Skyway Stage 3 opened to motorists

After long years of waiting and a lot of hard work done mainly by San Miguel Corporation (SMC) and its strategic partners, Stage 3 of the Metro Manila Skyway here in the Philippines has officially been opened to motorists as confirmed by SMC’s president and CEO Ramon S. Ang.

“All access points and seven lanes in select areas will be available to motorists starting January 15 still for free—extended until February 1—so that our motorists can experience and enjoy seamless driving along this engineering marvel over Metro Manila’s congested streets,” Ang posted on his official Facebook page on January 13, 2021.

An official photo of a specific stretch of Skyway Stage 3 released by San Miguel Corporation.

Yesterday, the inauguration ceremony of Skyway Stage 3 was held and was graced by many government officials and special guests, including President Rodrigo Duterte. Ang expressed hope for the future as Skyway Stage 3 will benefit a lot of people traveling between north and south of Metro Manila.

Ang issued the following statement: I celebrate this special day with a full heart, knowing that we have delivered another game-changing project that will make a difference in the lives of so many Filipinos for many generations to come. With the official opening of our 18-km Skyway Stage 3, traffic in Metro Manila will be significantly reduced. It will no longer rob our kababayan of precious quality time with their families. After bridging the north and south of the Metro, we will begin work next month to realize another dream: to link Manila and Rizal in the east and eventually provide seamless land travel on all four corners of Metro Manila.  Thank you to all our partner-stakeholders past and present, and to the Duterte Administration for the unwavering support in helping us deliver this vital infrastructure project! Maraming, maraming salamat po!

As mentioned before, Stage 3 of Skyway is a stretch of about 18 kilometers that connects the northern and southern parts of Luzon with an elevated highway that results much faster travel for motorists. Not only does it connect the North Luzon Expressway (NLEX) with the South Luzon Expressway (SLEX), it also allows motorists coming from both highways to reach their destinations in Quezon City, Manila and Makati City via designated exits. Skyway Stage 3 also has seven lanes.

In addition, anyone traveling from the north, let’s say the province of Bulacan, who has to travel all the way to Cavite province can do so by traveling along Skyway Stage 3 (to bypass EDSA and all the congested Metro Manila streets below), reach the older Skyway that connects to the NAIAX (Ninoy Aquino International Airport Expressway) and connect to the CAVITEX (Cavite Expressway). Motorists from Cavite on the other hand can go north much faster than before through the same route of expressways.

People from Laguna province who need to visit far destinations in the north like Subic Bay or Clark can do so by entering the Skyway from SLEX, go through Skyway Stage 3 and enter the NLEX. From NLEX travelers can go to Subic Bay via the SCTEX (Subic-Clark-Tarlac Expressway). To reach Clark, travel further north via NLEX.

The potential benefits of Skyway Stage 3 makes travel between north and south much easier and more efficient. This also means avoiding losing precious time in traffic jams in Metro Manila’s old roads below the Skyway, and this should translate into much less stress traveling. As such, San Miguel Corporation and Ramon S. Ang deserve a lot of thanks and admiration. Also, never forget to thank God that this incredible achievement of Philippine infrastructure happened in our lifetimes. For sure, Skyway Stage 3 will contribute a lot to the socio-economic development of not only Luzon but the Philippines as a whole.

In ending this, posted below is the January 5, 2021 official video of Skyway Stage 3 (which was partially opened weeks ago) for your viewing pleasure and learning.

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For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the FB group at https://www.facebook.com/groups/342183059992673

A Look Back at Prime #16 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of the Ultraverse! We revisit the Ultraverse yet again, only this time it will be through another issue from the Prime monthly series.

In Prime #15, an issue illustrated by the great George Perez, the overly muscular hero entered a certain Hollywood house which was believed to be the headquarters of a drug trafficking operation. What Prime found inside were not only junkies but also zombies and terrifying illusions that tested him mentally and emotionally.

So what happened next? We can find out in this look back at Prime #16, published in 1994 by Malibu Comics with a story written by Len Strazewski and Gerard Jones, and illustrated by Joel Thomas.

The cover.

Early story

The story begins with Prime struggling with questions from the media. Journalists ask him about his involvement with teenage boys, the truth about his youth crusade, and if he was recruiting boys for gangs. Prime, who is really teenager Kevin Greene inside, bluntly states he cares about teenagers and will do justice for them.

Questions about a certain backpack he (as Kevin) dropped and the young boy’s clothing that he carried bothered him deeply, making him remember he dropped a backpack filled with clothes at the office of Baker. Realizing he screwed up, he gets violent with the reporters who ask him hard questions.

Suddenly police helicopters arrive telling Prime he is under arrest….

Quality

The debut of Turbo Charge.

Set shortly after the events of UltraForce #2, the story here is pretty powerful on its own as the stakes were raised by Strazewski and Jones to develop Prime even further than before. Many times, we have seen how being Prime made life more complicated and harder for Kevin Green. In this comic book, the complications have gotten even bigger and deeper as the media has turned hostile towards Prime affecting not only Kevin but also his romantic interest Kelly and her mother. As if that was not enough, there are many fanatics of Prime called “Prime Gangs” who are so obsessed with their muscular idol, they serious believe they can do anything to honor him…even though it means harassing other people. Also notable here was the way Kevin (as Prime) tries to save his fragile friendship with Kelly. There is also the appearance of Turbo Charge here. Clearly, the writing here is really great.

I cannot say the same for the art done by Joel Thomas. His art style is too cartoony and he drew people’s bodies and faces lacking precision. Many times I had trouble recognizing Kevin, Kelly, her mother and other supporting characters. Visually, this is a letdown.

Conclusion

Powerful talk between Prime and Kelly ruined somewhat by the weak art.

Back by very strong writing, Prime #16 (1994) is absolutely engaging to read and it truly served as a crucial turning point in telling the continuing story of Prime. In many ways, the dramatic events here serve as the climax of all the dramatic build-up seen in the previous Prime issues. This comic book’s portrayal of the overly hostile and unrelenting media will easily remind any reader about today’s news media in which unprofessional journalism, secret agendas, political bias, conspiracy between media and political groups, malice and political activism among so-called journalists are now the norm.  

The dramatic turn of events here are so powerful, Turbo Charge’s presence really got overshadowed a lot. Visually, this comic book has some of the weakest looking Prime art I’ve seen.

If you are seriously planning to buy an existing hard copy of Prime #16 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $8.

Overall, Prime #16 (1994) is recommended.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Ravage 2099 #6 (1993)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors, pop culture geeks and fans of Marvel Comics! Today, we will revisit the 2099 universe that Marvel established in the 1990s through another issue of Ravage 2099 which featured the writing and imagination of the late Stan Lee. Lee wrote the first eight issues of the said series.

For the newcomers reading this, Ravage is a co-creation of Lee and illustrator Paul Ryan. Compared to the other major characters of the 2099 universe of Marvel, Ravage is an all-original character who went from being a corporate executive to a hard-hitting rebel. Last time around, Ravage struggled with his new found power (energy within his fists) while still being hunted by Dethstryk’s thugs.

With those details laid down, here is a look back at Ravage 2099 #6, published by Marvel Comics in 1993 with a story written by Stan Lee and drawn by Paul Ryan.

The cover.

Early story

The story begins at a far-away island. Dethstryk’s thugs just attacked Ravage and his native companion in a cave, destroying the interior and causing a cave-in. Believing that Ravage is dead, the last of the thugs left the rubble behind. As it turned out, Ravage is still alive and uses his newfound power to free himself, pushing all the rocks off as if they were like pebbles. He realizes that the more he uses his power, the weaker he gets. Due to his being exposed to the island’s toxic environment, his condition continues to deteriorate. He uses one of the gadgets to aid him in seeing.

After looking around further in the ruined cave, he discovers a relic from the past – the Fantastic Four’s Fantasticar…

Quality

Ravage uses the old vehicle made by the Fantastic Four.

If you are looking for something adventurous or fun while following Ravage, you won’t find much here. Without spoiling the plot, this one has Ravage preparing himself for survival and moving back to civilization. There is not much heroic acts from the title character here and I noticed that Stan Lee’s script is filled with lots of filler-type dialogue designed to prolong scenes (that were meant to be short but had to be stretched) and fill the page. Really, there is not much stuff to engage you with here.

The build-up in issue #5 regarding the sub-plots for Tiana, Dack and the invaders from the sea had too little pay-off here but, in fairness, it does set up something for the next issue. I should also state that Stan Lee did not really do much with the villains – Dethstryk and Anderthorp Henton – and ended up recycling ways to show how cruel, cold-blooded and evil they are WITHOUT ever raising the stakes in their conflict with Ravage.

Conclusion

Just another scene to show how evil and ruthless Anderthorp Henton is towards his own employee. This should make you wonder what Stan Lee really thought about corporations, the labor union and the Leftist forces.

Once again, the Ravage 2099 series at this point only showed the lack of consistency in terms of quality and reader engagement. Ravage 2099 #6 has a story that is actually hollow and the creators resorted to stretching sequences to create the illusion that there is depth throughout. Clearly this is a step down from the previous issue.

If you are seriously planning to buy an existing hard copy of Ravage 2099 #6 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $8 while the near-mint copy of the newsstand edition costs $26.

Overall, Ravage 2099 #6 (1993) is not recommended but if you really want to acquire a copy of it, better wait until the price reaches fifty cents.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Las Piñas City Police Force at Work – January 14, 2021

The Las Piñas City Police Department continues to serve the local constituents by means of securing places, implementing rules and helping those who need assistance. Check out these recent media releases and pay close attention to the details written.

On January 13, 2021, PMAJ LEO GLENN T CALABIO, Talon Sub Station Commander, PEMS Michael S Holanda, Chief Clerk SCADS, with two (2) others under the supervision of PCOL RODEL A PASTOR, COP, conducted the above mentioned seminar in coordination with Kagawad Marlon Chua and Kagawad Rogelio Moral of Brgy Talon Singko, LPC, and attended by sixty (60) Brgy Talon Singko residents held at Barangay Talon 5. (source – Las Piñas City Police Department)
On January 13, 2021, elements of Pilar Sub Station under the supervision of PMAJ JOYLENE A BULAN, Pilar SS Commander and under the strong leadership of PCOL RODEL A PASTOR, COP of Las Pinas City Police Station conducted Oplan Sita at Barangay Talon Tres. (source – Las Piñas City Police Department)
On January 13, 2021, PMAJ ALBERT DT AREVALO, CAA Sub Station Commander , under the supervision of PCOL RODEL A PASTOR, COP represented by SCAS personnel under the supervision of PLT JAMEL B RINANDANG C, SCADS/PIO together with Team SPD Infodemics under the supervision of PCOL ALDRINE S GRAN AC, DCADD conducted Corona Virus Community Awareness Response and Empowerment (CARE) Infodemic Drive (Information against the Pandemic) in coordination with Kgwad Teddy Agcaoili and Kgwd Edgar Balane of Brgy CAA LPC and attended by Thirty (30) Brgy CAA residents held at the said venue. (source – Las Piñas City Police Department)
On January 13, 2021, elements of Zapote Sub Station under the direct supervision of PMAJ ROMEO A BRITANICO, Commander and PLT FRANCISCO T GUEVARRA JR, Deputy Commander together with the strong leadership of PCOL RODEL A PASTOR, COP Las Piñas City Police conducted Oplan Galugad re Stricter Implementation of Social Distancing and Observance of Minimum Health Protocols in relation to General Community Quarantine within the Area of Responsibility including Anti Illegal Gambling Operation in Barangay Manuyo Uno. (source – Las Piñas City Police Department)

If you are in Las Piñas City and you need the help of the local police, call 85516401 or visit https://www.facebook.com/pcrstation4/

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The above information and images were provided by the Las Piñas City Police Station for the purpose of public information and transparency. Some parts were edited for this website. 

For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673

A Look Back at Superman #423 (1986)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

How do you end an entire era of a major pop culture icon like Superman? You end it with a very great story described as imaginary and leave it up to the readers to decide if the events never happened or had happened. The famous author Alan Moore wrote such a story (in two parts actually) to help DC Comics conclude the real-life legend of Superman as they transitioned from the original DC multiverse age (1938-1986, concluded with Crisis on Infinite Earths) into a new era of superhero comic book publishing back in 1986 (the post-Crisis era).

For those who were not able to read Crisis on Infinite Earths in 1985-1986, there was a time when DC Comics’ superhero universe started simple in the late 1930s and became too convoluted and confusing in the decades that followed. There were different universes in existence resulting not only different realms of existence but also different versions of the superheroes. Even Superman had different versions and there was also Superboy who went back and forth to the 30th century joining that era’s Legion of Superheroes. As Crisis on Infinite Earths concluded the old DC Comics multiverse, a fitting conclusion for Superman became inevitable so the publisher assembled Moore and other great talents to work on a definitive storyline.

If you are ready to look at what Superman was like long before Zack Snyder directed Man of Steel and long before the New 52 and DC Rebirth happened, here is a look back at Superman #423, published by DC Comics in 1986 with a story written by Alan Moore and drawn by Curt Swan with ink work done by George Perez. This is the first chapter of the storyline Whatever Happened to the Man of Tomorrow?

The cover.

Early story

The story begins in the then-future of 1997 when a journalist from the Daily Planet visiting the home of Lois Lane who is now identified as Mrs. Lois Elliot. The journalist is Tim Crane and his assignment is to interview her for their newspaper’s upcoming Superman memorial edition.

Crane starts asking Lois about the years leading up to Superman’s disappearance and presumed death. Lois recalls the time when Superman’s arch-nemesis Lex Luthor laid low as well as the pounding of Brainiac’s last organic metal body into a state beyond repair. She remembers Superman recovering every fragment except for the head of the creature. Then two other super villains (Terra-Man and Parasite) destroyed each other due to a lack of people to fight with and Superman eventually worked in space helping the government do their research.

As it turned out, the events only led to what was the first taste of the carnage that was to follow. Some years prior, Superman arrived in a heavily damaged Metropolis. Lois told him that Bizarro caused it and Jimmy Olsen stated that the super villain retreated into a nearby department store and still has not come out since. Superman then walks into the department store to face off with Bizarro…

Quality

A classic moment of Superman saving Lois Lane.

I’ll start by saying that the writing done by Alan Moore here is very great to read and clearly he made in-depth research on Superman’s extensive history, exploring the personalities and traits of the supporting characters and super villains, and, most notably, he went on to create a lot of compelling and intriguing stuff to tell. The result was a clear creative challenge towards the conventional thinking of Superman fans of the time and Moore even managed to add some adulterated themes into the narrative without making the comic book going over the edge. For one thing, a certain super villain here concluded his pre-Crisis existence with elements of genocide, homicide and suicide. There was also a scene in which Superman, in his most vulnerable portrayal, expressed his view that nuances from his past were coming back as killers which made him fear for the lives of the people he cared for.

The interview-flashback format to tell the narrative is indeed excellent in form and Moore told each flashback in great detail while capturing the essence of not just Superman but also those of the supporting characters as well as Lex Luthor, Brainiac and others. Even as the stories get told, Moore managed to pull off some great twists which you my readers should find out for yourselves. I personally enjoyed these twists and I am sure you will.

Visually, Curt Swan went all out in making great art and his decades-long experience of drawing Superman and all the related characters really show it. Swan’s art in the final page is very powerful and dramatic to look at.

Conclusion

The interview-flashback format used is great and so was the storytelling itself.

Very clearly, Superman #423 (1986) is not only a great Superman story but also one of the greatest superhero comic books ever made! This is illustrated literature with gold quality all over it and the funny thing is that this happens to be only the first part of the storyline Whatever Happened to the Man of Tomorrow? The creative team of Moore and Swan produced the most striking and most engaging Superman work from start to finish. I should state that this one made me rethink and remember what I read about Superman in comic books before Crisis on Infinite Earths happened. The good news is that I enjoyed every bit of what was told in this comic book and it truly is a definitive way to conclude an age of Superman (and this is only the first chapter of the concluding storyline).

If you are seriously planning to buy an existing hard copy of Superman #423 (1986), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $120 while the near-mint copy of the newsstand edition costs $240. A signed-copy in near-mint condition costs $240.

Overall, Superman #423 (1986) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at The Strangers #10 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors, geeks and fans of the Ultraverse! Today, we will revisit the Ultraverse in another tale from The Strangers monthly series. Previously, the Strangers had an encounter with rather strong enemies while they were exploring the Caribbean.

With that encounter over, the Strangers are still in the Caribbean and to find out what happens next, here is a look back at The Strangers #10, published by Malibu Comics in 1994 with a story by Steve Englehart and drawn by Rick Hoberg.

The cover.

Early story

The story begins with the Strangers (without their black magician) still pursuing their search in the Caribbean. They are looking for one particular spot that they believe holds the key to the secrets of sky island. Spectral, Electrocute, Lady Killer and Atom Bob start exploring under water.

After discovering something significant, they gradually returned for air only to witness a portal opening up near them while they were on the water. Creepy looking arms grab Spectral and Electrocute and pulled them into the portal leading to another realm…

Quality

Really nice art work by Rick Hoberg.

While issue #9 was a misadventure that saw the Strangers tackle with powerful, new enemies, this story is about them moving into an unknow realm. It is in that realm wherein artist Rick Hoberg really pushed his creative vision hard to make it look really fantastic and even alien-like. As far as the story is concerned, this one is a major build-up leading to the events that culminated in issue #12 (which itself had strong revelations) and on its own, it is a worthy read.

When it comes to characterization, the one member of the Strangers who really stood out here is Atom Bob. Without spoiling the details, I can say his importance really grew in this story and the way the Englehart-Hoberg duo handled it, his personal development and understanding of his super power are very believable. It was also in this issue where he and Elena/Lady Killer started thinking about each other.

Conclusion

Atom Bob and Lady Killer start thinking about each other.

The Strangers #10 (1994) is an adventurous read and any fan who is fond of the member Atom Bob will have so much to enjoy. If you love the art of Rick Hoberg, there is a lot of eye candy to enjoy here.

If you are seriously planning to buy an existing hard copy of The Strangers #10 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $8.

Overall, The Strangers #10 (1994) is recommended.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

COVID-19 Crisis: Muntinlupa City joins Metro Manila LGUs with signed deals for Astrazeneca vaccine, to initially procure 100,000 doses

The City of Muntinlupa officially joined the growing number of Metro Manila cities that have signed a purchase deal of COVID-19 vaccines from British pharmaceutical firm AstraZeneca.

Mayor Jaime Fresnedi signed a tripartite agreement with the National Task Force against COVID-19 (NTF) and AstraZeneca Pharmaceuticals Philippines for the advance purchase of 100,000 doses to initially inoculate residents in high priority groups.

Fresnedi said the agreement is only an augmentation of the national government’s vaccination plan. He noted that the Department of Health will also provide additional vaccines for the inoculation of the rest of Muntinlupa residents.

Previously, the City Government earmarked P170 million as an initial budget for the procurement of COVID-19 vaccines once they are available and approved for use in the country. A COVID-19 Vaccine Task Force shall be created to oversee the local immunization program.

Muntinlupa City Health Officer Dra. Teresa Tuliao said the local government prepares for the roll-out of COVID-19 vaccines by training its personnel for the operational logistics and vaccine administration. Tuliao reported that CHO has coordinated with local storage rental facilities in the city for the cold chain management of vaccines.

Members of the city’s vaccination teams shall also undergo training for vaccine storage and handling practices, vaccine administration, and health communication on how to talk to patients about COVID-19 vaccines.

The City Government is also set to launch an information campaign to raise awareness and provide clarification on the immunization program.

Recently, OCTA Research’s Tugon ng Masa survey noted that only 25% of respondents in Metro Manila are willing to get an anti-coronavirus vaccine shot when the vaccine becomes available in the country.

On January 6, the Food and Drug Administration announced that AstraZeneca has submitted an application for the emergency approval of its COVID-19 vaccine in the Philippines.

As of January 10, Muntinlupa City has 54 active cases, 5,177 confirmed cases with 4,956 recoveries, 167 reported deaths, 26 suspect cases, and 292 probable cases.

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The above information was provided by the City Government of Muntinlupa for the purpose of public information and transparency. Some parts were edited for this website.

For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673

A Look Back at Wonder Woman #13 (1988)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of Wonder Woman! In case you missed the updates, the new movie Wonder Woman 1984 will eventually be released in 4K Blu-ray format although there is no release date announced yet nor a price. As the nearest cinemas remain closed, it looks like buying the movie in 4K Blu-ray is the best alternative for me and at the same time I am not a fan of streaming movies. Let me point out that what customers pay to stream Wonder Woman 1984 does NOT pay that movie’s producers, investors and creditors! You want to make a difference for the people behind Wonder Woman 1984? Buy movie tickets to watch it in the movie theaters (you will also help the theater operators and their employees) and for home viewing, buy the movie on Blu-ray and 4K Blu-ray in the near future.

Anyway, we are here to look back at the comic books of Wonder Woman as rebooted by the creative duo of George Perez and the late Len Wein. We are going to examine the Challenge of the Gods storyline (started in issue #10) which I personally find really intriguing and engaging to read. It is the struggle of Wonder Woman with a really strong fantasy and mythology flavor that made it stand out among superhero comic book stories in the late 1980s. Last time around, there were these great revelations about an untold chapter of the past of the Amazons as well as greater focus on Diana’s mother Queen Hippolyte who joined in the dangerous trek.

With those details laid down, here is a look back at Wonder Woman #13, published in 1988 by DC Comics with a story written George Perez and Len Wein. Perez drew the comic book with ink work done by Bruce D. Patterson. This is the 4th chapter of the Challenge of the Gods storyline!

The cover.

Early story

The story begins with the armored Queen Hippolyte staring at a huge, deformed man-like figure made of rock which she realizes is none other than Heracles, the same man who deceived and abused her long before the birth of Diana. She reflects on her personal hatred of him that lasted for centuries and remembers that her years in Themyscira taught her the folly of anger. She wonders what Heracles had committed to be condemned the way he is. Noticeably, anything that pierces the stony surface causes great pain and tears from Heracles.

Hippolyte moves on toe find a sleeping cyclops in a lair filled with skeletons. Behind him is a tunnel that she believes her daughter took. As she quietly sneaks, she looks back at Heracles and actually hears him mournfully moaning louder as if he was calling to her.

Among the skeletons in the cyclops’ lair is a horned human skull which Zeus and his fellow deities in Olympus believe belongs to Pan. They realize that the Pan who had spent a lot of time with them is an impostor and this causes division among them. Hera speaks out again Zeus pointing out his enormous pride and arrogance as sources of trouble. Hera believes that Gaea’s destiny will be fulfilled through the Amazons and she will not allow Zeus to abuse them.

Hera then sends Hermes to reach Wonder Woman who just joined the company of several superheroes in the California citadel of the Green Lantern Corps…

Quality

The tremendous impact of the challenge felt.

This is another high-quality creation by Perez-Wein and the stakes for not only Wonder Woman but also her mother has been raised even further. As if that was not enough, there are also some solid revelations (pertaining to the Amazons, their heritage and their destiny under the Olympus deities) and in-story surprises that made the story very engaging. As the challenge for Wonder Woman continued on, Queen Hippolyte’s involvement grew even bigger and this added and connected smoothly with her daughter’s struggles. In terms of characterization, the bond between Diana and her queen mother is dramatically deepened and their respective purpose in life got emphasized a lot more.

In terms of spectacle, this one is very loaded with action while still having a very strong fantasy element behind it all. Seeing Wonder Woman and her mother engage the minotaur and mythological creatures are sights to behold. George Perez expectedly visualized everything with high details and well-constructed panels that moved the action.

Conclusion

Wonder Woman and her mother in the heat of battle with the evil creatures.

No doubt about it! Wonder Woman #13 (1988) successfully kept the Challenge of the Gods storyline compelling and at the same time stay fresh by pulling off strong revelations that will make you think deeper about the Amazons, their heritage and their future. The portrayal of Wonder Woman here shows how pure she is as a purposeful protagonist who simply won’t give up in fulfilling the challenges, proving her true worth and making a major impact to all around her. Her role as a daughter is also very well defined.

If you are seriously planning to buy an existing hard copy of Wonder Woman #13 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30 while the near-mint copy of the newsstand edition costs $60.

Overall, Wonder Woman #13 (1988) is highly recommended!

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

Muntinlupa City Government turns over 20,000 tablets for public school students

In an effort to help local learners in the ongoing distance learning amid the COVID-19 pandemic, the City Government of Muntinlupa has provided several tablet computers for local public school students. Mayor Jaime Fresnedi recently turned over 20,000 units of mobile tablets to the Schools Division Office – Muntinlupa, led by Schools Division Superintendent Dr. Dominico Idanan, to be given to underprivileged public elementary, junior, and senior high school students.

Mayor Jaime Fresnedi (4th from right) turns-over 20,000 tablets to Schools Division Superintendent Dr. Dominico Idanan (center) and student representatives last January 8. Fresnedi says the initiative aims to help Muntinlupa students access online learning resources and help them adapt to the changes and challenges of the new normal in the education system. Earlier, the local government also turned over the first batch of 2,557 laptops and 28 photocopiers to the Schools Division Office for public schools and teachers. (source – Muntinlupa PIO)
A few of the many tablets that were turned over for the benefit of public students of the city. (source – Muntinlupa PIO)

Fresnedi says the initiative aims to help Muntinlupa students access online learning resources and help them adapt to the changes and challenges of the new normal in the education system. The turn-over ceremony was attended by public school principals and some student representatives.

Previously, the City Government also turned over the first batch of 2,557 laptops and 28 photocopiers to the Schools Division Office for public schools and teachers.

“The City Government of Muntinlupa will continue to support our teachers and students to adapt to the changes of the education system, no one will be left behind. We will ensure that everyone can access all kinds of learning modalities whether online or offline,” Fresnedi said.

This past January 4, the City Government also inaugurated the Muntinlupa Mobile Learning Hub, the first innovative roving ‘learning bus’ in Metro Manila to teach city residents about disaster resilience.

The learning bus is equipped with state-of-the-art Virtual Reality area where residents can wear VR headsets to experience being in ‘close-to-actual’ scenarios of disasters including earthquakes, flooding, storm surge, bomb explosion, chemical poisoning, volcanic eruption, tsunami, and landslide. The VR facility aims to provide immersive, visual and sound-based experience of weather disturbances and calamities and to train residents on disaster response.

Further, the DDRM Mobile Learning Hub has an interactive Lecture Area with informative videos on COVID-19 Protective Measures, Disaster Prevention, Mitigation and Preparedness, First Aid Response and Management, and Basic Life Support, among others.

Public Information Officer Tez Navarro said the Learning Hub will visit several barangays and health and safety protocols will be strictly implemented. Regular disinfection of the facility will also be conducted.

Navarro noted that the learning bus will also be used for the information campaign of the City Government on COVID-19 vaccination.

As of January 7, Muntinlupa City has 48 active cases, 5,152 confirmed cases with 4,937 recoveries, 167 reported deaths, 23 suspect cases, and 287 probable cases.

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The above information was provided by the City Government of Muntinlupa for the purpose of public information and transparency. Some parts were edited for this website.

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A Look Back at The Strangers #9 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic book collectors and fans of the Ultraverse! We return to the Ultraverse and this time we will join The Strangers in one of their misadventures. In recent times, I reviewed issues number 16, 17 and 18. This time, I want to go back to one of their comic books that were published within the first year of the Ultraverse.

With that being said, here is a look back at The Strangers #9, published in 1994 by Malibu Comics with a story by Steve Englehart and drawn by Rick Hoberg.

The cover.

Early story

The story begins in the Caribbean where the US Coast Guard is patrolling. They receive a distress call and the captain commands the ship to move full speed ahead. He is searching for pirates they encountered previously. They come close to another ship and start communicating with them. Suddenly something caught the crew off guard and an explosion happens.

The next day, at a local port within the Caribbean, the Strangers rent a large boat to explore the see. Although they have been warned about pirates, they still set sail with Lady Killer doing the navigating (using the coordinates Yrial handed to them). As Lady Killer works, the rest of the team relax (as instructed).

From a distance, a band of creepy looking pirates watch the Strangers from a distance and prepare to board them…

Quality

The Strangers meet the pirates in the Caribbean.

This is another fun-filled, compelling story done by the Englehart-Hoberg creative team. It is one unique misadventure of the Strangers set in a tropical environment in which their relaxing exploration suddenly turns into a series of unfortunate events. The pirates introduced here really gave the Strangers their biggest challenge yet (as far as team battles go). I should state that very clever creativity was implemented on how the action was presented and how the pirates’ respective abilities were introduced. More on the powers of ultra beings, there are references to a certain entity on the moon as well as the bolt of energy that hit the San Francisco cable car in issue #1.

When it comes to character development, there is additional attention paid towards Atom Bob who is bothered somewhat about not have the ideal lady in his life. Also emphasized was Elena (Lady Killer) who turns out to be over 30-years-old and tries her best to avoid getting personally involved with any of her teammates as she is their leader and organizer. Of course, Atom Bob and Lady Killer would eventually get romantically involved in subsequent issues.

Conclusion

Nothing like enjoying the natural wonders of the Caribbean.

The Strangers #9 (1994) is one thrill ride which I believe will satisfy not only Ultraverse fans but also any reader who like action-packed team superhero stories in general. Steve Englehart and Rick Hoberg succeeded in telling another fun-filled story that had a nice mix of spectacle, surprise and some character development.

If you are seriously planning to buy an existing hard copy of The Strangers #9 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $8.

Overall, The Strangers #9 (1994) is recommended.

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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com