A Look Back at What If #10 (1990)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s arts and culture enthusiasts, Marvel Comics fans and comic book collectors! Today we go back to the year 1993 and explore a part of Marvel Comics’ universe through the reimagined tales emphasized in the What If monthly series.

For those of you who have gotten very familiar with Marvel Comics’ vast lineup of superheroes, anti-heroes, super villains and supporting characters, the Punisher is one of the most notable characters as he is the most definitive vigilante the publisher ever has in its shared superhero universe. As a comic book protagonist, the Punisher does “good” in fighting crime but he sure is as bad as the bad guys as he commits torture, issued threats of violence, kidnapping, extortion, coercion and even murder towards them. A major factor in the Punisher’s origin (as Frank Castle) was the killing of his family (wife and two kids) committed by a mob as they witnessed acts of killing in Central Park in New York City. The tragic deaths led Castle to become the Punisher who not only relentlessly waged a personal war against criminals but also often wore dark clothes with a large white skull design on the front of his body. The skull symbolized punishment and death to his enemies.

With those details laid down, here is a look back at What If , published in 1990 by Marvel Comics with a story written by Doug Murray and drawn by Rik Levins.

The cover.

Early story

The story begins with the Watcher recalling the time Frank Castle spent with his wife and the two kids at New York City’s Central Park. There, they have fun with their picnic. At this point in time, Frank Castle had previously served his country in the Vietnam War and he carries within him bravery, the experience of violence and vast skills to use weapons.

The weather suddenly worsens as rain starts to fall down causing some inconvenience on the Castle family. Frank’s son struggles as his kite got caught by the large plant nearby. On the other side of the said plant, four armed men and their captive (hanging upside down by the tree) are startled and prepare themselves to shoot anyone who appears.

Frank, who does not realize the mob on the other side of the plant, helps his son get the kite back. The Castle family then decide to go back home not realizing that they came close to discovering and witnessing the illegal activity of the armed men. As the family kept on moving, Frank hears gunfire from a distance…

Quality

Frank Castle the family man.

To get straight to the point about this comic book, it’s story is really engaging and it has noticeable amounts of darkness and grittiness without going overboard. While exploring what would happen had Frank Castle’s family not been killed, the comic book shows the Punisher getting involved in public safety as a New York patrolman which puts him in a unique position facing crime in radically different ways from what we comic book readers have been used to seeing. The story also explores corruption within the police and the justice system as well.

The way the events and action turned out showed the creative team focused on realism while also establishing the Punisher’s own place within the comic book’s alternate portrayal of the shared superhero universe. More on the subject matter of this comic book, there is a twist that surprised me a lot and it is something that you readers should see for yourselves.

Going back to Frank Castle, it is indeed very captivating to see him portrayed a lot more as a family man who really strives to support his wife and kids no matter how dangerous his occupation really is. The aspect of family in this comic book is very significant as it will make you realize that the definition of family in America in the 21st century has been distorted as a result of laws or court decisions that reflected wokeness, homosexuality and unrestrained feminism. In short, woke America’s believers reject the concept of the traditional family and the concept of a father leading the family is considered taboo because it goes against LGBT’s so-called values and principles.

Conclusion

Frank Castle as the police officer.

When you think about the legacy of the Punisher not only on comics but also in movies and other forms of entertainment media, you will often remember a one-man-army against criminals. What If (1990) has is a really unique take on the Punisher and I can say it has a very captivating script brought to life with really good artwork. Not only does this alternate version of the Punisher shows how he affects criminals, but also how he impacts other parts of the fictional New York society within the shared universe of Marvel Comics (note: characters connected to Spider-Man and Daredevil are here). From start to finish, this Punisher tale by the Murray-Levins team turned out to be very engaging to read.

Overall, What If (1990) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Sludge #4 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we revisit the Ultraverse of Malibu Comics and examine one of its many stories through an issue of the Sludge comic book series.

Previously, I reviewed Sludge #3 which was a tie-in comic book to the first big crossover event of the entire Ultraverse – Break-Thru. In that issue, he encountered the “lord” Pumpkin who himself became a notable super villain in the UV. That story also showed the first major test of Sludge when it comes to resisting temptation and evil.

With those details laid down, here is a look back at Sludge , published by Malibu Comics in 1994 with a story written and drawn by Aaron Lopresti, and scripted by Steve Gerber.

The cover.

Early story

The story begins when two black teenagers go down the city sewer to look for something as part of a job of them agreed to do for someone named Gordy. They accidentally find Sludge whose appearance and ability to talk scares them away. As the two keep running to another direction, a reptilian monster sees them. The monster grabbed and killed the taller youth, leaving the shorter one scared.

A short time later, a police officer finds the scared teenager hiding behind plants at Central Park. The survivor is in a state of shock repeating his friend’s name a lot. The police update about the boy eventually reaches the office of the New York Daily Globe and an attractive reporter named Shelley intends to follow what could be a hot scoop…

Quality

The battle between these two has a lot of stuff that should be seen.

In this comic book, I can see that the creative team of Steve Gerber and Aaron Lopresti decided to shake things up a bit when it comes to telling a new story of Sludge laced with elements of society, urban legends and journalism. The good news here is that this story is well-written and the visuals really brought the script to life for readers to be engaged with.

When it comes the elements that inspired this particular story, the concept about alligators occupying the sewers instantly reminds me of the 1980 film Alligator and along the way, Gerber-Lopresti went on pounce on the concept resulting in the introduction of a brand new Ultraverse villain in the form of a monstrous, human-like alligator named Veffir Voon Iyax which can also talk and reason like humans. This new villain is really interesting and its background about being part of a species of alligators worshipped by people from long ago sheds light on the idolatry which is both unholy and foolish.  

On the aspects of society and journalism, the story sheds light on how some people – even minors – would go to really unsafe places and do very risky jobs for a variety of reasons. The journalistic aspect of this comic book emphasizes how far journalists would go to write stories based on questionable data and that a newspaper would recklessly publish such stories even though they lacked solid evidence to prove the unbelievable is true. The newspaper journalist Shelley had quite an amount of the spotlight, she became a clear supporting character in this comic book.

In keeping up with the superhero flavor of the Ultraverse, there is a good amount of spectacle here as it has a big battle between Sludge and the monstrous alligator which is nicely presented. This is a battle between monsters that was carefully structured and executed well.

Conclusion

A look at what happens behind the scenes at a city newspaper.

Sludge (1994) is both an intriguing and enjoyable read. The Gerber-Lopresti team succeeded in telling another Sludge tale that is fresh as it took inspiration from pop culture and society. At the same time, this comic book show that Sludge is clearly not the only monster in New York City’s sewers. As such, his place within the Ultraverse is really unique.

If you are seriously planning to buy an existing hard copy of Sludge (1994) be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $16 while the near-mint copy of the newsstand edition costs $48.

Overall, Sludge (1994) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/