pre-order it now can do so at GameStop.

What surprised me about the remake announcement was the inclusion of Resident Evil: Resistance which is an an asymmetrical online game. My personal interest on it is low, however.

The Resident Evil 3 remake is a wish come true for me personally. I’m looking forward to its April 2020 release although I still would like to see Capcom release more previews to show more gameplay features so that gamers will have a clear idea as to how it will play. Going back to the late 1990s, Resident Evil 3 was more action-oriented than Resident Evil 2.

UPDATE – January 16, 2020

Recently Capcom released a new trailer and new screenshots of the fast approaching remake of Resident Evil 3: Nemesis.

For your enjoyment, watch the trailer here now.

This time around, the newest trailer shows more of the modern redesign of the famous RE villain Nemesis with a touch of photo-realism. What surprised me was Nemesis using a flame thrower and from the looks of it, it seems that the game developers are trying to adjust the gameplay (specifically with the encounters between Jill and Nemesis) somewhat  and make the experience for gamers different. Since the push for more in-game realism was implemented in Resident Evil 2’s remake, it would be outlandish to show Jill get hit by a rocket from Nemesis (who was armed with a rocket launcher in the original Resident Evil 3) and not get killed in the new game.

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A closer look at Nemesis.

It’s a safe bet that the game developers have multiple encounters between Jill and Nemesis set up in the game. I can imagine playing as Jill firing her shotgun at Nemesis who would either be standing (and firing flame towards Jill) or be walking close to her for an intended neck grab or punch. That being said, having a rocket launcher does not make much sense.

I still remember the times when I controlled Jill in the original RE3, I got hit by one of Nemesis rockets only to suffer damage (not instant death).

There was also more of Carlos (the other playable character) and his armed companions of the Umbrella Biohazard Countermeasure Service (UBCS) as well short story clips of him with Jill. Anyone who played and finished RE3 of 1999 will be familiar with the interactions between them.

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Carlos O. and his shaggy look.

What struck me the most in the newest trailer was the modern redesign of the Hunter shown during the short clip of Carlos encountering one. That particular Hunter resembles the amphibian-type Hunter in the original RE3. There is another variant of the Hunter from the old game colored red and dark grey, and I can only wonder what that would look like in the new game.

While I did not expect Capcom to fully reveal everything through trailers and interviews, I still wonder the following:

  1. If ever Nemesis will run around in this new game (like he did in the original RE3), how can such a feature work efficiently given the use of the 3rd person, over-the-shoulder view for the player’s control? Nemesis running in the old game made sense and even though the tank-like controls of the time were clunky, they were still good enough to move Jill around and dodge (by means of button-pressing). The static camera angles of the old days gave players a nice view where to move Jill around zombies or monsters.
  2. Will weapon upgrades or special items be made available for players to pick-up once they temporarily defeat Nemesis in each encounter (like in the original RE3)?
  3. If the game developers will allow Jill to enter and explore Raccoon City Police Station (like in the original game), how much of it will be open for temporary exploration?
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For Jill Valentine fans.

That’s it for now. Come back here soon for new updates.

Carlo Carrasco’s Game Review: Gears of War 4 (Xbox One, Single Player Campaign)

Believe it or not, I completely missed out on Gears of War 4 on Xbox One back in 2016. I simply had other priorities and I was unable to raise the money needed to buy the game. A year after that, I downloaded the demo of the game and managed to play

Finally, thanks to a recent sale online at Xbox LIVE, I purchased the game at last and recently managed to finish it. Gears of War 4 proved to be a lot of fun and even until now it still is a gem of game design and visual art.

To put things in perspective, I played the first three main Gears of War games from 2006 to 2011 and those games were mainly designed by the talented Cliff Bleszinski who had NO INVOLVEMENT with the latest game. Gears of War 4, by the way, is the first-ever internally developed game of Microsoft through its studio The Coalition.

The good news is that Gears of War 4 manages to be fun and it is easily the best cover shooter game on Xbox One right now.

On face value, it looks like the creative team led by Rod Fergusson (The Coalition studio leader) and director Chuck Osieja decided to play safe on game design by retaining the gameplay functions from the past. Quite easily, I managed to reclaim that old Gears of War feel in terms of control, shooting, moving and aiming. Like past GOW games, you must take cover for protection from the bullets fired by the enemies then peak, aim and shoot. Then when possible move forward to take cover at the next protective object and make your way to beat the other side. Then there is the classic reload function which, when well timed, can grant you temporary stronger firepower.

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Melee attacks in Gears of War 4 have improved and are more satisfying.

But as the game progressed, the new gameplay features emerged. For the first time, I can finally grab an enemy (who is crouched taking cover) from the other side of a protective object or barrier, pull the enemy and get to do a melee attack (or shoot with the gun). There is also the feature of the knocking the enemy off balance (by means of jumping over cover to kick the enemy on the other side) as well as performing the shoulder charge. Take note however that these new gameplay features – which add some depth on the classic GOW gameplay – can be used by the enemies against you.

And then there are the new weapons like the Buzzkill (watch those flying sawblades ricochet!) and the Dropshot (challenging to use but very satisfying when the target gets hit!) that add new dimension to the gameplay.

More on gameplay, if you are expecting enemy artificial intelligence (AI) to be the same as before (remember all the Locusts?), you will realize that’s not the case at all. The new enemies behave differently in combat and you will be compelled to change your strategies. Expect to see the enemies (which include robots) be more tactical with their movements and attacks, and you will also realize you will need to move out of cover more and search for a new place to take cover at.

That’s not all. The weather effects impact the gameplay a lot this time. There are these wind flares that not only blow strongly (watch the environment move) but also generate electricity that you must avoid touching. When the weather changes, you will not only have to take cover but be more strategic moving around as well as adjusting your aim when firing at the enemy (example: strong wind can alter the direction of the Buzzkill sawblade you fire). Lastly, there is a motorcycle chase scene that is quite action packed!

Visuals? This game really looks very great! The art is top-notch. The animation, the textures, the special effects and lighting effects really make a great showcase of the Xbox One, especially the Xbox One X (4K resolution with high-dynamic range). The character faces are very detailed. Facial expressions really will convince you into thinking you’re watching real people instead of computer-generated ones.

When it comes to storytelling, Gears of War 4 takes place 25 years after the previous game. You play as JD Fenix (son of hero Marcus Fenix and Anya Stroud) who is accompanied by Del and Kait. In terms of personality, JD is witty, striving to figure out things and he does not carry the cynical mindset of his iconic father.  Del is also witty although the lousy execution of humor won’t bring much out of him. Kait has the strong, fighting lady personality while also turning out to be ignorant and self-centered. The good news here is that their respective voice actors performed nicely.

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Father and Son.

Back to the plot, the Coalition of Ordered Governments (COG) has been reformed but something is not right and right from the start JD and Del deserted the coalition to join the group called the Outsiders. Government leadership is felt in the story and having the COG as the anti-hero element really makes Gears of War 4’s world really look and feel new. Forget about the memories of fighting for the COG in the old GOW games, Gears of War 4 is a whole new world to figure out what’s been happening while fighting to survive. If you are the kind of gamer who has the anti-authoritarian mindset, then this game is for you.

Strangely enough, this game’s story has some notable similarities with the 2015 blockbuster film Star Wars Episode VII: The Force Awakens. Without spoiling the story, I should say that Gears of War icons like Marcus Fenix (the central figure of the franchise) return in supporting roles. Instead of being the hero, he is the mentor to his son JD and even to you the gamer. This creative gamble by the developers fell short as JD is not really compelling as the protagonist.

While the gameplay is very good, the storytelling this time lacks the depth of Gears of War 3 but that is because new game’s story was structured to show how much had changed in the world and society in general. Gears of War 3, by comparison, is a war story and the resulting build-up from the first two games led to it having a very engaging conclusion.

Back to Gears of War 4, the ending lacked punch and yet it has a lot of intrigue or even shock, especially if you paid very close attention to the small but key details in the previous games. The ending feels underwhelming as it happened following the high-octane, final battle sequence of the game. The conclusion really lacked punch. By the way, there is a post-credits ending scene to watch out for.

Overall Gears of War 4 is a good 3rd-person shooter and in some ways it has features that progressed from the classic Gears of War game design. Now that the game costs much less, it is a great bargain! At the same time, it makes sense now to play GOW4 as Gears 5 (Gears of War 5) is expected to be released this year.

Gears of War 4 is recommended.


Thank you for reading. If you find this game review engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Carlo Carrasco’s Game Review: Resident Evil 2 (Remake)

Twenty-one years ago, I had a great time playing Resident Evil 2 on the original PlayStation console. I enjoyed the first Resident Evil on the same console in 1996 but it was the sequel that turned me into a fan of the game franchise.

A few months ago, Capcom released the remake of Resident Evil 2 (which I bought for Xbox One) completing the promise they made way back in 2015. Sure details of the game were kept in great secret until E3 of 2018 (when it was first previewed) but I can tell you from my experience that the long wait was indeed well worth it!

Before I go on, let me share to you that while just about everyone called this new version of RE2 a remake, for me it is more than that. I personally would call it a remake with expansion.

Now I can discuss the game

Gameplay and Presentation

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Shooting in 3rd person.

The way this game was remade and expanded, Capcom’s team did a great job to modernize Resident Evil 2 a lot. This is not a carbon copy of the 1998 game design done with 3D environments and a 3rd person view (over-the-shoulder) for the 8th console generation. The developers went the extra mile adding some new challenges and gameplay features that just might inspire other game developers to follow suit.

At its core, RE2 Remake is technically a 3rd person adventure game that carefully blends horror, action and exploration combined with suitable storytelling split into two sides. When you play a new game, you get to choose either Claire or Leon. Once you finish the game, a “New Game – 2nd Run” option comes up which allows you to play the other character on the other side (or scenario) of the main story that you just finished.

While the 1998 game had pre-rendered backgrounds presented in 2D (which makes sense with that game’s outdated tank-like controls), this game has every environment in full 3D which you can freely explore and revisit. As you control your character with a 3rd person view complete control of the view (that allows you to look around), the developers used shadows and darkness in many parts of the game to ensure an atmosphere of horror and suspense. There is nothing like walking down a very dark corridor with your flashlight not knowing what’s ahead of you.

Of course, there is the classic Resident Evil challenge of solving puzzles and item management. There are also these containers where you can put your items into for safekeeping and the good news is that identical containers in other locations instantly carry those stored items.

As this game deals with zombies, the game developers went all out on making each zombie and monster very detailed and grotesque to look at. The 3D artists seem to have studied anatomy while the in-game physics handlers ensured that whatever part of the zombie’s body gets hit by a bullet, it gets the corresponding damage. The zombies are scary and grotesque and compared to their 1998 counterparts, they are tougher and more dangerous to deal with. With regards to the monsters, the standout is the Licker which in this game is much more dangerous even if you have lots of ammunition. The Licker is capable of jumping a great distance towards you with a lot of speed to boot. The Licker can push your character down on the floor when you least expect it.

More on the monsters, the 3D art on William Birkin is incredible! It’s as if the game developers took a close look at the 1998 William Birkin (much lower polygons back then), watched John Carpenter’s movie The Thing for inspiration and then made the modern William Birkin look more monstrous with photo-realism in mind! The more mutated Birkin got, the more incredible the visual detail and scare factor got!

The most defining gameplay challenge is exploring the police station with Mr. X (a Tyrant) walking around searching for you. He walks around obsessively and can go into most rooms although he cannot enter the room with game saving devices (typewriters). Mr. X is very dangerous and each time he appears, the tension and fear run up high forcing you to get away somehow. As long as Mr. X is in the game, you must listen carefully to the ambient sound (note: raise the volume of your sound system or that of your HDTV) to watch out for the sounds of the steps he takes. The louder the steps, then it means his presence is very near you.

As expected, guns are the main weapons to use and eventually you will get to use a shotgun (for Leon), a machine gun (for Claire), grenade launcher, flame thrower and others. This is not a straightforward shooting game however. Zombies are tough as they take a lot of bullets to put down. This will force you to get the most out of each shot as the impact per shot is directly affected by the quality of the aiming which itself goes down as your character moves. To get the best aim, your character has to stand still and when you fire, you better hope that the zombies (which constantly move) do get hit. Sure you can move and fire at the same time but you won’t get good results in return. Forget about doing the Gears of War tactic here. Just pace yourself, be strategic, then aim and fire.

Your character gets to use a secondary weapon in the form of a combat knife or a flasher or even a grenade. Imagine your character is armed with a secondary weapon. If an enemy grabs, you will be prompted to use the secondary weapon to damage (or push back at least) the enemy and allow yourself to keep your distance away without getting hurt.

When it comes to survival, the classic gathering and mixing of colored herbs are back. Taking inspiration from 1999’s Resident Evil 3, the game allows you to create new ammunition by combining items needed for creation. As the items are varied, you can decide which kind of ammunition to make. Speaking of which, the amount of ammunition in this game is pretty limited and this will compel you to conserve bullets and make the most out of what you have to survive.

On the aspect of exploration, the locations in the 1998 RE2 are back but they have been expanded even as key locations from the old game were recreated in 3D. The police station seems bigger to me this time but the standout zone of exploration is the dark and gritty sewer (which puts the sewer in the 1998 game to shame). There are a lot more places to explore and the good news is that there is something worth collecting when visiting those places.

As for the deep underground science experiment facility, the game developers made the place really looked like it was used for work by the employees. There were lots of equipment around that were not presented as mere in-game decorations but rather they gave me a clear idea that work was done previously before disaster struck. There was even a sleeping quarter for stay-in employees which really looked lived-in.

Storytelling (warning: mild spoilers ahead)

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Leon Kennedy and Claire Redfield.

A zombie outbreak struck Raccoon City. Near the city, Claire Redfield (who’s searching for her heroic brother Chris) and Leon Kennedy (a rookie cop on his way to the police station) incidentally get together after having an early confrontation with zombies at a gas station. As they got into the city, an out-of-control truck hits their car (which they got out off in time) and separates them. Claire and Leon make it to the police station only to find out that it is hazardous with zombies and corpses inside. From this point on, they have to figure out what is going on, who is responsible and how they could escape and survive from the ruined city.

As this game is a remake, it is no surprise at all that the original script from the 1998 game was not reused but rather this new game has a new script inspired by it. The intention was to reintroduce not only the characters but the game’s core concepts to a modern gaming audience who, by today’s standards, are very used to watching very cinematic cut scenes in their video games.

The dialogue is lengthy and for the most part the voice actors performed nicely on delivering the drama (and the expository dialogue) and bringing the characters to life. The script captured the essence of 1998’s RE2 mostly but there were a few noticeable differences that bothered me.

For one thing, I noticed that Leon Kennedy in this modern game does not really take charge of his situation and even gets fooled and manipulated by Ada Wong who poses as an FBI agent. By comparison, Leon has a subtle but notable taking of responsibility (and taking charge) of the situation in the 1998 RE2. Remember dialogue in that game with Ada telling her that they cannot progress if she does not let him take charge? Remember the scene when the jailed journalist was told that if he wanted to survive, he would have to leave with Leon?  Those character traits of Leon taking charge against the odds really happened back in 1998. The remake’s Leon is more gullible and naive by comparison. Was this a deliberate alteration done by the script writer? We don’t know yet but the difference of Leon’s personality is noticeable.

Next is the lack of strength in the way Leon and Claire reacted to the zombie outbreak in Raccoon City. The scene where they get together for the first time at the exterior of the police station showed them being too casual (not that concerned) of their situation. Their exchange of dialogue felt better suited in a romantic movie. By comparison, their portrayal (getting reunited after the initial separation) in the 1998 game was more convincing.

Next, I have a problem with the way Claire decides to fight the heavily mutated William Birkin in their 3rd fight. It’s just not convincing in relation to the entire situation of the outbreak. Even though Claire Redfield has no military training (she knows self-defense only), she decides to risk her life fighting him completely disregarding the need to quickly save Sherry (suffering at this point) and escape with her. This scene is clearly another one of those “because the game requires it” situations. By comparison in the 1998 game, Claire reacts naturally with silent fear each time she sees William Birkin.

Apart from the differences between RE2 1998 and RE2 2019, there were these inaccuracies regarding the narrative of the game. Supposedly, regardless of which characters were used on each side of the main story, the core story’s events took place in close proximity to each other if not at the same time. This however does not explain Annette Birkin’s appearing in BOTH sides of the main story specifically in the moments leading up to the 3rd boss battle with her mutated husband William. She appeared in Leon’s side of the scene and also in Claire’s side of it. Was there a clone of Annette Birkin made behind the scenes?!

And then there was Mr. X who in the main story appears to hound both Leon and Claire respectively. What happened to Mr. X during Claire’s side of the story goes into direct conflict with Mr. X being the final boss in Leon’s side. I can only speculate that there were two identical versions of Mr. X in the story which the game developers never bothered to explain.

Conclusion

This remake of Resident Evil 2 is indeed a great game to play and I sure got my money’s worth having finished the single-player campaign a total of six times (focusing on the scenarios) even though there is a lack of zapping (which the 1998 game featured) and the narrative lacks precision when dramatizing the two sides (scenarios) and emphasizing the little details between them. The other game modes like The 4th Survivor, The Tofu Survivor and others add value on the side but for me, the real stuff of the game is the single-player campaign.

It’s not a perfect game but it is great enough for Capcom to keep me interested again in the Resident Evil game franchise. I hope that secretly they are working on a full 3D remake of Resident Evil 3: Nemesis (which has a visual clue in the RE2 Remake).

RE2 Remake redefined survival horror as much as it modernized the core concept of the 1998 game. In terms of survival horror gameplay, this game is the definitive model on how to do it. Forget about the debacle that was Resident Evil 6 because RE2 Remake is the one to play.

Resident Evil 2 Remake is highly recommended even if you are not an RE fan.


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

 

 

 

 

 

 

 

Final Fantasy Bonanza for Xbox Fans!

When rumors floated online in 2005 that Square Enix was being attracted by Microsoft to release games on what was back then their upcoming game console the Xbox 360, there were some gamers who just dismissed those rumors claiming that the Japanese company would NEVER release its role-playing games (RPGs) – specifically Final Fantasy games – on a console of an American company.

It was a different time back then for console gaming. Square Enix released Final Fantasy X, Final Fantasy X-2, Final Fantasy XII plus some Dragon Quest and Front Mission games on Sony’s highly successful PlayStation 2 (PS2) console. The company even developed a Final Fantasy spin-off for the GameCube with Nintendo as publisher.

For the original Xbox console, Square Enix made no games for it at all.

Things turned during the time of the Xbox 360. Square Enix published several games for it and to the delight of Xbox fans who love Final Fantasy, the company released Final Fantasy XIII, Final Fantasy XIII-2, Final Fantasy XI and other games.

This year Square Enix released several of their classic Final Fantasy games released for Xbox One gamers via Xbox LIVE – Final Fantasy VII, Final Fantasy IX, Final Fantasy X and X-2 and a few others.

The other announced game, Final Fantasy XII (The Zodiac Age), will be released on April 30.

Among these games, I’m currently playing Final Fantasy IX on my Xbox One and even though it has been almost twenty years since I last played it, I can say that I am enjoying it again. The game is technically a port of the PC version (which comes with cleaned-up graphics most evident on the character and creature models) and not a remastered version. More importantly, the gameplay is still fun (even though it has those random battles) and the story has a lot of heart.

With the classic Final Fantasy games available via Xbox LIVE, now is the time for Xbox fans (who love Final Fantasy or those who are very interested in Japanese role-playing games) to acquire them while they can. We should be very thankful to Square Enix (and surely to Microsoft’s Xbox team led by Phil Spencer) for those games.

Final Fantasy X and X-2 were remastered for Xbox One while the upcoming Final Fantasy XII has already been confirmed to run at a super smooth 60-frames-per-second on the premium Xbox One X console.

What is missing from the FF classics is Final Fantasy VIII which continues to puzzle gamers to this day.

If more Xbox gamers buy these classic FF games, then perhaps Square Enix will be convinced to release more of their past hits of their other franchises like Front Mission and Dragon Quest. Perhaps they will consider releasing the older, 2D FF games like Final Fantasy IV, Final Fantasy V and Final Fantasy VI.

Apart from enjoying the varied stories, characters and gameplay styles, gamers will also enjoy the music of Nobuo Uematsu.

For your enjoyment, I embedded below Xbox channel videos of Final Fantasy.

 

Resident Evil 2 remake demo observations

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I recently played the 6-gigabyte demo of the Resident Evil 2 remake on my Xbox One downloaded via Xbox LIVE. It was a one-shot demo limited to only thirty minutes of play time.

So how was my experience? I focused mainly on exploration of the Raccoon City Police Station and orienting myself with the game’s controls (and the 3rd-person view on exploration and shooting).

Having played RE2 on PlayStation way back in 1998, I found it stunning that the in-game environment rendered in full 3D polygons the look of the police station from the old game. Of course, not everything is 100% replicated. There are noticeable changes like re-arrangements of the certain furniture, items and even parts of the layout of the interiors. Clear to say, if you are a very avid RE2 gamer who pretty much memorized the placings of items in the 1998 video game, do not expect to find them the same in the 2019 remake.

Regarding controls, in my view RE2 feels very similar to that of Resident Evil 6 which was the last RE game I played. The 3rd-person view approach on movement and shooting are there. That being said, I find RE2’s shooting-and-moving mechanism inferior to that of Gears of War games with regards to response and precision. Not necessarily a bad thing and I do understand that the lack of response and precision is meant to enhance the claustrophobic feel for gamers. Resident Evil 2, after all, is Capcom’s attempt to revive survival horror seriously.

More on shooting, there is a balance between precision, impact and movement. There I was as Leon aiming at an approaching zombie while slowly walking backwards (to keep a distance). I took a shot at the zombie’s head while moving, the shot did not affect him. When I stopped moving, aiming became more precise (I noticed the on-screen target mark adjusting) and my shots hit the zombie better on the head and body.

Speaking of zombies, they are slow moving but are noticeably faster compared to their 1998 counterparts. Once near you, a zombie can take a sudden move forward to grab and bite you.

What I found intriguing is that when I was caught between two zombies, they both grabbed me and attacked me at the same time causing further damage to Leon’s health. I wonder what would happen if, let’s say, Leon got caught between two Lickers in a similar situation.

On exploration, the move into the dark portions of the police station using only a flashlight to see ahead is a nice touch. I ended up moving cautiously as I explored the rooms and other things to search for useful items like a key, first aid spray, etc.

And then there is the discovery about what happened to the police station. One police officer I tried to save died losing half his body as zombies from the other room grabbed him. Then there is another police officer who helped Leon survive from suffering the same death.

Because I focused more on exploration and getting used to the controls, my 30 minutes ran out without reaching the end.

So how do I feel after playing the one-shot demo? Personally I am not keen on buying Resident Evil 2’s release on January 25. I will observe first how the game will perform critically with the game review writers, the bloggers and of course the feedback of the many gamers who play it.

I do remember the overall feel of Resident Evil 2 on PlayStation in 1998. The first part was all about orientation, exploring the police station and finding out how Raccoon City got overwhelmed with zombies caused by the deadly, artificially made virus. Then as the game progressed, locations changed and more characters entered the plot, the pace quickened, the action became more intense and there was that sense of adventure as well. It remains to be seen if such things will happen in the overall narrative of the RE2 remake.

Thank you for reading. Please share this article to your fellow gamers and Resident Evil fans. Feel free to comment below and if you enjoyed this article, please press the like button below. Also my fantasy book The World of Havenor is available for ordering in paperback and e-book format.

 

Observation of the first twelve hours Tales of Vesperia: Definitive Edition

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Very recently I got to play the first twelve hours of Tales of Vesperia: Definitive Edition on my Xbox One console. As the subtitle showed, this is an enhanced re-release of the game which first came out on Xbox 360 in the year 2008.

This early I can confirm that Bandai Namco delivered its promise on Tales of Veperia: DE as the game’s visuals have been upscaled which means that the anime cut scenes and the in-game cut scenes (cel-shaded polygons and colorful 3D surroundings) look really crisp. More importantly this new version has two additional playable characters with Patty (the little pirate) and Flynn (rival of Yuri).

With Patty and Flynn added, so were the cut scenes and this also meant additional voice-overs, more in-game art and more sound effects altogether. Oh yes, their respective abilities and gameplay features added even more variety to the game’s big mix of features.

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Patty the pirate!

When it comes to the gameplay experience, I should say that this one has proven to be a lot of fun so far. For the first twelve hours the story moved at a moderate to quick pace while still allowing me to get to know Yuri and the main characters, the situations of the fantasy world and how the game plays.

When it comes to battles, they are pretty much low in stress. Unlike most JRPGs, there are no random battles to annoy me as I am given the freedom to decide if I want to fight a group of enemies (portrayed as individuals on the world map) or not. When I need to level up my characters, I engaged in many battles and the good news is that grinding (engaging in back-to-back battles to gain experience points to level up) in this game is not very stressful. Certainly not annoying.

This is because the battles are performed in real-time. Physical combat is done by button mashing which is quick and easy. Using magic uses the menu (which means pausing the game) to select a spell and which character to use. Switching between characters (up to four) is also quick and easy.

I already had my team engage in lots of battles to level-up, help them gain new skills or special abilities and of course raise money (called Gald). The good thing is that I never felt stressed out.

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Battles in the game are fast and relatively convenient to manage. (image from Bandai Namco)

When it comes to storytelling, the game has a wholesome tone comparable with past Tales Of games.

While I still have a long way to go in the game, I can confirm to you gamers and JRPG fans that Tales of Vesperia: Definitive Edition is so far a fun game to play on your modern console. Once I finish the game, I will post a review. When? I don’t really know yet.

Thanks for reading. Please feel free to share this article or comment if you have something to say. If you enjoyed it, please feel free to press the like button below.