Welcome back fellow geeks, Blu-ray collectors and movie buffs!
I finally did it! After having seen it many times on home video, cable TV, local TV and DVD, I finally viewed Nausicaä of the Valley of the Wind inside the local cinema here in the Philippines. I saw it on September 17 at SM Cinema inside SM Southmall in Las Piñas City. This was also the first time in two years since I last saw any movie inside the cinema (I last saw Sound of Freedom).
An old movie poster of Nausicaä Of The Valley Of The Wind.
For the newcomers reading this, Nausicaä Of The Valley Of The Wind was part of the Studio Ghibli Fest 2025 which was exclusive to SM Cinema (the largest cinema chain in the country). While the said fest ended on September 16, there were still screenings of Studio Ghibli anime feature films shown in SM Cinema branches from September 17 to 23.
I paid P275 (US$4.72 according to the foreign exchange as of this writing) for my SM Cinema ticket and it includes a free drink. I entered the cinema carrying my ticket, drink and popcorn feeling excited and nostalgic to see Nausicaä Of The Valley Of The Wind on the big screen for the first time ever. What was shown was the English-subtitled version with Japanese voiceovers (Sumi Shimamoto as Nausicaä, Gorô Naya as Yupa, Yoshiko Sakakibara as Kushana, Yôji Matsuda as Asbel, and more)
We were only seven people inside the cinema and there were lots of vacant seats beside, behind and in front of me. I was sitting very comfortably waiting for the screening to begin. At the same time, nobody had a noisy smartphone during the screening. As for me, I deliberately turned my smartphone off to ensure no communication-related distractions would happen.
Eventually Nausicaä Of The Valley Of The Wind finally started playing on the big screen. After the short animated opening scene, the music by Joe Hisaishi started playing as the opening credits went on. At that moment, I was immersed into Hayao Miyazaki’s anime classic immediately and I knew I made the right decision to see it inside the theater.
As the film went on, I adjusted myself to reading the subtitles while maintaining focus on the plot as well as the development of characters. Visually, the film turned out to be really spectacular on the big screen even though it had no computer-generated images at all (note: it is purely hand-drawn animation that was done with so much hard work by Miyazaki and the animators). With the higher resolution on the big screen, I saw a lot more tiny visual details here and there and the facial expressions of the characters became more lively than before. Very clearly, Nausicaä Of The Valley Of The Wind is meant to be seen in the movie theater.
The sense of visual scale in scenes like this one is best viewed on the big screen in the movie theater. (photo source – IMDB.com)
There is nothing like exploring a very polluted forest filled with huge, mutated insects. (photo source – IMDB.com)
After about two hours – the end credits includes animated scenes showing what happened after the climax – of watching, I left the cinema feeling very satisfied and entertained even though I saw Miyazaki’s 1984 masterpiece many times over the decades. The fact that the English-subtitled version was shown gave me an idea of what Japanese moviegoers saw inside their cinemas in 1984, and I can say that the Japanese voiceovers were engaging to listen to. The big screen experience alone made watching Nausicaä Of The Valley Of The Wind worth it.
That being said, I want to express out loud to local movie theater operators reading this to consider showing more of the classic anime feature films as well as classic motion pictures during film festivals or special theatrical events. Personally, I want to see Casablanca, Macross: Do You Remember Love?, Metropolis (2001), Tron, Total Recall (1990) and Akira in the local cinemas.
I am very glad to have seen the 1984 classic anime movie inside the movie theater.
Going back to Nausicaä Of The Valley Of The Wind, I am very glad to have seen inside the cinema and if ever your local cinema will have it screened, I encourage you to go for it. There is absolutely no way that that the screens of your smartphone, your tablet, your PC monitor and your high-definition TV could match the grand visuals of Miyazaki’s film on the cinema’s big screen. Truly the cinema is better than streaming.
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For the first time ever, I saw Nausicaä of the Valley of the Wind inside the cinema at SM Southmall in Las Piñas City, and I can say it was an immersive experience to replay Hayao Miyazaki’s classic. To make things clear, I saw Nausicaä of the Valley of the Wind a number of times since the mid-1980s starting with the bad English version Warriors of the Wind. I eventually saw the anime feature film in its uncut form on DVD (with the new English dub from Disney).
This leads me to my next point… Nausicaä of the Valley of the Wind was released three times on Blu-ray disc format over the past several years. The first was from Disney in 2011. Six years later, a 2nd Blu-ray release came from Shout! Factory which had a newer scan of the film and improved picture quality over the Disney Blu-ray.
The 2017 Blu-ray of Nausicaä of the Valley of the Wind from Shout! Factory.
In 2020, Shout! Factory released Nausicaä of the Valley of the Wind in Steelbook (Blu-ray.com describes the picture quality as follows: “Nausicaä of the Valley of the Wind has received a top-notch video-presentation with a high bit-rate encode from Gkids. The encode is of a new remaster of the film. This is a much better video-presentation than that of the original Disney Blu-ray released in North America. Colors are significantly better and more accurate to the original animation cells.”)
As the Steelbook Blu-ray of Nausicaä of the Valley of the Wind is the most recent release, posted below for your reference are the technical details from its Blu-ray.com page.
Video
Codec: MPEG-4 AVC (35.00 Mbps)
Resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
Audio
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
Japanese: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
French: Dolby Digital 2.0
Note: French track is (192kbps)
Subtitles – English, English SDH, French,
Discs –Blu-ray Disc, Two-disc set (1 BD-50, 1 DVD)
Packaging – SteelBook, Inner print, booklet
Playback – 2K Blu-ray: Region A
What caught my attention is the fact that – as of this writing – the 2020 Steelbook Blu-ray of Nausicaä of the Valley of the Wind is only a few Dollars higher than that of the 2017 Blu-ray. As a Blu-ray movie collector, I see a really good deal with the Steelbook Blu-ray at its current price. Both the 2017 and 2020 Blu-ray versions of the classic anime feature film carry a booklet. There is a choice that both Studio Ghibli fans and casual anime fans can take advantage here.
This is what the 2020 Steelbook Blu-ray of Nausicaä of the Valley of the Wind looks like.
At this stage, I can only wonder if Studio Ghibli has plans to produce and release a 4K Blu-ray ofNausicaä of the Valley of the Wind someday. Perhaps if more than enough fans and 4K Blu-ray collectors would get together to express their demand for it, Hayao Miyazaki and his studio would be aware.
If you have decided to buy the 2017 Blu-ray of Nausicaä of the Valley of the Wind, click here. If you want the 2020 Steelbook Blu-ray version, click here.
If you wish to join a group of movie enthusiasts and talk about cinema, cinematic trends, Blu-ray releases and more relevant stuff, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576
To make things clear, Nausicaä of the Valley of the Wind is just one of many Studio Ghibli feature films that will be playing through SM Cinema branches with the Studio Ghibli Fest 2025 launching today. Other Studio Ghibli feature films include My Neighbor Totoro, Spirited Away, Princess Mononoke, The Wind Rises and Ponyo. All of those anime productions were directed by Miyazaki but in my personal anime viewing experience, Nausicaä of the Valley of the Wind remains the most memorable one.
A captivating piece of art from the 1984 anime feature film of Hayao Miyazaki.
To put things in perspective regarding the Studio Ghibli Fest 2025, posted below is an excerpt from the lifestyle news article of GMA Network. Some parts in boldface…
The Studio Ghibli Fest 2025 is happening this month, and six films from the highly acclaimed Japanese animation studio will be screened in select local cinemas.
SM Cinema announced the happy news on its social media pages last August 31.
“Six worlds. Endless wonder. One big screen. From Totoro’s forest to Chihiro’s spirit world, journey back into the imagination of Hayao Miyazaki and experience the timeless magic of Studio Ghibli,” it said.
Several classic Studio Ghibli films will be screened in select SM Cinemas nationwide from September 10 to 16.
Here is a list of the films part of the Studio Ghibli Fest 2025: Spirited Away, My Neighbor Totoro, Princess Mononoke, The Wind Rises, Ponyo, (and) Nausicaä of the Valley of the Wind.
These are the SM Cinema branches around the country showcasing the Studio Ghibli anime feature films. (source – SM Cinema)
Why Nausicaä of the Valley of the Wind is significant
Among the works of Hayao Miyazaki, Nausicaä of the Valley of the Wind is the one that resonates with me the most and I have a long history of viewing the anime feature film. The first time I saw it was in its mid-1980s, butchered English-dubbed version titles Warriors of the Wind on home video. Being so young back then, I was not aware of the original Japanese version and I simply enjoyed what was presented in English. The leading lady Nausicaä was renamed as Princess Zandra while the Ohm were referred to as gorgons.
For the newcomers reading this, the 1980s was not exactly a good time of anime productions being released in the West in English and alterations for the Western market was the norm. Warriors of the Wind was more than 20 minutes shorter than the original Japanese version.
In the early 2000s, Nausicaä of the Valley of the Wind was released uncut with a new English-dubbed version (plus English subtitles with the original Japanese audio) involving the talents of Patrick Stewart, Uma Thurman and Alison Lohman. The footage that was missing in Warriors of the Wind easily made the new version – released on DVD in 2005, Disney Blu-ray in 2011, GKIDS and Shout! Factory Blu-ray in 2017, and limited edition steelbook Blu-ray in 2020 – a must-buy for both fans and anime enthusiasts who enjoy classics.
I myself acquired the 2005 DVD of Nausicaä of the Valley of the Wind by trading an old video game for it and enjoyed it a lot. I saw both the English-dubbed and English-subtitled versions in different times, and the complete footage added to my enjoyment of it. If I were to make comparisons, I prefer the 1984 film over Princess Mononoke (I had a Blu-ray copy of it).
Nausicaä of the Valley of the Wind on Blu-ray disc format (limited edition steelbook version) is still available for purchasing online and you only need to click here. I wonder when will a 4K Blu-ray version of it be announced.
The Japanese movie poster from 1984.
What it is lacking for me is the experience of watching Nausicaä of the Valley of the Wind on the big screen inside the movie theater. This is why I am personally interested in replaying it at an SM Cinema branch during the week-long Studio Ghibli Fest 2025. At the same time, it is rare for anime classics to be screened in movie theaters here in the Philippines. As much as I love watching movies on Blu-ray or 4K Blu-ray format in the comfort of home, the cinema experience is still the best way to watch a movie. Definitely better than streaming!
If you wish to join a group of movie enthusiasts and talk about cinema, cinematic trends, Blu-ray releases and more relevant stuff, visit the Movie Fans Worldwide Facebook group at https://www.facebook.com/groups/322857711779576
Disclaimer: This is my original work with details sourced from watching the movie and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.
Welcome back, readers! For only the 2nd time since the COVID-19 pandemic affected the world, I managed to watch a movie inside the local cinema at SM Southmall in Las Piñas City. What is intriguing is that the movie I saw is actually a carefully edited compilation of footage sourced from an upcoming live-action series that is an ambitious Philippine adaptation of a certain giant robot anime from Japan. The movie I saw was Voltes V: Legacy – The Cinematic Experience. Behind it all, the movie is part of GMA Network’s strategy of building up awareness for the Voltes V: Legacy TV series set to launch on May 8, 2023.
For the newcomers reading this, the original Voltes V anime series (Japanese title: Chôdenji mashin Borutesu Faibu) was launched in Japan in 1977. Shortly after, it made its English language debut here in the Philippines (note: Japanese characters’ names were Westernized) and ultimately it became very popular and it made an impact on millions of Filipinos who saw it and replayed it in the many years that followed. I noticed that many Filipinos of my generation think of Voltes V first when anime comes to mind. While I myself never became a fan, I saw lots of Voltes V anime episodes on TV at a time when Internet access, video streaming and social media were not yet realized here in the Philippines. I even saw GMA’s edited Voltes V anime movie (containing footage of the final five episodes of the anime series) in the cinema in 1999.
In recent years, GMA Network and its local talents joined forces with Toei Company of Japan to create a live-action TV series adaptation of the anime and there will be eighty episodes (double the anime TV series’ episode count) for broadcasting nationwide. This is Voltes V: Legacy and already the local production team went through lots of hard work making the episodes, the sets, the props, the costumes and the computer-generated images (CGI) to bring the classic series into life in coordination with Toei which reviewed and supervised the production. A lot of money has been spent into Voltes V: Legacy which was felt in GMA’s increased production costs.
As for Voltes V: Legacy – The Cinematic Experience, the so-called movie contains varied footage allegedly from the first three weeks’ worth of TV episodes and it was exclusively screened in SM Cinema sites around the country for a limited time.
The story begins in the planet of Boazan where people with horns live in prosperity and privilege while those without horns have no choice but to live a hard, lower life. A gifted young Boazanian man named Hrothgar – who was born into royalty without horns and lived with his personal secret long enough into adulthood – was exposed by Zambojil’s group to be hornless and unworthy of Boazan’s throne. Sometime later, Hrothgar leads several fellow slaves and prisoners in an uprising against Emperor Zambojil’s authority. Before getting overwhelmed by the imperial forces, Hrothgar escapes into space with an Boazanian spacecraft and crashes into the sea on Earth.
He is discovered by Mary Ann and he gets introduced to Dr. Smith and Commander Robinson. Hrothgar informs them of his Boazanian origin and he expressed to them that Earth’s defenses are too weak to protect its people from alien invaders. As he adjusts with Earth life, Hrothgar changes his name into Ned Armstrong, marries Mary Ann and have children together. After several years on Earth, Ned Armstrong worked closely with Dr. Smith to prepare the people for future invasions…
Quality
The iconic Voltes V looks bulkier and more mechanical in CGI form and the good news is that the overall quality is great and there is a lot of fun seeing the giant robot in action. (photo source – the Voltes V: Legacy – The Cinematic Experience trailer)
To begin with, the creative team of GMA managed to establish a cohesive narrative for the cinematic experience which is not an easy thing to do considering all the content from many selected episodes that had to be edited and arranged properly. This involves the presentation of the story details, the live-action elements, the CGI-heavy shots and the human performances to create a narrative that was easy enough to follow and absorb in my experience. I noticed that the so-called movie moved at a medium-to-fast pace which is not surprising because the goal of GMA was to entertain moviegoers and convince them to anticipate the live action TV series. Considering the speed of the pacing, there were some moments when I felt that some scenes were missing which only reminded me that the slower and more dramatic moments were being saved for the TV series.
When it comes to adapting the classic anime’s elements into live action, the creative team did a pretty good job most of the time. The costumes of the five pilots were made with a more practical physical design (note: they are not body tight) while retaining the classic colors and the V logo. The interior set of the Camp Big Falcon operations room looked more futuristic complete with having many people simultaneously operating. The interior set showing Prince Zardoz and his trusted companions closely resembles that of the anime. There was one particular physical set that did not look convincing – the outdoor street market in Boazan early in the movie had that indoor feel which not even the lighting could hide and the CGI shot showing the rest of the outdoor area and the far distance did not match with the place.
More on the artistic side of the presentation, I enjoyed the way the production people emulated the classic anime designs of not only the characters but also the key structures (places) and the giant robots (Voltes V and the two beast fighters) into live action. The cinematic Prince Zardoz looks so much like his anime counterpart and the same can be said about Dr. Smith and Mrs. Armstrong. The two beast fighters here were rendered to look much like their anime versions but were animated in a way to emphasize mass and scale.
The strategic posing in this notable shot is a fun and honorable throwback to a key moment in the very first episode of the original Voltes V anime TV series. (photo source – the Voltes V: Legacy – The Cinematic Experience trailer)
There were some notable artistic discrepancies and flaws however. The cinematic Princess Zandra, Draco and Commander Robinson clearly did not quite match their anime counterparts. For some reason, Princess Zandra appeared with a very different costume displaying subtle sexiness instead of royalty. Could it be possible the creative team took inspiration from the Fatima Blush character (played by Barbara Carrera) in the 1983 James Bond movie Never Say Never Again while modernizing Princess Zandra? As for Draco, he does not look as intimidating as his anime version and he even looks more like a cosplayer! Commander Robinson here does not display the maturity of the anime version due to the questionable quality of the costume provided and the actor’s appearance. In my experience watching the anime series, Commander Robinson looked and felt like a military man in his early fifties which the live action version never captured.
Now I want to talk about Voltes V itself. The highlight of the CGI combined with really good art direction is the iconic giant robot, including the five vehicles that compose it. To begin with, the use of CGI emphasizing multiple moving mechanical parts to emphasize Voltes V is a very smart move done by special effects team. While each vehicle has a new visual aesthetic to match the live action approach, they still remained recognizable to me. The biggest visual highlight in the movie is the volt-in sequence when each vehicle combined to form Voltes V in robotic form. As each vehicle connected to each other, the classic sequence from the anime was replicated excellently. Given the artistic direction and the CGI’s emphasis of multiple moving parts, the volt-in sequence here is much more detailed than the anime version! I should state that it is very likely that the visual effects team worked overtime to achieve the high-level of detail, the vibrant colors and the impressive animation on Voltes V.
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With the approach on multiple moving parts, Voltes V itself looks bulkier in a mechanical fashion which I really admire. It should be stated that showcasing the iconic giant robot in action – complete with CGI presentation of the many Voltes weapons – is a visual feast complete with very vibrant colors! Each time Voltes V hits a beast fighter by punching or using a weapon, there is strong impact felt with each blow! The sound effects team really did good work adding weight and power to the action.
The work done by the special effects crew in this external shot of Jamie Robinson’s cockpit is very impressive and detailed! Ysabel Ortega acted convincingly to what happened. (photo source – the Voltes V: Legacy – The Cinematic Experience trailer)
Considering the high detail and strong animation on Voltes V, the two beast fighters shown in this movie had very similar visual qualities. There was no major discrepancy on visual quality between the iconic robot and the enemy during battles.
More on the CGI, I can declare that the locally produced visual effects (by GMA Video and Riot, Inc.) looked very good for the most part! Apart from the battles between the giant figures, the sequences of animating the Voltes V vehicles, the Boazanian flying saucers (with fast moving sharp edges that make them resemble motorized wood-cutting blades), the fighter planes and physical damage of places were nice to see. There were, however, several explosions that were badly rendered (note: even looking flat and out of place) in key scenes and there were moments when military vehicles looked more like they belong in video games from a few console generations ago. The formation of the blade of Voltes V’s laser sword clearly needs more work as it looks unpolished. In the post-credits scene, CGI for Octo 1 was badly done!
Apart from action scenes, the giant robots and their weapons, CGI was also used on established places or structures. Camp Big Falcon really looks magnificent while the floating mechanical Boazanian skull appeared very creepy. In shots showing the far distance, Camp Big Falcon in the background still looks good even though the visual quality falls short of capturing true photo-realism.
Considering the way GMA edited the footage and selected visual effects shots for this so-called movie, the overall quality of the CGI literally landed some notches short of photo-realistic levels. That’s not criticism at all but a confirmation that Filipino-produced CGI showcased here is the best I have seen yet! All in all, an impressive ton of work by the special effects teams using computers.
As for the human performances, I can say that the cast collectively did a good job bringing the characters to life and this includes paying special attention to details from anime while adding certain elements that reflect modernization. Zardoz was portrayed to be sadistic and obsessed on conquering planet Earth which reflects his imperial task and the pressure that comes with it. Sometimes, Zardoz looked and acted even psychotic. Mary Ann Armstrong is the definitive mother figure here and the producers emphasized her more with scenes showing her as a very focused authority during crisis as well as a tender and loving woman during her time with the family. In some ways, Mary Ann Armstrong is almost like the protagonist of this so-called movie and the live action version looks deeper than the anime version. While the live action Commander Robinson needs a lot of improving, Dr. Smith here really looks and feels like he was instantly ripped off the anime resulting in a very straightforward version fans will recognize. The live action Ned Armstrong here has some elements that deviate from what was portrayed in the anime (note: a very skilled fighter whose moves were so obviously choreographed during an action scene) while retaining key elements that still made him recognizable.
The actors who played the five pilots of Voltes V performed nicely. Even with all the layered Tagalog expressions (including gestures that we Filipinos are familiar with), Steve, Big Bert, Little Jon, Mark and Jamie are all very recognizable not in terms of looks but through the dialogue, character details and acting. The production team really worked hard to not only balance their respective shares of the spotlight, but also get good enough performances from the actors. Take note that apart from the on-set dramatization, the actors of the Voltes V team had to perform accordingly in their respective cockpit scenes (note: the special effects teams painstakingly provided all the CGI to specifically reflect what had been happening with the pilots and with their machines) and this includes internal communications between the members. What we have right now are the best actors available portraying Steve, Big Bert, Little Jon, Mark and Jamie and making them recognizable in terms of characterization.
With regards to the music, I can say that this one clearly needs improvement. There is orchestrated music in this cinematic experience that played new tunes while also redoing/recycling classic tunes from the anime TV series. When the anime tunes were played by the orchestra with a modern approach, they were recognizable to my ears but the power and essence of the original tunes were not replicated successfully. Sometimes, I just wished that the anime tunes were played more while the orchestra focused more on providing new music.
As for the famous Voltes V theme song, the new version performed by Julie Anne San Jose is a letdown! I’m not saying San Jose is a bad singer but her version – which even used the Japanese lyrics – lacked impact compared to the original version. While the volt-in sequence proved to be a grand visual feast for the fans and viewers who love great looking CGI sequences, its cinematic impact was brought down a bit by San Jose’s version of the theme song. How I wish that the movie producers just used the classic song from the 1970s anime series!
This original theme song should have been used in Voltes V: Legacy instead of the new version.
Conclusion
As expected, Voltes V: Legacy – The Cinematic Experience has a mix of strong points and flaws. The good news is that the good outweighed the bad and I pretty much enjoyed this cinematic version of the live action adaptation done by GMA, its strategic partners and the local talents. As this so-called movie was a mix of content from several episodes edited to form a suitable narrative, it succeeded in entertaining and engaging me. Yes, there were flaws and there were some parts showing weaknesses but those things did not damage the viewing experience too much. There is a good amount of fun with this so-called movie.
Obviously this cinematic version is part of GMA Network’s strategy to build up anticipation for the upcoming TV series (which has a declared 80 episodes for broadcasting). While some people will perceive Voltes V: Legacy – The Cinematic Experience as a blatant form of marketing or even as corporate gimmick, I personally see it as a worthy showcase in the local cinema (note: cinemas here in the Philippines are still recovering from the massive damage of COVID-19) and it just might not be repeated. Let me remind you readers that this newest Voltes V adaptation highlights the peak of Filipino-produced CGI visuals and the Filipinos’ collective efforts to really make a worthy live action adaptation of a foreign entertainment property. This so-called movie is clearly not perfect (note: it is not deserving of perfect 10/10 scores that others gave it) but it is pretty good to watch in the cinema.
Voltes V looks better than ever and made a big entertaining impact in the cinema. How will Voltes V: Legacy turn out on TV given the fact that there are so many episodes set for broadcasting?(photo source – the Voltes V: Legacy – The Cinematic Experience trailer)
As mentioned earlier, I’m not a fan of the Voltes V anime and I’m not exactly anticipating the Voltes V: Legacy TV series. I do confirm that the long-lasting legacy Voltes V is clearly thriving here in the Philippines and the new TV series could potentially make a deep impact on Filipinos who love entertainment and possibly replicate what happened in the 1970s and 1980s when the classic anime TV aired on TV nationwide. How the new TV series will turn out is clearly GMA’s own problem.
Overall, Voltes V: Legacy – The Cinematic Experience is recommended.
Welcome back, fellow geeks, Blu-ray collectors and movie buffs! The 2021 movie Dune (directed by staunch cinema defender Denis Villeneuve)can be viewed in the comfort of home in a much better version than HBO Max/HBO Go on January 11, 2022 as its 4K Blu-ray combo (4K Blu-ray disc, Blu-ray and digital code) will be released on that very day! There will also be a Best Buy-exclusive steel book version released as well.
The good news this early is that Dune (2021) 4K Blu-ray will come with native 4K visuals! While its price and the official start of pre-ordering the product have yet to be announced as of this writing, you can find its Amazon listing by clicking here. If you really are interested in the movie’s 4K Blu-ray combo, I encourage you to keep revisiting the Amazon listing for updates.
To put things in perspective, posted below are key details from the Blu-ray.com article about Dune (2021) 4K Blu-ray combo. Some parts in boldface…
The front cover.
Special Features and Technical Specs:
DOLBY VISION/HDR PRESENTATION OF THE FILM
DOLBY ATMOS AUDIO TRACK
Featurettes:
The Royal Houses
Filmbooks: House Atreides
Filmbooks: House Harkonnen
Filmbooks: The Spice Melangelnside Dune – The Training Room
Inside Dune: The Space Harvester
Inside Dune: The Sardaukar Battle
Building the Ancient Future
My Desert, My Dune
Constructing the Orniyhropters
Designing the Sandworm
Beware the Baron
Wardrobe From Another World
A New Soundscape
4K Blu-ray subtitles: English SDH, Latin Spanish, Canadian French, Parisian French, German, German SDH, Norwegian, Swedish, Finnish, Danish, Greek, Korean, and Hindi
Blu-ray subtitles: English SDH, Latin Spanish, Canadian French, Portuguese-Brazilian, Bulgarian, Czech Republic, Hungarian, Japanese, Polish, Romanian, and Hindi
The rear cover.
Posted below are the other details from Dune’s (2021) own page at Blu-ray.com…
Video
Codec: HEVC / H.265
Resolution: Native 4K (2160p)
HDR: Dolby Vision, HDR10
Aspect ratio: 2.39:1, 1.78:1
Original aspect ratio: 2.39:1, 1.43:1
Audio
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
Note: All Dolby Atmos tracks have a Dolby TrueHD 7.1 (48kHz, 24-bit) core
Subtitles – English SDH, French, Spanish
Discs – 4K Ultra HD, Blu-ray Disc, Two-disc set (1 BD-100, 1 BD-50)
Digital – Digital 4K, Movies Anywhere
Packaging – Slipcover in original pressing
Playback – 4K Blu-ray: Region free, 2K Blu-ray: Region A
While Dune (2021) has been playing in the local cinemas here in my native Philippines for weeks now, I’m still waiting for the film to be screened on an IMAX cinema operated by SM Cinema (which itself started to gradually reopen). I am aware that the film is being shown on another cinema with IMAX with Laser technology but that cinema’s price is simply too expensive for me. Dune (2021) was filmed with Arri Alexa LF IMAX and Arri Alexa Mini LF IMAX cameras and that alone convinces me to watch it on an IMAX screen. In relation to SM Cinema’s reopening, the nearest IMAX cinema should reopen on November 30.
While I am not a fan of the Dune literary series as well as the failed 1984 movie, this year’s cinematic version looks grand under the passionate direction of Villeneuve and it has an ambitious cast that includes AquamanJason Momoa, Josh Brolin, and Rebecca Ferguson to name a few. Given the fact that the movie was released on HBO Max, it looks highly unlikely it will achieve a tremendous ticket sales success just as more cinemas are reopening worldwide as more people got vaccinated for COVID-19. When I say tremendous ticket sales, I’m talking about grossing $750 million worldwide. As of this writing, Dune (2021) grossed $365.5 million worldwide while theater-exclusive movies No Time to Die and F9: The Fast Saga have grossed over $700 million worldwide each. Very clearly, the HBO Max-theaters hybrid release of Warner Bros. is a big mistake. Remember, what people pay for on streaming goes to the service, not the movie.
Now that Dune (2021) 4K Blu-ray combo is set for a January 11, 2022 release, does this latest development spark your interest? I myself am eager to see how the IMAX-recorded footage will turn out in 4K Blu-ray visuals.
In closing this Better than Streaming piece, posted below are some Dune-related videos for your viewing pleasure. Also included are a few videos about the 1984 Dune movie.
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Welcome back, fellow geeks and movie buffs! If you are present here in the Philippines and you really crave for watching movies inside the cinema, then you will be happy to know that major cinema operator SM Cinema is gradually reopening its cinemas around the nation complete with safety measures related to COVID-19 (note: SM Cinema has been certified by the Safety Seal program) and the stuff that people enjoy watching inside an SM-operated movie theater.
To put things in perspective, posted below is an excerpt from SMSupermalls.com. Some parts in boldface…
A premium cinema with leather seats. (photo source – SM Cinema)
First to reopen is SM Cinema Aura Premier on November 17, Wednesday. The newly redeveloped theaters at SM Cinema North EDSA, Mall of Asia and Megamall will be reopening on November 24, while SM Cinema Grand Central, the newest SM Cinema branch, will be on November 26. SM Cinema Fairview, Southmall, Manila, BF Parañaque, Clark, San Lazaro, Baguio, Dasmariñas, Sta. Rosa, Sucat, Sta Mesa, and Bicutan will reopen to the public on November 30.
As one of the first establishments to acquire a Safety Seal, SM remains committed to the safety and wellbeing of their mallgoers. SM Cinema, in partnership with Hygiea Innovations and Technology, Inc, have installed MERV filters and air purifiers to ensure safe and clean cinema for everyone. A health and safety officer will be present for every screening while movie theaters will be thoroughly cleaned and sanitized regularly. SM Cinema employees are fully vaccinated and will be at your service in full PPE gear.
Before you head off to the cinemas with the entire family in tow, take note of these important reminders:
Safety protocols will be strictly implemented within the cinemas.
Moviegoers, from adults to kids, must be fully vaccinated to be allowed inside the cinemas.
They must also wear well-fitted face masks at all times and face shields are non-mandatory and voluntary. A health declaration must be presented upon ticket purchase.
Temperature and symptoms will be checked upon mall entry
SM Cinema is making every step of the theatergoing experience as contactless as possible to give customers what they’re ultimately looking for these days – a safe and clean environment. Reopened SM Cinemas will have capacity restrictions to allow customers to social distance one seat apart from each other. Bringing of food inside will be prohibited for now, although drinking water will be allowed in consideration of possible emergencies and health risks. Audiences will be asked to remain in their seats during the duration of the movie, and cashless payment options will be available via GrabPay, GCash, or credit or debit card.
With a wide selection of movies genres perfect for both adults and kids, much anticipated films like Marvel Studios’ “Shang-Chi and the Legend of the Ten Rings,” “Eternals,” “Venom: Let There Be Carnage,” “Resident Evil: Welcome to Racoon City,” and “No Time To Die;” are just some of the movies waiting for cinephiles at SM Cinemas!
K-Pop fans will also have “Black Pink The Movie” and Monsta X: The Dreaming to look forward to, and Pinoys can get their fill of local movies like “Encanto” and “Kunwari Mahal Kita,” which will premiere starting November 24. Plus, the Metro Manila Film Festival will run from December 25 to January 7, 2022, with more Filipino movies to enjoy!
Given how dedicated SM Supermall and SM Cinema really are when it comes quality, sanitation and efficiency, it comes to no surprise that no expense was spared to make SM Cinema branches safe and the best they could be during this time of pandemic. The cinema workforce is fully vaccinated and they have the equipment needed to sanitize the movie theaters and keep it safe for incoming moviegoers.
For the newcomers reading this, cinemas in Metro Manila officially reopened on November 10 in relation to the easing restrictions as the daily count of new COVID-19 infections nationwide fell down dramatically. With the lessening restrictions, more people are allowed to go out and more businesses were given more freedom to accommodate more customers (both indoor and outdoor depending on the locations of their respective joints). Movie theaters or cinemas are obviously part of the businesses and now is the time for them to cater to people who want to experience once again the greatness of watching movies on the big screen which is something that streaming movies or TV shows at home can never match.
There are also other advantages that cinemas have over those streaming apps such as premium seating (note: SM Cinema has the Director’s Club line that offers extraordinary cinema comfort with leather seats, in-house butler service, and an exclusive food menu for guests), technologically advanced big-screen technologies (examples: IMAX, 3D and 4D) and premium sound systems (note: Netflix, HBO Go, HBO Max, Disney+ and all other streaming apps really have nothing to offer when it comes to top-notch audio.)
For those of you who really have decided to return to cinemas for your movie viewing pleasure, remember that what you pay for will not only help the cinema operators but also contribute to the economic recovery our nation badly needs to rise from this COVID-19 crisis. The money you pay for streaming services really do not help at all.
Once again, I encourage you all to take time out to support local cinemas with your family members or your friends. The cinema viewing experience is always better than streaming!
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Wow. That was quite a ride of information updates that happened the last few days. Last Friday, the Inter-Agency Task Force for the Management of Emerging Infectious Diseases (IATF-EID) announced that it has allowed a variety of businesses around the Philippines to resume operations so that they can recover from this ongoing COVID-19 pandemic.
Such businesses specified were driving schools, video arcades, theme parks, natural sites, historical landmarks, parks and, most notably of all, cinemas (or movie theaters).
However, the Metro Manila mayors reacted and expressed their opposition against the national government’s decision on allowing cinemas to reopen. Through the media, Metropolitan Manila Development Authority (MMDA) chairman Benhur Abalos stated that a “majority of Metro Manila mayors agreed not to open as far as cinema is concerned.”
Below is an excerpt from the Manila Times article on Abalos…
He noted that movie theaters are enclosed and air-conditioned spaces where people stay for more than 30 minutes, conditions that increase the risk of coronavirus transmission.
To put things in perspective, Metro Manila is composed of many major Philippine cities such as Makati, Quezon City, Manila and Muntinlupa to name a few. Until now, Metro Manila remains under GCQ (General Community Quarantine) status while certain other cities or provinces have been enduring the MGCQ (Modified General Community Quarantine) status. As of this writing, the only cinemas operating here in the Philippines are those located in MGCQ areas.
Here in Metro Manila, movie theaters have been closed since March 2020. Take note of that.
As a result of the Metro Manila mayors’ opposition, it has been announced that the reopening of cinemas has been moved to March 1, 2021, but that is not guaranteed. According to the news release published yesterday at Philippine News Agency, the reopening of cinemas in GCQ areas has been moved to the first of March to allow consultations with local officials, and this is the result of talks with MMDA’s Abalos, MMDA General Manager Jojo Garcia and Trade Secretary Lopez.
Malacañang stated in the release: The IATF respects the position of mayors, especially those in Metro Manila. That’s why the resolution stated that the reopening of cinemas will be effective after drafting guidelines with local governments particularly when it comes to seating capacity in cinemas.
As you can see, there is still some work needed to be done before Metro Manila movie theaters (or any theaters in GCQ areas in general) can be allowed to reopen. This is why, in my view, the March 1 target for reopening could be missed.
More on the cinemas, I wonder if the Metro Manila mayors and their advisers did enough research about the economics. I understand they want to avoid the risk of people getting infected with COVID-19 within their respective cities, but there is still the need for economic recovery even if cinemas are to operate at less than 100% capacity and efficiency
From an economic point of view, thanks to information released by Trade Secretary Ramon Lopez, the so-called traditional cinema industry of the nation employed 300,000 workers and had generated revenues of P13 billion BEFORE the pandemic started last year. Because of the pandemic, 2020 theater revenues shrunk down to only P1.3 billion.
Whatever happened to them as a result of the pandemic, 300,000 cinema employees is a figure that should not be ignored nor dismissed so quickly by the mayors and their advisers. Economic recovery is a must.
In an ABS-CBN news report, the cinema operators and movie producers have decided to adopt a so-called wait-and-see approach on the reopening of cinemas in GCQ areas.
Here’s an excerpt from the report:
Although they welcome the easing of quarantine restrictions, local producers and theater operators believe that ultimately, the reopening of cinemas will still be dependent on the clearance of local government units.
Roselle Monteverde and Vincent del Rosario, who helm Regal and Viva Entertainment, respectively, told ABS-CBN News that they have the capability to provide cinemas with movie material, some of which have long been canned. Nonetheless, along with other members of the local producers association, the movie magnates are still awaiting the IATF guidelines and, more important, the guidance of mayors.
And here’s another excerpt, this time about two major cinema chain operators.
Megaworld Cinemas and SM Cinemas, which both control a vast chain of theater chains, told ABS-CBN News that they will wait for the final guidelines of the IATF and local government units.
Bomboy Lim of Robinson Cinemas also told ABS-CBN News that the bottomline is securing the approval of local government units. “Priority din namin ang ligtas na panonood ng tao. Kailangan nating sundin ang lahat ng guidelines including the IATF. Right now, they are still making it.”
Robinson Cinemas, which has an estimated 200 theaters nationwide in its malls nationwide, have not reopened since March 2020.
Over at the City of Manila, the local authorities there announced it will offer free swab tests to movie theater workers within their jurisdiction. Mayor Isko Moreno said that the swab tests are required before the city government allows malls to open their movie houses. Cinema workers specified are janitors, security guards, tellers, ushers, porters, ticket sellers and snack bar attendants to name some. Managers of malls in the city were asked by the mayor to present to the city government their respective preparations for the reopening of their cinemas with public safety in mind.
As I personally observed in shopping malls with cinemas here in South Metro Manila, each of them has established rules and set up special equipment to monitor the health statuses of people entering their respective places. I can imagine local cinemas inside these malls having similar equipment, disinfectant machines, and temperature scanners. It would be helpful if the malls or cinema operators can afford to set up sanitation tunnels (like those in Israel) for moviegoers to pass thru when entering and exiting the movie theater. Watch the video below…
Even though things look unclear, the fact remains is that operators of movie theaters and their employees now have a chance to resume their business and do their part in the recovery economically and socially. How the IATF and the Metro Manila mayors will decide the fate of the cinemas remains to be seen.
If there are any major updates, you will be notified right here at www.CarloCarrasco.com
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Author Carlo Carrasco 