blogging – Page 176 – Author Carlo Carrasco

A Look Back at Wonder Woman #16 (1988)

February 11, 2021February 11, 2021carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, literature enthusiasts, comic book collectors and fans of Wonder Woman! Reflecting on my previous retro comic book review, I can only imagine how disturbing it could be to me personally if there was a big event meant for a charitable purpose which gets overshadowed with the presentation making me the greater highlight.

That’s precisely what happened in Wonder Woman #15 (1988). As soon as Princess Diana/Wonder Woman arrived at the fair (which involves Myndi Mayer’s big-time publicity work and promotions) named after her (note: the Wonder Woman Fair was conceptualized for the benefit of needy children), she was astounded at first to see so many people anticipating her arrival. When she notices the gigantic poster with her image on it, she got disturbed by it.

“Look at the poster,” Wonder Woman thought to herself. “It’s almost as if they worship me! Yet I still find all this exploitation somewhat embarrassing!”

For the newcomers reading this, the post-Crisis Wonder Woman is a native of Themyscira which has a population of women called Amazons, led by her mother Queen Hippolyte. While her status among her fellow Amazons is notably very high, there are publicity gimmicks and no merchandising of her in Themyscira. Truly the world of man is vastly different to her.

To find out what happens next, let’s take a look back at Wonder Woman #16, published in 1988 by DC Comics with a story written by George Perez and the late Len Wein. Perez did the layouts while Bob Smith did the finishes.

Early story

The story begins with people disrupted by the Silver Swan’s presence at the Wonder Woman Fair, a gala event organized on behalf of the needy children of Boston. Due to the Silver Swan’s sonic attack, the Ferris wheel begins to fall apart causing Wonder Woman to intervene and help those riding it.

As Steve Trevor successfully saved a passenger from falling to pavement, armed people (including two police officers) fired their guns at the Silver Swan who is protected by the protective shield made by her low-level humming. At another location in the fair, Maxine Sterenbuch sits by a tree tearfully agonizing over how her dear friend Valerie Beaudry became the Silver Swan all because of Henry C. Armbruster.

While in the air, Valerie realizes that it is her fault that people’s lives are in danger. Her objective was to hit Wonder Woman who proved too fast for her. Behind the scenes at a secret facility, Henry C. Armbruster tells Valerie to calm down and prepare for a level 3 force blast.

Then she screams so powerfully…

Quality

*The conflict between Wonder Woman and Silver Swan is very engaging to read.*

Let’s start with the writing. The story is a nice mix of superhero spectacle, intrigue and has some elements of science fiction. As a story set after Diana’s return to man’s world, it is a worthy conclusion to the events that started in issue #15. The conflict between Wonder Woman and the Silver Swan is laced with espionage and intrigue, and the arrogant Armbruster is the main force of evil behind the scenes. The spotlight on Maxine Sterenbuch was understandably reduced this time around as the conflict between Silver Swan and Wonder Woman took center stage.

As a story set after the Challenge of the Gods storyline, this comic book continues the further development of Diana as she endures the challenges of not just dealing with the people, places and events around her in man’s world but also the feelings she starts developing for one of the major superheroes of the DC universe. More on her development, Diana experiences for the first time the consequence that comes with being a celebrated figure in man’s world and she realizes that doing charity is much harder to fulfill.

When it comes to Valerie/Silver Swan, she is indeed an interesting rival opposite Wonder Woman although her lack of freedom and will prevents her from reaching her true potential as an anti-hero figure. To find out why, I urge you to read this comic book.

Conclusion

Wonder Woman #16 (1988) is another solid post-Crisis Wonder Woman story as it further highlights a modernized Silver Swan and portrays her as an interesting form of opposition against the title character. The battle and interactions between the two are really engaging to read. As mentioned earlier, it is nice conclusion to the events that started in issue #15 and succeeds in further developing Diana as she spends more time in man’s world.

If you are seriously planning to buy an existing hard copy of Wonder Woman #16 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $33 while the near-mint copy of the newsstand edition costs $70.

Overall, Wonder Woman #16 (1988) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

COVID-19 Crisis: COVID-19 vaccination program simulated in Las Piñas City

February 10, 2021February 9, 2021carlocarrasco

Recently the City Government of Las Piñas headed by Mayor Imelda “Mel” Aguilar and Vice Mayor April Aguilar-Nerry and in cooperation with the Department of Health (DOH) conducted a simulation or dry run of their vaccination program for COVID-19 at the vaccination site located at Las Piñas Elementary School Central, P. Diego Cera, Barangay Elias Aldana.

Present during the simulation were DOH Assistant Regional Director Ma. Paz Corrales and physicians of the City Health Office Dr. Ferdinand Eusebio, Dr. Julie Gonzales and Dr. Ellaine Gumpal.

Las Piñas City Mayor Imelda Aguilar (front row, middle), Vice Mayor April Aguilar-Nery (front row, left) and other officials at the vaccination site on February 8, 2021. (source – Las Piñas City Facebook page)

The simulation is part of the City Government’s preparation and cooperation with the government’s mass vaccination program for the expected arrival of vaccines in the country this February.

During the simulation, the City Government and the CHO prepared an orderly, comprehensive and concrete vaccination plan to ensure the safety of vaccinators and prevent the possible spread of diseases in the city.

*The Mayor and Vice Mayor observe during the simulation. (source – Las Piñas City Facebook page)*

In ensuring order, a screening site has been set up in each barangay to initially list the potential recipients of the vaccine. There are five registration sites in District 1 and District 2 for validation and profiling of the initial list. Based on the final masterlist, QR codes will be issued to those who qualified. Each of the 20 barangays has one vaccination site where Las Piñas City residents will be vaccinated at. This past January, the City Government conducted a community level census for the COVID-19 vaccine.

The order of each area (waiting area, registration area, counseling area, medical screening, vaccination area, encoding area and post vaccination and monitoring area) will be followed at a designated vaccination site with the rules and procedures that must be followed by the locals for their safety before and after they are vaccinated.

Already personnel of City Hall underwent simulations of vaccinations in the area to demonstrate the Local Government’s preparation in tandem with the local Health Office.

When it comes to cold storage for vaccines, a storage facility has been prepared and there are ten additional freezers set for standby to temporarily store vaccines to keep them safe for the program.

The City Government aims to vaccinate three thousand residents per day. Previously, the City Government allocated P200 million for the purchase of additional COVID-19 vaccines. About 500,000 doses of COVID-19 vaccines were secured after Mayor Aguilar signed the tripartite contract with British drug maker AstraZeneca in collaboration with the government.

+++++

The above information was provided by the Las Piñas City Government for the purpose of public information and transparency. Some parts were edited for this website.

For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673

DOH lauds Muntinlupa City’s COVID-19 vaccination program, best practices during CODE Team visit

February 9, 2021February 8, 2021carlocarrasco

Muntinlupa City’s COVID-19 vaccination plan and other best practices on public health earned praise from officials of the Department of Health (DOH) during the assessment visit of the National Task Force (NTF) Against COVID-19 and Coordinated Operations to Defeat Epidemic (CODE) Team in the city.

DOH Usec. Myrna Cabotaje lauded the city’s “end-to-end planning” for the roll-out of COVID-19 vaccines from the procurement process up to the ancillary equipment disposal last February 5.

Cabotaje also recognized the strong public-private partnership for the local vaccination plan and underscored the importance of cooperation among stakeholders as the primary advice of NTF against COVID-19 chief implementer Secretary Carlito Galvez Jr.

The Health undersecretary also praised the deployment plan of the city’s vaccination teams and said that Muntinlupa’s target to inoculate medical frontliners can be carried out for as short as one day.

Muntinlupa City Mayor Jaime Fresnedi (left) presents Muntinlupa COVID-19 Vaccination Plan to DILG Usec. Jonathan Malaya (center) during the assessment visit of the National Task Force (NTF) Against COVID-19 and Coordinated Operations to Defeat Epidemic (CODE) Team in the city. (source – Muntinlupa PIO)

The Muntinlupa City Health Office has identified 6,758 medical frontliners from barangay health centers, emergency responders, public and private hospitals/clinics. Under the local COVID-19 vaccination plan, there will be 82 vaccination teams to be deployed in 35 vaccination posts and 8,200 target individuals to be vaccinated per day.

DILG Undersecretary Jonathan Malaya also praised the city’s coordination with the religious sector in ensuring the promotion of COVID-19 vaccination during mass celebrations. He hoped that the best practice in Muntinlupa will be replicated by other local government units in the country. Malaya added that DILG will integrate the campaign on COVID-19 vaccines to explain the importance of the vaccine to the public as part of the agenda for this year Barangay Assemblies.

Muntinlupa Committee on Health and Sanitation Coun. Allan Camilon thanked the CODE Team for its recognition of the city’s COVID-19 response efforts. Camilon highlighted the City Council’s proactive approach in curbing COVID-19 through passing of ordinances and resolutions. Muntinlupa is the first LGU to pass an ordinance for the mandatory wearing of face masks.

Further, the City Government intensifies its information campaign on COVID-19 vaccine demand generation in anticipation of the roll-out this month.

As of February 5, the city’s COVID-19 vaccine survey showed that out of the 4,074 respondents from Muntinlupa’s nine barangays, 63% or 2,567 individuals said they are willing to get vaccinated, an increase from 54% in the last survey dated January 18. While, a total of 788 respondents or 19.34 % said “no,” and 719 or 17.65% did not answer and were classified as “unaccounted.”

Muntinlupa Public Information Office and the City Health Office continuously conduct Virtual Town Hall Meetings, regular coordination with Barangay Information Officers for information dissemination and risk communication, and weekly virtual presser similar to DOH virtual briefing events, among others. Muntinlupa City has 57 active cases, 5,412 confirmed cases with 5,184 recoveries, 171 reported deaths, 64 suspect cases, and 405 probable cases as of February 8.

+++++

The above information was provided by the City Government of Muntinlupa for the purpose of public information and transparency. Some parts were edited for this website.

CREATE bill to boost Philippine economy by cutting corporate income tax and implementing incentives

February 9, 2021February 8, 2021carlocarrasco

Yesterday, Department of Trade and Industry (DTI) Secretary Ramon Lopez announced that the Corporate Recovery and Tax Incentives for Enterprises (CREATE) Act is aimed to reduce the corporate income tax which should lead to creating more jobs as well as attracting investments.

Given the dramatic fall of the Philippine economy as a result of the COVID-19 pandemic, the CREATE bill could be the big solution to boost the economy and pave the way for recovery. For almost a year now, the said pandemic caused a lot of people to lose their jobs and much of their income. A lot of businesses closed down as well.

For your reference, here is a long excerpt of the news release about the said bill published via Philippine News Agency (PNA). Key words are highlighted in bold:

The recent bicameral approval of the game-changing CREATE Act can also provide a big boost to the National Employment Recovery Strategy (NERS) Task Force chaired by the DTI and co-chaired by the Department of Labor and Employment (DOLE) and the Technical Education and Skills Development Authority (TESDA), which was signed last Feb. 5 by several agencies.

“The landmark tax and incentives reform bill that we expect to be signed by the President is expected to bring in (a) massive inflow of investments that will create more jobs, especially as we focus efforts in the National Employment Recovery during this period of the pandemic and beyond. The passing of CREATE will firm up the tax and incentive reforms that will make the investment climate significantly more attractive than the current tax and incentive regime,” Lopez said in a statement.

He said the bill will certainly encourage more investments with the lowering of the corporate income taxes rate from 30 percent to 20 percent for micro, small and medium enterprises (MSMEs), and 25 percent for large corporations.

“Modernizing the incentives system likewise makes the incentives such as income tax holiday (ITH), special corporate income tax rates (SCIT) or enhanced deductions (ED), available to industries considered strategic, critical or export oriented,” he added.

The Trade chief said the length of incentives, such as four to seven years of ITH plus five or 10 years of SCIT or ED, will depend on the nature of industry, export or domestic oriented, degree of technology and value adding, and geographical location, with additional years outside the Metro Manila and urban centers.

“There is also (a) longer transition period for those currently granted incentives. Thus, incentives are now made more performance-based, focused and timebound,” Lopez said.

CREATE is a bill certified urgent by President Rodrigo Roa Duterte upon the recommendation of the economic team led by Finance Secretary Carlos Dominguez III.

Lopez also thanked the legislators at the Senate and the House of Representatives, with Sen. Pia Cayetano and Rep. Joey Salceda, respectively, as principal authors, for the hard work of the committee members in bringing the CREATE bill to fruition.

“The passing of CREATE will unleash the growth potential of investments by removing uncertainties during the period that the bill was under deliberation,” Lopez said. “Based on our estimate and those from Cong. Joey Salceda, CREATE can bring in over PHP200 billion of new investments that can generate 1.4 (million) to 2 million incremental jobs.”

CREATE will help boost investments in the Philippines, which would support the 2021 target of the Board of Investments (BOI) of PHP1.25-trillion investment approvals.

A report by the United Nations Conference on Trade and Development (UNCTAD) had also estimated that the Philippines bucked the trend in Southeast Asia, and had increased its foreign direct investments (FDIs) during the pandemic by 29 percent last year.

Meanwhile, the NERS 2021-2023 is a medium-term plan anchored on the updated Philippine Development Plan 2017-2022 and ReCharge PH by expanding the Trabaho, Negosyo, Kabuhayan initiative and improving access and security of employment.

The strategy also takes into consideration the changes in the labor market brought about by the pandemic and the fast adoption of Fourth Industrial Revolution (FIRe) technologies.

“NERS shall also consolidate all measures, programs, and institutions that influence the demand and supply of labor, as well as the functioning of labor markets,” Lopez said.

Members of NERS Oversight Committee include the Departments of Transportation (DOTr), Tourism (DOT), Public Works and Highways (DPWH), Science and Technology (DOST), Social Welfare and Development (DSWD), Agriculture (DA), Agrarian Reform (DAR), Interior and Local Government (DILG), Information and Communications Technology (DICT), Environment and Natural Resources (DENR), Education (DepEd), Commission on Higher Education (CHED), and National Security Council (NSC), as well as the Office of the Cabinet Secretary (OCS), Departments of Finance (DOF) and Budget and Management (DBM), and the National Economic and Development Authority (NEDA).

DOLE Secretary Silvestre Bello III said: “This JMC (joint memorandum circular) will fortify our collective undertaking as a Task Force working to develop a policy environment that encourages the generation of more employment opportunities, improves employability and productivity of workers, and supports existing and emerging businesses.”

Lopez further stressed the importance of continuing with the calibrated and safe reopening of the economy to allow the country to regain the growth momentum that it had before the pandemic.

+++++

Thank you for reading. If you find this post engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Shin Godzilla (2016)

February 8, 2021November 30, 2025carlocarrasco

Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

There is no doubt that Japan’s fictional monster Godzilla (originally called as Gojira) made tremendous impact not only with the Japanese but also with other entertainment lovers around the world. Way back in 1954, the monster was portrayed as a destructive, walking symbol of nuclear weapons in the movie Gojira directed by the late Ishirô Honda.

As the years passed by, several more Godzilla movies were released by Toho Pictures. In 1998, an American-made movie about Godzilla was finally made in a disappointing form directed by Roland Emmerich. In 2014, Warner Bros. and Legendary Pictures made a more respectful film of the monster under the direction of Gareth Edwards. In 2019, the follow-up Godzilla: King of the Monsters was released and I enjoyed it a lot more than its 2014 predecessor.

Before the 2019 movie was released, Toho in Japan released Shin Godzilla (alternate titles: Shin Gojora and Godzilla: Resurgence) which was the result of the 2014 movie’s success as well as the fact that there were no restrictions in the contract with Legendary Pictures for the Japanese studio to make their own domestic versions.

Due to its lack very limited presence in cinemas here in the Philippines in 2016, I was unable to watch it on the big screen. Fortunately, it was released locally on original DVD some time after and I got to watch it in the comfort of home.

With those details laid down, here is a look back at Shin Godzilla co-directed by Hideaki Anno and Shinji Higuchi (both best known for Neon Genesis Evangelion).

Early story

The story begins at Tokyo Bay where the coast guard personnel found an abandoned yacht and searched inside. Suddenly a huge cloud of steam erupted from the ocean followed by blood-like water flooding the Tokyo Bay Aqua-Line. The tragedies compelled local authorities to take action starting with a committee meeting.

As emergency personnel save the victims in the damaged Tokyo Bay Aqua-Line, the tragedies reach the office of the Prime Minister who engages with many other government officials in an official meeting. They try to figure out what caused the incidents and, as such, theories and efforts to explain what happened were spoken until Deputy Chief Cabinet Secretary Rando Yaguchi (Hiroki Hasegawa) theorized that a living creature caused it (because he saw a viral video) which only resulted disbelief and dismissal.

Suddenly a massive tail rises from the ocean which got captured in video and photographs by the news media which confirms Yaguchi’s hunch. As the Prime Minister and the team of officials spend more time discussing and searching for real experts (because the three scientists they just met did not produce any breakthroughs), a huge creature makes its way into one of Tokyo’s districts through a waterway causing massive damage and displacing many people as well as all boats that got in its way.

In a press conference, the Prime Minister gave his assurance to the public that they need not worry about the creature coming to shore. Just after giving his assurance speech, an assistant approaches the Prime Minister with really bad news that the creature has been crawling inland and causing even more damage…

Quality

*Japan’s iconic monster is not only terrifying here but also very deadly.*

When it comes to presentation in comparison to all other Godzilla movies released, Shin Godzilla is very unique as it strongly brings to the viewers a very in-depth examination of the bureaucracy of the Japanese government complete with the many laws, requirements, rules and other elements of governance that made it so hard for the local authorities to respond to Godzilla’s invasion of the metropolis. There are key details that were raised such as the constitutionality of using local military force against the monster (which is not a foreign invader), which department should be in-charge of research about the same monster, etc.

Along the way, there is an overload of information – in terms of text, images and dialogue – that makes viewing quite a challenge. This makes watching Shin Godzilla a learning experience that viewers who are interested in governance and science will likely enjoy although it will alienate other moviegoers, especially those who only want to watch the spectacle of massive on-screen destruction that giant monster movies are known for. Going through all the exposition and explanations, and understanding most of it, however, will make the viewing experience worth it as these countless details do make sense in relation to Godzilla’s destructive impact on the people.

And then there is the huge cast of characters that needs to be followed. This is another big challenge for viewers because if one misses out on the key purpose a character has, then following the government’s efforts on dealing with Godzilla will make less sense. Not only will you have to follow the characters’ names, you will also have to remember their respective work titles. Apart from the government officials, there is also the huge batch of nerds and varied experts gathered by the government to do intense research. Again, those people need to be followed and remembered so you can understand what they do and how they contribute to their government’s efforts. When it comes to performances, they are collectively dramatic and you will be convinced of the pressure, the danger and uncertainty they face with Godzilla threatening Tokyo.

*Better get used to seeing so many characters throughout the movie.*

As for the main spectacle of the movie, Godzilla, I can say that the monster here is very terrifying to watch. This is not your typical Godzilla as the Anno-Higuchi directorial duo really went all out with their creativity to remake Japan’s iconic monster into something new and deadly while still linking him creatively to the legacy of the classic Godzilla. There is even an element of evolution in this version of Godzilla and to see the Japanese military fire their expensive weapons at him really made a lot of spectacle to enjoy. I should also state that several scenes of disaster caused by the monster in this film were inspired by the tragedies of the Tōhoku earthquake and tsunami, and the Fukushima Daiichi nuclear disaster of 2011. Lastly, Godzilla here is really a super villain that is not only gigantic but also is made to be highly believable that it can destroy the nation, kill innocent civilians, demoralize the authorities and even bring Japan’s entire economy way down (note: one of the government officials explained the economic consequence of failing to defeat the monster).

When it comes to visual effects, this one is the best-looking Godzilla made by the Japanese yet! While the traditional approach of having an actor wear a rubber suit has been disregarded in favor of using modern, digital means (with motion capture), what the production team did here is very impressive as they focused strongly on having computer-generated graphics that are photo-realistic. While it is true that there were some moments of fake-looking CGI, the heavy photo-realism on the graphics of Godzilla (combined with strategic camera angles that really captured the scope and size of the monster) easily outweighed the weak spots. The lighting effects used for the laser blasts were very impressive, even competitive with what Hollywood has been doing. As for the scenes of destruction, a mix of CGI and practical effects (specifically miniatures) was used. In fact, certain scenes showing Godzilla interacting with the environment was done with pushing a prop through miniatures which resulted a high level of detail with organic and solid stuff.

The spectacle would not have been that effective, however, without the solid musical work done by Shiro Sagisu. Not only did the music add a lot to the intense sequences of Godzilla, it also brought out the sense of dread and horror out of the monster especially in the night-time scene when he was towering over a large section of Tokyo that lost power. Sagisu was also involved in Neon Genesis Evangelion.

Conclusion

*The emphasis on photo-realism on the computer-generated effects is something special.*

I can say it out loud that Shin Godzilla (2016) is truly a spectacle to watch complete with tons of heavy drama, tons of information and the widest cast of characters to date. It is a new version of the Japanese icon that really impresses and when it comes to movie intelligence, it easily outshines many other Godzilla flicks. While it has a lot of spectacle to keep moviegoers entertained, its heaviness with the information and large cast of characters could turn off viewers who are not used to thinking and paying attention to lots of details while watching a giant monster movie. Personally, I welcomed the information overload and made efforts on paying close attention to the details and the characters. It really takes patience and focus to truly make the most out of the story and the overall presentation.

Ultimately, I enjoyed this movie for what it is and what its message was about with regards as to how governments should respond to immense disasters, what is Japan’s place in the world of the 21^st century and, most notably, what Godzilla means to Japan and the international community. This is a very solid modernization of Godzilla and the Anno-Higuchi deserve admiration.

If you are seriously planning to buy an existing hard copy of Shin Godzilla (2016), visit Amazon for the Blu-ray disc release and see if it has the right price and special features to satisfy you.

Overall, Shin Godzilla (2016) is recommended!

+++++

A Look Back at Wonder Woman #15 (1988)

February 8, 2021February 6, 2021carlocarrasco

Welcome back, superhero enthusiasts, comic book collectors and Wonder Woman fans! Last time around, the Challenge of the Gods storyline concluded and it really had a lot of twists and profound surprises that really shook the foundation of the post-Crisis Wonder Woman monthly series that was spearheaded by George Perez and Len Win. The Challenge of the Gods started strongly in issue #10 and as each issue was released, the narrative got more intriguing and ultimately served its purpose on defining Wonder Woman as the ever-willing and pure Queen of Superheroes. Along the way, there was significant development of Queen Hippolyte who has been struggling between ruling her fellow Amazons and being a mother to Diana/Wonder Woman.

As the Challenge of the Gods was full of elements of fantasy and Greek mythology, it can be quite challenging for any comic book creator to start the next chapter of the Wonder Woman monthly series’ narrative without reusing the mentioned elements.

In the case of the next Wonder Woman comic book for review here, I can say that the creators literally brought Wonder Woman into the realm of realism and intrigue. With those details laid down, here is a look back at Wonder Woman #15, published by DC Comics in 1988 with a story written by George Perez and Len Wein. Perez illustrated the comic book.

Early story

The story begins with Wonder Woman having a very vivid dream about a certain great hero. After waking up from it, she feels that trying to keep up with all the events of the world must be taking its toll on her. She expressed that she is ill-prepared to deal with new sensations.

“In this world, man and woman long for these feelings. They cherish them. I’ve read how they have even died for them,” Diana said. “And that truly frightens me.”

While Diana is staying at the Kapatelis residence, it turns out Julia (mother of Vanessa) is overseas. She wishes that Julia is with her to discuss what she has been feeling.

Meanwhile at the Ogawa headquarters in Boston, an armed man is using one of the company’s computers to acquire classified information about a subject referred to as Valerie Beaudry. A security guard arrives and decides to investigate as he realizes that his fellow guard was missing (knocked unconscious already). The infiltrator makes short work of him and leaves the building with the acquired information…

Quality

*Wonder Woman appears at a major public event.*

I can start with the sudden change of tone for the storytelling. Gone are the fantasy and mythology elements of the Challenges of the Gods storyline and fully implemented in this comic book are the elements of intrigue, suspense, assassination and even sci-fi. The story itself is more grounded with reality as far as the post-Crisis DC Comics universe goes and because it is well written, the sudden change of tone and style never felt jarring to me.

While the 9^th issue of this monthly series introduced a modern Cheetah, this comic book introduced the modern Silver Swan in the form of Valerie Beaudry (who appears on the cover). The good news here is that the creators took their time in gradually building-up details about Valerie and how she became Silver Swan. By the time Silver Swan appears in the presence of Wonder Woman, her personal details and traits have been developed in a satisfying way. Unlike Wonder Woman #9, Silver Swan’s appearance in this comic book stretches on into the next issue.

Along the way, more new characters were introduced and the most notable ones are connected with Valerie Beaudry. Maxine Sterenbuch, who eerily resembles Wonder Woman’s teenage pal Vanessa but in adult form, has a close connection with Valerie over a period of many years. There was also Henry Cobb Armbruster, a tycoon who wield tremendous power and has been hiring assassins to do his bidding.

Going back to Wonder Woman herself, this issue explores more of her struggle with not only learning more about man’s world and its many divisions, but also the feelings she starts having as she connects more with other people – most notably with one of DC’s biggest icons. To have Julie Kapatelis absent left the creators room to have Diana not only bond more with daughter Vanessa but also strive more on analyzing what she learns in man’s world. The scene in which Wonder Woman notices a huge printed image of her is a vivid reminder about how negative and foolish idolatry is on people.

Conclusion

Even though it has no fantasy and mythology elements, Wonder Woman #15 (1988) is still a great comic book to read and it succeeds in progressing Diana’s discovery and learning of man’s world. Its introduction of the post-Crisis Silver Swan is memorable and her build-up (specifically her background story) is pretty engaging.

If you are seriously planning to buy an existing hard copy of Wonder Woman #15 (1988), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $35 while the near-mint copy of the newsstand edition costs $70.

Overall, Wonder Woman #15 (1988) is highly recommended!

+++++

A Look Back at Ravage 2099 #8 (1993)

February 5, 2021February 4, 2021carlocarrasco

Welcome back, superhero enthusiasts, comic book collectors and fans of Marvel. Today we revisit the original 2099 universe that Marvel Comics launched in the 1990s. We go back to the said universe through the eyes of Ravage 2099, the original 2099 character co-created by the late Stan Lee and artist Paul Ryan.

Before proceeding with my next retro comic book review of Ravage 2099, I want to stress that there was a time when the late Steve Ditko nearly launched Ravage 2099 with Stan Lee. For the newcomers reading this, Steve Ditko and Stan Lee are recognized for co-creating the iconic Spider-Man and to even imagine the two creators almost getting involved with the 2099 universe’s original hero is intriguing.

Marvel tried to get Ditko to work with Lee on Ravage 2099 early on. Then Marvel Comic editor-in-chief Tom DeFalco revealed that, on behalf of Lee, he called Steve Ditko who eventually attended a meeting which reunited them. After having a terrific discussion with Lee, Ditko cordially turned down the project. DeFalco stated that Ditko just did not agree with some of the philosophical underpinnings.

“Steve walked away, and I could tell he was really thrilled to have seen Stan,” DeFalco added.

With that short history over, here is a look back at Ravage 2099 #8, published in 1993 by Marvel Comics plotted by Stan Lee, scripted by Pat Mills and Tony Skinner and drawn by Gran Miehm. This was Stan Lee’s final work of writing a Marvel 2099 story.

Early story

The story begins with a weakened Ravage, Tiana and Dack already in trouble as a Public Eye battle copter approaches them. The three just escaped from an underwater city using an old vehicle from the Fantastic Four. While Tiana expressed that there is no way they could outfight or outfly Public Eye, Dack reminds her that Ravage is their only hope and because of him, they got away from the aquatic beings and survived.

Dack then send their vehicle (which instantly blew ballast and raised a canopy) under water to escape from Public Eye. The effort was futile as the battle copter captures their vehicle and pulls it out of the water using a magnetic beam.

Knowing this development, Anderthorp Henton makes a confidential holo-call with Dethstryk and tells him that Ravage is in his possession. Henton also states that he intends to kill Ravage. Dethstryk demands Henton to deliver Ravage to him, insisting that it should be he who should kill him.

While captured in transit, Ravage struggles to write his instruction to his companions to take his gloves off…

Quality

*Henton and his team with Ravage and his companions captured.*

Finally, after going through the first seven issues that resulted unsatisfying plots, recycling of character elements and forcibly stretching the narrative, this particular issue has a story that combines doubtful heroism with a believable objective. Of course, it should be noted that Stan Lee provided the plot while leaving the scripting and pacing to two other writers who eventually took over the writing duties of Ravage 2099.

There were some improvements to the quality of the dialogue and narration (by Ravage). This comic book’s story was paced decently and there was not a single moment of stretching the narrative unrealistically. By this stage of the series, Ravage’s status as a heroic figure improved once again as he was given a purpose to fulfill. While we have seen him help Tiana or Dack escape from the bad guys, this story has him being more strategic and more determined to really solve a mystery while overcoming opposition.

Henton in this story, fortunately, is not a repeat of his cruel, cold-hearted self from the previous issues. This story reveals his link with Dethstryk and new insight as to who or what really controls Alchemax and its top officials. As such, there were some unexpected elements that transpired in the story.

Visually, Gran Miehm provided decent art and for the most part, Ravage and the other characters remained recognizable although I notice Dack looking more like a young adult than the teenager he really is.

Conclusion

*Dack makes a move to help them get away.*

Ravage 2099 #8 (1993) was Stan Lee’s last work with this particular series of the 2099 universe and thanks to the new writers who took scripting duties, this one has a satisfying story, higher quality dialogue and a more focused narrative. In retrospect, it was already too little and too late to salvage the Ravage 2099 series due to the inconsistent and overall weak storytelling that dominated the first seven issues.

If you are seriously planning to buy an existing hard copy of Ravage 2099 #8 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $14 while the near-mint copy of the newsstand edition costs $42.

Overall, Ravage 2099 #8 (1993) is satisfactory.

+++++

76th Liberation Day of Muntinlupa

February 5, 2021February 4, 2021carlocarrasco

Yesterday, officials of the City Government of Muntinlupa led by Mayor Jaime Fresnedi took part in the wreath-laying ceremony at the Bantayog ng mga Bayani, Alabang to commemorate the liberation of the city from occupying foreign forces during the World War II. Also present in the said ceremony were Vice Mayor Artemio Simundac, Congressman Ruffy Biazon, and members of the City Council.

Muntinlupa City Mayor Jaime Fresnedi (center) paid tribute to war veterans and local heroes in celebration of the city’s 76th Liberation Day with the theme, “Digmaan Pinagtagumpayan, Pag-Asa para sa Ligtas na Sambayanan.” (source – Muntinlupa PIO)

*The Mayor and other public officials at the monument. (source – Muntinlupa PIO)*

+++++

The above information was provided by the City Government of Muntinlupa for the purpose of public information and transparency. Some parts were edited for this website.

Las Piñas City Tax Amnesty announced, good until May 15, 2021

February 4, 2021February 3, 2021carlocarrasco

Yesterday the City Government of Las Piñas announced that property owners in the city who have not settled their dues have until May 15, 2021 to avail of the Tax Amnesty which is the result of the approval of City Ordinance No. 1729-20 (Series of 2021).

The Tax Amnesty covers all unpaid property taxes as well as Local Government interests, penalties and surcharges. Payment of taxes can be done by means of cash or by installment within the stipulated period.

The Tax Amnesty is meant to alleviate the financial concerns of the local constituents by giving them sufficient time to settle their taxes as the City Government is fully aware of the challenges and hardships caused by the pandemic on public health and on the economy.

Those who will be doing transactions at City Hall are advised to follow health and safety protocols.

+++++

The above information was provided by the Las Piñas City Government for the purpose of public information and transparency. Some parts were edited for this website.

A Look Back at Prime #19 (1995)

February 4, 2021February 2, 2021carlocarrasco

Welcome back, superhero enthusiasts, comic book collectors and fans of the Ultraverse! Today, we will revisit the Ultraverse through the exploits of Prime who has already established himself in the city of New York (the result of Kevin Green and his mom’s move into the city).

Not only have we seen Prime fight a gigantic monster (that reminds me a lot of Japan’s Godzilla) to save New York and its many people, we have seen Turbo Charge getting involved with him with a superhero-related passion.

What will happen next to Prime? Will Turbo Charge get even more involved in helping the people of New York? We can all find out in this look back at Prime #19, published in 1995 by Malibu Comics with a story written by Len Strazewski and Gerard Jones, and illustrated by Dave Cockrum (X-Men) and Tim Hamilton.

Early story

The story begins with Prime flying just above ground in the view of the many people attending the Macy’s Thanksgiving Day Parade in New York. Already he has been identified as the city’s newest Ultrahero.

Sometime later, within the city, Prime and Turbo Charge are watching television sets from outside a retailer’s window. As they talk about being in the spotlight, some fans approached Prime. The more Turbo Charge talks about taking advantage of the public trust and special abilities for financial gain, Prime rejects his suggestion as he remembers how he messed up previously.

Meanwhile at Canoga Park, California, Kelly (Kevin’s romantic interest) is approached by Courtney (her best friend) who asked her what is she nervous about and what’s wrong with her lately. After their short talk, Kelly separates from her (who has a negative view of Kevin) and enters home at last. Suddenly a monster appears just outside the front door…

Quality

I can confirm that the writing is rich and this story is much-more character-driven than the previous issue. The good news here is that there is a lot of engaging stuff and characterization to enjoy.

As before, Kevin’s struggle with balancing his personal life and his superhero ego together continues to be felt here. Not only has he been struggling with the media’s suspicion of Prime as a predator with teenagers, he also had difficulty talking with Turbo Charge (a teenager like Kevin) when it comes to sensitive bits of information that might expose his personal life. The way Strazewski and Jones wrote the script in dramatizing Kevin’s personal struggle came with really natural dialogue which made it all believable to read.

Within this story are three sub-plots about Kevin’s father, Kelly and Turbo Charge. Kevin’s father knows the whole truth about his son which makes him a valuable target by spies. Kelly’s struggle with monstrous visions are driving her nuts like never before. Turbo Charge meanwhile has a father who is well connected with the powerful in Washington, D.C. and the private sector. These sub-plots are well-written and add a good amount of depth and variety to the story.

As this issue was illustrated by Dave Cockrum and Tim Hamilton, there are noticeable changes in the aesthetics on Prime, Kevin and other related characters here and there. I just wish that the comic book pointed out which pages were drawn by whom. This is a fine-looking comic book.

Conclusion

Prime #19 (1995) is a very solid read mainly due to the strong characterization and the mentioned sub-plots (one of which finally got resolved in a satisfying manner). The more you follow Kevin’s story and his adjustment with life in New York, the more this comic book draws you in. There is also a short yet effective round of superhero spectacle that complete it. More importantly, this story keeps Prime’s story moving forward and even Kevin’s mother got a good amount of the spotlight.

If you are seriously planning to buy an existing hard copy of Prime #19 (1995), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $10.

Overall, Prime #19 (1995) is recommended.

+++++

	#blogpost on Almost 4,000 Las Piñas City Se…
	Politics Channel on Almost 4,000 Las Piñas City Se…
	AI Channel on Almost 4,000 Las Piñas City Se…
	#southies on Almost 4,000 Las Piñas City Se…
	#blogpost on Panel By DHSUD To Check Concer…

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this:

Share this: