It has been days since Alert Level 3 was officially implemented all over Metro Manila which allowed for the reopening of several businesses and allowing them to accommodate more customers as the limitations on capacity were modified. Among the businesses authorized by the to reopen were the cinemas or movie theaters although the actual reopening has yet to happen. In fact, I passed by the cinemas at a local mall I visited this past Sunday and I saw they were still closed. Take note that there were attempts to push for reopening Metro Manila cinemas (click here, here and here).
As the reopening is still pending, there is this Manila Bulletin article about local cinemas will strictly implement health protocols. To put things in perspective, posted below is an excerpt plus a few relevant videos about safety and reopening. Some parts in boldface…
Cinemas and movie houses in the Philippines will strictly implement health protocols when these establishments reopen soon.
The Inter-Agency Task Force (IATF) put Metro Manila under Alert Level 3 and allowed the reopening of cinemas with restrictions. Only fully vaccinated people will be admitted and seating capacity will be limited to 30 percent.
The actual date of reopening of cinemas is still subject to confirmation and the public is advised to wait for further announcement, according to the Cinema Exhibitors Association of the Philippines (CEAP).
Cinemas in Metro Manila have been closed for 19 months due to the ongoing coronavirus disease (COVID-19) pandemic.
“That is the main goal right now,” said CEAP Charmaine Bauzon. “We have devoted the past 19 months of cinema closure identifying solutions and precautions based on science. We will implement these measures to confidently welcome back movie fans to cinemas and send them home safe.”
Cinemas are safe spaces
Bauzon assured “the public that cinema is a safe place. In fact, LGUs [local government units] have converted some theaters into vaccination centers, and no super-spreading were ever reported, even though people waited inside for hours.”
CEAP cited a recent study in Germany which concluded that cinemas are safer than almost any other indoor environment as long as safety guidelines are followed like wearing face masks, physical distancing and proper air ventilation.
The German study considered the following factors in its conclusion: People spend an average of only two hours at a cinema; people inside the cinema simply sit down and face the same direction which is known to reduce transmission risks; and people are not talking to each other during a movie, which minimizes possibility of infection.
Cinemas to strictly impose all safety protocols
According to CEAP, besides adhering to the IATF-mandated health standards, it also developed the “Sa Sine Safe Ka” protocols patterned after the “CinemaSafe” measures set by America’s National Association of Theatre Owners (NATO) and endorsed by epidemiologists.
I personally support the reopening of cinemas not just because I love watching movies in them but also because cinemas and their employees can contribute a lot to the economic recovery from this COVID-19 crisis we are all living with. When it comes to viewing movies in the comfort of home, I prefer Blu-ray over streaming anytime. Still the very best way to enjoy movies in their full glory is still inside the cinema! I can never forget the day I first saw Wonder Woman (2017) in the IMAX cinema at SM Southmall which was really an immersive experience. I even replayed that same movie in another cinema which had lazy boy seats. I also saw Logan, Godzilla: King of the Monsters, Avengers: Endgame, Aquaman and X-Men: Dark Phoenix on IMAX screens in different cinemas. When it comes to regular cinemas, I viewed Write About Love, Shazam!, and Joker to name some. Eventually I got to watch these movies in the comfort of home mainly on Blu-ray (which is always better than streaming) but I can confirm to you all that in my experience, the best place to view movies is still the cinema!
This iconic scene was at its grandest only in the cinema and I was fortunate to watch it on IMAX format!
The immersion of Aquaman on the big screen inside the IMAX cinema was indeed top-notch.
The good news here, as revealed in the excerpt above, is that local cinemas will exert efforts to make their venues clean and safe as their inevitable customers will be those who have been fully vaccinated. Cinema viewing will be far from normal but the latest developments related to Alert Level 3 are very welcome as it is the first step to returning to normalcy as the nation deals with community management and vaccinations for COVID-19. Above all, I urge all of you fully vaccinated people of Metro Manila and around the nation reading this – support the local cinemas! Put a stop to streaming and take the opportunities to watch movies in the movie theater because that streaming will NEVER match the grandeur and immersion of the cinema! The cinema is always better than streaming!
Let me end this piece by asking you readers: Are you eager to watch a movie inside the cinema here in Metro Manila as soon as it reopens? Have you been fully vaccinated already? What upcoming movies do you hope to watch in the local movie theater? Have you been following the CEAP on social media lately? Do you think that the top officials of the Metro Manila Council (MMC) and the Metropolitan Manila Development Authority (MMDA) really care about the plight of the cinema operators and their employees?
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
For more South Metro Manila community news and developments, come back here soon. Also say NO to fake news, NO to irresponsible journalism, NO to misinformation, NO to plagiarists, NO to reckless publishers and NO to sinister propaganda when it comes to news and developments. For South Metro Manila community developments, member engagements, commerce and other relevant updates, join the growing South Metro Manila Facebook group at https://www.facebook.com/groups/342183059992673
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, superhero enthusiasts, comic book collectors and fans of Wonder Woman! I should say that this is the most unusual comic book I have reviewed so far due to its main presentation of varied artworks featuring the Queen of all Superheroes herself – Wonder Woman!
For the newcomers reading this, there were several comic books back in the 1990s that did not really tell stories but showcased artworks of varied superheroes done by several artists. Such publications were in the form of swimsuit specials, apparently inspired by Sports Illustrated’s own publications. There were WildStorm Swimsuit Special #1, Ballistic Studios Swimsuit Special #1, Homage Studios Swimsuit Special #1, Lady Death Swimsuit Special #1 and the Avengelyne/Glory: Swimsuit Special #1 to name some.
The 1990s saw a rise of eroticism in superhero comic books. Not even the Wonder Woman monthly series of that time was spared from the trend. There was a time when DC Comics hired Mike Deodato to illustrate a number of Wonder Woman comic books in the mid-1990s which resulted a more eroticized look of Diana/Wonder Woman and her fellow Amazons. John Byrne took over after Deodato and his stint was not an improvement.
While the 1990s was a weak decade of Wonder Woman comics for me personally, not all was doom and gloom. Around twenty years before Gal Gadotdebuted on the big screen as the cinematic Wonder Woman, DC Comics published an art gallery of the Queen of Superheroes in the form of a comic book.
With the details established, here is a look back at Wonder Woman Gallery, published by DC Comics in 1996 featuring the works of multiple artists.
The cover.
What it is
Wonder Woman Gallery is a showcase of thirty-two artworks done by George Perez, Stuart Immonen, Mike Wieringo and Richard Case, Brent Anderson, Howard Porter and John Dell, Jim Balent (misspelled as Jim Balant), Amanda Conner, Chuck Wojtkiewicz and Will Blyberg, Howard Chaykin, Steve Lightle and 22 others.
As this is an art gallery, there is clearly no story to tell. It is all artwork showcasing the different talents of the artists (and the inkers who helped them) on presenting Wonder Woman (note: the only exception here is a solo image of the forgettable WW replacement Artemis).
This artistic contribution by Phil Jimenez looks great.
Jill Thompson’s inspired take on Wonder Woman.
Wonder Woman by Howard Porter and John Dell.
Wonder Woman by Ivan Reis and Barbara Kaalberg.
Quality
As this is an art showcase, the overall quality of the collected art here varies. Such a collection of different art styles will appeal to Wonder Woman fans depending on how they like their favorite superhero presented visually.
In my honest opinion, I always love the art style done by George Perez on Wonder Woman, her fellow Amazons, the supporting characters and more. His presentation here is flawless and timeless. What surprised me here in this collection is the contribution of Phil Jimenez whose quality and art style seem inspired by George Perez’s Wonder Woman legacy. As many of us know already, Jimenez later went on to become one of the top illustrators of DC Comics in the 2000s and his work here is nice to look.
There were a few artworks that showed Wonder Woman with a very cartoony look. Among them is the Wonder Woman piece done in the very distinct style of Sergio Aragones. Some art pieces here showed WW with a bizarre look and then there were a few others whose take on the Queen of Superheroes turned out good.
Conclusion
This work by George Perez is my favorite in this collection.
I can say that Wonder Woman Gallery (1996) is a published work that Wonder Woman fans will enjoy for as long as they are willing to accept images of their favorite superhero with styles ranging from realistic to cartoony, obscure and simple. Art styles aside, there is a lot here that fans will marvel at again and again, while art enthusiasts (who are not necessarily fans of the Queen of Superheroes) could find something eye-catching here.
If you are seriously planning to buy an existing hard copy of Wonder Woman Gallery (1996), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $40.
Overall, Wonder Woman Gallery (1996) is recommended.
+++++
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Very recently, Warner Bros. announced that due to the ongoing coronavirus disease COVID-19 pandemic, it has decided to reschedule the release of Wonder Woman 1984 to August 2020.
While fans, geeks and moviegoers have to wait a bit longer for the much-awaited movie, we can take time out to look back to the year 1987 when DC Comics published the comic book Wonder Woman #9 written (plot) and illustrated by the legendary George Perez with scripting done by the late Len Wein.
Remember seeing Dr. Barbara Minerva (Cheetah) played by Kristen Wiig in Wonder Woman 1984? This comic book marked the debut of the post-Crisis Cheetah whose civilian personality is Dr. Barbara Minerva (her literary debut was in Wonder Woman #7). To make history short, the original Cheetah that appeared in 1943’s Wonder Woman #6 was Priscilla Rich while the second Cheetah was Deborah Domaine (Priscilla Rich’s niece). Dr. Minerva is the third and arguably the most modernized and most popular Cheetah.
With the history talk over, here we go with Wonder Woman #9!
The cover drawn by George Perez.
Early Story
The story begins with a ritual performed by a short, old man with a knife. He cuts the skin of a naked woman and collects some of her blood. He uses the blood to feed a plant he believes to be a god (the plant-god). Afterwards he returns to the naked woman and covers her with the cloth.
The next morning, at another location, Wonder Woman flies happily in the air. Below her were publicist Myndi Mayer, Julia (Diana’s host and personal educator) and teenager Vanessa.
It turns out, Wonder Woman, who strongly values honor, was happy to have received a letter from Dr. Barbara Minerva. Julia however is not confident and based on her research, she described Minerva as “shady as your average weeping willow.”
Myndi, who is looking for the next great scoop, dismisses Julia’s concern and remains focused on accompanying Wonder Woman to meeting Minerva.
Quality
Apart from marking the first appearance of Cheetah (no longer a lady wearing a silly costume) in the post-Crisis era of DC Comics, Wonder Woman #9 is still a very compelling and fun comic book to read. Its great quality combined with a solid concept can be attributed to George Perez.
On storytelling, Perez and Wein delivered a solid balance between spectacle, characterization, plotting and mystery. The presentation of Dr. Minerva as an accomplished yet arrogant archaeologist is a clever concept of having her involved with Wonder Woman who in turn also has a personal interest in relics and evidences of established cultures and societies (given the Amazonian society Diana came from). Minerva’s transformation and first action as Cheetah is indeed excellent to read.
Diana/Wonder Woman and Dr. Minerva/Cheetah meet for the first time ever.
Being one of the greatest comic book illustrators ever, it is no surprise that this comic book still looks great! Even though Perez used a lot of panels per page, the amount of visual details as well as the maintenance of his art style remain high.
When it comes to the first-ever battle between Cheetah and Wonder Woman, Perez pulled no punches back with the spectacle. There is a good amount of brutal action which so enjoyable to see and I can only hope that director Patty Jenkins took inspiration from the comic’s action scenes for Wonder Woman 1984 (a conflict between the Queen of Superheroes and the animalistic villainess on the big screen is inevitable).
Brutal action between Cheetah and Wonder Woman!
On characterization, this comic book continued to deliver the good and believable development of Wonder Woman who is still adjusting to Man’s World. To put it short, it is not exclusively focused on Cheetah and Wonder Woman (whose encounters were the highlights). You will get to see how much Diana adjusted with modern society, what she thought about how modern society’s members perceived her and how close she got with Julia and Vanessa while still keeping strong with her Amazonian values.
Going back to Cheetah, the development of Dr. Minerva changing into her animalistic form is very well handled by the creators. There are enough details that explained her physical transformation and her uncanny abilities, not to mention showing her being able to give Wonder Woman a good amount of trouble. This way of modernizing the literary Cheetah is, indeed, very compelling and definitive. By reading this comic book, you will realize why this particular version of Cheetah was chosen to be part of Wonder Woman 1984.
For the collectors reading this, if you are serious on getting an existing copy of Wonder Woman #9, be aware that, as of this writing, a near-mint copy costs $77 according to MileHighComics.com
Overall, Wonder Woman #9 (1987) is highly recommended! It’s a great collector’s item too!
In ending this, watch this first official movie trailer of Wonder Woman 1984.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Disclaimer: This is my original work with details sourced by means of watching the movie and doing research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
I just love watching superhero movies, especially the ones that were well crafted by the filmmakers complete with solid storytelling, sufficient spectacle as well as memorable performances by the hired talents (both behind and in front of the camera).
Of all the superhero movies made by the forces of Hollywood starting with 1978’s Superman, I can clearly say that 2017’s Wonder Woman is my favorite. Don’t get me wrong. I did not limit myself to just DC Comics superhero movies. I saw all the X-Men movies and their spinoffs, almost all the Spider-Man flicks, almost all of the Marvel Cinematic Universe movies and even the obscure ones. Along the way, there were some great superhero flicks that became modern-day classics like Logan and Avengers: Infinity War.
Still it is the Gal Gadot-led, Patty Jenkins-directed Wonder Woman that I loved watching the most.
Let’s start with my retro review of Wonder Woman, the one film that arguably saved the DC Comics Cinematic Universe for Warner Bros.
The Wonder Woman movie poster from 2017.
Early Story
The story begins sometime after the end of Batman v. Superman: Dawn of Justice during which Diana finds a long lost photograph recovered by Bruce Wayne. Then she remembers her past in Themyscira where she grew up as the only little girl among the women called the Amazons and her mother is none other than Queen Hippolyta. Concerned that the wicked Aries is still alive, Hippolyta’s sister Antiope trains Diana (initially in secret until they were discovered) to be strong, brave and more capable than their fellow Amazon warriors.
One day, Steve Trevor arrives in Themyscira becoming the first-ever man Diana ever met. Tension rises when the Germans (from World War I Earth) arrive on their island causing the Amazons to fight in defense. A lot of people lost their lives, including someone very close to Diana.
While interrogated with the Lasso of Truth, Steve reveals who he is and what he has been doing. He states that back in his world, World War I is ravaging the world costing many people their lives. This causes Diana to stand up and stop the war somehow (she believes Aries is responsible). Queen Hippolyta disapproves of Diana’s analysis. After privately meeting with Steve, Diana then starts her move for a mission to stop the war in Man’s World.
Quality
Gal Gadot as Wonder Woman in the middle of German soldiers.
Let me start with the performances. Gal Gadot definitely IS Wonder Woman in this movie. Regardless of how many versions of Wonder Woman there are in comics, the Israeli actress truly captured the essence of Diana’s early development which includes her special place among the Amazons (note: she is the only Amazon who was born in Themyscira and grew up from infant into a mature woman), her fateful meeting with Steve Trevor, her entry into Man’s World and how she adapts with the events and people outside of Themyscira. Wonder Woman’s purity on saving the world, doing what is right and emphasizing love and compassion were all nicely translated into cinematic art by Gal Gadot. From doing the action scenes to saving people, speaking her mind among her fellow Amazons and interacting with others as she adapts with Man’s World, I really love Gadot’s work on bringing Wonder Woman to life. As her cinematic work is great, there is no doubt that Gadot will always be iconic to fans of the Queen of Superheroes and superhero enthusiasts in general in the decades to come right beside Lynda Carter (who played the icon on TV), Christopher Reeve (Superman), Robert Downey, Jr. (Iron Man) and Chris Evans (Captain America). Meanwhile, the portrayals of Diana as an 8-year-old girl as well as a 12-year-old were perfectly done by Lilly Aspell (who is truly skilled with horse riding) and Emily Carey.
Lilly Aspell as young Diana with Connie Nielsen as Queen Hippolyta.
Chris Pine is excellent as Steve Trevor who is portrayed to be very dedicated to his work, brave in what he does and still shows compassion instead of arrogance towards others. He also has great chemistry with Gal Gadot and, like in the comic books, their relationship is nicely translated on the big screen. Pine’s performance here is, in my view, the best superhero movie supporting role to date.
Chris Pine as Steve Trevor with Gal Gadot as Diana in disguise.
Connie Nielsen meanwhile is great in playing Queen Hippolyta and all throughout, there is always a sense of leadership complete with a touch of motherly love just like in the comic books. Her sister Antiope was nicely portrayed by Robin Wright as the one Amazon who taught Diana to be brave, strong and highly capable as an Amazon warrior.
Danny Huston, who played the lead villain in the 2009 movie X-Men Origins: Wolverine, played yet another military bad guy here but this time he’s a World War I German officer. He’s a villain with a purpose who not only fights for the glory of Germany but also strongly believes that war is natural and inevitable for humanity. In some ways, Huston’s Ludendorff reminds me Michael Shannon’s General Zod in Man of Steel.
Robin Wright is excellent as Antiope.
When it comes to presentation, this film is Patty Jenkins’ 2nd movie as director (her debut was way back in 2003) and the great turnout of Wonder Woman as a high quality movie (as opposed to being a critical and commercial success) only proved yet again that the old saying in Hollywood – The director’s second movie is his/her best movie – is true. Jenkins, who also worked on television, not only prepared a lot to make this movie but also researched Wonder Woman, developed ways to get the most out of the cast members, tweak the written story of the film (by Allan Heinberg, Zach Snyder and Jason Fuchs) and, most notably, she led the production with a lot of passion. To put it short, Wonder Woman is a labor of love (and the No Man’s Land scene is iconic) that not only resonated with fans of the Queen of Superheroes but also with the film critics and moviegoers.
Regarding storytelling, I noticed that a key story from Wonder Woman’s origin in the comics (the contest of the Amazons) did not happen at all in the film. While there were die-hard fans of the icon who complained about it, I felt that the contest of the Amazons would have made this movie more complicated and surely would have lessened the impact of World War I as a key story element. Since the purpose of this movie was to emphasize Diana’s origin and her entry into Man’s World with a major mission, I believe that the contest of the Amazons can be made cinematically later in a future movie.
The way the story was told cinematically, it also captured Diana’s reactions to the events that happened around her. The scene in which she saw the village destroyed showed how death and destruction compelled Wonder Woman to accomplish her mission even though others find ending the war impossible. Along the way, the actors – specifically Gal Gadot – really added life into the narrative with their strong performances.
When it comes to on-screen humor, which is popular among moviegoers and is almost a requirement for most new superhero movies that come out, having it done by supporting players Lucy Davis and Saïd Taghmaoui was a clever move since it allows Gal Gadot to portray Wonder Woman without any performance disruption. Considering her short screen time, Davis as Etta Candy is really funny. The amount of humor in this film, in my view, was just right and never annoying.
Spectacle? Wonder Woman is loaded with action, stunts and exciting stuff! The action involving Wonder Woman was brutal and satisfying to watch, and Patty Jenkins’ use of slow motion on key moments was great (even comparable to John Woo’s past work) and at the same time not too excessive. The Themyscira battle between the Germans and the Amazons at the beach was engaging and strategically filmed. Also, it was fitting that the action ramped up nicely starting with the iconic No Man’s Land sequence. The final battle in the film, unsurprisingly, had lots of computer-generated images (CGI) which is understandable considering the fantasy element of Wonder Woman.
More on the action, I love the way Patty Jenkins had Gal Gadot, Robin Wright, Connie Nielsen and Chris Pine perform the action themselves which all made their characters even more believable. Of course, there were certain moments in which stunt doubles were used to do the more dangerous moments on behalf of the actors.
This happened just before the iconic No Man’s Land scene.
Apart from the core cast, a lot of the actresses playing the Amazons trained for several months not just to look the part but also to perform action sequences using weapons with actual skill. The stunt coordinators and specialists hired by the filmmakers deserve praise for contributing nicely on making the cinematic Amazons highly believable. This alone not only makes Wonder Woman stand out nicely among all Hollywood superhero movies but also reflects nicely what was portrayed in the comic books.
The production design is also top-notch. I love the scenic locations of Italy used for scenes set in Themyscira. The filmmakers also did a great job recapturing the look of World War I Europe from the historical pictures to the big screen. The costume designs were fantastic, and the standout designs were, unsurprisingly, the costumes of the Amazons which really made their fantasy culture look believable. The filmmakers decided to have much more colorful visuals instead of following the look of Man of Steel, Batman v. Superman: Dawn of Justice and Suicide Squad.
On the music, the work by Rupert Gregson-Williams was great. His rendition of the Wonder Woman theme was very lively to listen to. The same can be said about the music he provided in the memorable No Man’s Land scene which had a nice build-up as Wonder Woman made her first full appearance in costume on the field. Other tunes played in the film suited the scenes well.
If there were any weak spots in this movie, it would be certain shots of action that were not filmed with precision. I’m talking about filming action scenes way too close to the camera combined with music video-style editing that’s supposed to make film look flashy. It’s not only disorienting, it also took me out of the movie.
Conclusion
Overall, Wonder Woman is one of the best-ever superhero movies ever made and easily my favorite of them all. It has an excellent balance between storytelling, character development and spectacle, and Gal Gadot gave the performance of a lifetime not only by bringing Wonder Woman into life in cinematic form but also emphasizing what the Queen of Superheroes stood for. As part of the current DC Comics Cinematic Universe, this movie stood out by having optimism and heroism as core themes (as opposed to the dark, gritty and even cynical approach of Man of Steel, Batman v. Superman: Dawn of Justice and Suicide Squad) and, more importantly, by focusing strongly on Wonder Woman instead of building up for the Justice League movie (which was released months after this one).
Apart from high-quality production values and a strong creative approach, the cast and cinematic performances are easily among the best in the superhero movie genre. Chris Pine’s Steve Trevor is an excellent example of a supporting role that is engaging without ever overshadowing the lead role. By the end of the film, you will realize the impact that Queen Hippolyta and Antiope had on Diana’s personal development.
Connie Nielsen made a great queen and mother in this movie.
Being strongly focused on heroism with optimism, director Patty Jenkins and her crew succeeded in making this film without ever succumbing to the extreme views of the Political Left in Hollywood and the loudmouth social feminists. When I see the battle between the Amazons and the German soldiers on the beach of Themyscira happen, I simply saw armed women defending their homeland not from men who intend to rape them but rather men who had no right to intrude in the first place. Even as there were scenes showing men in power in World War I Europe (putting Diana in a powerless position), there still was no feminist-inspired hatred towards men. Also the bond between Steve and Diana developing from friendship into a romantic relationship literally shut the door on extreme feminism.
As a Wonder Woman-focused story, this film succeeded on emphasizing the Queen of Superheroes to both long-time fans and mainstream moviegoers. This movie also had a nice mix of having a fantasy setting with Themyscira moving on to a historic setting with World War I Europe. On the origins of Wonder Woman herself, I don’t mind at all that the contest of Amazons was not told because this movie’s concept is already great to begin with and its running time of 141 minutes was just right.
Gal Gadot will be remembered for a very long time for her excellent portray of Wonder Woman in cinema.
With all the greatness it was made with, I kept coming back to Wonder Woman when replaying superhero movies here at the comfort of home. In the cinemas back in 2017, I saw the film three times. Ultimately, I can say out loud that Wonder Woman is highly recommended and it is truly essential!
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenoris still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Hey readers, moviegoers and geeks! Were you able to watch the official, first movie trailer of Wonder Woman 1984? It was released globally today online and, in case you have not seen it, here is the movie trailer for your viewing pleasure.
That movie trailer, which was released around the time the Wonder Woman 1984 special event at the CCXP in Brazil ended, was a blast and having seen it, I am more excited for the movie’s June 2020 release. I plan to watch it on an IMAX screen by then.
Official movie character poster for Wonder Woman 1984.
What can I say? It does not only have the 1980s setting (hence the year on the movie title), but the said time setting was made to be very lively in terms of visuals, fashion, style, music and feel. When it comes the decade in real life, it was the same decade when DC Comics published the maxi-series Crisis on Infinite Earths. Following Crisis, a major relaunch of the entire DC Comics universe followed and along the way Wonder Woman was reintroduced under the creative direction of George Perez. The George Perez-era of Wonder Woman, at least seen in the trailer, is looking like a big influence on the new movie starring Gal Gadot and Chris Pine (whose character Steve Trevor returns somehow) and directed by Patty Jenkins. This brings me to my next point.
Early in the trailer, Diana/Wonder Woman was shown talking with archaeologist Barbara Ann Minerva (played by Kristen Wiig). What’s so significant about Minerva? She is none other than the super villain Cheetah, specifically the 3rd version of the character that debuted in the comic books during the George Perez-era of Wonder Woman!
Here are some images from the pages of Wonder Woman #9 from 1988.
All of the above images are properties of DC Comics.
As I mentioned before, the involvement of Cheetah in the movie is alone a great attraction. As far as the trailer goes, we only see Cheetah in her normal human form with Kristen Wiig. The way I see it, we will eventually see the super villain in her terrifying, animal-like form. I am speculating the filmmakers will save that for the movie’s release and will only show very brief, body part shots in the next two movie trailers leading into June 2020. It’s much better this way especially under the watch of Walter Hamada.
Regarding the return of Steve Trevor, I don’t want to speculate as to how he returns given what happened in the acclaimed Wonder Woman movie of 2017. Still, it sure is nice to Chris Pine return as Diana’s romantic partner because he and Gal Gadot have solid chemistry together and there is indeed a need to present more cinematic adventures of them together just like in the comic books!
As seen in the trailer, some shots showing Wonder Woman and Steve traveling together in a foreign land (with a desert environment) where they encounter military hardware operated by some group (or a government perhaps?). This is clearly a Cold War reference although which particular setting or historical event the movie is emphasizing remains to be revealed.
Maxwell Lord.
Barbara Ann Minerva/Cheetah.
Steve Trevor.
The Cold War setting is the new era emphasized for Wonder Woman 1984. Story details are unintentionally light but what was shown in the trailer made the movie very promising.
As for other elements like the cinematic Maxwell Lord, shots of Themyscira, Wonder Woman’s armor and others, I’ll discuss those next time. Right now, things are looking great for Wonder Woman 1984 and we’ll see more what the filmmakers have left to offer in the next two movie trailers.
If my sources are correct, the creative synergy of director Patty Jenkins combined with passionate work implemented by Gal Gadot on playing the Queen of Superheroes should result a great Wonder Woman cinematic story as well as a solid superhero movie. On the part of Warner Bros. Pictures, it seems the studio and its creative teams are now in more solid footing when it comes to making new DC Comics superhero movies. The DC Comics cinematic stuff will resume on February 2020 with the release of Birds of Prey.
Wonder Woman 1984 will open in cinemas around the world on June 2020.
Wonder Woman 1984 star Gal Gadot with cosplayers and fans during the CCXP in Brazil. (photo source – Wonder Woman Facebook page)
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenoris still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
What is my favorite superhero movie of all time? It is none other than 2017’s Wonder Woman movie that starred Gal Gadot and was directed by Patty Jenkins. That film is truly a spectacular spectacular!
Naturally I am heavily anticipating the next movie Wonder Woman 1984 which is set for a June 2020 worldwide release in cinemas. It was originally set for a November 2019 release but Warner Bros. had to push it back.
Why am I excited for the movie?
1) Gal Gadot as the Queen of Superheroes – Israeli actress Gal Gadot is a lot more than a talented actress. She has proven in the 2017 that she IS Wonder Woman as she captured the core values of the icon and convincingly dramatized those values and character elements on the big screen. With Wonder Woman 1984 coming, I am excited to see how Gadot will flesh out Diana/WW as she spends time in Man’s World in the year 1984. When it comes to spectacle, Gadot is a proven action performer and knows how to please viewers with WW in action. Of course, the stunt and fight coordinators as well as the physical trainer all contributed to the spectacle in the first movie and for sure they are working hard to fill WW84 with new spectacle.
2) Patty Jenkins’ direction – To make things clear, Patty Jenkins is a storyteller first and foremost. Her work in the 2017 WW movie was very good and there was a nice balance between spectacle, character development and plot development. The strong focus on the development of Diana from the world of Themyscira to Man’s World really reminded me of what I read in the comic books long ago (particularly George Perez’s WW in the post-Crisis DC Comics universe that started in 1986). Not only that, the sequence from the early part of the moving with the narrative drifting from the present day into Diana’s past as a child in Themyscira was easily the most immersive narrative transition I’ve ever seen in any superhero movie! Don’t forget the now iconic No Man’s Land scene which heavily emphasized Wonder Woman’s presence in Man’s World. Before I forget, the implementation of humor in the film was clever as supporting cast members performed it leaving Gal Gadot free to play Wonder Woman straight.
Considering what was achieved in the 2017 movie, I am confident that Jenkins has new concepts to realize on the big screen in WW84. We just have to wait until June 2020 to find out.
3.Kristen Wiig as Cheetah – This one is more intriguing. Kristen Wiig is often identified with comedy and this alone made her look like an unlikely candidate to play one of the classic Wonder Woman villains…Cheetah. In the comics, specifically during the George Perez era, Cheetah was tough and rough against WW. I believe that with the strong support from the film crew and director Jenkins, Kristen Wiig can prove herself to not only be serious but also gritty as Cheetah. So far there are no images showing Cheetah in her anticipated beastly look which is fine with me because I prefer that Warner Bros. should keep such images secret until the film’s opening.
4. The 1980s setting – While it is a fact that nostalgia for the 1980s has waned in reality, having Wonder Woman in the said decade could create something new and memorable for all moviegoers. As far as we know, Wonder Woman is into a conflict with the Soviet Union during the Cold War and Cheetah lurks somewhere. Will the sequel adapt key story elements from George Perez’s 1980s Wonder Woman? Will there be references to the Iran-Contra connection of the decade that saw the murder of many men, women and children? The Soviet occupation of Afghanistan perhaps? We won’t find out until June 2020. The 1980s setting, by the way, could be an opportunity to add zest to the ongoing superhero movie craze that Hollywood as a whole has been benefiting from and, story-wise.
5) Gradual build-up for the DC Comics cinematic universe – I have no doubt that Wonder Woman 1984 will gradually help build-up the DC Comics cinematic universe in terms of storytelling and world-building under the watch of Walter Hamada. The recent mega-blockbuster Aquaman was a finely crafted movie that portrayed the origin of Aquaman while at the same time tell an epic story in the present day set after the events of Justice League no less! In my view, there is a clean slate for universe-building as far as DC Comics superheroes in cinema is concerned. While the future of the cinematic Batman and Superman remains unclear, Wonder Woman and Aquaman are here to stay and then there is also the upcoming films of Birds of Prey and the Suicide Squad sequel that will add to the cinematic universe build-up. Personally I prefer the cinematic universe build-up to be gradual and not rushed and heavy loaded (as seen during the watch of Zack Snyder). Building up the current cinematic universe piece-by-piece by releasing standalone movies of DC’s superheroes (and teams of intriguing characters) from time to time is preferable. Under the watch of Walter Hamada, I am confident he is executing plans on not only improving the DC Comics cinematic universe but also defining it. Going back to Wonder Woman 1984, I really look forward as to what its plot will add to the cinematic universe as a whole.
June 2020 is still far away but it will come and already I am looking forward to watching Wonder Woman 1984 on opening day on an IMAX screen.
For your enjoyment, here are some YouTube videos I embedded. Also included is a short clip of Kristen Wiig’s act.
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