Crackdown 3’s Critical Reception Should Concern Gamers Who Want The Best Value For Their Money

I am a gamer who owns an Xbox One console and I always want the best value possible in return for the amount of money I spend on buying new video games.

For this current console generation, Xbox One’s lineup of exclusive games has not been very engaging compared to what was offered on Xbox 360 in the previous generation. To put things in perspective, the start of the current console generation was pretty bad for Xbox One and things slowly started to improve when Phil Spencer replaced Don Mattrick as the head of Xbox.

While the improvements continued to develop, it’s too late for Xbox One to match sales success of Xbox 360 and it only made sense for Microsoft to prepare themselves focusing on the next-generation.

Ironically, something from the embarrassing build-up of Xbox One finally got released commercially and that game is Crackdown 3.

To put things in perspective, Crackdown 3 was first announced at E3 of 2014 exclusively for Xbox One. It went through a very troublesome production and it was heavily delayed before finally getting released on February 15, 2019.

Now that the game is out, you must be wondering how did the video game critics react to it. Sad to say, Crackdown 3 was not the stellar hit and I’m not really surprised.

According to the game critics…..

Crackdown 3 shows very little in the way of learning from the past or learning from the other open-world games that have graced consoles over the last nine years. Instead it feels slight, mindless, and dull. It feels like a gussied-up first-generation Xbox One game. ~ Giant Bomb

Crackdown 3 is just more Crackdown. For some players, that will be enough. But compared to what Crackdown 3 initially promised, what we ended up with seems lacking in depth and destruction. ~ EGM

Crackdown 3 makes no sense on paper. Its story is nonsense, you spend way too much time searching for hidden orbs and leveling up, and the presentation isn’t anything spectacular. And yet, the over-the-top madness and hilarious, memorable moments it brought me made it impossible to put down. ~ GamingTrend

Crackdown 3 just doesn’t meet contemporary standards as a premium $60 title, with dated visuals, thin gameplay features, and an under-delivered story. There are too many open world superhero-style games that simply do it better. ~ Windows Central

Forget Crackdown 2 ever happened, Crackdown 3 is the sequel we deserve. ~ GameSpew

As a big fan of the first part, it’s not easy for me to say that, but Crackdown 3 is at least five years late…This is all the sadder, because the mechanics in Crackdown 3 are quite solid and I especially enjoy the search for the movement Orbs. But the bottom line is the sobering result of a developmental odyssey, which will probably be the last nail for the series. ~ GamePro Germany

It certainly delivers on letting you blow things up and jump around the city. However, a dozen years after the first Crackdown offered that same experience but failed to provide you with enough interesting content surrounding that, it’s truly disappointing to see this latest iteration suffer from the very same problems. ~ GameSpot

The game isn’t the visual masterpiece one would expect from a AAA production, but it isn’t without its charm. It’s with Wrecking Zone that Sumo Digital stretches their wings thanks to the chaos of destructible environments, but the glaring lack of content and missing features makes it more of a curiosity rather than a fully fleshed out mode. ~ Hardcore Gamer

Crackdown is back with a fun game that ends up being quite repetitive. Sumo Digital has done a great job finishing this title, but we expected a more evolved concept after so many years.  ~ Vandal

Crackdown 3 is a good Crackdown game, which, unfortunately, doesn’t mean much anymore. ~ Destructoid

There you have it. Some reviews and statements for your reference in case you are thinking about spending a lot of your hard-earned money on Crackdown 3.

Personally I have no intention of buying the game right now not because of the critical reception but it’s because I am still enjoying Resident Evil 2 “remake” and Tales of Vesperia on my Xbox One. Even if I get tired of those two games, there’s no guarantee I’ll buy Crackdown 3. As far as open-world games are concerned, I want a game that has very in-depth gameplay combined with sufficient cinematic storytelling, high production values and of course enduring, high level of enjoyment. Believe it or not, I still have not played Red Dead Redemption 2 and that game alone is the better choice over Crackdown 3 as far as open-world games of recent times are concerned.


Thank you for reading. If you found this article to be engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenor is still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco.

 

 

I’m not too interested with Crackdown 3

So Crackdown 3 will finally be released on Xbox One on February 15. That Xbox-exclusive has been delayed way too long due to a very troubled production.

The game at this stage is looking better than ever and it even has popular movie star Terry Crews in it and his character can be played by gamers.

Still, as an Xbox One owner and long-time Xbox fan, I am not too interested in Crackdown 3 at all.

For one thing, I played Crackdown on Xbox 360 twelve years ago. I endured the game’s single-player campaign, explored a lot and played until I finished it.

But ultimately the whole experience was a disappointment for me.

Sure that old game had lots of action and thrills but the narrative is very shallow and there are no characters to follow other than your agent. There really was no story.

By comparison the open-world game Saints Row had a lot more depth, a serviceable story, had more varied gameplay and had memorable characters to follow. Crackdown was simply a very hollow game.

Years later I skipped out on Crackdown 2 which was released to a weaker reception.

I am not judging Crackdown 3 based on game previews alone but what I am saying is that very delayed game does not look like it can deliver the great stuff to justify the years-long wait.

I hope I am wrong about Crackdown 3. What I love to enjoy about open-world games are varied gameplay, deep exploration, characters worth following and a good story to endure that goes well with the gameplay.

Soon enough we will find out if Crackdown 3 will live up to expectations and spare Microsoft from potential embarrassment as they prepare for the next-generation Xbox.

A Look Back at Solitaire #1 of the Ultraverse

When you fight evil, you do it alone.

solitaire2
Solitaire in action in Solitaire #1 published in 1993 by Malibu Comics under their Ultraverse line of comic books.

The concept of vigilante figures taking the fight against crime alone backed with resources (in the form of weapons) is a long running tradition in superhero comic books. DC Comics has its iconic Batman doing lots of detective work and fighting criminals many times on his own. Similar stories were seen with the Punisher and Daredevil over at Marvel.

When Malibu Comics launched the Ultraverse line of superhero comics in 1993, they added variety into the big mix. They had their own parallel to Marvel’s Punisher and DC’s Batman in the form of Solitaire and they boldly launched a comic book series of the character.

Released in late 1993 with story by Gerard Jones and art by Jeff Johnson and Barb Kaalberg, Solitaire #1 introduced readers to Nicholas Lone who wears a purple-and-blue costume with mask and fights criminals as Solitaire. He’s not just a brave, tough guy who daringly goes against thugs. He’s is very talented with martial arts, acrobatics and weapon use.

The comic book begins when thugs working for a crime lord called the King are about to catch a helpless lady who gets saved by Solitaire. The hero easily outmaneuvers the bad guys and he proved to them that he really is hard to hurt.

At his headquarters, the King made it clear to readers that Solitaire has been a problem to him for some time already and feels bad when the hero disrupts his operation. Solitaire meanwhile prepares himself for the next move against the King by returning to his hideout (an old theater), doing some research by computer and coordinating with his contacts on the streets.

Regarding the quality of the comic book, I say the script is nicely paced as it does a good job introducing Solitaire to readers while still having spare spotlight for the King. Within twenty-five pages, the hero got clearly defined as a man of action as well as a person with a purpose. His fight against crime is defined by key parts of his past especially with the fact that his own father – Antone Lone – is a crime lord.

When it comes to super powers, Solitaire has very quick reflexes which makes him a hard target for armed thugs. He also has healing factor which works rapidly and gives him a major advantage over the bad guys. In fact, the presence of the healing factor (which works like that of Wolverine) makes Solitaire more daring and more willing to take risks engaging the bad guys with violence. He can get stabbed and his body can be shot with several bullets and still he will recover quickly to get the job done.

Solitaire is indeed super and yet there is something intriguing with his personality. Apart from being the son of a crime lord, Nicholas Lone’s acquisition of his powers is a painful mark on him personally. This was because his father gave him those powers as a result of his attempt to commit suicide. The powers are the result of the installation of nano-machines into his body.

solitaire1

Overall, Solitaire #1 is a good and intriguing read. It really comes with a flavor that makes it distinct from other superhero-versus-criminals stories and the introduction of Solitaire alone is worth the cover the price. If you can find copies of Solitaire #1 on the back issue shelves of the comic book stores, I recommend buying it as well as the other issues.

It’s too bad that the Ultraverse ended after Marvel Comics acquired Malibu Comics back in the 1990s because like Prime, Hardcase and Prototype, Solitaire is very unique and intriguing at the same time. In my opinion, Solitaire is the most defining crime fighter of the entire Ultraverse and it’s too bad stories featuring him are not too many.

Thank you for reading. If you enjoyed this article, please click the like button below and also please consider sharing this article to your fellow comic book geeks and Ultraverse fans. Also my fantasy book The World of Havenor is still available in paperback and e-book format for you to order.

Author’s Note: This article was originally published at my old Geeks and Villagers blog. What you read on this website was an updated and expanded version. In other words, this newest version you just read is the most definitive version

 

 

Aquaman is truly a triumphant superhero movie

aquaman

I can say it out loud that Aquaman, directed by James Wan (Furious 7), is easily one of the most thrilling superhero movies I’ve seen and it sure came fully loaded with a lot of fun. This is a great development on the part of Warner Bros. as it pushed to salvage and improve its DC Comics lineup of big budget superhero movies with executive Walter Hamada leading the DC Comics movie productions. I can say that Aquaman is a clear sign that the current DC Comics cinematic universe is moving away from the dark and gritty vision implemented by director Zack Snyder with 2013’s Man of Steel.

Not clear enough for you? Consider the fact that Aquaman made over $1,000,000,000 in ticket sales worldwide. Aquaman himself is not part of DC Comics trinity (Wonder Woman, Batman and Superman) and yet the character memorably played by Jason Momoa proved to be attractive to moviegoers around the world.

Firstly the story emphasizes very relevant themes like Aquaman’s origin as the human creation of a man living in the surface and of a woman who is the queen of the underwater kingdom of Atlantis. There is also attention paid to Aquaman’s heritage in the royal family, his being a half-breed made an issue on royalty, and most of all his destiny. Behind the superhero’s struggles is the conflict and light political developments concerning the underwater kingdoms laced with some elements of real world aquatic pollution caused by humans and industrial players.

For the most part, the plot manages to remain solid from start to finish and there was not a single moment where I felt lost. The movie follows Aquaman and his interactions with Mera, Black Manta and others then takes its time focusing on the underwater kingdom’s stakeholders and how their decisions affect each other. The pacing moves from moderate to fast for the most part and because there were a lot of thrills and surprises, there were never a dull nor a sleepy moment for me when I saw the film.

Performances
Actor Jason Momoa clearly was born to play Aquaman and in terms of talent he proves to be not only very capable with the action scenes but also successfully bring the DC Comics superhero to life on the big screen while still being able to perform comedy smoothly. In fact when it comes to on-screen superhero humor, I would say that Momoa is comparable with Robert Downey, Jr. (Iron Man) and I am not exaggerating here.

Then there is Mera memorably portrayed by Amber Heard. As soon as she first appeared in the film, Mera’s importance becomes hard to ignore and with regards to both screen time and interaction with Aquaman, Mera is easily the 2nd lead of the film. Because Amber Heard’s character had a lot of screen time and proved to be almost as important as the titular superhero, sometimes I felt the movie should have been titled Aquaman and Mera. Amber Heard clearly is very talented as she not only excelled with the action scenes but also emphasized Mera’s intelligence, courage and emotional range very nicely on screen.

Then there are the supporting players. Nicole Kidman’s role as the mother of Aquaman is probably the most significant supporting character performance in any of the recent DC Comics movies in recent years. Patrick Wilson delivered a very solid performance as the power-hungry brother of Aquaman while Dolph Lundgren and Willem Dafoe both played wise old men and added nice variety to the film’s strong cast. Yahya Abdul-Mateen II meanwhile was a surprising good performer even though his presence as Black Manta did not register enough screen time. I have this feeling that Black Manta will be more prominent in a future movie.

Presentation
I must say that Aquaman is indeed an epic superhero movie laced with many elements that defined Star Wars and Indiana Jones. Sure we get to see Aquaman’s development and his connection with the underwater kingdom but director James Wan and the screenwriters ensured that the movie has more than enough variety to keep moviegoers engaged. They were indeed successful.

There are key parts of the film where I felt like I was watching an Indiana Jones-inspired adventure complete with changes of interesting locations. The big battle build-up in the 3rd act reminded me a lot about Star Wars which I found intriguing and even engaging at the same time. To lighten the mood, humor and romantic comedy (nicely done between Mera and Aquaman) provided nice relief to us moviegoers.

When it comes to spectacle, this movie delivered tons of great visual stuff (great art direction by the way) complete with many moments of fast-paced, high-intensity action! Hard action, energy blasts, weapon combat, fast rides, monster encounters, the smashing of walls, the explosions and stunts really filled up the screen many times and the energy behind them all made it very hard for anyone to get bored when watching the film. It rivals Michael Bay’s Transformers on on-screen spectacle but it never felt brainless to me.

Director Wan, whose most successful movie is Furious 7, really knows how to entertain moviegoers and give them a lot of fun in return for the money they paid to watch the film. Thanks to Wan and his creative team, Aquaman is the most action-packed, most thrilling and visually stunning movie of the current DC Comics cinematic universe (formerly called DC Extended Universe or DCEU) and in some ways its epic presentation even rivals that of Avengers: Infinity War. I think James Wan should be hired for a future Justice League movie.

The music? Rupert Gregson-Williams did a solid job on making the movie lively to the ears and he succeeded on keeping up with the film’s epic concept. Gregson-Williams, by the way, also scored the music for the acclaimed Wonder Woman movie. The most memorable song in the movie is undoubtedly Everything I Need which was greatly performed by Skylar Grey. That song was truly perfect to end the film with and I remember its impact inside the theater. When it started playing, I simply stayed on my seat enjoying the song while waiting for the mid-credits scene to play.

Overall
The way it was made, Aquaman is easily one of the best superhero movies ever made as the combined talents of director Wan, the creative team and the actors fused a lot to create cinematic greatness. This movie has strong characterization, a solid story, strong performances from the actors and tons of spectacle to enjoy. Speaking of enjoyment, I strongly recommend watching Aquaman on the IMAX screen as the visual spectacle really was immersive.

I don’t know with you guys but I am already anticipating Aquaman on Blu-ray disc.

Thank you for reading. If you enjoyed this article, please click the like button below and also please consider sharing this article to your fellow comic book geeks and Aquaman fans. Also my fantasy book The World of Havenor is still available in paperback and e-book format for you to order.

Author’s Note: This article was originally published at my old Geeks and Villagers blog. What you read on this website was an updated and expanded version. In other words, this newest version you just read is the most definitive version