Escape From New York Is Still A Solid Movie To Watch

In my life, I was fortunate to have visited the City of New York not once but twice. The first in 1997 and the last in 2011. Already the city was highly modernized and Times Square was often filled with people enjoying the place without worrying about criminals pouncing on them.

What I never got to discover was New York City during its dark, old days when it had a lot more crime and a depressing social atmosphere as seen through the history books of the city. This alone makes watching John Carpenter’s 1981 flick Escape from New York a more interesting experience for me personally. Anyway, here is my review of Escape From New York.

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Kurt Russell as Snake.

The movie begins with information that in the then-future of 1988, crime in America skyrocketed by 400% which compelled the Federal Government to convert Manhattan of New York into a maximum-security prison zone which is eventually surrounded by very high walls (complete with armed guards), mines on the routes out of Manhattan and armed security personnel patrolling the water (by helicopter). Those who were sentenced to imprisonment at Manhattan really have no hope escaping.

In the then-future of 1997, Snake Plissken (Kurt Russell) is captured by the authorities for a Federal Reserve robbery attempt and eventually he gets offered a deal: if he rescues the captured President of the United States (Donald Pleasence) in New York and recovers a sensitive audio tape, a presidential pardon will be arranged for him. Before going to New York, Snake is injected with micro explosives which will blow up in less than 24 hours and they can only be neutralized if he succeeds with his mission. Snake flies into New York but his mission starts roughly.

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The gang and its leader.

That’s enough with the plot. Now I’ll talk about the quality of the film.

For a movie with a low budget of $6 million, Escape from New York looks pretty grand in certain parts specifically with the physical presentation of the streets of the city looking very deserted (note: location filming took place at the isolated and decayed sections of East St. Louis, IL), the on-location shooting at Liberty Island and the gladiator fight at the St. Louis Union Station’s grand hall. Furthermore, the filmmakers managed to stretch whatever Dollars they had to making the New York prisoners looking undesirable and dangerous.

The visual effects, believe it or not, were the result of the film crew having very talented specialists who made the photo-realistic shots. The matte paintings looked very convincing and so did the wire-frame animation sequence which was done with the use black light and special tape (which are visually visible as lighted wire frames). Not to be outdone is the use of miniatures to emphasize New York City with the flying shots. Definitely no computer-generated images here!

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James Cameron doing a matte painting for the movie.

In terms of storytelling, the film remains engaging to watch and along the way you do get to feel and relate with Snake Plissken who does not really care about the affairs of the President nor the Federal Government. He is one of those individuals who only wants to be left alone although his crime of robbery shows his desperation. Snake by the way reflects the anti-authoritarian views of director John Carpenter who in turn wrote this movie’s script after the Watergate Scandal happened.

On face value, Escape from New York looks like an action film but if you’re expecting mind-blowing stuff, intense explosions and lots of hard action, you will be disappointed. The best way to look at this movie is that its presentation of action is moderate. There is the firing of guns but don’t expect a war. There is some hard action here and there, but don’t expect extensive choreographed hand-to-hand fight sequences. What defines the action big time, however, is Snake’s “gladiatorial” battle with the big guy who overdid himself and gave Kurt Russell a truly hard time on shooting the action scenes. Snake’s struggle in the ring was truly Russell’s hard struggle. He was not acting at all during those action scenes.

Ironically, the lack of action and explosions did result the incidental acts of the many extras hired to play New York’s prisoners which really made the film’s concept of a metropolitan prison convincing. Snake’s escape from a run-down building being chased by many bad guys was fun to watch. The scene in which the good guys rode a vehicle only to be hit by debris thrown by many bad guys was intense.

With regards to performance, Kurt Russell’s Snake is truly iconic. He captures the character’s tough guy mentality and the good and honorable guy deep in the character’s heart. Donald Pleasence as the US President was pretty engaging even though he did not have the same amount of screen time as Russell. Pleasence is a very skilled actor and his handling of showing the US President as a scared and desperate person in captivity and as a cold-hearted man with power in safety is very memorable.

The other players like Lee Van Cleef (the hard authority figure), Ernest Borgnine (clearly the comic relief), Isaac Hayes (The Duke), Harry Dean Stanton, Adrienne Barbeau and Tom Atkins all had nice performances and they contributed well into the film’s quality.

With regards to weak spots, I could only wish the opening explanation (that crime accelerated by 400%) was accompanied with staged or archived footage of city crime to emphasize society’s downfall and make the film’s concept of turning New York into a prison more convincing. Also there was the missed opportunity by the filmmakers to use archived news footage of New York City’s history of high crime and police corruption. Lastly the final conflict between Snake and the Duke lacked impact and was underwhelming.

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Snake, his companions and the US President (rightmost).

Overall Escape from New York is not only one of John Carpenter’s best films…it is truly a Hollywood action-adventure classic with a very intriguing concept (New York City as a prison) that deserves your attention. Unlike Carpenter’s Halloween (1978), Escape from New York is timeless and remains fun and relevant to watch. Just don’t expect to see bombastic action and stunts.

If you intend to watch the movie, I suggest buying the movie’s collector’s edition Blu-ray disc release while it is still available. Good luck finding a copy of it.


Thank you for reading. If you enjoyed this article, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your project or business, check out my services.

Author’s Note: This article was originally published at my old Geeks and Villagers blog. What you read on this website was an updated and expanded version. In other words, this newest version you just read is the most definitive version

 

 

A Look Back at Solitaire #1 of the Ultraverse

When you fight evil, you do it alone.

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Solitaire in action in Solitaire #1 published in 1993 by Malibu Comics under their Ultraverse line of comic books.

The concept of vigilante figures taking the fight against crime alone backed with resources (in the form of weapons) is a long running tradition in superhero comic books. DC Comics has its iconic Batman doing lots of detective work and fighting criminals many times on his own. Similar stories were seen with the Punisher and Daredevil over at Marvel.

When Malibu Comics launched the Ultraverse line of superhero comics in 1993, they added variety into the big mix. They had their own parallel to Marvel’s Punisher and DC’s Batman in the form of Solitaire and they boldly launched a comic book series of the character.

Released in late 1993 with story by Gerard Jones and art by Jeff Johnson and Barb Kaalberg, Solitaire #1 introduced readers to Nicholas Lone who wears a purple-and-blue costume with mask and fights criminals as Solitaire. He’s not just a brave, tough guy who daringly goes against thugs. He’s is very talented with martial arts, acrobatics and weapon use.

The comic book begins when thugs working for a crime lord called the King are about to catch a helpless lady who gets saved by Solitaire. The hero easily outmaneuvers the bad guys and he proved to them that he really is hard to hurt.

At his headquarters, the King made it clear to readers that Solitaire has been a problem to him for some time already and feels bad when the hero disrupts his operation. Solitaire meanwhile prepares himself for the next move against the King by returning to his hideout (an old theater), doing some research by computer and coordinating with his contacts on the streets.

Regarding the quality of the comic book, I say the script is nicely paced as it does a good job introducing Solitaire to readers while still having spare spotlight for the King. Within twenty-five pages, the hero got clearly defined as a man of action as well as a person with a purpose. His fight against crime is defined by key parts of his past especially with the fact that his own father – Antone Lone – is a crime lord.

When it comes to super powers, Solitaire has very quick reflexes which makes him a hard target for armed thugs. He also has healing factor which works rapidly and gives him a major advantage over the bad guys. In fact, the presence of the healing factor (which works like that of Wolverine) makes Solitaire more daring and more willing to take risks engaging the bad guys with violence. He can get stabbed and his body can be shot with several bullets and still he will recover quickly to get the job done.

Solitaire is indeed super and yet there is something intriguing with his personality. Apart from being the son of a crime lord, Nicholas Lone’s acquisition of his powers is a painful mark on him personally. This was because his father gave him those powers as a result of his attempt to commit suicide. The powers are the result of the installation of nano-machines into his body.

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Overall, Solitaire #1 is a good and intriguing read. It really comes with a flavor that makes it distinct from other superhero-versus-criminals stories and the introduction of Solitaire alone is worth the cover the price. If you can find copies of Solitaire #1 on the back issue shelves of the comic book stores, I recommend buying it as well as the other issues.

It’s too bad that the Ultraverse ended after Marvel Comics acquired Malibu Comics back in the 1990s because like Prime, Hardcase and Prototype, Solitaire is very unique and intriguing at the same time. In my opinion, Solitaire is the most defining crime fighter of the entire Ultraverse and it’s too bad stories featuring him are not too many.

Thank you for reading. If you enjoyed this article, please click the like button below and also please consider sharing this article to your fellow comic book geeks and Ultraverse fans. Also my fantasy book The World of Havenor is still available in paperback and e-book format for you to order.

Author’s Note: This article was originally published at my old Geeks and Villagers blog. What you read on this website was an updated and expanded version. In other words, this newest version you just read is the most definitive version