Write About Love is the first new Metro Manila Film Festival movie I saw in the theater in many years and I should say it was surprisingly good.
Here’s my review of Write About Love directed by Crisanto Aquino and released by TBA Studios.
Early story
The story begins when a lady (Miles Ocampo) succeeded in selling her story to executives of a movie studio. A short time later, the executives found her story looking “too mainstream” and was very similar to that of another movie. This results an order on revising the story and she has to do the rewriting assignment with the involvement of a seasoned indie screenwriter (Rocco Nacino). They have only thirty days to revise and improve the script and the state of the film project was at stake.
Together the screenwriters work and discuss in detail how to establish the situations, how to develop each character through trials and emotional rides, what to do to make the story deeper and the like.
As the film’s narrative and the screenwriters work on, the respective lives of the in-story characters transpire.
Quality
To put things in perspective, Write About Love is a character-driven movie about screenwriters who are challenged to craft a much-improved screenplay for the movie studio while dealing with matters of their respective lives. Miles Ocampo is clearly the protagonist of the film and through her, you will relate with the pressure of work she goes through, the creative challenges of writing stories (and developing the characters), and the fractured parts of her personal life (hint: she lives with her mother but maintains contact with her father). When it comes to acting, Ocampo delivered the emotions needed in each scene that required heavy drama. You will see her cry a lot and you’ll even feel her pain.
Her co-star Rocco Nacino (the other screenwriter) has comparable screen time as hers but with much less dramatic scenes. Nacino does excel, however, with the more creative side of screen writing.
What really stood out with the dramatic performances are the supporting players Yeng Constantino and Joem Bascon as the screenplay characters of Joyce and Marco. Joyce and Marco are lovers living-in together but their relationship got hampered by their respective careers. Joyce is a musician and Marco is a corporate executive. When things get rough between them, crying scenes happen along with convincing moments of depression. Constantino herself stands out as her in-depth talent in singing blends nicely with the dramatics of her character.
Constantino and Bascon are not the only supporting players in the film. There was also Romnick Sarmienta (himself a star in many romantic comedies in the 1980s) and Che Ramos, and each contributed nicely into the film.
When it comes to storytelling and visual presentation, Write About Love was very nicely done. The story moved at a steady pace and there was a good amount of interesting dialogue. In my experience, nothing felt padded. Even the slowest scenes did not bore me. The drama was heavy and there were several moments of clever humor executed.
I also really enjoyed the filmmakers’ smart of use of visuals in which screenplay scenes showing the lives of Joyce and Marco happening while the screenwriters appear near them as if they are watching (actually they were imagining and structuring the scenes which were part of their work for the movie studio). The shots of Joyce and Marco interacting were in full color while the shots showing the screenwriters had desaturated colors.
While it was clear that the filmmakers got great performances from the actors, this movie should be recommended for some very memorable cinematography that took place in the 2nd half. I’m talking about the location shots of North Luzon locations like Baguio City and Sagada. The most visually striking scene was the sunrise scene and if you ever see it, do your best to feast your eyes on it.
Conclusion
Write About Love is a pretty good film to watch and definitely it is one of the better movies released here in the Philippines for the past decade. It does not have an epic concept but rather a small and simple concept that was nicely executed with fine cinematic artistry. The performances are very good (without going into over-acting), the characters are worth caring and following, and the film offers a very unique look at what goes on behind the scenes in the local movie industry.
Also the theme about love is nicely expressed through the trials and emotions of the characters. In relation to its title, this movie shows that writing about love will never be easy because love itself is complicated and unpredictable. In short, realizing the true meaning of love is an everlasting struggle.
Overall, Write About Love is recommended.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenoris still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Hey readers, moviegoers and geeks! Were you able to watch the official, first movie trailer of Wonder Woman 1984? It was released globally today online and, in case you have not seen it, here is the movie trailer for your viewing pleasure.
That movie trailer, which was released around the time the Wonder Woman 1984 special event at the CCXP in Brazil ended, was a blast and having seen it, I am more excited for the movie’s June 2020 release. I plan to watch it on an IMAX screen by then.
Official movie character poster for Wonder Woman 1984.
What can I say? It does not only have the 1980s setting (hence the year on the movie title), but the said time setting was made to be very lively in terms of visuals, fashion, style, music and feel. When it comes the decade in real life, it was the same decade when DC Comics published the maxi-series Crisis on Infinite Earths. Following Crisis, a major relaunch of the entire DC Comics universe followed and along the way Wonder Woman was reintroduced under the creative direction of George Perez. The George Perez-era of Wonder Woman, at least seen in the trailer, is looking like a big influence on the new movie starring Gal Gadot and Chris Pine (whose character Steve Trevor returns somehow) and directed by Patty Jenkins. This brings me to my next point.
Early in the trailer, Diana/Wonder Woman was shown talking with archaeologist Barbara Ann Minerva (played by Kristen Wiig). What’s so significant about Minerva? She is none other than the super villain Cheetah, specifically the 3rd version of the character that debuted in the comic books during the George Perez-era of Wonder Woman!
Here are some images from the pages of Wonder Woman #9 from 1988.
All of the above images are properties of DC Comics.
As I mentioned before, the involvement of Cheetah in the movie is alone a great attraction. As far as the trailer goes, we only see Cheetah in her normal human form with Kristen Wiig. The way I see it, we will eventually see the super villain in her terrifying, animal-like form. I am speculating the filmmakers will save that for the movie’s release and will only show very brief, body part shots in the next two movie trailers leading into June 2020. It’s much better this way especially under the watch of Walter Hamada.
Regarding the return of Steve Trevor, I don’t want to speculate as to how he returns given what happened in the acclaimed Wonder Woman movie of 2017. Still, it sure is nice to Chris Pine return as Diana’s romantic partner because he and Gal Gadot have solid chemistry together and there is indeed a need to present more cinematic adventures of them together just like in the comic books!
As seen in the trailer, some shots showing Wonder Woman and Steve traveling together in a foreign land (with a desert environment) where they encounter military hardware operated by some group (or a government perhaps?). This is clearly a Cold War reference although which particular setting or historical event the movie is emphasizing remains to be revealed.
Maxwell Lord.Barbara Ann Minerva/Cheetah.Steve Trevor.
The Cold War setting is the new era emphasized for Wonder Woman 1984. Story details are unintentionally light but what was shown in the trailer made the movie very promising.
As for other elements like the cinematic Maxwell Lord, shots of Themyscira, Wonder Woman’s armor and others, I’ll discuss those next time. Right now, things are looking great for Wonder Woman 1984 and we’ll see more what the filmmakers have left to offer in the next two movie trailers.
If my sources are correct, the creative synergy of director Patty Jenkins combined with passionate work implemented by Gal Gadot on playing the Queen of Superheroes should result a great Wonder Woman cinematic story as well as a solid superhero movie. On the part of Warner Bros. Pictures, it seems the studio and its creative teams are now in more solid footing when it comes to making new DC Comics superhero movies. The DC Comics cinematic stuff will resume on February 2020 with the release of Birds of Prey.
Wonder Woman 1984 will open in cinemas around the world on June 2020.
Wonder Woman 1984 star Gal Gadot with cosplayers and fans during the CCXP in Brazil. (photo source – Wonder Woman Facebook page)
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenoris still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
With the unexpected, massive success of the Joker movie (my review here), the DC Comics brand in the field of movies got strong even though the said film was not related at all with the current DC Comics Cinematic Universe. The R-rated, Joaquin Phoenix-led movie grossed over $1,000,000,000 worldwide (without even a release in China) and already it is one of the most profitable movies this year given the fact it was made for well below $100 million. Also, please take note that less than 100% of each ticket sold gets collected by the movie producer.
The future meanwhile looks very promising for fans of DC Comics movies. 2020 will see the respective theatrical releases of Birds of Prey (February) and Wonder Woman 1984 (June) care of Warner Bros. and its creative teams of filmmakers. The Batman (starring Robert Pattinson and directed by Matt Reeves) meanwhile spearheads the cinematic superhero excitement for 2021.
Official Black Adam movie image. Note Jim Lee’s name on the lower-left corner.
“I’m honored to join the iconic #DCUniverse and it’s a true pleasure to become, BLACK ADAM. BLACK ADAM is blessed by magic with the powers equal to SUPERMAN, but the difference is he doesn’t toe the mark or walk the line. He’s a rebellious, one of a kind superhero, who’ll always do what’s right for the people – but he does it his way,” Johnson wrote in his Facebook page’s November 15, 2019 post.
“I’ve not given up the role. There’s a lot I have to give for Superman yet. A lot of storytelling to do. A lot of real, true depths to the honesty of the character I want to get into. I want to reflect the comic books. That’s important to me. There’s a lot of justice to be done for Superman. The status is: You’ll see,” Cavill said.
Henry Cavill is NOT yet done with playing the cinematic Superman!
While there is no clear sign that there will be a new Superman movie coming, I want to express that Warner Bros. and its creative teams should grab the opportunity of bringing Dwayne Johnson and Henry Cavill together on the big screen as Black Adam and Superman respectively.
I’m not saying that Superman should be in the Black Adam movie because I believe that the 2021 movie has its own concept already. Rather they can have the two DC Comics characters together in a future Superman movie with Black Adam as the main antagonist, and have the two fight each other hard.
In the comic books, there have been past battles between the Man of Steel and the Shazam villain. The first was in the 1982 comic book DC Comics Presents #49. Check out the images posted below.
And then there was the other encounter in 2005’s Action Comics #831.
Let’s not forget the fact that Dwayne Johnson is a great attraction when it comes to hard battles on the big screen.
I believe that having Johnson as Black Adam fighting Cavill’s Superman will be a great cinematic attraction. With the right director and the right fight choreographer, such a movie battle will be a lot of fun and make people forget about the disappointing battle of the DC Comics icons in Batman v. Superman (which started strongly but lost energy and its pace worsened). In terms of storytelling, there are enough comic book references to help screenwriters come up with a sensible and believable way to establish a conflict between Black Adam and Superman. Again, there is Batman v. Superman as a cinematic storytelling disappointment to avoid repeating.
Let’s not forget that the movie Shazam was a critical and commercial hit for Warner Bros. and it’s safe to say that we will see more of Zachary Levi reprise the title role in future movies. At the same time, we have yet to see Shazam (formerly called Captain Marvel) face off with Black Adam and have a true, lengthy encounter with Superman.
If you are a dedicated DC Comics fan who wants to see Superman and Black Adam clash together on the big screen, express your support to the filmmakers, to Warner Bros. and also to Henry Cavill and Dwayne Johnson online.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenoris still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
I will just say it straight and clearly – the Terminator film franchise is truly unnecessary today and, having seen its debut in the year 1984 (written and directed by a very young James Cameron), I should say that the saga really ended with 1991’s Terminator 2: Judgment Day (Cameron’s masterpiece).
Ultimately, I left the cinema disappointed yet again although the experience was not as bad as that of 2015 (with Genisys).
Clearly, the filmmakers took inspiration from Star Wars: The Force Awakens and mix the more established film franchise stars (in supporting roles) with the younger actors.
To put it short, Terminator: Dark Fate took creative inspiration from 2015’s Star Wars: The Force Awakens. This means it was made with recycled concepts, told the story through its new characters (played by actors who are much younger and who are supposed to appeal to younger viewers) and back them up with the old, more iconic actors (Arnold Schwarzenegger and Linda Hamilton) limited to supporting roles. When it comes to presentation, this new movie felt more like a roller coaster ride than an actual story laced with spectacle stage-by-stage.
That is pretty much how Terminator: Dark Fate turned out. It does not matter that this was directed by Tim Miller, the guy behind 2016’s Deadpool. It does not matter that the great James Cameron got involved with producing and story credit (he shared with a few other names). It does not matter that this movie was made with a large budget of $185 million and relied heavily on computers to generate the visuals (which look fake most of the time). Whatever the preparations made, they did not matter at all because Terminator: Dark Fate is a rushed and creative disappointment that does not deserve your time nor your money.
The movie opened with archived footage of Sarah Connor expressing the darkness of the future coming. This was immediately followed by a scene set in 1998 showing Sarah and her son John living in an age in which Judgment Day did NOT occur on August 29, 1997. Suddenly another Terminator T-800 Model 101 (another Schwarzenegger-type Terminator) appears and actually kills John Connor leaving Sarah in turmoil.
This is the protector sent through time by the human resistance.
John Connor, who has been a central story element in the 1984 and 1991 (memorably played by Edward Furlong) movies as he was destined to be the human resistance leader in the war with Skynet, was eliminated so quickly in the opening of this new movie very similar to how the character of Dwayne Hicks (played by Michael Biehn in the James Cameron-directed Aliens) got killed in a very dismissive way in the beginning of Alien 3. This move was nothing less than cynical, ill-conceived and even a daring disservice to Terminator fans.
From this point on, Terminator: Dark Fate turns into a “what if John Connor was dead and a new future war followed?” type of story.
Even though Judgment Day got prevented in relation to what Sarah and John achieved in Terminator 2, a new war between man and machines in the far future still occurs only this time Skynet is no more and the new enemy artificial intelligence (AI) this time is called Legion. This new story concept, by the way, is pretty insulting to any fan who loved the first two films directed by James Cameron as those flicks told a complete saga.
This is the new, future leader of the human resistance.
And then the plot of The Terminator got recycled. A human fighter is sent back through time to protect a person who is destined to become the leader of the human resistance. Also sent back through time is a Terminator designed to look human and infiltrate society with a mission to kill the future human resistance leader. This is essentially what Terminator: Dark Fate truly is and even though Sarah Connor returned (plus another Terminator T-800 played by Schwarzenegger), there really is nothing new, nothing fresh and nothing worth enjoying.
When it comes to quality, this movie does not have much standing for it. The new characters are not engaging at all and their respective performers really had nowhere to go to engage moviegoers. Mackenzie Davis playing the new combat-ready protector only served to beef the film with action and there is nothing compelling about her act, nor did the script provide anything to make her androgynous character memorable. The new human resistance leader played by Natalia Reyes is forgettable and unbelievable even though she tried hard being dramatic. Compared with Sarah Connor in 1984’s The Terminator, the chosen one Dani Ramos in the film was transformed from a struggling, working-class person into a brave fighter in a very rushed and unconvincing manner. Also, if you take a close look at Natalia Reyes, she is too short to be a figure of authority, too small to use weapons and her act is clearly sub-par in terms of quality making her big misfire in terms of casting. The performance, script and directing really had no depth when it comes to developing the characters.
The new Terminator (Rev-9) played by Gabriel Luna was nothing more than an uninspired attempt to outdo the T-1000 of Terminator 2. Luna was decent with playing cold and emotionless but when he acts human to infiltrate human society, he’s just generic at best.
This is the new cinematic villain that won’t stop to kill the future leader of the human resistance. Oh, the computer-generated visuals are often fake to look at.
As for Arnold Schwarzenegger and Linda Hamilton returning, it is sad for me to say that these two iconic performers of the film franchise got wasted. Sarah Connor in this movie was poorly written and this modern version ruins the legacy the character had since 1991. Schwarzenegger meanwhile played another T-800 Terminator whose adjustment into human society turned out to be unconvincing, even outlandish. A Terminator adjusting into domestic human life? Totally unbelievable!
If there is anything to admire in this ill-conceived movie, it is Schwarzenegger’s delivery of his lines as the Terminator. He was over 70-years-old at the time of filming and he no longer has the super fit, muscular build he was famous for but he still proved to be excellent in being robotic with the dialogue. Sadly, this good stuff from the ex-governor of California was not enough to save this movie from its dark fate.
The film has a lot of action and there is a notable variety of it here. Even though action-packed and the action quality is an improvement over Terminator 3, Salvation and Genisys, Terminator: Dark Fate is ultimately a ride that can only provide temporary relief from the pain of the weak script. Oh, the use of fake-looking CGI hurts the action and stunts
Conclusion
Let this be the LAST Terminator movie and let it fade away. How? By NOT spending your precious time and money on it.
Terminator: Dark Fate clearly failed to be a solid film and definitely it is NOT worthy of being the official follow-up (the “real Terminator 3”) to the first two films written and directed by James Cameron. Cameron’s involvement with this movie did not really improve the situation of the deteriorating Terminator film franchise and even worse, this big disappointment taints his record of excellence as a producer. Director Tim Miller, in my opinion, should go back to superhero film making or try directing a brand new project of science fiction that does not involve an established intellectual property.
Bottom line – Terminator: Dark Fate is absolutely not recommended. You definitely should NOT spend your money on this movie (the cinema, future release on streaming services, Blu-ray, DVD, etc.). The movie is also woke garbage and the product of DEI (diversity, equity and inclusion).
If you want to experience the cinematic greatness of the Terminator film franchise, go back to watching The Terminator and Terminator 2: Judgment Day instead.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenoris still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Way back in 1994, Warner Bros. released the action movie On Deadly Ground which marked the directorial debut of its star Steven Seagal. The movie had a poster that easily attracted the attention of avid Steven Seagal fans and eventually the film lured quite a lot of moviegoers to the cinemas.
Even though it had a boring design, this image at cinemas excited Steven Seagal fans and moviegoers craving for action.
I never saw it in the cinemas due to a lack of time and money. Instead I saw On Deadly Ground on VHS format (and later on cable TV) in the comfort of home. That comfort however turned into disappointment after watching it.
For starters it’s a Steven Seagal movie which guarantees lots of hard-hitting action with lots of swearing. What makes it feel unique was its focus of the environment and its very forced concept about a very greedy top executive of an oil company is creating danger towards the environment as his team rushes to complete an oil rig called Aegis One in Alaska.
The execution of the movie, to say the least, is rather poor. Just about every character in the movie is one-dimensional. When it comes to action, it is typical (and very predictable) Seagal as the star gets to fight lots of bad guys without ever being hurt by them! Ironically Seagal in the film expresses pain over the treatment of his wounds.
Star-director Steven Seagal and the film crew working on an action sequence.
And then there is the emphasis on the environment. The movie narrowly portrays the fictional oil company as the force of danger to nature and threat to indigenous people of Alaska because it is led by Michael Jennings (played by Michael Caine) who is too greedy and desperate to beat a deadline and prevent the oil rights from reverting back to native Alaskans.
That’s right! Jenning’s Aegis had the oil rights for twenty years and all they could do is try to launch an oil refinery so near the end of the time period. Does it really take that long to construct an oil rig? What exactly did Jennings do during those twenty years? I mean, he acquired the oil rights from the natives and I could speculate he did not prioritize the construction of any oil-related business project using those same rights. Perhaps Jennings spent years touring the world, suddenly was advised that his corporation has financial trouble and only then did he go to work to make oil rig.
More on the environment, Steven Seagal plays Forrest Taft who initially serves Jennings. He eventually checks the computers of the company to find out that faulty equipment has been used and the delivery of better and more reliable equipment is coming in way too late. Taft even asked Jennings (who eventually learned about Taft’s unauthorized computer access) how much money is enough and this predictably leads to a scene in which Taft gets set up to die in an explosion.
Michael Caine and Steven Seagal.
Unfortunately for Jennings and the other bad guys, Taft survived and got assistance from native Alaskans. Very predictably, he makes a comeback, collects weapons, performed a few destructive operations before proceeding to Aegis Oil’s rig to cause further destruction and kill bad guys!
Then the film ends with Taft giving a speech at the Alaska State Capitol focused on uncontrolled pollution, environmental destruction and big businesses’ contribution to environmental decline.
Chinese actress Joan Chen pretending to be a native tribe member.
It’s funny how Taft got to deliver his speech. He was not arrested for causing the oil rig’s devastation nor was held accountable for killing other people. Where were the local authorities who could have initiated an investigation? Even without Michael Jennings, the oil company could have gone to the local authorities or the federal government to accuse Forrest Taft for murder and even acts of terrorism! Also where in the world are those staunch, loudmouth environmental activists, SJWs and climate change activists? The damage caused by Taft on the oil rig clearly caused damage to the natural environment with those toxic fumes from the explosions! Logic was clearly thrown out for the sake of senseless violence.
When it comes to performances, this movie is a showcase of shallow acting and cinematic expressions. Not only are the characters one-dimensional and the script really had no character development, the actors really had no where to go as far as acting is concerned. Chinese actress Joan Chen plays Masu who only serves as the English-speaking expository dialogue delivery person to help the audience understand the norms and concerns of a native tribe. Shari Shattuck (who is an author and has her own Facebook page) played the pretty, bland and straight-forward special assistant to Michael Jennings. R. Lee Ermey, who is best known for playing military officers, plays the leader of a group of mercenaries who got defeated too easily by Seagal.
In terms of directing and overall presentation, this movie is clearly nothing more than a vanity project of Steven Seagal. There were many moments in the film that looked like it suggested viewers to worship and idolize Seagal. The pacing of the film is very lackluster overall.
Poorly directed scenes? One of them is the excessively violent torture scene of Hugh Palmer (played by a then 73-year-old Richard Hamilton) which showed no restraint on the part of filmmakers. The scene, which was clearly designed to make moviegoers see the evil of Michael Jennings through the acts of his henchmen, would have worked better had the on-screen torture been reduced and shortened.
More on the movie’s violence, the scene showing Forrest Taft easily beating up multiple oil workers in response to the mistreatment towards a native man was unnecessary and overly long. Taft looked more like a senseless superhero who does not care about humanity and laws. And then there was that hand-slap game between him and “the man’s man” Big Mike (Mike Starr). The presentation of violence and bloodily injuring a man as means of enlightenment is senseless.
Ultimately On Deadly Ground is a worthless action to film to watch and I believe only die-hard Steven Seagal fans will love it. It was a very bad movie back in 1994, it’s even worse by today’s standards. On Deadly Ground is filled with bad ideas turned into film. A pro-environment concept presented as a senseless action film is a big waste. And then there is the old stereotype that a giant corporation’s head is unabashedly evil, inhuman and greedy (note: not all corporate heads of billion-dollar corporations are like that).
As such, I should say that you should never waste your time nor your money on this piece of crap.
+++
Note: This retro movie review was originally published at my old blog Geeks and Villagers. What you just read was the updated and expanded version. As such, this retro movie review is the most definitive version.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenoris still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
In my old life, I used to be fond of celebrating Halloween. Having been Born Again, I realized my true purpose in life under God the Father and His Son Jesus. That being said, I realized how wrong it is to celebrate Halloween which is essentially evil and unholy for any Christian (including those who practice idolatry which itself is sinful). Halloween will take Christians away from the Lord and that alone is reason enough to reject it.
Halloween’s origin is Celtic by nature and it is connected with observing the sacrifices to gods under the Druidic culture. There is also Samhain, a dark lord who sends out evil souls to attack humans who try to save themselves by wearing disguises with the images of those very evil souls.
Sounds familiar? It is because there are these modern day Halloween practices that are linked to the evil rites and superstitions of Halloween. In the modern world where Halloween gets celebrated, people (including many children) go out and around their local communities wearing costumes of horror figures like zombies, demons, monsters and pop culture-related villains (examples: Jason Voorhees, Freddy Krueger, Michael Myers). These costumed Halloween participants, looking horrific, would visit any household that offers candy for trick-or-treat. Wearing “non-horror” costumes like superhero attire or fantasy attire (example: dressed like a princess) does NOT reduce the evil that comes with Halloween. There is no such thing as an innocent way of celebrating Halloween.
And then there are those multimedia-related ways of celebrating Halloween like watching horror movies back to back or playing video games that carry strong horror themes. There is also the business aspect of Halloween as food retailers promote the season by linking it with selling candy and chocolate (clearly to take advantage of families or groups that intend to give away the sweets during trick-or-treat Halloween celebrations in the local communities).
Halloween trick-or-treat here in the Philippines even made its way to local government units. In October of 2016 and 2017, the City Government of Parañaque organized trick-or-treat at City Hall which attracted kids wearing costumes (including horror and superhero attire) who visited varied offices that give away candy. During those times, the City Government even organized special events at the nearby city sports complex celebrating Halloween which I find rather disturbing.
In my old life, I enjoyed celebrating Halloween and I used to ignore the claims that it was unholy and evil. While I never went out for trick-or-treat as a kid, I helped out in giving candy to costumed visitors. I also hiked around the local area photographing the Halloween activities flocked by participants, and then uploading those pics online for social media users to view. I also took time celebrating Halloween by watching horror movies.
Looking back, I honestly admit that celebrating Halloween was indeed wrong. Now that I’m a saved soul and a dedicated Christian with a living relationship with the Lord, I declare that Halloween is wrong, unholy and evil. Halloween is a popular tool used by Satan to take people away from God and Jesus. Halloween definitely should be rejected always and we Christians must always be with God. Let me discuss the following points.
“Is it okay for a Christian to celebrate Halloween?”
The answer is a definite NO. Let’s take a look at the Holy Scripture below.
You cannot drink the cup of the Lord and the cup of demons; you cannot partake of the Lord’s table and of the table of demons.
1 Corinthians 10:21 (NKJV)
And now the Amplified version.
You cannot drink [both] the Lord’s cup and the cup of demons. You cannot share in both the Lord’s table and the table of demons [thereby becoming partners with them].
1 Corinthians 10:21 (AMP)
Very clearly, there is no room to worship both the Lord and evil. If you want to be with the side of God and Jesus, you really need to purify yourself and free yourself from whatever form of evil thrown at you by Satan. Satan is a loser indeed, however he still exists because Adam gave him dominion (read about Adam’s Rebellion) and as long as he exists, he will do anything to take you away from God, to prevent you from worshiping the Lord and will use anything (including religion and idolatry) to prevent you from making progress with the Lord. Halloween is one of Satan’s weapons against Christianity. Halloween is also a long-time tool of the enemy to embrace evil.
If you sinned by celebrating Halloween and committing other sinful acts in your past, you can still be saved (note: you need to be born again to be saved. Heed the words of Jesus in John 3:3) because God is merciful and you need to be willing to repent, submit to Him and dedicate yourself to Him with an established personal relationship with Him.
Be aware that goodness comes from God and evil comes from Satan. It’s as clear as night and day. If you are a saved soul, then it is clear you should stand with God and His Son Jesus. Being dedicated to the Lord will spare you from evil, and that takes willingness and decisiveness from your end.
Learn from this Holy Scripture.
And you He made alive, who were dead in trespasses and sins, in which you once walked according to the course of this world, according to the prince of the power of the air, the spirit who now works in the sons of disobedience, among whom also we all once conducted ourselves in the lusts of our flesh, fulfilling the desires of the flesh and of the mind, and were by nature children of wrath, just as the others.
But God, who is rich in mercy, because of His great love with which He loved us, even when we were dead in trespasses, made us alive together with Christ (by grace you have been saved), and raised us up together, and made us sit together in the heavenly places in Christ Jesus, that in the ages to come He might show the exceeding riches of His grace in His kindness toward us in Christ Jesus. For by grace you have been saved through faith, and that not of yourselves; it is the gift of God, not of works, lest anyone should boast. For we are His workmanship, created in Christ Jesus for good works, which God prepared beforehand that we should walk in them.
Ephesians 2:1-10 (NKJV)
Each and every one of us was created to be loyal, faithful, loving and dedicated towards our Heavenly Father God and His Son Lord Jesus even as we were granted the freedom to think, act and decide. Even before we were even made, God established a plan for each and every one of us. Worshiping Satan, embracing evil, celebrating Halloween and living a life full sin and wickedness are obviously NOT part of God’s plan for us all.
By realizing the true purpose of your existence under God, you will realize that it is your destiny to be saved and to be faithful (not religious) to the Lord. Satan used a whole lot of tools to prevent God’s creations from being with Him. Satan used not only Halloween but also religion, idolatry, money, power, destruction, secularism, atheism, agnosticism, Marxism, socialism, Communism, Leftism, entertainment and a whole batch of other tools to bring Christians down and make evil stronger.
Going back to Halloween, that celebration of evil includes witchcraft which is an abomination! In our world, it is too easy for people to go out wearing costumes to look like witches and this alone spreads the influence of evil around. There are also filmmakers and other creative people out there who made witchcraft look cool or even a good custom to practice. The 1996 Hollywood movie The Craft is one such example of spreading Satan’s influence to the public and I personally recommend to you readers to avoid watching that movie (note: destroy whatever physical or digital copies you have of it) at all. In addition, I urge you to avoid spending your hard-earned money on such evil, and that means boycotting promotional products of Halloween and anything related to evil. Witchcraft and related stuff like sorcery, necromancy and magic are abominations as written in the Holy Bible. Read the Holy Scripture below.
“When you come into the land which the LORD your God is giving you, you shall not learn to follow the abominations of those nations. There shall not be found among you anyone who makes his son or his daughter pass through the fire, or one who practices witchcraft, or a soothsayer, or one who interprets omens, or a sorcerer, or one who conjures spells, or a medium, or a spiritist, or one who calls up the dead. For all who do these things are an abomination to the LORD, and because of these abominations the LORD your God drives them out from before you.”
Deuteronomy 18:9-12
Those abominations that look good in entertainment media are all made to deceive you and prevent you from achieving progress and purity with the Lord. From time to time, there are media reports about real life people who practice witchcraft, sorcery and other unholy customs that make this world a terrible place under the eyes of God. That is, obviously, very unfortunate because it proves how screwed up our physical world really is.
Even appearances can add to the influence of evil. You think going out in local community Halloween celebrations dressed as a witch, or as a magician or as a sorcerer (or even cosplaying as Marvel’s Doctor Strange) is okay with the Lord for as long as you don’t practice witchcraft and the like? Wrong! Imagery or appearances of evil spread evil and deceives others. Such imagery also will influence people to embrace idolatry which itself is a sin. Already there are many people who not only celebrate Halloween (Satan’s festival) but also idolized evil figures like the Jack-O-lantern, Dracula, Jason Voorhees, Freddy Krueger and more. Idolaters will not inherit the kingdom of God! Very clearly, idolatry is unholy! Learn from the scripture below.
Surely you must know that people who practice evil cannot possess God’s kingdom realm. Stop being deceived! People who continue to engage in sexual immorality, idolatry, adultery, sexual perversion, homosexuality, fraud, greed, drunkenness, verbal abuse, or extortion—these will not inherit God’s kingdom realm.
1 Corinthians 6:9-10 (TPT)
Rejecting Halloween Effectively
You might be wondering: how are we Christians supposed to reject Halloween and its evil effectively?
First, we must realize our purpose as Christians from the following Holy Scripture.
You are of God, little children, and have overcome them, because He who is in you is greater than he who is in this world.
1 John 4:4 (NKJV)
And the Amplified version…
Little children (believers, dear ones), you are of God and you belong to Him and have [already] overcome them [the agents of the antichrist]; because He who is in you is greater than he (Satan) who is in the world [of sinful mankind].
1 John 4:4 (AMP)
With that Holy Scripture in two versions, it is clear that as children of God, we are victorious for we believe in the victory of Jesus over Satan. With God on our side, nothing is impossible and we have the power to reject fear, reject evil and reject Satan ultimately. It is by faith in the Lord, not religion and not idolatry, that Christians are special and holy. Stronger than Satan too.
With God on our side, Halloween’s global popularity can be wiped away and its influence of evil on others can be removed and be replaced with the goodness and the biblical truth emphasizing the holiness and victory of Jesus.
If you are looking for practical ways to reject Halloween (and Satan), I would suggest the following:
Instead of watching horror movies or anything that carries the influence of evil, go watch YouTube videos of Christian praise-and-worship songs like the following below.
Instead of going out on Halloween trick-or-treat, pray to the Lord in your room with the door shut (refer to Matthew 6:6 in the Holy Bible) and be aware that in this way, the Lord is in a secret place and when He sees in secret, you will be rewarded openly. If your church is open or has a holy activity at the same time as Halloween is being held on October 31, make an effort to go to church with the Lord in mind.
Instead of looking at evil images or reading materials that are related to Halloween, better read the Holy Bible or a Christian book.
Christian books that you must read.
By now, it is clear that as Christians we must always maintain strong faith, trust and dedication to God and His Son Jesus. It also means we must be pure in holiness and there definitely is no room for us to accommodate evil in all its forms. As such, Halloween must be rejected always and its evil presence only means we must persevere more to meet God’s high call. We are all God’s creations and He made plans for each and every one of us even before we were even created. Obviously we were NOT created to worship nor magnify evil at all! We are destined to be saved (be born again) and live in holiness following Jesus. We pray to Him, serve Him, thank Him and dedicate ourselves to Him for the rest of our time.
Let me end this with one more Holy Scripture.
He has delivered us from the power of darkness and conveyed us into the kingdom of the Son of His love.
Colossians 1:13 (NKJV)
Thank you for reading. If you find this Christianity article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
It’s all out in the entertainment news! Wonder Woman is, literally, coming to Brazil as Gal Gadot and Patty Jenkins confirmed through social media that their much-awaited movie Wonder Woman 1984 will officially be presented at the Comic-Con Experience (CCXP) this December in the country. This is not the first time that Warner Bros. showcased DC Comics movies at the annual pop culture event there in Brazil.
As Gadot and the movie director will be there, it is expected that there will be a special presentation about the film and that Warner Bros. will officially release online the first trailer of it.
A specially designed, fantasy post card emphasizing Wonder Woman 1984’s presence at CCXP this year.
It has been quite some time since Wonder Woman 1984’s production got completed and so far any footage of it has yet to be shown worldwide. The movie was originally slated for a November 2019 global release in cinemas but Warner Bros. delayed it to June 2020.
2017’s Wonder Woman was an acclaimed movie which grossed over $800 million worldwide. Believe it or not, that film was Patty Jenkins’ 2nd movie as director and, quite notably, her directorial debut happened way back in 2003. That first film of Jenkins’ was Monster and its star Charlize Theron won the Academy Award for Best Actress.
Image from the official movie poster of Wonder Woman 1984 showing Gal Gadot in armor.
Come December, excitement for the 2020 film should spread like wildfire through social media from Brazil to the entire world. Let me add that featuring Wonder Woman 1984 at the CCXP makes a lot of sense since the 2017 movie grossed $33.5 million in ticket sales there in Brazil. The country is also very receptive towards other DC Comics movies such as Aquaman ($36.3 million), Batman v. Superman: Dawn of Justice ($36.7 million) and Justice League ($41.3 million).
Way back in 1984, a low-budget movie titled The Terminator became a hit with moviegoers which greatly helped the careers of Arnold Schwarzenegger, Linda Hamilton and writer-director James Cameron. Terminator 2: Judgment Day became a massive hit worldwide in 1991 establishing the Terminator franchise as an important one leading to more movies (released in 2003, 2009 and 2015), video games and even a TV series. Oh yes, the upcoming film Terminator: Dark Fate will be released very soon and it now involves James Cameron.
Way back in 1990, a follow-up to the 1984 classic was released that did NOT involve Schwarzenegger, Cameron and Hamilton at all. The follow-up was a 4-issue mini-series titled The Terminator and was published by Dark Horse Comics which back then was licensed to do comic books of the Terminator franchise.
This is my review of The Terminator #1, written by John Arcudi and drawn by Chris Warner with ink work by Paul Guinan.
Early story
The comic book opens in the year 2029. In the ruins of Los Angeles, a band armed humans struggle against the machines of Skynet during the night. They infiltrate a facility to find one of Skynet’s time displacement chambers which they learned previously from their leader John Connor. Thanks to Connor’s intervention, Skynet’s attempt to change history failed but the big catch is that only a prototype of the time displacement chamber was discovered. The final model of the chamber remains.
As the armed guys make their way through, a Terminator watches them secretly….
Quality
When it comes to the writing, I can clearly see that John Arcudi (best known for The Mask) exerted effort to make this comic book relevant to the 1984 movie using key details such as the humans operating on the field only at night time (because Skynet will easily detect them during the day). Arcudi, however, expanded a bit on the franchise’s cinematic elements by emphasizing the use specific machines (steel-and-chrome wombs or tissue-generating chambers) to cover Terminator units with flesh and blood, and most notably, the use electronic communication between Terminator units which resemble telepathy among humans.
Cyberdyne, the fictional corporation heavily emphasized in Terminator 2, made an appearance in this comic book. With regards to Skynet, Arcudi emphasized that the living network was a lot more resourceful than what the movies suggested. The comic book has a nice build-up and along the way, the use of expository dialogue was pretty efficient and they are quite helpful for readers to grasp the story and key details.
With regards to the art work, Warner’s art style has that somewhat cartoony aesthetic on not just the humans but even on the machines. There were several Terminator units displayed without the flesh and from the way they were drawn, I could not even tell if those units were the T-800 type. Warner’s drawings on the physical environments carry a good amount of detail.
Terminator stealthy approach captured nicely.
While Warner’s drawing has a cartoony aesthetic, the illustrated action is pretty violent and has quite an impact in some shots. There are some bloody images and implied nude shots as well.
Conclusion
What can I say? I bought The Terminator #1at the Hobby Con this past weekend out of pure curiosity. After reading it thrice, I should say that I found this comic book proving to be better than what I expected. It is a surprisingly good read and the fact that this was published roughly a year BEFORE the release of Terminator 2: Judgment Day, I found this to be a worthy follow-up to the 1984 movie. In fact, it’s so good a follow-up I’d rather read it than waste my time watching Terminator 3: Rise of the Machines, Terminator Salvation and the very awful Terminator: Genisys.
As such, I declare that The Terminator #1 is recommended.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenoris still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrascoand follow me at HavenorFantasy@twitter.com
Since the successful release of John Carpenter’s Halloween in 1978, the slasher horror sub-genre grew dramatically and made its mark in Hollywood. The 1980s saw the release of multiple low-budget films that shared lots of common elements with Halloween. Among them was a cheaply made flick (distributed by Paramount Pictures) that made almost $60 million worldwide.
The film was Friday The 13th which was released on May 1980. Unsurprisingly the Sean Cunningham-directed movie was poorly received by movie critics but moviegoers still flocked to the theaters to watch the cinematic horror unfold not in a suburb but in a summer camp.
This is my review of the movie.
Story
The film begins way back in the past. The late 1950s to be precise. During one night at Camp Crystal Lake, a male and female councilor attempt to make love only to find out that someone had been watching them. Both councilors got killed setting the stage for Camp Crystal Lake’s dark legacy.
Decades later, an effort was launched to reopen Camp Crystal Lake. A cute lady named Annie (played by Robbi Morgan) travels alone to the camp and along the way, people in the small town warn her about the camp’s history of murder. After hitching a 2nd ride, Annie realizes that the driver (off-camera) did not take the path to the camp. Realizing that the driver has no intention of letting her go, Annie desperately jumps off the speeding vehicle injuring herself in the process. To her horror, the driver went back, got down the vehicle and chased her into the woods. After getting caught, the driver slashes Annie’s neck.
At Camp Crystal Lake, teenagers (including a very young Kevin Bacon) arrived to take part in the reopening. What they don’t realize is that someone vicious is watching them from a distance and stalking them.
Quality
In my honest opinion, Friday The 13th is not worthy of being called a classic even though its commercial success added greatly to the slasher horror sub-genre and led to the production of multiple sequels eventually establishing Jason Voorhees (a victim in this movie) as a horror icon. By today’s standards, this movie is generic at best.
The script written by Victor Miller is serviceable. The characters are, unsurprisingly, mostly written to be killed off. What makes the movie bad is that the story is dragging for the most part and what saved it from turning into a disaster was the use of suspense, gore and shock when Alice (played by Adrienne King) got isolated on-screen.
The characters during the snake scene. At left is Adrienne King as Alice.
As mentioned above, Jason Voorhees is the NOT the cinematic killer here at all and those who discovered the character in the later films (and wanted to go back to the beginning of this film franchise) will be disappointed to realize how irrelevant he was in this old movie.
For the sake of those discovering this movie, I won’t say who the killer is but I can say that screenwriter Victor Miller’s concept of NOT using a masked killer is creatively unique.
Kevin Bacon in trouble!
In terms of performance, the clear standouts are Adrienne King as Alice and another actress (note: I won’t name her here due to spoiler potential) as the killer. Alice was decently built-up from the early part of the film while the killer, who arrived late in the film, was well presented to be evil, even psychotic (clearly inspired by a certain 1960 slasher movie).
With regards to stunts and kills, this movie is pretty tame when compared to its sequels. This should not be a surprise at all because nobody anticipated the movie would be a box office success to kick start a franchise. The film crew used a really small budget and they did what they could with it although they excelled with some of the gore effects (read: Tom Savini). The physical struggle between Alice and the killer was pretty raw which worked well in the context of the film since the protagonist was no fighter. The killer’s man-like aesthetic in terms of physical appearance added nicely to the suspense and horror as Alice struggled.
When it comes to cinematic concepts, Friday The 13th was written to emphasize how vulnerable people are to getting murdered in an isolated location far away from the reach of the local police and even farther away from the security of the American suburb. At Camp Crystal Lake, the teenagers had a whole lot of freedom to exploit the facilities, to engage in casual sex, make fools of themselves and the like. This is clearly the one factor that defined it and the film franchise went on to establish its legacy with the “horror at the summer camp” concept.
Conclusion
Robbi Morgan as Annie cornered by the killer.
This is tricky. I would recommend Friday The 13th to moviegoers who are willing to endure slow-paced, mystery and suspense-filled horror flicks, and also to die-hard fans of the film franchise. However, if you discovered Jason Voorhees in the sequels and thought about watching this film (the very beginning of the franchise) to see him do what he is known for (read: killing), you will be disappointed.
As a horror movie, Friday The 13th is the product of its era and at the time of its release, the slasher horror sub-genre was just taking off. I would not recommend this movie if you are searching for more Jason but rest assured, you will get to know the complete backdrop regarding what happened to Jason, why the killings happened in the years that followed and so on. This movie also showed, in my opinion, one of the most definitive depictions of Camp Crystal Lake on the big screen.
Overall, Friday The 13th is serviceable. Not a classic, just serviceable. Nothing special at all. It’s a wonder why moviegoers back in 1980-1981 spent almost $60 million to watch this movie.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenoris still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
When a filmmaker has high concepts but ends up receiving insufficient resources to realize them, disaster normally strikes not only the film crew but also the fans.
This was precisely what happened in the horror movie Friday The 13th Part VIII: Jason Takes Manhattan, written and directed by Rob Hedden. Released on July 28, 1989 in the United States, the movie was the result of Paramount Pictures’ rejection of proposals on making a direct sequel to Friday The 13th Part VII: The New Blood involving that film’s lead character Tina Shepard (played by Lar Park Lincoln).
Hedden, who previously worked for another movie studio and participated in the unrelated Friday The 13th TV series, was hired to make the sequel and he had the idea of bringing the horror icon Jason Voorhees out of Camp Crystal Lake (and its related locations) and came up with concepts of having one story set on a cruise ship (for a claustrophobic horror experience) and another story set in New York City (which includes ideas of having notable locations there as key places for misadventures and action).
“Everything about New York was going to be completely exploited and milked,” Hedden said in an interview. “There was going to be a tremendous scene on the Brooklyn Bridge. A boxing match in Madison Square Garden. Jason would go through department stores. He’d go through Times Square. He’d go into a Broadway play. He’d even crawl onto the top of the Statue of Liberty and dive off.”
The movie studio liked Hedden’s concepts and gave him a budget. The big problem was that there simply was not enough money granted (a little over $5 million) and it was too expensive to film on location in New York (I wonder if Hedden actually made some research about the city as he came up with his New York ideas). Although the given budget was the BIGGEST for a Friday The 13th film at the time, Hedden had no choice but to combine the two concepts into one single narrative. As if insufficient funds were not bad enough, Hedden implemented another concept to look at Jason as a child through the hallucinations of the film’s lead – Rennie Wickham (played by Jensen Daggett). Of course, the hallucinations led to spending some money on “special” effects, make-up, and set-up.
Now, we can start taking a close look at Friday The 13th Part VIII: Jason Takes Manhattan.
Kane Hodder as Jason on location at Times Square in New York.
The movie begins with shots of New York City (with several spots of Vancouver, Canada pretentiously presented as spots of the more famous city). Over at Camp Crystal Lake far away, a guy and his girl prepare to make love riding a boat floating on the lake unaware that Jason is deep underwater (following the events of Part VII). Through expository dialogue, the guy tells his girl about the legend of Jason who had murdered several people who came near the camp.
Due to an anchor cutting an underwater power cable, loose electricity reanimates Jason (played by Kane Hodder) who went up to the boat to kill the guy and the lady, one by one.
Very soon, a group of graduates from Lakeview High School prepares to embark on a cruise ship for their much-awaited visit to New York. Beyond logic, the scene shows that Crystal Lake is magically connected to the Atlantic Ocean and the background scenery shows that they are in Canada (note: back then it was more affordable to shoot scenes in Canada and pretend to be in the US).
At this point, the film introduces the final girl Rennie who is a gifted student but remains terrified about water since childhood. The leading man meanwhile is Sean (played by Scott Reeves) who is handsome but lacks the heart to follow the footsteps of his successful father who is the captain of the ship. Rennie and Sean both show signs of pain and lack from their respective past and these elements, predictably, make them a matching pair for moviegoers to follow.
Aside from the two, the film introduces mostly disposable characters like Rennie’s overbearing uncle (who happens to be a teacher in the same high school she attends and was clearly written to be the one character to irritate moviegoers into being sympathetic with Rennie and others), the good-natured lady teacher, the hard rock musician, the aspiring filmmaker, the jock, the pretty bad girl, the dude who talks without taking a look, the doomsayer, etc.
Just before the ship leaves, Jason climbs his way up to join the trip. Then he’s stalking starts.
Quality
Friday The 13th Part VIII: Jason Takes Manhattan was very bad when it was first released more than thirty years ago. By today’s standards, this film has aged terribly. Its quality is even worse now.
Let’s start with the most obvious flaw – the movie failed to live up to its promise of Jason’s taking Manhattan. The film’s subtitle is a big lie as much of the movie is set in the ship and New York (including the fake NYC spots that were filmed in Vancouver) does not appear as the definitive location until late in the story!
While the story was set on the ship, the film crew seem to focus on producing on-screen fillers creatively. Sure we get to see Jason stalk and kill characters (with some off-screen death blows) but the dialogue scenes, the transition scenes and character “development” stuff in between were very cheaply and poorly handled.
With Rennie, however, the team managed to make her somewhat engaging as the lead of the film by slowly defining her personality (nicely done by Daggett) and creating on-screen hallucination sequences emphasizing the emotional and psychological damage she suffered from encountering Jason when she was a young girl. The flashback of little Rennie encountering little Jason (which does not make sense at all as far as in-story history is concerned) under Crystal Lake was not only badly done but done without any sense of logic. One can argue that little Rennie only hallucinated of seeing kid Jason (supposedly out of fear and paranoia) but that sequence was just a waste of time even though the filmmakers tried to make moviegoers connect and feel with her. Sean, the other lead, was literally protected by plot armor (note: he was not one of the disposable characters) but his character was not written to do much except serving as a supporter for Rennie.
Lousy stuff? Lots of them here and there! Even though he saw his captain father dead, Sean does not show very much emotion and even worse, he easily forgets about him even as he sees Jason quite a number of times later. He should at least show some deep anger (if not lust for revenge) against Jason. Even though he did not witness Jason killing his father, it was made clear to him and the rest that Jason (and not the doomsayer) was responsible.
How about Wayne, the film-obsessed guy? Even though he and his pals took weapons to go around and hunt Jason, he still bothered to use his camera (while clumsily holding the gun) and film his way around! That is so stupid and it was no surprise that he ends up getting disposed of! Being obsessed with filming, Wayne could have decided to accompany one of his armed pals and used his camera for both video documenting and even help an armed guy see something (example: zooming at a spot or object far away).
As for lousy stuff reflecting the very low budget of the movie, I can point out that the scene in which Sean, Rennie, the uncle and lady school teacher board a lifeboat clearly looked fake and was shot on a studio set. The same thing can also be said about Rennie’s fall into the water (pushed over the deck by Tamara) and she was NOT left behind by the ship that was supposedly moving. The location where JJ played rock music before getting killed looked cheap.
More on production cheapness, either the filmmakers ran out of money or they became too lazy with the wardrobe and hoped moviegoers would be too stupid to notice anything. Look back at the scene when Rennie got pushed off by Tamara into the water and was saved by Sean (who jumped to do his heroic act). Even though they got wet, both Rennie and Sean STILL WORE THE EXACT SAME CLOTHES until the end of the film! Those characters did not change clothes even though Rennie returned to her room!
Speaking of which, the filmmakers disregarded the fact that, in the story, the ship was filled with a lot of students going to New York. There were guys and gals partying, playing games, enjoying the scenery (of Canada!), etc. And yet as the film played on, the filmmakers literally abandoned those many other students. The only exception here was the short scene in which the good-natured lady teacher brought some students with her and told them to stay and wait in the restaurant. A short time later, as she mentioned to her companions that there were students left in the restaurant, Sean replied to her depressingly, “There is no more restaurant.” Without showing any scenes, the filmmakers creatively and nonsensically got rid of the others. I suppose Hedden and team had no more time and money left to show what happened to them all.
The cheapness also affected the look of Jason. Adult Jason in Friday The 13th Part VII had a very menacing, gritty and rotten face design. In this movie, adult Jason’s face looks melted and cartoony! And then there was the inaccuracy with regards to how the film presented little Jason. In the early flashback scene, a kid Jason with a normal looking face was shown drowning (which contradicts the fact that Jason always had a deformed face). There was a ladies’ rest room scene wherein kid Jason (with a slightly deformed face this time) appeared to Rennie via a hallucination. Then there was another kid Jason, more deformed, during the flashback of little Rennie. Whatever the filmmakers did, none of those physical presentations of Jason proved to be scary. Clearly whatever little amount of money they spent here ended up wasted.
On the presentation, the film’s pacing was inconsistent and it sure had several dragging moments. Granted, this was Rob Hedden’s debut as a movie director but I’ve seen other slasher horror films that were paced better and had kills that were executed satisfactorily. The fear factor of this movie was weak overall. Meanwhile, Jason illogically has the ability to teleport in this film which is complete nonsense. I believe that the teleportation was implemented as a convenient way of cutting down on time and expense to complete the production. I suppose showing Jason physically moving from one place to the next to get to his running victim was too expensive and too inconvenient for Hedden’s team.
If there are any good points in this film, I should say that Rob Hedden and his team at least tried to be creative with Jason’s kills (but the teleporting still makes no sense). Tamara (whose mirror got dropped and broke into pieces) got stabbed with a sharp mirror piece. A guy in the sauna gets killed with a hot rock forced into his body. And then there was the city thug who got killed with a syringe piercing through his body (which is impossible and cartoony to look at).
The most memorable kill sequence by Jason was the “boxing fight” with Julius. In that sequence, Hedden told the actor to punch Jason many, many times with real physical contact. That sequence lasted rather long but Jason’s kill of Julius was undeniably good and with impact. Too bad that kill sequence could not carry this movie up.
Another good point to take note is Kane Hodder’s improved take on Jason in terms of action and looking threatening. This was his 2nd time to play Jason and he showed more confidence playing him.
Kelly Hu was only 20-years-old at the time of production. Jason Voorhees, not Wolverine, was the first pop culture icon she encountered on the big screen.
The stunt done inside a diner (with a particular stuntman who would later have his moment playing Jason in a certain 2003 movie) was at least satisfying to see. Last but not least, this movie featured a very young Kelly Hu who is now a successful and popular Hollywood actress. Fourteen years before she got to fight superhero icon Wolverine on the big screen, she encountered the horror icon Jason right here. What happened to Hu’s character and Jason? You should take time out to watch her scene here.
Conclusion
Symbolically speaking, Jensen Daggett realized that the film was doomed and it took Jason to catch her attention from behind!
Overall this movie is very, very bad. I can only recommend this to die-hard Friday The 13th fans who are more than willing to set aside logic all for the sake of seeing Jason stalk and kill people. There is little entertainment value here and drastic cheapness will disturb viewers along the way. Not even the short Time Square on-location sequence could save the film. The kills of Jason are a mixed-bag at best and clearly this movie is not even scary to watch. I remember the very first time I saw this way back in the summer of 1990 on laser disc format and there was not even a single moment I got scared. I got to replay this movie on DVD to take a closer look and still I did not get much entertainment value in return.
Friday The 13th Part VIII: Jason Takes Manhattan should be skipped as it is a clear waste of time. If you plan to watch it at all, play the movie only when you want to bore yourself to sleep.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenoris still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Author Carlo Carrasco 