A Look Back at Amazing Spider-Man #365 (1992)

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Spider-Man fans and comic book collectors! Today we go back to the early 1990s to examine a small part of the Marvel Comics shared universe through a tale of the Amazing Spider-Man monthly series.

Back in 1992, Marvel Comics organized the celebration of what was back then the 30th anniversary of their most famous icon Spider-Man. Each Spider-Man monthly series that year had an anniversary celebration issue that had hologram covers and page content that was higher than usual. I previously reviewed Web of Spider-Man #90 and Spider-Man #26. The purest Spider-Man monthly series – Amazing Spider-Man – also had the anniversary treatment.

With those details laid down, here is a look back at Amazing Spider-Man #365, published in 1994 by Marvel Comics with the main story “Fathers and Sins” written by David Michelinie and drawn by Mark Bagley. Other stories here include “How I Created Spider-Man” by Michelinie and Aaron Lopresti; “I Remember Gwen” by Stan Lee, Tom DeFalco and John Romita; and “A Friend in Need” by DeFalco.

Cover of The Amazing Spider-Man comic book, issue 365, featuring a ghostly image and spider web design, celebrating the 30th anniversary of the series.
The cover.

Early story (main story)

The story begins with the Lizard (Dr. Connors) prowling from one building to another during the night in New York City. He secretly stays outside the windows of the apartment of his wife Martha and their son. A birthday celebration is happening inside the apartment and among the guests are Peter Parker and his wife Mary Jane. Peter knows that growing up without a father is rough and he remembers that no one has seen Curt Connors since he last turned into the Lizard (refer to the Spider-Man: Torment storyline written and drawn by Todd McFarlane).

As the celebration goes on, the Lizard silently sneaks into the apartment through an open window. This alarms Peter through his spider sense which compels him to decide to secretly change into Spider-Man.

As Martha Connors enters a dark room to get a prepared gift for her son Billy, the Lizard shuts the door and confronts her. In his reptilian form, the Lizard communicates to his wife in English and assures her that he (Dr. Connors) is in control. He tells her that the evil sorceress Calypso sent her into a berserker rage to kill Spider-Man but his human consciousness was aware all the time. He tells her to bring to him their son. Martha is frightened and she knows that there is too much risk to grant her husband’s command…

Quality

A comic book panel featuring Spider-Man fighting a green-skinned villain, with action words like 'SPUSH' and 'THROK' illustrated around them. Spider-Man is depicted in a dynamic pose as he attacks the villain, who is wearing a white coat and green pants, surrounded by debris.
The main story has a rematch between Spidey and the Lizard. Unlike Todd McFarlane’s Torment, the story and visuals here have more subtlety, suspense and balance.

The main story “Fathers and Sins” is the anticipated rematch between Spider-Man and the Lizard following the very violent events that happened in the Torment storyline. Unlike that tale authored by McFarlane, this one has more depth and subtlety balanced with superhero spectacle.

David Michelinie carefully crafted the tale with clear progression in mind for the enduring rivalry between Spider-Man and the Lizard. He also took the opportunities to develop the characters whenever possible, and he did so with Dr. Connor’s wife and son. In fact, there are family dynamics within this story and the Lizard – portrayed here with multiple personality disorder (MPD) switching from Dr. Connor and the wild animal itself – is simply not the murderous entity seen in Torment. That said, this tale opens up questions such as how Dr. Connors will live on knowing the murders he committed as the Lizard, does he have any chance of keeping his family intact, and more.

More on Spider-Man himself, he was portrayed as a sensible and caring superhero. Even though he had traumatic encounters with the Lizard in Torment, he engaged his rival with reason instead of head-on violent action. He consistently believes that he could overcome the Lizard and somehow get Dr. Connors back intact knowing that the family needs him. When it comes to problems related with science and technology, Spider-Man here makes efforts to solve them using the knowledge he gained in university. The iconic webslinger here is pretty versatile, strategic and calculating. I should state that Mark Bagley has really fine artworks here and it is clear he truly captured the essence of Michelinie’s script.

The short story “How I Created Spider-Man” follows J. Jonah Jameson’s recollection of Spider-Man. This was cleverly written by Michelinie to revisit key moments from the origin and early superhero days of Spider-Man through Jameson’s memories, his own perception of the hero and his history of abusing his publishing power to make him look like a menace to society. The nostalgia and related details are easily the main attractions of this short story. This is something that fans of Spidey will enjoy.

A comic book page depicting a tense scene with a humanoid creature with green scales and claws confronting two women. One woman appears frightened while the other is trying to remain calm. Dialogue bubbles convey urgency and fear as the creature discusses control and a boy named Billy.
There is absolutely nothing like encountering a family member who has turned into a large, dangerous reptilian!
A comic book page showcasing several characters engaging in conversation at a party. The scene includes characters with distinct hairstyles and outfits, expressing emotions and interactions amidst a festive backdrop.
The short story “I Remember Gwen” is a great way of revisiting the past of Spider-Man, Mary Jane and Gwen Stacy. The art by the late John Romita is great to see!

The Spider-Man nostalgia intensified in the 2nd short story “I Remember Gwen” which features artwork by the late John Romita. This one is about Mary Jane Parker recalling her friendship with the late Gwen Stacy (who back then was romantically linked with Peter Parker) and key moments she remembered from Spider-Man. This short story has fine art by Romita and this resulted in a retro visual ride that captured the 1970s aesthetics. As this tale revisited Spider-Man’s past relationship with Gwen, it also offered readers a close look at the MJ-Gwen friendship. That said, long-time fans of Spidey will enjoy this.

The final short story “A Friend in Need” is easily the weakest part of this anniversary celebration comic book. It features the Prowler and does not have much to do with Spider-Man. This one is a shallow filler-type of story.

Conclusion

Comic book panel featuring Spider-Man carrying two women, one with blonde hair and the other with red hair, while a giant Green Goblin head looms in the background. The scene captures a moment of tension and emotion with speech bubbles conveying inner thoughts.
This page drawn by John Romita should compel you to read Amazing Spider-Man #121.

As of now, I can say that Amazing Spider-Man #365 (1992) is easily the best of the 30th anniversary celebration comic books I have read so far. It has a very solid main story that moved the Spider-Man-Lizard rivalry forward (and also has a conclusion that tapped directly into the icon’s origin with a good element of surprise) and two of the three short stories are great offerings for the very dedicated Spider-Man fans. It also has short articles/special messages that highlight the importance of Spidey’s 30th anniversary, and a Spider-Man 2099 preview! In short, this anniversary celebration comic book is the complete package for the fans and is also one of the most defining Amazing Spider-Man comic books of the 1990s. It truly is worth having in your collection!

Overall, Amazing Spider-Man #365 (1992) is highly recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @CarloCarrascoPH as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Spider-Man #4 (1990)

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Marvel Comics shared universe through a tale of the Spider-Man monthly series.

Having reviewed the first three issues of the Spider-Man monthly series written and drawn by Todd McFarlane (click here, here and here), I can say that the 5-part Torment storyline has a daring concept, adulterated imagery and clunky storytelling. Issues #2 and #3 saw Spider-Man in violent battles with the Lizard who is clearly not himself but under the control of the Haitian witch Calypso. It is inevitable Spider-Man, who has been in a long-lasting disadvantage so far, will somehow meet Calypso face to face.

With those details laid down, here is a look back at Spider-Man #4, published in 1990 by Marvel Comics with a story written and drawn by Todd McFarlane. This is the 4th chapter of the Torment storyline.

The cover.

Early story

The story begins in a dirty alley deep within New York City. An exhausted and disoriented Spider-Man is shocked to see a grotesque looking Kraven with the vicious Lizard beside him. The moment made him remember what happened as a result of his previous with Kraven (note: refer to the Kraven’s Last Hunt storyline) which includes him getting buried temporarily with a grave designated to him.

Eventually Spider-Man sees through the illusion and realizes that Kraven is not in front of him but Calypso with the Lizard still under her full control. With an unspoken command from Calypso, the Lizard moves towards the weakened Spidey and carries him bodily…

Quality

This portrayal of Mary Jane having a good time again in the city without her husband is clearly filler and it did not add anything to the plot.

As anticipated, the webslinger finally met the Haitian witch who had been controlling the Lizard all along. With a mostly slow pace, the story has Spider-Man being helpless in the presence of two powerful enemies and McFarlane stylishly dramatizes moments from Calypso’s past showing her acceptance of evil ways (witchcraft), her personal connection with Kraven and her desire to have a new sacrifice done.

With Spider-Man restrained a lot for most of the story, it was not surprising to see Calypso have a good share of the spotlight to herself and the Lizard is clearly portrayed as her enforcer and assistant contrasting what was presented in the first 3 issues.

Unsurprisingly, the storytelling feels choppy although the slow pace allows readers to grasp Calypso’s intentions and her main purpose in the entire storyline. The lack of spectacle allowed McFarlane to implement long segments of suspense mixed with horror. With Spider-Man doing not so much, he’s technically a supporting character symbolizing the reader’s curiosity.

Conclusion

There is nothing like waking up in the presence of two evil figures while being restrained.

Compared with the previous, Spider-Man #4 (1990) does not have much to show and has even less entertainment value. Unless you are a die-hard fan of Calypso (so twisted and demonic under McFarlane’s handling), this particular story won’t mean much to Spider-Man faithful. The webslinger is still helpless but this is all part of the build-up for the fifth and final chapter.

In fairness, what was shown here might inspire fans to revisit Kraven’s Last Hunt and read past Spider-Man comic books showing Calypso’s connection with Kraven (note: Spider-Man and Calypso were present in Amazing Spider-Man #209). In my view, this comic book is not terrible but it does not have much entertainment value nor does it have anything engaging to show. I don’t feel so motivated to proceed with issue #5.

Overall, Spider-Man #4 (1990) should be avoided.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Spider-Man #3 (1990)

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Marvel Comics shared universe through a tale of the Spider-Man monthly series.

I previously reviewed issues #1 (click here) and #2 (click here) which were also the first two chapters of the Todd McFarlane-led Torment storyline. McFarlane had this grand vision of a dark and more violent concept of telling a Spider-Man story and it involved another rematch with the Lizard (Dr. Connors) and some connections with the Kraven’s Last Hunt saga of 1987 (read my retro reviews by clicking here and here). McFarlane’s vision was daring but his writing style and the sub-par quality of his storytelling really brought down the overall quality of Spider-Man #1 and #2.

With those details laid down, here is a look back at Spider-Man #3, published in 1990 by Marvel Comics with a story written and drawn by Todd McFarlane. This is the 3rd chapter of the Torment storyline.

The cover.

Early story

The story begins at the rooftop of a building in New York City. Up there, the Lizard relentlessly attacks Spider-Man causing some damage on the building. Having recovered previously, Spider-Man manages to hold his ground and punches a solid structure that hit the Lizard hard.

Meanwhile at another part of the city, the evil Haitian Voodoo priestess Calypso communicates with the Lizard telling him to take the fight against Spider-Man easy, avoid killing him and make him suffer first. Calypso is obsessed with making the webslinger an example to the world.

The fight between Spider-Man and the Lizard continues causing even more damage. Spider-Man, who has been poisoned, is having trouble concentrating as the Lizard keeps attacking him violently. Spider-Man wonders why the Dr. Connors’ (the Lizard) blood lust is so consuming…   

Quality

Todd McFarlane’s way of visualizing Spider-Man’s origin.

To get straight to the point, this comic book is simply a natural progression of the hard-hitting conflict between Spider-Man and the Lizard that started in the previous issue. In fact, this comic book shows the resumption of the battle (after a pause happened in the late stage of issue #2 showing the fight temporarily halting which gave Spider-Man some minutes to rest).

At this stage, Spider-Man has gotten even more vulnerable and damaged. Apart from struggling with the very violent attacks of the Lizard, his own spider sense becomes a major hindrance on his mind (he could not concentrate) as the sounds of “doom-doom-doom” caused by Calypso’s sorcery becomes very unbearable. Like the previous issue, Spider-Man gets close to death and if there is anything new here it is showing the iconic superhero messed up in the garbage.

Along the way, this comic book sheds some spotlight on Mary Jane Parker (Spider-Man’s wife) who has been spending time in the city dealing with the absence of her husband. The Mary Jane scenes felt more like filler to the script by McFarlane.

Conclusion

This comic book shows the resumption of the violent battle between the Lizard and Spidey.

Apart from continuing the story, Spider-Man #3 (1990) does not have much to show. Todd McFarlane’s visuals are great and consistently remained high (and even gory) on details, but his weak writing made this one a chore to read through. Being the 3rd chapter of the Torment storyline, this one is predictable and the pay-off is minimum. At this stage, it is clear that something huge is coming up on the last two chapters of the storyline.  

Overall, Spider-Man #3 (1990) is satisfactory.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco