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Some time ago, I wrote and explored what would happen had superheroes been real and got involved with government leaders and the corporate media. Considering what has been going on for some time now, I hope that more readers would read the article and realize the conspiracy between political parties and corporate media is real and even dangerous. Did you even notice that in America, the Left-leaning media outlets have been distorting the facts about the riots involving the Marxist movement Black Lives Matter and the violent Antifa group? Also, did you notice that the liberal media distorted the meaning of the words peaceful protesters? Being a former local community print media publication journalist myself, I know why media outlets (whose owners and managers willingly get involved with those who wield power) would distort the news and insult the public’s intelligence. Really, the truth is that objective, truthful, responsible and professional journalism is shrinking.
Enough with the sickening news wave of negativity magnified by corporate media. It’s time to examine the superhero-government-media conspiracy followed by a fantastic conflict within the Ultraverse in this look back at UltraForce #2, published in 1994 by Malibu Comics with a story written by Gerard Jones and art by George Perez (breakdowns) and John Statema (finished pencils).
The story begins with UltraForce member Ghoul visiting a place within the woods. He stops at a huge grave site of the Exiles and tries to communicate with his former teammates but to no avail. He only got glimmers from them. After expressing himself to nobody, he walks away.
Shortly after, UltraForce composed of Hardcase, Prime, Prototype, Ghoul, Pixx, Contrary and Topaz meet with US President Bill Clinton, US Senator Bob Dole, UN’s secretary general Boutros-Ghali and Blackrock of the press in the Oval Office at the White House in Washington, DC. As they discuss important matters together, Atalon makes his move against the civilized world…
To start with, this comic book is a build-up type of story containing lots dialogue, exposition and explanatory pieces with not too much spectacle. That’s not to say this is a boring issue, in fact it still remained quite engaging to read. The very wordy script for this comic book was written with care and there were efforts made to keep the story cohesive even as it grapples with all the details for explaining. What the writer presented not only explained what is happening and why the world is being threatened by Atalon and his forces from underneath, the script also took its time in presenting the characters struggling with each other’s views while providing key moments that add some development to the personality of some of the characters (example: Prime’s interest in Chelsea Clinton reflected not only his teenage self but also his first encounter with her during the Prime monthly series). As far as storytelling goes, it succeeded in helping me understand the huge event transpiring and justified why UltraForce as a team is needed. When you think about it, Prime, Hardcase and Prototype already have major affairs of their own (especially when you read their respective monthly series) but Atalon is a major threat that requires the three to work together (along with Pixx, Ghoul, Topaz and the ever scheming Contrary).
More on the conspiracy between the superheroes, the government leaders and the corporate press, this comic book is more relevant than ever today even though superheroes do not even exist in real life. I like the moments when Contrary wanted access to government files which drew a strong reaction from Bill Clinton who in turn is being watched carefully by opposition leader Bob Dole. For his part, Hardcase expressed that his team does not want any power struggle between ultras and the government. And then Bob Dole stressed to Prototype that he works for Ultratech and said: I take it that you are a defender of the rights of the private sector?
Of course, the highlight of the writing is the dynamic interactions between the UltraForce members when they are on their own and struggle to work together due to their respective differences. The dialogue is very rich.
When it comes to visuals, this one is rather unique because it has breakdowns by the legendary George Perez with finished pencil work by John Statema. It’s not a pure Perez art work which is obvious but still I recognized the characters and there is still a high level of visual detail all throughout. Still a solid looking comic book!
Never mind the fact that it lacked spectacle, UltraForce #2 is still compelling to read mainly due to its strong writing, the memorable interactions between the characters and emphasis of the crisis that justifies the presence of the team complete with impact on the world. Not only that, this comic book event went the extra mile to emphasize crossing-over within the Ultraverse by including The Strangers (check out The Strangers #4 and Hardcase #4 for reference).
If you are seriously planning to buy an existing hard copy of UltraForce #2 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $8 while the near-mint copy of the limited edition costs $12.
Overall, UltraForce #2 (1994) is highly recommended!
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