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Welcome back, superhero fans, 1990s arts and culture enthusiasts, Ultraverse fans and comic book collectors! Today we revisit the Ultraverse to take a look at one of the many tales of Prime from the monthly series that first launched in 1993.

In recent times, I’ve been reading and reviewing Prime comic books I missed out before. For my most recent Prime retro reviews, click here and here. For the newcomers reading this, Prime is one of the most definitive heroes of the entire Ultraverse and his true identity is the teenager Kevin Green.

With those details laid down, here is a look back at Prime #14, published by Malibu Comics in 1994 with a story written by Len Strazewski and Gerard Jones, and illustrated by the Darick Robertson with ink work done by Barbara Kaalberg.

Early story

The story begins with Prime flying and deeply thinking about the group of powered social outcasts…Freex. Prime, who recently spent time with Freex and helped them fight monsters (click here and here). He wished to help them more but does not want to be like them. He wants to show the whole world that it cannot push him around only because of his youth.

Moments later, Prime arrives at Venice Beach in California to meet members and agents of the media…

Quality

As a long-time Ultraverse comic book reader, there is a lot to like in this tale of Prime. For one thing, it is a pure character-driven story with a strong emphasis on how Kevin Green’s personal views develop, why he keeps on struggling to understand society and why his way (in the form of Prime) of interacting with ordinary people remains awkward.

There is so much stuff here, it can be challenging to realize the main themes of the story written by Jones and Strazewski. To make things clear, at this point in the Ultraverse, worldly authorities are very aware of the Ultras who seem to want to help people with problems but they are compelled to use force to confront them as those super powered beings are capable of making their own rules, violate laws with impunity and cause trouble in societies.

Prime is already in the middle of a troubled American society and the government as well as secret societies have other Ultras to deal with. Being a teenager himself, Kevin Green is able to relate with members of Freex who have no families to return to and are always on the run being chased by the authorities and being hated by the world. Along the way, Prime is acting impulsively with the adults and members of the media since Kevin himself lacks maturity and has yet to fully understand society and its norms. Kevin also forgets how to behave properly as he fails to control his emotional impulse.  

When it comes to the art, Darick Robertson did a really fine job visualizing Prime and in most pages of the comic book, he uses dynamism to make the reading experience look very lively. He also did a good job with the facial expressions.

Conclusion

It is very clear that the writing in Prime #14 (1994) done by the Jones-Strazewski duo is rich and deeply layered. Being a self-declared fighter and supporter of young people in this issue puts Prime into deeper trouble as he does not realize yet the consequence of the moves he made. The creative team really excelled in dramatizing Kevin Green – in the physical form of Prime – being impulsive and immature to adults while acting as a helpful adult to teenagers he meets. This story also sheds light on broken families which will instantly remind readers about poverty, vices and long-lasting negativity in unchecked parts of American society. That being said, this Prime story is a great read and its social commentary remains very relevant. This is also a great development of Prime’s personality.

Overall, Prime #14 (1994) is highly recommended.

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