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Welcome back, superhero ans, 1990s arts and culture enthusiasts, X-Men fans and comic book collectors! Today we revisit the X-Men Adventures monthly series – the first series specifically – which was the literary adaptation of the popular X-Men animated series of the 1990s.
If you are familiar with the classic lore of X-Men literature, you will remember Warren Worthington as Angel who is one of the original members of the X-Men introduced in 1963. That same character would eventually get involved with the super villain Apocalypse and gain a deadlier form as Archangel.
With those details laid down, here is a look back at X-Men Adventures #12, published by Marvel Comics in 1993 with a story written by Ralph Macchio and drawn by Andrew Wildman.
Early story
The story begins inside a facility on Muir Island where genetic experimentation happens and draws mutants who seek a cure for the curse that makes them different. Already four mutants have arrived and were ready to undergo a grand experiment. The doctor in charge of the facility – Gottfried Adler – has already disappeared and in his place is the very powerful mutant Apocalypse.
Apocalypse succeeded in turning four mutants into his Four Horsemen composed of Archangel, War, Famine and Pestilence. For Apocalypse, the age of chaos is at hand.
Meanwhile at Charles Xavier’s School For Gifted Youngsters, the leisure session of Jubilee, Gambit, Jean Grey and Rogue suddenly ends when Storm grabs their attention and shows them TV footage that Professor X wants them to see.
TV news footage shows an important meeting happening in France for the conventional weapons disarmament. Moments later, Apocalypse crashes into the meeting with his Four Horsemen causing harm…
Quality
This comic book marks the emergence of Apocalypse as a tremendous force of evil following his series debut in issue #10 and short appearance in issue #11. As the main antagonist, Apocalypse – who is obsessed with survival and progress – really comes out in full force against humanity with his Four Horsemen as his deadly enforcers.
The threat of Apocalypse and his Four Horsemen towards humanity is clearly the main feature of this comic book and Macchio’s script has a good structure for the narrative. This makes the story easy to follow while still presenting a lot of details that can be absorbed efficiently. Apocalypse’s presence not only drew the X-Men to spring into action, it also drew Charles Xavier’s own fear that they would face an enemy more dangerous than Magneto.
While the main plot is consistently intense, this comic book also serves as a continuation of Rogue’s personal pursuits since issue #10 which is worth reading. Along the way, Archangel (whose new appearance started at the end of issue #11) notably got enough share of the spotlight and is easily the more captivating member of the Four Horsemen. The way Warren Worthington is portrayed here is clearly different from his literary version and that means you should not expect Professor X to claim him as one of his original X-Men members.
When it comes to the visuals, Andrew Wildman’s artistic style is present but many of the drawings here look rushed. In fairness, Wildman succeeded in making Apocalypse and the Four Horsemen look really threatening to human civilization thanks to his nice execution of visual dynamism in certain pages.
Conclusion
X-Men Adventures #12 (1993) is a pretty good read thanks to the strong script by Macchio based on the teleplay from the animated series. It concluded the Muir Island saga in a very satisfying manner which includes putting Rogue’s subplot with solid closure (complete with a moral lesson about accepting her team as her family). By the time I reached the end of the comic book, it was clear that Apocalypse is a major antagonist with the long-term in mind.
Overall, X-Men Adventures #12 (1993) is recommended.
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