Tag: Rod Whigham

A Look Back at Demolition Man #1 (1993)

A Look Back at Demolition Man #1 (1993)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back movie fans, 1990s arts and culture enthusiasts, and comic book collectors! Today we go back to the year 1993 to examine the first issue of a comic book mini-series that served as the official adaptation of the movie Demolition Man.

Believe it or not, I completely missed out on Demolition Man’s theatrical run here in the Philippines. I only heard about the movie from feedback from my friends who saw it and they often mentioned the virtual reality sex scene. Strangely, they did not talk much about the match-up between Sylvester Stallone and Wesley Snipes.

The first time I saw the movie was on a rented laserdisc in 1995. As it was a Joel Silver production, the movie really had very high production values and it also had that subtle balance between hard action, science fiction and comedy. I enjoyed watching Demolition Man and its unique presentation about the future was memorable to me. Recently, I finally read the first issue of the comic book mini-series based on the movie.

With those details laid down, here is a look back at Demolition Man , published in 1993 by DC Comics with a story written by Gary Cohn (based on the screenplay by Daniel Waters, Robert Reneau and Peter M. Lenkov) and drawn by Rod Whigham. This is the first of a 4-issue mini-series.

The cover.

Early story

The story begins in 1996. Los Angeles has turned into a city of violent crime with a lot of areas left in ruin. A police department helicopter flies over the Hollywood sign bringing John Spartan (Demolition Man) to a wide, old building filled with some armed criminals. Spartan suspects that Simon Phoenix is responsible for hijacking a bus of thirty people and they all could be inside the building. The thermogram scan on the building only shows seven people and no signs of the passengers.

Determined to find the passengers, Spartan does a bungee jump to safely land on the rooftop of the building. He takes down a few thugs as he gradually infiltrates the place.

Elsewhere, Simon Phoenix sees Spartan via security camera. As Spartan eventually breaks into a large room, Phoenix releases a large amount of gasoline on the floor. Spartan and Phoenix encounter each other and an intense talk about missing passengers begins. As the Demolition Man presses for answers with guns aimed, Phoenix prepares to spark a sudden fire…

Quality

This scene never appeared in the movie. If it made it the final cut, it definitely would have slowed the film’s pace down a lot.

Having seen the movie a number of times, this comic book covers the opening and closes with a notable scene that took place after the shocking revelation about the passengers. The good news here is that the comic book creators did a really fine adaptation of the scenes from the movie. Certain moments looked and felt like they were adapted from an older version of the script (note: Spartan bidding goodbye to his wife and little daughter is the obvious scene) while some moments seem to be creative additions or expansion by the creators.

The pacing of the story is pretty good and even the slowest scenes never felt boring. This is because the writing by Gary Cohn is quite engaging and there is always some interesting or something important to read as the story goes on. That said, when the spectacle happens, the pay-off to the build-up is truly worth it.

Still on the writing, Cohn inserted a good amount of details into the dialogue as well as the moments revealing what John Spartan is thinking. This ultimately gives readers a clearer look into Spartan’s personality as well as what were the elements from his past defined him as the Demolition Man to many.

Rod Whigham is very good with visualizing the script. For one thing, he does a good job capturing the likeness of Stallone and Snipes in specific pages of the comic book. When it comes to spectacle (action, explosions and stunts), Whigham’s work ranges from efficiency to dynamic depending on what happens. This is a good looking comic book!

Conclusion

Like in the movie, John Spartan and Simon Phoenix fight surrounded by flames.

Demolition Man (1993) is a very solid adaptation and it is also a great way to start its mini-series. The comic book essentially captured the elements of several scenes from the movie and whenever the spotlight is focused on John Spartan or Simon Phoenix, I could senses Stallone and Snipes in them. The narrative flows smoothly and I had a very good reading experience. I am looking forward to the next issue.

Overall, Demolition Man (1993) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Independence Day #0 (1996)

A Look Back at Independence Day #0 (1996)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book, watching the 1996 movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back science fiction enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1996 to take a close look at one of the licensed comic books Marvel Comics published which was part of the release of the movie Independence Day (also referred to as ID4).

Back in 1996, there was a considerable amount of hype and anticipation for Independence Day’s release in cinemas not just in America but also in other parts of the world. Following the success they achieved together in Stargate (1994), producer Dean Devlin and director Roland Emmerich teamed up again to make Independence Day which was back then the most modern cinematic portrayal of aliens invading Earth causing the people to fight back. The film creatively was also a disaster movie of its own backed with science fiction concepts and the latest special effects of the era. Independence Day went on to gross almost $820 million worldwide and I myself saw it in a fully packed cinema here in the Philippines.

As I saw the movie, I noticed details about events that took place sometime in the past and they were presented not as flashbacks but only as spoken words. There is that verbal reference about Jeff Goldblum’s character punching Bill Pullman’s character some time before the latter became US President. There are also spoken words about Randy Quaid’s character being previously abducted by aliens. As part of the marketing and publicity of the movie, Marvel Comics was licensed to publish not only a 2-part comic book adaptation but also a prequel comic book.

With those details laid down, here is a look back at Independence Day #0, published in 1996 by Marvel Comics with a story written by Phil Crain (based on ideas by Dean Devlin and Roland Emmerih) and drawn by Terry Pallot, Steve Erwin, Rod Whigham and Gabriel Gecko.

The cover.

Early story

The story begins on July 4, 1947 in Roswell, New Mexico. A thunderstorm took place in the evening compelling residents to stay inside their respective homes. As the storm went on, an unidentified flying object (UFO) of alien origin got struck by thunder causing it to crash on the field of someone’s property with a huge impact that disturbed local residents. The alien ship opens and one of its passengers (alien) ventures out into the stormy night. Injured and still in shock, the passenger slowly moves away from the ship.

The next evening, the property owner arrives and finds several pieces of debris of the crashed ship scattered on the field. He notices the metal are lighter than anything he touched, and he could see the writings were not man-made. The property owner informed the local sheriff of what he found which led to the American army sending troops to the field. The American military plane flies over them and finds the crashed alien ship.  

Quality

When Whitmore was still a US Senator and candidate for US President, he got punched by David Levinson who thought that he was having an affair with his wife Constance “Connie” Spano. This later led to the “You punched the President,” line in the movie.

As described above, this prequel comic book visually dramatizes the past events that were only mentioned in the movie particularly with regards to the Roswell UFO incident as well as Area 51 and how the government handled findings about aliens from outer space. In fact, the story here was scripted to move from one significant event to the next through the decades, and the good news here is that the exposition is not too heavy (when compared to Jurassic Park comic books of 1993) and the pacing moved at a medium pace. The result is a reading experience that is intriguing and entertaining.

The creators really went all in with their fictional portrayal of the movie’s aliens being involved in Roswell and Area 51, and the notable thing is that they really took the presentation seriously. It’s as if they were trying to tell a factual story which smoothly connects with the movie.

When it comes to the characters from the movie, you will find them in this comic book depending on the stage of the narrative and the time setting. While the characters of Pullman, Goldblum, Robert Loggia, Will Smith, Brent Spiner, James Rebhorn, Viveca A. Fox and Margaret Colin are dramatized in the 1990s scenes, you will see the younger versions of a few of them set in the 1960s scenes. The abduction scene of Randy Quaid’s character is set in the 1980s.

The Area 51 scene set in the 1960s.

As for the script written by Phil Crain, the narrative of this comic book surprisingly has a more serious and dramatic tone when compared to what was expressed in the movie. There were even a few horror elements and no comedic stuff at all. Again, this should not be surprising because this comic book was meant to dramatize past events to not only connect with the movie’s core concept but also show why certain characters acted the way they did in the film.

As this comic book involved multiple artists, it should not be a surprise that the result is of varying quality from one scene to another. In fairness, the illustrator (or illustrators) who drew the Area 51 scenes and the crashed alien ship did a good job with the details. As for the characters, pilot Steven Hiller resembled Will Smith enough, and the same can be said about Thomas Whitmore somewhat looking like Bill Pullman, David Levinson looking somewhat like Jeff Goldblum, and General Grey slightly looking like Robert Loggia. Meanwhile, Constance Pano resembled Margaret Colin more while the 1990s Dr. Okun resembled Brent Spiner in a few shots.

Conclusion

The creators went all-in to make the 1947 Roswell UFO incident a history of Independence Day.

To get straight to the point, Independence Day #0 (1996) succeeded with its main objective of establishing visually the past and emphasizing developments connecting with the blockbuster movie of 1996. It was made with a strong appeal to fans of Independence Day as well as people who simply are fond of UFOs and conspiracy theories regarding Roswell and Area 51. People who are not too interested in the movie and UFOs might not be impressed with this comic book. In my view, this prequel comic book has good enough qualities that make it worth reading and its serious narrative is both surprising and enjoyable. Ultimately, it is a worthy companion piece to the movie.

Overall, Independence Day #0 (1996) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco