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Welcome back, superhero enthusiasts, comic book collectors and fans of the Ultraverse! Today, we will revisit the Ultraverse through the exploits of Prime who has already established himself in the city of New York (the result of Kevin Green and his mom’s move into the city).
Not only have we seen Prime fight a gigantic monster (that reminds me a lot of Japan’s Godzilla) to save New York and its many people, we have seen Turbo Charge getting involved with him with a superhero-related passion.
What will happen next to Prime? Will Turbo Charge get even more involved in helping the people of New York? We can all find out in this look back at Prime #19, published in 1995 by Malibu Comics with a story written by Len Strazewski and Gerard Jones, and illustrated by Dave Cockrum (X-Men) and Tim Hamilton.
The story begins with Prime flying just above ground in the view of the many people attending the Macy’s Thanksgiving Day Parade in New York. Already he has been identified as the city’s newest Ultrahero.
Sometime later, within the city, Prime and Turbo Charge are watching television sets from outside a retailer’s window. As they talk about being in the spotlight, some fans approached Prime. The more Turbo Charge talks about taking advantage of the public trust and special abilities for financial gain, Prime rejects his suggestion as he remembers how he messed up previously.
Meanwhile at Canoga Park, California, Kelly (Kevin’s romantic interest) is approached by Courtney (her best friend) who asked her what is she nervous about and what’s wrong with her lately. After their short talk, Kelly separates from her (who has a negative view of Kevin) and enters home at last. Suddenly a monster appears just outside the front door…
I can confirm that the writing is rich and this story is much-more character-driven than the previous issue. The good news here is that there is a lot of engaging stuff and characterization to enjoy.
As before, Kevin’s struggle with balancing his personal life and his superhero ego together continues to be felt here. Not only has he been struggling with the media’s suspicion of Prime as a predator with teenagers, he also had difficulty talking with Turbo Charge (a teenager like Kevin) when it comes to sensitive bits of information that might expose his personal life. The way Strazewski and Jones wrote the script in dramatizing Kevin’s personal struggle came with really natural dialogue which made it all believable to read.
Within this story are three sub-plots about Kevin’s father, Kelly and Turbo Charge. Kevin’s father knows the whole truth about his son which makes him a valuable target by spies. Kelly’s struggle with monstrous visions are driving her nuts like never before. Turbo Charge meanwhile has a father who is well connected with the powerful in Washington, D.C. and the private sector. These sub-plots are well-written and add a good amount of depth and variety to the story.
As this issue was illustrated by Dave Cockrum and Tim Hamilton, there are noticeable changes in the aesthetics on Prime, Kevin and other related characters here and there. I just wish that the comic book pointed out which pages were drawn by whom. This is a fine-looking comic book.
Prime #19 (1995) is a very solid read mainly due to the strong characterization and the mentioned sub-plots (one of which finally got resolved in a satisfying manner). The more you follow Kevin’s story and his adjustment with life in New York, the more this comic book draws you in. There is also a short yet effective round of superhero spectacle that complete it. More importantly, this story keeps Prime’s story moving forward and even Kevin’s mother got a good amount of the spotlight.
If you are seriously planning to buy an existing hard copy of Prime #19 (1995), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $10.
Overall, Prime #19 (1995) is recommended.
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