Valiant Comics – Page 4 – Author Carlo Carrasco

A Look Back at Harbinger #4 (1992)

July 15, 2022July 15, 2022carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a part of the Valiant Comics shared universe through the Harbinger monthly series.

In my previous retro review, Peter/Sting, Kris, Faith/Zephyr, Charlene/Flamingo and John/Torque travel to another city where they meet Ax, a computer specialist with Harbinger potential. This gradually sparks a chain events that lead to one wild outcome to another. Indeed, issue #3 was really fun and compelling to read.

With those details laid down, here is a look back at Harbinger #4, published in 1992 by Valiant Comics with a story written by Jim Shooter and drawn by David Lapham.

Early story

The story begins inside an alien facility on the moon. With her teammates unconscious and Ax suffering from the intense pain on his genitals, Flamingo finds herself alone facing a freakish cyborg and alien pawns. She only has her power of heat as her weapon and defense. Even though she got hurt, Flamingo manages to heat up a part of the floor near her which causes the freakish cyborg to fall down into an unexpected deep pit.

With not much time left, Flamingo manages to free Sting, Kris, Torque and Faith. Just before leaving for Earth, Sting decides to bring the traitorous Ax with them into the space ship. After some computer work done by Ax, the ship then shifts into auto-pilot mode going to Earth…

Quality

*Kris got really close with Torque which causes tension between her and Sting.*

The story here is remarkably written, believable and engaging to read. While the events in issues #2 and #3 had their respective wild turn of events, the story here literally grounded itself yet managed to deliver spectacle as well as a new conflict for the readers to focus on. Without spoiling the plot, I can say that Ax, the newcomer in issue #3, has a stronger presence in this comic book and you will get to see more of the impulsive and obsessive sides of his personality which leads to a new conflict (note: Sting and the team face-off with a worthy force of opposition).

The most attractive feature of the writing done by Jim Shooter for this comic book is characterization. Remember how the main characters in The Empire Strikes Back got developed a lot as a result of getting separated? You will some of that here and you will be delighted to see Faith, Kris, Flamingo and Torque return into their private lives which is a creative pay-off in relation to how much time they spent together in the previous issues. Along the way, you will feel their emotions and even relate with the changes they went through. Like a 1980s Hollywood movie about American teenagers, the story sheds light on the aspect of young adults wanting to be with each other as a result of them living with a false sense of maturity or independence. Remember when I mentioned that Peter and his team got away with committing crime in issue #2? Their complete disregard of guilt highlights their failure of taking responsibility of their actions.

If you are looking for superhero spectacle, you will find a good amount of that right here. You should read this comic book and find out why.

Conclusion

*The traitorous Ax was even treated on the way home from the moon.*

Harbinger #4 (1992) is another very solid read from the Shooter-Lapham team. This comic book literally grounded itself into Earth but still delivered a careful mix of plotting, character development and superhero action. At this stage, the team of Sting, Torque, Kris, Flamingo and Faith just keeps on persevering with their shared co-existence even though they have an uncertain future with the Harada organization still hunting them.

Overall, Harbinger #4 (1992) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/

A Look Back at Harbinger #3 (1992)

July 11, 2022July 8, 2022carlocarrasco

In my previous retro review, Peter/Sting, Kris, Faith/Zephyr, Charlene/Flamingo and John/Torque not only found a place to stay in thanks to a really generous doctor, they went ahead infiltrating the top secret facility of the Harbinger foundation which also brought them face-to-face with the leader. At this stage, Sting and his team have established their purpose not just for survival but to achieve something they believe is right.

With those details laid down, here is a look back at Harbinger #3, published in 1992 by Valiant Comics with a story written by Jim Shooter and drawn by David Lapham.

Early story

The story begins at 9:20 AM of July 6, 1991 inside the fine summer home of Dr. Heyward. As Sting tells his teammates that they have to move to catch a flight, Faith (wearing her superhero costume) flies through to find Kris and Torque. She finds the two of them seated next together with Kris having her two hands on Torque.

Meanwhile, Flamingo fixes her face as Sting talks to her. She rejects his declaration that she is a part of their team and reveals that Torque does not care about her. Flamingo considers herself as just another hosebag. Sting then tries to lift her up by telling her that she has to take care of herself and that she is part of their team.

Sting, Faith, Flamingo, Kris and Torque then leave for the airport in a brand new vehicle they just bought (having used the money they stole from Harbinger). Their vehicle flies off to the airport with Sting on the driver’s seat…

Quality

*Sting, his teammates and newcomer Ax in the heat of action.*

Without spoiling the plot, I can say that the story in this comic book got even wilder than I anticipated. The high intensity of wild turnout of events in issue #2 do not even come close to what was told right here. At the same time, this particular story clearly showed this comic book series’ own place within the literary universe of Valiant Comics and anyone who read XO-Manowar comics of this particular era will instantly recognize the recurring creatures (opposition elements) from outer space.

As expected, the character development of the main characters progressed smoothly revealing some amusing character moments that I found interesting and other times amusing. As Sting continues to act with a sense of leadership as well as a false sense of maturity, you will get to see more of Kris providing him analytical and personal support.

The dialogue in this comic book was written to be more dynamic and this is highlighted in the scene in which Sting and his teammates discuss what to do with their new team objective, and what to do with the computer hacker Ax who has shown Harbinger potential. That being said, Jim Shooter carefully crafted the dialogue to reflect how American teenagers in the late 1980s and early 1990s expressed themselves.

When it comes to superhero spectacle, there is a lot to enjoy here. Action scenes and the use of special abilities or super powers were executed at a moderate pace yet they were intense to look at. Each of the main characters had his/her own share of the spotlight even as the spectacle moved.

Conclusion

*Meet Ax, the guy who specializes on cracking and hacking.*

Harbinger #3 (1992) is a very engaging story to read which was balanced with a good amount of spectacle, nice character moments and the wildest turn of events so far in this particular comic book series. On face value, this comic book’s core concept (which involves a lot of science fiction elements) seemed over-the-top but Jim Shooter and David Lapham succeeded in telling a story that is believable and at the same time fun. It is also within this comic book that readers will get to see more of the Valiant Comics universe elements without the need of a crossover or a cameo appearance of an established Valiant hero. This is definitely the tale of Sting and his team that was simply taken into a much higher flight of fantasy. That being said, I am looking forward to the next issue.

Overall, Harbinger #3 (1992) is highly recommended!

+++++

A Look Back at Harbinger #2 (1992)

June 28, 2022June 26, 2022carlocarrasco

In my previous retro review, the primary characters (Peter/Sting, Kris, Faith/Zephyr, Charlene/Flamingo and John/Torque) composed of mainly young adults with different abilities were gradually introduced and together they became targets of the mysterious private organization referred to as Harbinger (led by Japanese tycoon Toyo Harada). Harbinger has vested interests in people with paranormal abilities. In order to survive, Peter and his so-called team must set aside differences and work together while making the most out of their respective abilities.

With those details laid down, here is a look back at Harbinger #2, published in 1992 by Valiant Comics with a story written by Jim Shooter and drawn by David Lapham.

Early story

The story begins at 12:03 AM of June 6, 1991. Peter, Faith, Flamingo and Torque bring their wounded teammate Kris into a hospital for immediate treatment. Upset with the hospital rules on admittance of patients, Peter uses some of his power to lift a few staffers off the floor while demanding that they treat Kris immediately. Their group was told that because they are all minors, parental consent is needed. Gunshot wounds, which Kris has, constitute reporting to the police.

Sting and his companions eventually brought Kris to a hospital bed. As he realized it is pointless to use his power on a doctor (Heyward) to force him to treat Kris, Sting uses his power to remove the two bullets out of her wounds which took a heavy toll on him. The doctor then decides to properly treat Kris.

By 4:49 AM, Kris’ condition has stabilized and the group of Sting decide to leave with their recovering companion with them. As soon as they exited the hospital, the group suddenly gets attacked by snipers…

Quality

*Sting and his teammates on a risky mission.*

As the heavy build-up in the first issue has been established, this comic book’s story executed some pay-off while gradually doing some new build-up of the series’ concept with expository dialogue as creative tools. For one thing, the story of Sting and his companions turned wild as the stakes have been raised further as they have become wanted people and they don’t have much resources left for survival. Next, the story suddenly created an X-Men vibe to me when the young adults take refuge inside a large and nice home of a sympathetic medical doctor they encountered earlier in the hospital.

When it comes to character development, the reluctant leader Sting got the most amount of characterization and along the way, you will see how he shifts his attention and concern to Faith, Flamingo and Torque more as Kris spent some time out of action. At this stage, Sting gradually changed from the reluctant powerful teenager into someone cares for others as they share the same desire to survive and lift themselves up. A clear 2^nd to Sting on characterization is Faith who is the geek and pop culture enthusiast who tries her best to live up to the harshness of the reality they group is facing.

While Sting and his team are sympathetic to look at being targets of the dangerous organization Harbinger (note: they and their leader make their first appearances here), you will realize that they also became criminals with their acts of break-ins, fraud and robbery. These criminals act made those in issue #1 look like rehearsals. Since these powered young adults are on the run and struggling to survive, disregarding the law becomes natural for them. As such, the boundaries between right and wrong clearly got blurred not only with Sting’s team but also with Harbinger and its troops.

When it comes to the first appearances of Toyo Harada and his organization Harbinger in the pages of this comic book, I can say without spoilers that they are worth seeing and they further added depth into this comic book’s concept deep within the Valiant comic book universe.

Conclusion

*The young adults presence inside a very large and nice home reminds me of the X-Men living inside Xavier’s home.*

I can say out loud that Harbinger #2 (1992) is indeed very compelling to read as the stakes have been raised, the lead characters were developed nicely and the first appearance of Harbinger as the antagonistic force all paid-off nicely to the build-up of the first issue. As far as entertainment is concerned, the reading experience is more intriguing mainly due to the strong writing by Jim Shooter and this means that the superhero spectacle was secondary but in a good way. As mentioned earlier, the border between right and wrong got blurred and I can say the same thing about Harbinger and Sting’s group. This eventually will compel you to question if Sting and his companions could still be morally acceptable or not at all as their criminal acts are undeniable. Would you be sympathizing with them? Would you think they are as bad as Harbinger? Could Sting and his team actually pose a greater danger to society than Harbinger itself? Don’t you think Sting and his companions are looking like Black Lives Matter (BLM) social terrorists? This comic book really has to be read.

Overall, Harbinger #2 (1992) is highly recommended!

+++++

A Look Back at Harbinger #1 (1992)

June 8, 2022June 5, 2022carlocarrasco

For the newcomers reading this, Harbinger was created by former Marvel editor-in-chief and Valiant founder Jim Shooter (note: read my retro reviews of his works here, here, here, here and here) and artist David Lapham. Harbinger follows a few teenagers with unique abilities or powers who got involved with the Harbinger Foundation, an organization established by Toyo Harada who dreams to change the world as people know it.

With those details laid down, here is a look back at Harbinger #1, published in 1992 by Valiant Comics with a story written by Jim Shooter and drawn by David Lapham.

Early story

The story begins at 2:35 PM of June 2, 1991. Pete and his companion Kris are riding a car floating high above the road being followed by a helicopter. After Pete manages to communicate with the helicopter’s operators, they even settle down by landing on a road with no traffic. As Pete and the helicopter people begin talking, three people – Weasel, Eel and Lump – quickly rushed in to subdue Pete and Kris. After Pete manages to free himself from Weasel and Lump, he uses his power to lift up the car Kris drove (note: Kris is no longer in the car) and uses it as a weapon to hit Lump.

Just as Kris hits Eel on the stomach, Pete notices that the gasoline was leaking out of the car which Eel ignites with her electricity causing a huge explosion. Pete and Kris managed to survive the blast and together they fly off to a motel to rest and reorganize themselves.

The next morning, they have a meal together and Kris examines a newspaper. She notices another one of the Harbinger Foundation’s print ads reaching out to people who find themselves different or notice strange things around them. The two fugitives realize that the said foundation somehow made involved youth become dangerous. Remembering that people write and send letters to the Harbinger Foundation, Pete comes up with the idea of intercepting letters…

Quality

This is one very engaging story to read. While story concepts about super-powered teenagers being desperate and struggling to realize their purpose while facing evil is not new, this comic book has a concept that remains unique even by today’s standards. Instead of seeing a group of powered teenage outcasts escaping society’s authorities or taking refuge in the home of a caring person, this comic book follows teenagers who are being targeted by a powerful organization as one of them – Pete – personally got involved with them before.

The story written by Jim Shooter is deliberately paced at a moderate level which allows readers to be able to absorb the details before moving from one chapter to the next. Along the way, Kris and Pete get to meet other powered characters like Faith, Flamingo and John. In between the introductions of the three mentioned characters, Shooter’s script managed to set up enough space for character development and interactions between the characters which have been executed to be believable. Even key elements of youth such as insecurity, fear, angst and the false sense of maturity are portrayed along the way. I should state that Shooter dramatized these characters like they were real people.

As for the Harbinger Foundation itself, it complete lacks visibility and its exposure was limited to the print ad and mentions. Still, the foundation is a clear and present danger to Pete and his companions as it has powered youth members who are dedicated to it and they also have heavily armed personnel working for them.

If you are fond of superhero spectacle, I can say that the action scenes were executed in accordance to the narrative. The spectacle of this comic book was clearly made to emphasize the plot elements and not serve as eye candy. That being said, this is a unique way of enjoying superhero spectacle.

Conclusion

*The Harbinger Foundation’s pawns Weasel, Eel and Lump take on Pete and Kris.*

Harbinges #1 (1992) is a pretty engaging comic book of Valiant and at the same time it is also one of the more unique portrayals of powered teenagers who are living with tremendous odds tilted at them. The tone of the story really felt grounded in reality (the early 1990s specifically) and the character moments, action and incidents were all executed in a believable fashion.

Overall, Harbinger #1 (1992) is highly recommended!

+++++

A Look Back at The Solution #9 (1994)

March 8, 2022March 6, 2022carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! If you’ve got a problem that needs solving, you call The Solution. For the newcomers reading this, The Solution was an Ultraverse monthly series about a team composed of very unique individuals who help their clients solve special problems. Such operations are done with business agreements made between the team and their clients.

But what if one of the members of The Solution becomes a target of some very deadly forces that are not even human? What solutions can The Solution come up with?

With those details laid down, here is a look back The Solution #9, published by Malibu Comics in 1994 with a story written by the late James Hudnall and drawn by Timothy D. Divar.

Early story

The story begins somewhere in North America where three mystical monsters arrived on a mission to hunt. The prey they are hunting is to be taken alive and to be tortured for decades. One of them displays the image of Aera/Shadowmage.

A long distance away, in the presence of The Solution traveling by yacht, Aera senses danger and that she has been found by the monsters. The three who arrived from nowhere suddenly cast magic together and summoned a beast which arrived out of thin air. The beast is then instructed to search and hunt Shadowmage.

Over at the Chinese sea, Aera tells Lela Cho that she has been found by the mystical monsters which she previously referred to as the Vyr. She describes them to be very powerful, the most deadly and the most evil creatures on her home world. Aela admits that she does not have the power to stop the Vyr and their team cannot stop them even when combined in power. Their teammate Vurk expresses deep concern and asked Aera what she did that angered the Vyr. Vurk admits his fear of the Vyr and as long as they after Aera, the team would be better off letting them have her…

Quality

*Aera, her monstrous teammate Vurk and the unstoppable monster.*

When it comes to storytelling, I should say that the late James Hudnall really ramped up the fantasy aspect of this series right here. That being said, this comic book made the previous issues look more grounded in reality by comparison. Among the members of The Solution, there is a clear shift towards Aera/Shadowmage whose act from a long time ago led to the Vyr hunting her down on Earth which, unsurprisingly, gets her teammate involved. Along the way, key details from the past of Aera (a native from a foreign world) and Vurk/Outrage (the native of another world which is in conflict with Aera’s own people) get revealed which add some depth on the development of the team as a whole. The way the details were presented made for a really intriguing read in my experience.

With a story concept like this, The Solution #9 could have been a creative mess but it turned out orderly, intriguing and engaging thanks to the way Hudnall structured the story and wrote down the dialogue and text descriptions.

If there is any weakness in this comic book’s presentation, it is the artistic style of Timothy D. Divar. Compared to issue #8, I find the visual quality here drop significantly and there were some shots of The Solution members looking a bit like some characters I saw in 1990s comic books published by Valiant Comics. The characters’ faces and expressions also looked clearly less detailed.

Conclusion

*There is nothing like seeing The Solution at your household’s front door.*

The Solution #9 (1994) is a good read. The strong selling point in it is the team getting involved in a very dangerous encounter with the Vyr (which are way too powerful for them to deal with) which is the result of Aera’s dangerous act. Just as Aera explained what she did and what happened in the past, the tension in the story really went up which makes it engaging to read.

If you are seriously planning to buy an existing hard copy of The Solution #9 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $16.

Overall, The Solution #9 (1994) is recommended.

+++++

A Look Back at Bloodshot #7 (1993)

October 12, 2020October 10, 2020carlocarrasco

It’s been quite some time since I last reviewed a Valiant comic book. Previously, I reviewed Bloodshot #6 (1993) which not only had the first appearance of Colin King (AKA Ninjak) but also had some of the spotlight on my native Philippines as a destination. To be specific, back in the 1990s, it was rare for the Philippines to get mentioned or visualized in American superhero comic books.

Anyway, we can return to the 1990s universe of Valiant Comics following the misadventure of Bloodshot in this look back at Bloodshot #7, published in 1993 by Valiant Comics with a story by Kevin VanHook and art by Don Perlin.

Early story

The story begins 1,500 feet in the air above the Philippines with Leigh falling down followed by Bloodshot with the airplane leaving them. After some struggle, Bloodshot manages to grab her boot which turned out helpful as Leigh had been controlling her fall by gliding on the air currents. After breaking the fall, the boot of Leigh slips off separating the them. Bloodshot falls on the jungle’s foliage while the other landed safely.

Over at the Manila International Airport, the secret assassin Marco is weak and was assisted by a certain guy and placed on one of the toilets in the restroom. After being left there alone, Marco wakes up and leaves the restroom to make a telephone call. He does not realize that the same man who assisted him is trailing him.

Back in the jungle, Bloodshot gradually adjusts himself to get moving just as his nanites are healing his fractured right leg and broken rib. With no time to lose, he decides to continue his mission even though he is still injured….

Quality

*Bloodshot and Ninjak in the jungle in the Philippines.*

I can say that this comic book has a stronger story and better spectacle. It is indeed a solid payoff to the build-up in issue #6. Kevin VanHook took his time in pacing the story allowing readers to follow the details behind the events while giving ample spotlight to other characters. Bloodshot is still in the center of the story only this time he’s a lot more vulnerable and less capable as an action hero. As seen in the cover of this comic book, he truly is vulnerable and therefore he is presented more as a survivor striving hard to complete his detective work no matter the costs.

This is not a straightforward action tale. There is still a good amount of intrigue and espionage that happens in the Philippines (as Valiant’s creators imagined it). It should be noted that this comic book marks the first-ever appearance of Ninjak in his costumed form (note: Ninjak appeared in Bloodshot #6 in his civilian form as Colin King) as well as the first-ever personal encounter between Ninjak and Bloodshot (which was written to be believable). Artist Don Perlin cleverly crafted the way Ninjak performs action and evasive maneuvers setting the basic standards that other artists would do later in further comic book featuring the character (who eventually got his own monthly series in 1994).

Conclusion

Bloodshot #7 (1993) is a great comic book to read and it also happens to be one of the more memorable character debuts Valiant Comics ever published in the 1990s. The debut of Ninjak in his costume alone makes this one a must-have and it so happens that the story and art were both of very good quality. The gritty realism applied to the tone of the presentation makes the story believable and there never was a moment when the events felt outlandish.

Going back to Ninjak, the character went on to become one of Valiant’s most original and major superheroes of all. In 1994, the Ninjak monthly series launched big time with an issue #1 that had a chromium cover and the great Joe Quesada drew the cover and interior art. In 2015, Valiant Entertainment launched another Ninjak series.

If you are seriously planning to buy an existing hard copy of Bloodshot #7 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $40.

Overall, Bloodshot #7 (1993) is highly recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Bloodshot #6 (1993)

May 1, 2020April 30, 2020carlocarrasco

When I was still collecting comics back in 1993, I was more focused on the X-Men 30^th anniversary celebration and the expansion of the Marvel 2099 universe organized by Marvel Comics, and the launch of the Ultraverse by Malibu Comics.

Along the way, I heard some buzz about Valiant Comics and Defiant Comics. That same year, Valiant Comics generated a lot of buzz among comic book collectors with the launch of Turok: Dinosaur Hunter #1 and the release of Bloodshot #6. Why Bloodshot #6? It’s because of the literary debut of a character who went on to become an one of Valiant’s icons.

Here’s a nice look back at Bloodshot #6 published in 1993 by Valiant Comics with a story by Kevn VanHook drawn by Don Perlin.

Early story

The story begins inside a commercial airplane flying over Sydney, Australia. There is a guy wearing reddish business attire socializing with a lady while standing. A lady in red approached him telling him that he should take his seat as they are in the glide path. The guy in red attire approaches a seat man wearing green business attire, asking him if the vacant seat near him was taken.

The seated man tells him to get away. The guy in red places his right hand on him causing a fire during the flight. What happened turned out to be an assassination. The guy and lady in red rush to the nearest emergency exit and it turned out their names are Marco and Leigh. They jump off the plane which explodes several feet away from them. Marco and Leigh left in the air not worried about falling down.

Meanwhile at the airport in London, Bloodshot arrives and is greeted by his pal Malcolm. They arrive back at their residence in London’s east end. Bloodshot has something to do. Over at France, Alicia Guerrero meets with Montblanc at his office and they discuss the courier assignments that involve acquiring a set of components and the three (of four) intercontinental flights that ended in tragedy.

Quality

*Bloodshot shortly after arriving from the airport.*

As far as storytelling goes, this comic book sure has a lot of intrigue and espionage leaving the title character Bloodshot with much less spotlight (in terms of narrative, not page appearance). It’s not a problem for me as a reader because the writer Kevin VanHook really took his time to emphasize what has been going on, what’s within the web of international secret operations (that involved killing and explosions) and what’s at stake. Of course, the deepening of the plot makes way for Bloodshot to get involved in a less action-oriented but more intelligent way. That being said, action scenes are subdued for the sake of storytelling. Along the way, illustrator Don Perlin did a good job visualizing the deep plot. Perlin also tried his best making the mission briefing of Bloodshot (which even for its time was cliched) look interesting.

Fans of Bloodshot who love action scenes of shooting and striking, as well as displays of his special abilities, won’t find much of such stuff here.

Conclusion

To make things clear to those who are wondering, Bloodshot #6 is significant for fans of Valiant Comics as it marked the first appearance of Colin King who is actually the iconic Ninjak. That fact, however, does not really define the overall quality of this comic book and Colin King’s literary debut is very brief. That way I look at Bloodshot #6, it’s a good comic book laced with a good amount of intrigue and espionage.

For those who are based in the Philippines, Bloodshot #6 is one of the rare American comic books of the 1990s that mentions the Philippines (with Manila as a flight destination) and even showed a few images of it as a location.

If you are seriously planning to buy an existing hard copy of Bloodshot #6 of 1993, be aware that as of this writing, MileHighComics.com shows that a near-mint copy costs $28.

Overall, Bloodshot #6 is recommended for those looking for gripping, espionage storytelling with the title character. As a collector’s item, the comic book is a must-have for as long as Ninjak and Bloodshot remain popular.

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Warriors of Plasm #1

April 25, 2020April 24, 2020carlocarrasco

It’s truly amazing to see how a grand vision imagined by a veteran comic book creator gets realized into published form with the help of a creative team whose members listened very closely to him. Such a thing happened with Warriors of Plasm #1, published in 1993 by Defiant Comics with a story written by former Marvel Comics editor-in-chief Jim Shooter and drawn by David Lapham (with ink work by Michael Witherby).

Before starting this retro comic book review, let’s take a short look back at the history of Jim Shooter whose tenure as Marvel’s editor-in-chief include such epics like Secret Wars and Secret Wars II. After getting fired by Marvel in 1987, Shooter and his team of business associates tried and failed to acquire Marvel. Not settling for failure, they went on to establish Valiant Comics which made its presence felt in the superhero comic book market. After being ousted by Valiant, Shooter and some others established Defiant Comics.

That being said, here is my review of Warriors of Plasm #1.

Early story

The story begins in the middle of a huge battle. Inside a living, organic ship (a flying creature precisely), acquisitor Lorca leads his force of invaders gradually defeating a resistance force. On the ground, a huge portion of the home city of the resistance has crumbled and Lorca’s fellow soldiers there have gained control of the war zone.

Lorca’s ship moves close to the ground to pick up high gore lord Sueraceen. As it turns out, Lorca and Sueraceen are lovers (the lady referred to him as her lust-mate) and their reunion is nothing less than sensual and expressive. As they talked, the biomass (referring to the inhabitants of the defeated city) will be incorporated genetically and organically into their world, and live again as part of their ecosystem.

After sending Sueraceen back on the ground to resume her duty of leading the troops, Lorca and his crew flew back to space to enter the Org of Plasm, an organic, fleshy space station complete with resources, inhabitants and an actual city inside.

*Admirers, followers and idolaters tried so hard to get Lorca’s attention.*

Given his prominence, Lorca is highly respected, even idolized, by his fellow people. One particular idolater even genetically reshaped his face to look like Lorca. Alone in a private chamber, Lorca is capable of cloning which is illegal. More intriguing, however, is that he has been developing a top-secret project with an intention to overwhelm the rulers of the org.

He begins his project with the holo-orb which is focused on planet Earth. As it turns out, organic beings from Lorca’s world are already present on Earth, spying on ten thousand people. Suddenly, the ten thousand got touched by the organic beings which instantly sent them back to the Org of Plasm.

Quality

Warriors of Plasm #1 is not just a high-quality comic book. It is also a great showcase of the talents of Jim Shooter, David Lapham and others molded together to form a true, sci-fi epic that remains very unique to read to this day.

*Very intriguing art and visual designs by Lapham.*

When it comes to storytelling, structuring and character development, the former Marvel Comics editor-in-chief scored great points which is not surprising given his tremendous experience in comic books. With great art by Lapham, this comic book opened with literally strong arms that pulled me into an all-new, sci-fi universe that is like no other. Within the first few pages, I felt deeply immersed into discovering the universe and quickly realized Lorca’s role, what his side was doing and more. The script and arrangement of panels for the art were executed with high efficiency. Really, I never felt lost reading this comic book.

As I kept reading further, I discovered more about the culture of Lorca’s people, how they operate and traveled efficiently with organic materials and living beings that served their needs without the use of technology (no metals, no computers, no fossil fuel and no digital stuff). This comic book shows how deep and engaging Jim Shooter’s imagination really is and illustrator David Lapham lived up to the difficult task of realizing the visual concepts.

And then there is the dialogue which is really deep and engaging to read. Lorca, Sueraceen and the many other supporting characters involving the org and the surviving few from planet Earth each have unique personalities. Clearly Shooter planned each character with a purpose. What is even more intriguing in this comic book is that the line between good and evil was cleverly blurred.

The art by David Lapham, whose past credits include Magnus Robot Fighter, Harbinger and Shadowman for Valiant Comics, really outdid himself. The characters are really well defined visually but what really stood out was his work on the Plasm world and the functioning organic environment. Of the many works of the illustrator, Warriors of Plasm is his most memorable work.

Conclusion

While it is true that Defiant Comics no longer exists and Warriors of Plasm’s full potential as an entertainment franchise was never realized, this particular comic book is, in my honest opinion, still one of the best new comic books ever launched in 1993. Its epic science fiction concept opened very strongly and remained very engaging right until the very last page. I can assure you that by the time you reach the end of Warriors of Plasm #1, you will want to go out and search for the next issue.

*On the battle zone is gore lord Sueraceen leading the troops.*

If you are thinking about acquiring an existing copy of Warriors of Plasm #1, please take note that as of this writing and based on the latest rates at MileHighComics.com, a near-mint copy of the regular edition costs $4, $26 for the near-mint copy of the edition with five signatures, $7 for the Jim Shooter-signed edition, and $30 for the signed-and-numbered edition.

This comic book is a 1990s classic. As such, Warriors of Plasm #1 is highly recommended!

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back At Bloodshot #1 (1993)

March 20, 2020August 23, 2022carlocarrasco

You must have heard about the live-action Bloodshot movie (starring Vin Diesel) that failed to make big bucks at the box office. Then you must have learned about Valiant Comics.

To understand Bloodshot before reviewing the early-1990s comic book Bloodshot #1, here’s a look at the history of Valiant Comics.

*The cover with chromium and Bloodshot drawn by Barry Windsor-Smith.*

In the late 1980s, a team composed of former Marvel Comics Editor-in-Chief, former Allman Brothers Band manager Steve Massarsky and some investors failed in their bid to acquire Marvel Enterprises. Instead of letting their failure stop them, they went on to establish Voyager Communications with the backing of Triumph Capital. Voyager then created the imprint Valiant Comics which went on to launch its first titles in 1991 with Magnus, Robot Fighter (which started in the 1960s in comics published by Gold Key) and Solar, Man of the Atom (also started in the 1960s through Gold Key comics).

Subsequently Valiant’s first original superhero Rai was introduced followed by other original properties like Harbinger and Eternal Warrior. It was within the pages of Eternal Warrior #4 Bloodshot made his first appearance followed by a first full appearance in Rai #0.

Then in November 1992, the same month DC Comics released Superman #75 (The Death of Superman, Valiant released Bloodshot #1 with a cover price of $3.50 (cover dated February 1993) and a very eye-catching chromium cover of Bloodshot drawn by Barry Windsor-Smith.

Now that the history lesson is done, we can finally explore Bloodshot #1 (written by Ken VanHook and drawn by Don Perlin) in this retro comic book review.

Early Story

The story begins at Heathrow Airport in the United Kingdom. Immediately after a man and a woman (both wearing coats and hats) performed an exchange with a briefcase, two other men (also wearing coats) reacted to them but Bloodshot jumps into the action firing his gun, taking a shot to his arm and grabbing the briefcase. Bloodshot escapes from the airport.

Behind the scenes, an old man meets with Thompson and Otomo informing them that Bloodshot was an experiment of theirs under Project Rising Spirit. The project was disrupted when a young blonde male got to Bloodshot and adjusted one of the devices. The young guy was caught by one of the operators until Bloodshot (still bald and naked) got up, attacked the personnel (freeing the young guy), gathered data from their computers and escape.

The old man noticed Bloodshot’s rampage at Heathrow Airport and was able to identify him. He issues orders to Thompson and Otomo.

“I want him returned—I do not care the condition,” he said.

Quality

Looking beyond the eye-catching chromium cover, Bloodshot #1 from the early 1990s is actually engaging and intriguing to read. While it is a superhero comic book, it sure has a dark and gritty tone as well as being noticeably grounded with reality.

With the spectacle, the action is violent and somewhat bloody. It may look tame by today’s standards but back in the 1990s, this was exceptional and it really aimed towards older comic book readers. To put things in perspective, comparing this comic book with the typical Marvel or DC Comics superhero comic book is like comparing an R-rated action film to a PG-13 action or adventure film. Don Perlin’s artwork has a nice flow when it comes to the action and the dialogue scenes.

The writing by Kevin VanHook is good even by today’s standards. I like the way he handled expository dialogue in the first half of the comic book and from that point on, the spotlight was on Bloodshot and his exploits.

There are some weak spots in this comic book. There really was no room for real character development with Bloodshot. The comic book eerily reflected the hero’s approach to doing things: no slowing down, time to take action from here. That’s not to say it is a brainless read but rather the plotting is decent and relied on the spectacle to make up for the absence of character development. That being said, Bloodshot as a hero who was a victim under his handlers, is hard to like. Based on this comic book alone, he is a rampaging killer looking as evil as the bad guys. It does not help that he is very unstoppable (because of nanites in his blood system which worked to enhance and heal him) and, at least in this comic book, there’s no real sense of danger for him.

When it comes to supporting characters like Sinclair and Malcolm, I can’t help but keep remembering Commissioner Gordon and butler Alfred Pennyworth in the Batman comics.

Conclusion

While it has some flaws in its presentation, Bloodshot #1 is still good and fun to read. On face value, Bloodshot looks like a typical macho action hero with guns but he actually has an interesting personality even though character development was badly lacking in this particular comic book. I also enjoyed the creator’s approach on emphasizing realism by using gangs and secret sinister organizations (which conduct unethical scientific experiments on people) on the background showing that Bloodshot himself is small player in a dangerous game of secret operations.

As a standalone story, Bloodshot #1 has more than enough good stuff to make up for its flaws and it is worth reading by today’s standards. This is the true value of the comic book that its flashy chromium cover does not reflect. In other words, this comic book is more than just a gimmick.

If you are a collector, be aware that as of this writing, Bloodshot #1 is worth over $40 for a near-mint copy according to Mile High Comics.

Overall, Bloodshot #1 (1993) is recommended. As a piece of amusement, the comic book is so much better than the Vin Diesel Bloodshot movie. That says a lot!

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio . Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

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