Peter David – Page 2 – Author Carlo Carrasco

A Look Back at Spider-Man 2099 #11 (1993)

January 19, 2023January 15, 2023carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the will 1990s and explore the far future of 2099 within the Marvel Comics shared universe through one of the tales of Spider-Man 2099.

Shortly after his return from the old lower city of New York, Miguel O’Hara’s personal life got more complicated and intense. Aside from that, his rift with his mother remains unresolved. Miguel then begins to assess his personal life as well as his secret life as the swinging hero Spider-Man.

With those details laid down, here is a look back at Spider-Man 2099 #11, published in 1993 by Marvel Comics with a story written by Peter David and drawn by Rick Leonardi.

Early story

The story begins when armed security personnel apprehend a man for defacing Alchemax property with spray paint. As the suspect gets threatened with physical violence, Spider-Man suddenly appears and surprises the one holding the suspect down. It turns out, Spider-Man secretly knocked out one of the security personnel quietly.

The active security officer lets the suspect go and he activates his armor which turns out to be the Situation Emergency Gear (SIEGE for short) which is the result of a project between Alchemax and Stark-Fujikawa. The armored man then begins to strike at Spider-Man in response for the sudden intervention. Very notably, the security officer wearing SIEGE tells Spider-Man he apologizes for taking action and will do everything he could to harm him as little as possible…

Quality

*The futuristic Spider-Man has serious opposition here.*

Considering what happened in issue #10, this comic book ramped up the spectacle showing more of Spider-Man 2099 in action-packed conflict with one of the local authorities who happened to be armed with a powered suit of armor. The figure of opposition here is almost like a super villain but one who is not evil but rather doing what he was hired to do. Apart from being an action-filled conflict with strong sci-fi elements, this conflict symbolizes Miguel O’Hara’s willingness to put himself at risk by taking on the authorities as a deliberate violator of local law even though he himself works with Alchemax. This also shows Miguel’s recklessness as he struggled with the lack of a clear direction with his second life as Spider-Man. At this stage, Miguel’s inner rebellion against his corporation is very clear and this alone will put readers on the edge as they figure out what the deeply troubled hero plans to do next.

This comic book is not an all-out action fest. There was still enough room for Peter David to craft more of Miguel’s affairs at Alchemax, only this time he gets to meet someone who happened to be connected with one particular member of X-Men 2099 (note: this is related to the eventual 2099 crossover storyline). This only adds more intrigue into Miguel’s troubled personal life which is something you must read and find out here.

Conclusion

*This comic book will make you wonder if Spider-Man 2099 himself is slowly becoming evil by getting into direct conflict with the law.*

Spider-Man 2099 #11 (1993) is a fine example of plot really thickening while also making life not only harder but more intense on the part of Miguel O’Hara. At the same time, this comic book built up something new for Spider-Man to eventually face off with. Peter David’s writing and direction of the character are very engaging to follow from start to finish.

Overall, Spider-Man 2099 #11 (1993) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Spider-Man 2099 #9 (1993)

January 9, 2023January 3, 2023carlocarrasco

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, Marvel 2099 fans and comic book collectors! Today we revisit the Marvel 2099 franchise within Marvel Comics’ shared universe during the 1990s. Specifically speaking, we take a look back at one of the early tales of Spider-Man 2099.

In this retro comic book review, the futuristic Spider-Man finally made his way back uptown after spending time in the old city of New York down below where he saw people living in poverty, violent gangs and Vulture 2099.

With those details laid down, here is a look back at Spider-Man 2099 #9, published by Marvel Comics in 1993 with a story written by Peter David and drawn by Kelley Jones.

Early story

The story begins at the Wellvale where Conchata O’Hara (mother of Miguel and Gabriel) suddenly suffers an attack from inside her body. The medics were called for emergency.

Elsewhere, Spider-Man jumps with excitement and relief after finally making it back from deep down the modern city. He almost gets hit by a hover car and decides to stop for a while at an isolated spot to calm down and reflect about what happened recently. He just defeated Vulture in battle below prior to climbing back up.

Suddenly, an armed Public Eye flyboy tries to apprehend him. After making getting near the flyboy and making himself look like he was about to submit himself, the flyboy communicates with his team. During that short moment, Spider-Man fires his organic web at the flyboy’s mouth which causes him to fire his weapon and miss. Spider-Man then knocks the flyboy out cold, leaving the communication line hanging…

Quality

*The idolaters of Spider-Man 2099 spotted.*

Considering everything that happened to Spider-Man in the previous few issues set deep underneath the modern city, this tale was crafted to develop the webslinger’s personality some more while showing for the first time ever the group of Spider-Man 2099 idolaters who are so obsessed, they go around wearing their idol’s costume and even take risks imitating his physical abilities (example: crawling on the wall). There is no good-versus-evil conflict here but more exploration of the modern society Miguel O’Hara has long been part of.

For one thing, at this point of the monthly series, Spider-Man 2099’s misadventures and acts in uptown New York not only caused disturbance with the modern society watched over by Alchemax, he also sparked a new group of people who perceive him to be their holy savior. This kinda reminds me of DC Comics’ very own Sons of Batman which is a youth group inspired by Batman, and to see the Marvel 2099 have its own version of the concept is a pretty neat move by the creators.

Speaking of characterization, the complexities of the relationships between Miguel O’Hara with his brother Gabriel, his mother Conchata, his romantic interest Dana and the relationships the others have with each other begin to really grow in this issue. The good news is that Peter David not only provided solid dialogue for each character but also clearly defined their respective personality traits and thoughts about others. To see Gabriel personally reacting to Kasey’s reaction towards Spider-Man’s body was amusing and even a bit hilarious.

On the artistic side, Kelley Jones work here as guest illustrator was nice to see and certain visual elements of his work on Batman comic books also made it here. The result is a nice change of style and a new approach of showing visual details. I should state that even though his art style is radically different from that of Rick Leonardi, Jones managed to make the established characters look recognizable to me.

Conclusion

*Kelley Jones’ visuals on Spider-Man 2099 is nice to see.*

Spider-Man 2099 #9 (1993) is clearly a more characterization-oriented story which is a nice change of pace and approach considering the chaotic story developments of the previous few issues. This comic book also shows that Spider-Man 2099 continues to encounter challenges in both local society and personally. The revelation of idolatry and idolaters connected to Spider-Man added a new layer of foolishness and evil to the local society (for insight, click here and here). At this stage of the monthly series, something new was clearly brewing for the futuristic webslinger and this showed that Peter David laid out his plans for the direction of the series’ narrative. Lastly, Kelley Jones’ work here really stands out.

Overall, Spider-Man 2099 #9 (1993) is recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. If you want to support my website, please consider making a donation. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco/.

A Look Back at Spider-Man 2099 #26 (1994)

December 29, 2022January 2, 2023carlocarrasco

In my retro review of Spider-Man 2099 #25 (1994), I stated that Peter David crafted a story that connects and related well with the events of issue #1. Issue #25 had a really shocking revelation and by the time I reached the end, I was compelled to revisit issue #1. I can say that, literally, the dots between the two comic books really connected strongly.

With those details laid down, here is a look back at Spider-Man 2099 #26, published in 1994 by Marvel Comics with a story written by Peter David and drawn by Joe St. Pierre.

Early story

The story begins inside one of the towers of Alchemax where an armored person lies down on a platform closely examined by the local staff. Tyler Stone arrives and immediately wants a report on Kasey Nash. After getting a reply from one of his personnel, he orders the removal of the armor and get her out of the facility.

Meanwhile. Spider-Man wakes up from his nightmare. He finds himself resting on an elevate tree and land surrounded by skyscrapers. He still has not recovered from learning the shocking truth that Tyler Stone – his very powerful boss at Alchemax – is his biological father. Equally disturbing to him is the fact that he never had Rapture in his system and his attempt to alter himself genetically was truly pointless and unnecessary. Miguel O’Hara then says to himself that his whole life is a lie.

As it begins to rain, Spider-Man then starts moving and swinging away…

Quality

I want to make it clear that this particular story written by Peter David was clearly about developing Miguel O’Hara and exploring new depths within his personality. There is no good-versus-evil conflict here, nor were there any superhero spectacles or action scenes to find here. That being said, this comic book is not a bore at all and anyone who strongly follows Spider-Man 2099 as a serious character will have something to enjoy in terms of characterization mixed with intrigue.

As it is already clear that the tycoon Tyler Stone is the biological father of the protagonist, this particular story shows new dimensions as to where Miguel’s life could go to. In terms of characterization, you will get to see a very in-depth development of Spider-Man’s personality as well as his inner struggle with the way his life turns out. The dialogue is very well written, you will feel Miguel’s pain and you may even sympathize with him.

Considering the lack of superhero spectacle, it is great to see Peter David put strong emphasis on Spider-Man’s personality while also leaving some room for other developing sub-plots. It is intriguing to see Spider-Man having intense visual communication with a certain person whose organization empowered Kasey Nash (a lady the protagonist cares about). Speaking of relationships, you will see threads from Miguel’s past romance with a certain lady.

When it comes to the visuals, Joe St. Pierre delivered a fresh new look while still making the established characters look recognizable. At times, the characters were drawn with a cartoony aesthetic and yet there were times that the images looked dynamic even without superhero spectacle. St. Pierre’s work here is a nice temporary change from the usual stuff of Rick Leonardi as many of his art pieces looked more detailed in comparison.

Conclusion

Spider-Man 2099 #26 (1994) is clearly a worthy follow-up to the very shocking issue #25. You will see a new age of darkness and uncertainty within Mguel O’Hara’s personal life as well as his emotional struggles. The lack of superhero spectacle is not a problem at all as the characterization here is very compelling to read. This coming book even has a short story that explores Spider-Man’s connection with Tyler Stone long before the incident that took place in issue #1.

Overall, Spider-Man 2099 #26 (1994) is recommended.

+++++

A Look Back at Spider-Man 2099 #7 (1993)

December 19, 2022December 19, 2022carlocarrasco

Welcome back, superheo enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we revisit the Marvel 2099 franchise within Marvel Comics’ shared universe during the 1990s. Specifically speaking, we take a look back at one of the early tales of Spider-Man 2099.

In this retro comic book review, the Spider-Man 2099 comic has an eye-catching cover that shows the protagonist in conflict with the 2099 version of the classic Spider-Man the Vulture. At the end of the sixth issue of Spider-Man 2099, Vulture 2099 appeared for the first time ever. This particular issue, which I bought and read in the summer of 1993, marked the conflict between Spidey and Vulture of the future.

With those details laid down, here is a look back at Spider-Man 2099 #7, published by Marvel Comics in 1993 with a story written by Peter David and drawn by Rick Leonardi.

Early story

The story begins with Spider-Man 2099 feeling very disoriented, wondering if he is falling as he feels the wind. It turns out, Vulture 2099 is flying while holding him. Close behind them is Spider-Man’s friend flying a hover vehicle. As the flying lady gets close to them, the Vulture quickly makes a move be behind her and starts using his 3-blade mechanical claw on her. As Vulture is about to strike her, Spider-Man disrupts him in defense of her but her vehicle still got damaged.

As the lady’s vehicle releases smoke as a result of the damage, Vulture berates Spider-Man and knocks him out cold. Spidey’s friend crashes down but miraculously survived.

Elsewhere, Miguel O’Hara’s mother visits his apartment and starts talking with the artificial intelligence Lyla…

Quality

*Spider-Man 2099’s first strike against Vulture 2099.*

I’ll start first with Vulture 2099 here. I can say this futuristic version of the classic Spider-Man supervillain was made by the creative team of be really intriguing as he is not only an intimidating flying force, but he is also the leader of a gang called the Freakers. Vulture 2099 also operates while strongly hanging on to his socialist-inspired views truly believing that his Freakers are meant to rise not only against New York’s corporate forces but also against the Thorites and other factions of New York’s underclass. Vulture 2099 also is intelligent and he is clearly aware about what has been going on around them, and no matter how large and powerful Alchemax really is, he is very obsessed about bring them down. Believing he is living with principles, Vulture 2099 goes as far as informing Spidey about their existence and tries to get him as a partner.

On the aspect of evil, Vulture of 2099 was defined by Peter David to be a human monster in the true sense of the words. To find out about that, you must read this comic book.

For his part, Spider-Man’s struggle to survive and get out of danger continues here and the lower-city environment turned out to be a rather intriguing setting for readers to follow him in. His encounters with Vulture 2099 are entertaining to see complete with really inspired dialogue.

Compared to the previous issues, this particular story highlights the lower parts of New York City which was prime real estate back in the 20^th century but got left behind neglected as city development physically went upward. This shows the poor and neglected people living below the modern city in darkness and with lots of crime and negativity around them. The Vulture and his gang stand out in the local lower population due to their violence and so-called principles.

Conclusion

Spider-Man 2099 #7 (1993) has a very engaging story and showcased what was back then the most captivating supervillain of the futuristic Spider-Man. Through David’s writing, it was clear that Vulture 2099 was meant to be a recurring supervillain in this series and he represents the violence and obsessions of the lower-city underclass who will stop at nothing to bring down the corporate giants as well as their rival factions among the impoverished. The portrayal of New York City’s criminal environment and poverty here was cleverly done by David. The new rivalry between the protagonist and 2099’s own Vulture must be seen! Lastly, I should say that Vulture 2099 would mix well with real-life violent forces like Black Lives Matter (BLM), Antifa and terror-oriented groups had he been real. Make no mistake, Vulture 2099 is evil and let this retro review remind you to never embrace evil and never let the said supervillain be your role model. The real world today has way too many radical forces who use violence and anarchy to change societies in accordance to their foolish, unholy worldly beliefs.

Overall, Spider-Man 2099 #7 (1993) is highly recommended!

+++++

A Look Back at Spider-Man 2099 #6 (1993)

February 7, 2022February 4, 2022carlocarrasco

Welcome back, superhero enthusiasts, 1990s culture enthusiasts, and comic book collectors! Today we revisit the world of 2099 within the universe of Marvel Comics back in the 1990s, specifically through the Spider-Man 2099 monthly series.

Today we will look back at the sixth issue of Spider-Man 2099. Previously, Spider-Man struggled long and hard with the Japanese agent called the Specialist not knowing that they are being monitored by powerful forces behind the scenes. As Alchemax’s Tyler Stone wanted Spider-Man, something unexpected happened before issue #5 ended.

With those details laid down, here is a look back at Spider-Man 2099 #6, published in 1993 by Marvel Comics with a story written by Peter David and drawn by Ricky Leonardi.

Early story

The story begins in downtown New York which is the historic and original section of the city located far below the modern-day society and its skyscrapers (referred to as Uptown). Lots of people are living in poverty in downtown New York and even so they are not spared by people who claim to have authority over them as public service personnel. A woman and her child got approached by two men who believe that the mother is two months behind her security payments.

As the physical struggle between them went on, they all found themselves close to a dead end with a pile of trash located on it. Suddenly, a human arm comes out pushing the trash out of the way which stuns them all. Spider-Man then emerges and asks for help…

Quality

*Spider-Man of 2099 is so weak and vulnerable, he could not even swing his way around and has to take a ride in downtown New York City.*

If there is anything clear about this comic book, it is the fact that Peter David portrayed the futuristic Spider-Man as not only struggling for survival but also as a fugitive complete with a brand-new physical environment which is a dark, far futuristic vision of 20^th century New York City. The good news is that David succeeded with what he executed and to say the least, this story has a completely different feel compared to issues #2, #3, #4 and #5.

On Spider-Man, the protagonist was shown to be very vulnerable. His fall from uptown to downtown really wrecked his health and due to the genetic modifications that happened to Miguel O’Hara in issue #1, his above-normal (albeit slow) recovery and strength to even move out the medical facility while being injured are justified creatively. Spider-Man being hunted together by Private Eye and their downtown counterparts (note: there is a clash of cultures and attitudes between them which was nicely dramatized) adds a new layer of suspense mixed with tension which easily reminds me of the fact that the futuristic web-slinger is just a worm within the futuristic and oppressive society of New York in 2099 under Alchemax (note: clearly anti-corporatism is a key element of Marvel 2099 which can be deceiving and misleading to readers, especially those who are vulnerable to the lies and deception of socialists, Marxists, Communists, liberals and other elements of the Satanic Left).

As expected, Peter David further dramatized relationships or connections between the supporting characters. He further spiced up the script with the gradual first appearance of a key 2099 villain for Spider-Man to face off with. I won’t reveal which villain is that and I encourage you to find out by reading this comic book.

Conclusion

Spider-Man 2099 #6 (1993) is fun and compelling to read. What makes it compelling is the creative way the author changed the mood of the story as it shifted into downtown New York of 2099 filled with poverty, darkness and hopeless living. Spider-Man as a fugitive here is similar yet different enough compared to how local authorities perceive the classic Spider-Man/Peter Parker. At this point of the monthly series, Spider-Man of 2099 is shown to be very vulnerable and Miguel O’Hara finally becomes desperate not just to survive but also get back home somehow.

If you are seriously planning to buy an existing hard copy of Spider-Man 2099 #6 (1993) be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30 while the near-mint copy of the newsstand edition costs $90.

Overall, Spider-Man 2099 #6 (1993) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/

A Look Back at Spider-Man 2099 #5 (1993)

January 25, 2022January 22, 2022carlocarrasco

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we revisit the future of 2099 through the Spider-Man 2099 comic book series of the 1990s.

Last time around, Miguel O’Hara/Spider-Man found himself in a very tricky situation as he found himself in confrontation with the Specialist while making sure that Kasey Nash (the lady who is involved with Miguel’s brother Gabriel) is safe. It should be noted that at this particular point of time, Spider-Man is still adjusting to his special abilities and he also has deal with matters over his work at Alchemax in his civilian form.

With those details laid down, here is a look back at Spider-Man 2099 #5, published by Marvel Comics in 1993 with a story written by Peter David and drawn by Rick Leonardi.

Early story

The story begins with a weakened Spider-Man who mask is being held by the sword-wielding Specialist. As soon as the Specialist realized that the mask can’t be pulled off easily, Spider-Man scratches his body with talons and gained some distance away from him enabling him to wear his mask properly.

Meanwhile inside the facility of Alchemax, Tyler Stone watches the conflict between Spider-Man the Specialist recorded live by cameras. He orders his assistant to interrupt the scheduled programming of Private Eye and direct the live feed of the fight to the entire city. Stone orders him to alert Private Eye’s personnel.

Stone specifically wants Private Eye’s armed members to converge at the fight of Spider-Man and the Specialist, but states that no apprehension will be done. Stone has something in mind for Spider-Man…

Quality

*The battle between Spider-Man 2099 and the Specialist was viewed by Alchemax.*

What started in issue #4, this comic book expanded greatly without letting the narrative turning dull. The fight between Spider-Man and the Specialist pretty much dominates the majority of the story, and yet Peter David successfully told stories about Kasey Nash and Gabriel O’Hara while giving readers an inside look at Alchemax and its control on society. In addition, the futuristic Stark-Fujikawa corporation was given its own spotlight in the story complete with their own connection with the Specialist.

As the universe of 2099 was further emphasized, Spider-Man got developed further as an action performer. The more Miguel used his special abilities, the more he becomes proficient not only with fighting but also with defensive moves aided by enhanced reflexes. It was also here where Spider-Man gets to use his organic web a lot more which really challenged his opponent from Stark-Fujikawa.

More the narrative, I like the way Peter David raised the stakes and intrigue all throughout. Not only will you get to see Kasey Nash, Alchemax and Stark-Fujikawa perceive the battle, there is also a short and yet intriguing scene of Gabriel O’Hara with a certain lady who would later become a crucial part of the Venom 2099 storyline (read my reviews of issues #35, #36 and #37). I should state that the battle between Spider-Man and the Specialist built up the tension for the impactful moment very near the end of the story, and that is something you must see.

Conclusion

*Spider-Man reacts with his reflex and talons.*

Spider-Man 2099 #5 (1993) another compelling and enjoyable read from the team of Peter David and Rick Leonardi. The stakes were really raised high in the story complete with giving the reader a greater view of the 2099 New York society under the control of Alchemax and Spider-Man himself is just a small part of it who happens to stand out among all the people because of his special abilities. Clearly, the series at this point moved swiftly from the superhero origin stage into the dangerous society of the far future.

If you are seriously planning to buy an existing hard copy of Spider-Man 2099 #5 (1993) be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $60 while the near-mint copy of the newsstand edition costs $180.

Overall, Spider-Man 2099 #5 (1993) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/

A Look Back at Spider-Man 2099 #4 (1993)

January 13, 2022January 10, 2022carlocarrasco

Today we will look back at the early development of futuristic Spider-Man as published way back in 1993. The first three issues (read also my reviews of issue #2 and #3) formed a solid foundation on establishing Miguel O’Hara as his era’s Spider-Man thanks mainly to the high-quality writing done by Peter David. What issue #4 will deliver, we will find out here.

With those details laid down, here is a look back at Spider-Man 2099 #4, published in 1993 by Marvel Comics with a story written by Peter David and drawn by Ricky Leonardi.

Early story

The story begins with Gabriel O’Hara (Miguel’s brother) and Kasey Nash trying to have a good time together inside a vehicle until a man armed with a sword interrupts them and tries to take the lady with him. As Gabriel makes his move to help Kasey, the swordman throws two sharp projectiles at him and moves away with the lady.

Over at the Babylon Towers residence, Miguel O’Hara gets visited by his boss Tyler Stone accompanied by armed personnel. Not realizing that Spider-Man 2099 and Miguel are one and the same person, Tyler tells him that the sudden appearance of the crawler put Alchemax on edge.

Tyler proposes peace between him and Miguel, offering him more of the hyper addictive substance Rapture. He tells him that Aaron Delgato was identified as the mysterious Spider-Man…

Quality

*Miguel O’Hara and his brother Gabriel ride and talk.*

The plot really thickened in this comic book resulting a few very interesting sub-plot branches as well as more depth on the development of Miguel O’Hara. I really like the way Peter David explored the corporate side of Miguel’s life here creating suspense about Tyler’s limited knowledge of the Alchemax incidents that happened in issues #1 and #2 which actually involved the protagonist witnessing the fall of his corporate rival Aaron (the same guy responsible for the genetic manipulation of Miguel into Spider-Man). This comic book also focuses on the strained relationship Miguel has with his brother Gabriel who clearly lacks the will to be personally responsible.

I also enjoyed the way Miguel reacts to the classic Spider-Man expression of “with great power comes great responsibility” as he struggles to set things right even as being a civilian and a superhero in his society has major hassles.

The anticipated battle between Spider-Man and the sword-wielding Specialist was structured nicely. Instead of being the typical good-versus-evil conflict, what was presented started with nice moments as Spider-Man still struggles to make the best out of his capabilities. Be aware that the fight does not conclude in this issue.

Conclusion

*Miguel getting ready for work while having his Spider-Man costume worn.*

Spider-Man 2099 #4 (1993) is a solid comic book to read. It had a nice balance of character development, plot with twists here and there, as well as a good amount of action and thrills. Its best feature, as expected, was the further development of the protagonist and you will see more of Miguel than Spider-Man. By the end of this comic book, I really felt I got to know Miguel more as a person, and not a mere character.

If you are seriously planning to buy an existing hard copy of Spider-Man 2099 #4 (1993) be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30 while the near-mint copy of the newsstand edition costs $90.

Overall, Spider-Man 2099 #4 (1993) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/

A Look Back at Spider-Man 2099 #3 (1993)

January 10, 2022January 22, 2022carlocarrasco

Welcome back, superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we revisit the world of 2099 within the universe of Marvel Comics back in the 1990s, specifically through the Spider-Man 2099 monthly series.

This time around, we take a look back at the early stage of the futuristic Spider-Man’s story and learn more about Miguel’s struggle in becoming something he was not ready for. On my part, the 3^rd issue of Spider-Man 2099 was the first-ever hard copy of the monthly series I bought.

With those details laid down, here is a look back at Spider-Man 2099 #3, published in 1993 by Marvel Comics with a story written by Peter David and drawn by Rick Leonardi.

Early story

The story begins immediately after the ending of issue #2 with Miguel O’Hara in disguise as Spider-Man facing off with Venture who has been working for Alchemax’s head to find precisely him. The presence of idolaters of Thor view Venture as an enemy and Spider-Man (who knows he is being hunted by the cybernetic guy) tells them to get back to stay out of danger.

Instead of listening to him, the idolaters did the foolish thing by physically attacking Venture who is just too proficient in combat and his high-tech weapon hurts them. With great risk, Spider-Man leaps to Venture to try to convince him to leave him alone. Unfortunately he loses his balance and gets touched by Venture’s weapon which leaves his right arm numb.

Venture tells Spider-Man that Alchemax wants him…

Quality

*Even though he has a numb right arm, Spider-Man 2099 still got up-close and personal with Venture.*

This comic book is one action-packed thrill ride laced with solid character development. While issues #1 and #2 showed how Miguel O’Hara became Spider-Man of 2099, this story shows him in his first-ever battle with someone who happens to be doing a mission for Alchemax (Miguel’s employer no less).

Peter David carefully structured the story and the result were lots of moments in which Spider-Man 2099 witnesses the unexpected happenings which readers can relate with. As Spider-Man learns more about the enhancements within him (better reflexes, ability to leap far, etc.), he gets to do the unbelievable which is a classic superhero trope done but within a futuristic, science fiction setting. What he does with his abilities, he does his best to adjust himself. I also like the fact that Spider-Man of 2099 does not have the Spider Sense of the classic Spider-Man (Peter Park) which in a creative way adds to the suspenseful moments in this comic book series.

As for Venture, he is not your typical villain nor is a one-dimension character designed to merely provide opposition to the protagonist. He is a cybernetic bounty hunter on a mission and does not harbor any personal grudge nor hatred against Spider-Man. On his own, Venture is deadly and is clearly one of the best villains to ever take on Spidey 2099.

Conclusion

*The idolaters and worshipers of Thor take on Venture which Spider-Man witnesses.*

Spider-Man 2099 #3 (1993) is a very solid read and it succeeded in further defining the futuristic Spider-Man’s personality as well as his origin. The first time I read this comic book, I got very immersed in learning about the protagonist and how he does his best to save himself and overcome the opposition while finding out ways to ensure that bystanders and witnesses will not get hurt. This comic book also has an immersive sci-fi setting and shows more of the society of 2099. I can clearly say that this is one enjoyable and compelling comic book which aged nicely to this day.

If you are seriously planning to buy an existing hard copy of Spider-Man 2099 #3 (1993) be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30 while the near-mint copy of the newsstand edition costs $90.

Overall, Spider-Man 2099 #3 (1993) is highly recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/

A Look Back at Spider-Man 2099 #39 (1996)

January 1, 2022August 21, 2023carlocarrasco

In this retro review, the Venom 2099 storyline continues (for my previous reviews, click here, here, here and here). Since my previous review, the futuristic Venom has been captured by Spider-Man and is now in the custody of Alchemax where Miguel O’Hara (Spider-Man of 2099) holds considerable power and authority. As seen in issue #38, Miguel’s rage was clearly affecting him and pushed him to the point of wanting revenge (by means of death, no less) over the death of Dana.

With those details laid down, here is a look back at Spider-Man 2099 #39, published in 1996 by Marvel Comics with a story written by Peter David and drawn by Andrew Wildman.

Early story

The story begins with Miguel O’Hara, still impacted by Dana’s death and what he personally discovered about Venom, walking through the offices of an Alchemax building where several employees greet him formally which he does not seem to enjoy. He walks into a laboratory where he sees the two that compose Venom – Kron Stone and the symbiote (living costume) – contained separately with hard glass containers.

Kron Stone, who is related to the powerful Tyler Stone and was responsible for the death of the family of Jake Gallows/Punisher 2099, was declared dead which puzzles Miguel. As the two exchange words, it turns out Kron and Miguel knew each other from long ago. Upon the orders of Miguel, the scientists left the laboratory which gave their boss more privacy to exchange words with the trapped Kron who called him gutless.

Miguel then releases Kron from containment (but still separated from the symbiote), declares terms for their private fist fight (which Kron accepts), and begins to fight him…

Quality

*Spider-Man, in his form as Miguel O’Hara, spends time with Xina.*

Not surprisingly, the high level of quality and engagement of the writing here is successfully maintained by Peter David and it is very clear to me that he had planned to dramatically shift the direction of the Spider-Man 2099 series and impact the key characters as the story of Venom 2099 went on.

That being said, Peter David went on to not only show Miguel literally burning with rage but also dramatized his move towards the extreme. Not only do we get to see Miguel really abusing his Alchemax authority, he also gets violent with Kron Stone who was powerless without the symbiote. These scenes clearly show that the border that separates good and evil got blurred which showed a very dark side of Miguel O’Hara struggling with his rage, emotions and whatever sanity he still has left.

To be clear, the story here was not purely about Miguel and Kron. There is also the scene in which a cooled down Miguel spends time with Xina who made clear to him her reaction over Dana’s death. Peter David also took the opportunity to not only show more of the return Vulture 2099 but also brought in the 2099 version of Green Goblin simply called Goblin who clearly has an agenda against Spider-Man which adds to the suspense and the overall narrative of the series. The appearance of Goblin also sheds light on the nature of vigilantism and elements of chaos within the 2099 universe.

Conclusion

*Miguel and his half-brother Kron Stone begin their fight.*

I can say that Spider-Man 2099 #39 (1996) is a very solid read. Not only did the Venom 2099 storyline reflect the serious changes on the characters, it is also led to a bold new direction for the monthly series. Carrying on the dramatic stuff from the previous issues, this comic book also serves as a character examination on Miguel O’Hara which will compel not only the fans but also comic book readers to reflect about what they knew about Spider-Man of the far future and speculate as to how he will turn out and how he would impact the people around him.

If you are seriously planning to buy an existing hard copy of Spider-Man 2099 #39 (1996) be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $80 while the near-mint copy of the newsstand edition costs $240.

Overall, Spider-Man 2099 #39 (1996) is highly recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/

A Look Back at Spider-Man 2099 #38 (1995)

December 30, 2021December 28, 2021carlocarrasco

Welcome back, superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we revisit the world of 2099 within the universe of Marvel Comics as published back in the 1990s, specifically through the Spider-Man 2099 monthly series.

Back in 2020, I reviewed the three key issues of Spider-Man 2099 (click here, here and here) particularly with the entry of Venom 2099. While tragedy happened in issue #37 (a very powerful story), the futuristic Venom was still on the loose.

With those details laid down, here is a look back at Spider-Man 2099 #38, published in 1995 by Marvel Comics with a story written by Peter David and drawn by Andrew Wildman.

Early story

The story begins with Spider-Man 2099 grieving over the death of Dana in the presence of Xina and two armed law enforcers. As one of the law enforcers approach him, Spider-Man hits and damages his helmet. The other law enforcer tells his companion to give Spider-Man some room. The grieving web-slinger asks where Venom 2099 is.

Meanwhile at another location, Miguel O’Hara’s mother saw the breaking news on TV about what the tragedy and Dana’s death. Her son Gabriel comes in and gets updated about what happened. As soon as he heard Dana’s name, he becomes concerned and focuses on the TV screen. As images of Spider-Man and Dana appeared, Gabriel begins to make a connection between them and punches the TV screen hard…

Quality

*A very angry Miguel O’Hara using his corporate authority to find and get Venom 2099.*

If you enjoyed the storytelling, tension and payoff that happened in issue #37, I can confirm to you that great stuff from that comic book continued smoothly in this comic book. As before, Peter David’s writing remains very engaging and gripping. So much so, issue #38 is a very believable and natural continuation of the events of the previous issue. In fact, the tension that started even as far as issue #35 continued in this comic book and at the same time David succeeded in developing the key characters further. Here, the death of Dana impacts not only Spider-Man/Miguel O’Hara, but also those connected with him.

Apart from the impact Venom 2099 left behind on those whom he victimized, the key selling point in this comic book was the portrayal of Miguel O’Hara wanting not only vengeance but also craves for the death of the vicious supervillain. I really find it very gripping to see Miguel using his authority as a high-ranking executive of his company to not only find Venom but also use company resources to get him. There was also the scene in which Miguel wants the captured living piece of Venom’s symbiote become dead which reflects the rage burning in him.

The way Peter David wrote Miguel’s rage is compelling not only because of the dramatics involved but also because it raises new questions about the personality and heart protagonist of the Spider-Man 2099 monthly series. I found myself wondering the following: Is Miguel O’Hara on the way to becoming a villain? Does he realize he is going off-track and could become a danger to others once he gets his way with Venom 2099?

When it comes to the visuals, Andrew Wildman did a really good job her. Not only was his art more detailed than what Rick Leonardi came up with, Wildman also brought to life the emotions of the characters through detailed facial expressions. Wildman also showed how skilled he is with pacing the story as well as being strategic on visualizing the spectacle.

Conclusion

*Spider-Man 2099 in a very emotional state over the death of Dana.*

I can clearly say that Spider-Man 2099 #38 (1995) is a great comic book to read. It is indeed a very worthwhile follow-up to the powerful and tragic story of issue #37 and the tension that started in issue #35 continued strongly in this comic book. Very clearly, Peter David carefully planned to shake up the Spider-Man 2099 series of the 1990s even as he built up Venom 2099 as the deadliest foe the futuristic Spider-Man faced. I should also state that the Spider-Man 2099 – Venom 2099 rivalry has a distinct style and flavor of its own, and there was simply nothing ripped off from the 20^th century Spider-Man – Venom (Peter Parker and Eddie Brock) rivalry.

If you are seriously planning to buy an existing hard copy of Spider-Man 2099 #38 (1995) be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $80 while the near-mint copy of the newsstand edition costs $240. Spider-Man 2099 #38 (1995) also comes with a Venom 2099 cover edition which costs $200 for a near-mint copy.

Overall, Spider-Man 2099 #38 (1995) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/

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