Malibu Comics – Page 15 – Author Carlo Carrasco

A Look Back at Solitaire #2

July 7, 2020July 6, 2020carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

It’s been quite some time since I reviewed Solitaire #1. What I like about the Ultraverse crime-buster is that he was designed to be a very agile combat expert with the ability to regenerate. Apart from being a very capable fighter, Solitaire is also very skilled detective and has lots of connections (with informers). Some comic geeks compared him to Batman and Wolverine but within the Ultraverse, Solitaire is unique.

Now we can take a look back at Solitaire #2, published in 1993 by Malibu Comics with a story by Gerard Jones and art by Jeff Johnson (inked by Barb Kaalberg). This particular comic book is connected with the Ultraverse crossover event Break-Thru.

Early story

The story begins in Small Town, U.S.A., a place described to be happy with the air full of laughter, the chatter of children and music played by a band. Solitaire arrives and quickly an arrow was launched at him and missed. The place’s defenders are already aware of him.

The place turns out to be an amusement park filled with tourists who paid for rides, sights and fun. In the middle of it, Solitaire is on a mission. Another arrow was fired at him but thanks to his reflexes, he grabbed it, allowed himself to fall into the water. A lady with a bow and arrows arrives to check on him but Solitaire quickly got back at her, restraining her.

After he asked where the bomb is located, she points to the moon. Suddenly another arrow is fired and hits Solitaire on his left thigh…

Quality

Now that the establishment of Solitaire’s origin and superhero nature has been done, this comic book’s story is pretty adventurous to read. The good news is that it is a well-made adventure that not only delivered the fun but also established Solitaire’s place in the Ultraverse (thanks to the link with the Break-Thru crossover). When it comes to developing Solitaire not only as a crime fighter but as a person, I like the use of flashbacks from his past recalling his time as a much younger visitor to the amusement park complete with his mother remaining a hole in his memory.

More on the story, it is not only adventurous but also packed with action. This time, Solitaire does not fight the stereotypical thugs but rather lady defenders of the Moon Man who are so willing to do their jobs, they attack Solitaire even if it means harming the tourists. The build-up leading to the encounter with the villain was nicely paced and was a worthy pay-off.

When it comes to the art, this is one very nice-looking comic book thanks to Jeff Johnson. The illustrator knew how to pace the story visually and when to add punch to the action scenes and stunts.

Conclusion

*Imagine yourself touring a theme park and actually witnessing a real attack towards a trespasser.*

Solitaire #2 is a fun-filled Ultraverse comic book that is worth reading again and again. What it lacked in character development, it bounced back big time with action and adventure elements.

If you are seriously planning to buy an existing hard copy of Solitaire #2, be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $4 while the near-mint copy of the newsstand edition costs $8.

Overall, Solitaire #2 is recommended!

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Prototype #3 (1993)

July 4, 2020July 3, 2020carlocarrasco

Are you geeks and comic readers ready for another trip back to the good old days in the 1990s when the Ultraverse line of comic books was published by Malibu Comics in competition with the superhero offerings of Marvel, DC and Valiant Comics?

Here is a look back at Prototype #3, published in 1993 by Malibu Comics with a story by Tom Mason, Len Strazewski and drawn by David Ammerman.

Early story

The story begins with Jimmy Ruiz (current Prototype user) in a private jet with his corporate companion Hastings. He’s feeling restless over the delay at the airport.

On a large commercial airplane, a gang of armed, masked men suddenly enter stating they claim the plane in the name of Terrordyne, Inc. Passengers naturally got frightened.

From a distance, Jimmy noticed the trouble happening and told Hastings to call security.

Meanwhile in Chicago, an armed lady talks to someone over the phone. In New York, men start to do some work on the body of Glare, a huge green-skinned figure. He is being prepared for Aladdin…

Quality

Unsurprisingly, stories of heroic struggles (told through Jim and Bob respectively), corporate intrigue and fighting the bad (in this issue: new villain Heater) were the most defining elements of this comic book. The good news here is that there is still a cohesive story told by Tom Mason and Len Strazewski. One of the more notable parts of the story was Bob Campbell’s reuniting with Felicia which for me made a lot of sense since I already read Prototype #0. Once again, David Ammerman did a good job visualizing the script.

Conclusion

Prototype #3 is another fun read that has a careful mix of spectacle, character development and corporate culture exposition. While it does not have the horror element of issue #2, its focus on the corporate side and secret operations made this comic book deep. At the same time, this comic book solidly established Jimmy and Bob as the protagonists of the series.

If you are seriously planning to buy an existing hard copy of Prototype #3 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $4. The near-mint copy of the newsstand edition costs $13.

Overall, Prototype #3 (1993) is recommended.

A Look Back at Prototype #2 (1993)

July 1, 2020June 27, 2020carlocarrasco

Over a year ago, I reviewed Prototype #1 and published other Ultraverse comic book reviews that had the armored superhero involved. In recent times, I reviewed Prototype #5 since that comic book was the first of a 2-part crossover between Prototype and The Strangers. Since I already reviewed Prototype #0 to get a good look at the origin of the armored superhero (composed of two different pilots or users working for a corporation), it’s time to go back to one of the early issues of Prototype to discover more of the ultra-hero.

This is my look back at Prototype #2, published in 1993 by Malibu Comics with a story co-written by Len Strazewski and Tom Mason, and drawn by David Ammerman.

Early story

The story begins with Prototype (piloted by Jim Ruiz) battling with mechanized opponents as he tries to achieve something. It turns out, the entire encounter was a virtual reality training mission which ended after Jim overloaded his armor’s circuits during the heat of training.

While taking off his armor, Jim discusses some matters with his assistant. He recalls his hard battle with an over-sized, muscular opponent whom he noticed to be communicating with someone. The opponent died which gave the public the false impression that Prototype killed him.

Meanwhile over the headquarters of Ultratech, Marjorie listens to Stanley ranting about the negative press their company got recently. As soon as Stanley calms down, Marjorie noticed that Jim was in trouble according to tech read-outs. They analyzed the risk they are taking with Jim being the Prototype pilot as they make sure nobody would learn that there is more than one active Prototype in their company. Marjorie states that she has taken the initiative and assigned someone to take care of Bob Campbell (the other Prototype pilot)…

Quality

*Jim Ruiz is already struggling with the stress of piloting Prototype.*

In terms of storytelling, this comic book is quite gripping as it deals with elements of corporate politics, heroism and even horror. Without spoiling too much, I should say that the battle near the end of the story brought back memories of the 1984 movie The Terminator which itself combined elements of horror, film noir and sci-fi. There was not much room for character development but that was no problem considering the strong storytelling. For his part, David Ammerman’s drawings were nice and detailed to look at, especially when the story focused more on Bob Campbell.

Conclusion

No doubt about it. Prototype #2 is a very good and entertaining comic book to read. It successfully told two tales (one on Jim and the other on Bob) and cleverly mixed genre elements to deliver solid storytelling. Not only that, this comic book marks one of the early connections between Prototype and Prime as the story took place after the events told in Prime #4.

If you are seriously planning to buy an existing hard copy of Prototype #2, be aware that as of this writing, MileHighComics.com shows that the near-mint copy costs $4.

Overall, Prototype #2 (1993) is recommended.

A Look Back at Prime #4 (1993)

June 30, 2020June 29, 2020carlocarrasco

When it comes to notable rivalries between superheroes within the Ultraverse, the Prime-Prototype conflict comes to mind. Granted, the two became teammates in the UltraForce monthly series that launched in 1994 but before that happened, their conflict was intriguing and intense to see.

Let’s examine the beginning of the rivalry between Prototype and Prime in Prime #4, published in 1993 by Malibu Comics with a story co-written by Len Strazewski and Gerard Jones, and drawn by the late Norm Breyfogle.

Early story

The story begins with Prototype blasting Prime right on his head saying: “I’m telling you again—Hardcase ain’t here! This is Prototype turf and you are making me look bad!”

Out of impulse, Prime (who is teenager Kevin Greene inside the body) strikes back at Prototype pushing him back into the air. Prime describes himself as a real hero and called Prototype a phony of Hollywood.

As the tension increases between them, Prototype fires back at Prime who subsequently responds by punching him hard. The battle goes on.

Meanwhile at another location, Boneyard emerges from a portal carrying an unconscious Mantra with him…

Quality

*This is compelling character development.*

Strong writing and very impressive works of art in this comic book! There is no doubt about that. The writers really poured a lot of energy into the very action-packed conflict between Prime and his armored rival. The conflict is not limited to superhero violence between the two as the writers cleverly crafted a big battle of personalities between an impulsive and clueless teenager (Prime) and a corporate performer (Prototype). In order to grasp that concept, one must read at least the launch issues of the Prototype and Prime series.

Along the way, the writers still managed to conserve a good amount of creative energy to further develop Kevin Greene in his civilian life. I really enjoyed how the creators portrayed him to be a very troubled youth whose struggle with social life has gotten worse as he also struggled with keeping a superhero identity and doing what he believes are good deeds (helping people in trouble) even though he got reckless or clumsy. This is reflected nicely with the ways he tries to socialize with Kelly. Apart from that, the scenes showing Kevin with his father are very intriguing to follow.

The artwork here by Breyfogle is unsurprisingly great. As seen in the previous issues of Prime, the superhero action is dynamic to look at, Kevin and the supporting characters have very well defined looks and by this time, I find them instantly recognizable. As for his visual take on Prototype, I really like Breyfogle’s illustration in this issue.

Conclusion

*A very dynamic shot of Prime striking Prototype away.*

Prime #4 is a great Ultraverse comic book highlighted by the first conflict between Prime and Prototype which is very compelling and at the same time memorable. It’s like seeing two titans of the Ultraverse collide complete with dramatizing how other people got affected by them. As far as the Ultraverse is concerned, the rivalry between the armored ultra and the kid-in-a-man’s-body is solid gold.

If you are seriously planning to buy an existing hard copy of Prime #4 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the unbagged regular edition, the bagged regular edition, the unbagged newsstand edition and the bagged newsstand edition costs $4, $5, $6 and $7 respectively.

Overall, Prime #4 (1993) is highly recommended!

A Look Back at Hardcase #7

June 29, 2020June 26, 2020carlocarrasco

Hey Ultraverse fans! Are you ready for another bout of new discoveries in the Ultraverse through Hardcase, the superhero of Hollywood trying to do good.

Let’s all take a look back at Hardcase #7, published in 1993 by Malibu Comics with a story written by James Hudnall and drawn by Scott Benefiel. The comic book was part of the Break-Thru crossover.

Early story

The story begins on a city street when two guys tried to force two people out of the car they were riding. Suddenly Hardcase and Choice arrive surprising them and making short work out of the bad guys. The two victims who got saved could only be impressed by Hardcase and Choice as they watch them fly away.

At his office, Hardcase formally introduces Choice to his secretary Celia Brady, his agent Sol Gernstein and his lawyer John Riley. Together they meet to discuss how to free Choice from the clutches of the Choice Corporation.

Elsewhere, a mechanized menace slowly makes its move and kills a racoon in cold blood. It pulls the dead animal to itself and assimilates with it…

Quality

*Choice meets Hardcase’s trusted people.*

Hardcase #7 is another compelling story about Hardcase’s search for answers and the connection with the Break-Thru crossover is a factor that works nicely. With in-depth writing by James Hudnall, this comic book not only expands the realm of the Ultraverse but also links nicely with the events of The Strangers #1 and Hardcase’s past. As the story builds up for Break-Thru, it also introduces readers to a key sinister figure of the Ultraverse. Lastly, I should say that James Hudnall pulled off a lot intriguing moments and how the story ended surprised me pleasantly.

When it comes to the art quality, Scott Benefiel’s work is solid. I also like his visual take on a certain superhero team that suddenly appeared in this comic book. Which team is that? You’ll have to find out.

Conclusion

This is yet another very engaging story of Hardcase. Thanks to the works of the creative team, Hardcase #7 literally did not pull back its punches when it comes to surprising me as I followed Hardcase on his efforts to solve mysteries. This is definitely not your typical superhero-saves-the-day story.

If you are seriously planning to buy an existing hard copy of Hardcase #7, be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $4 while the near-mint copy of the newsstand edition costs $11.

Overall, Hardcase #7 is highly recommended!

A Look Back at The Strangers #7 (1993)

June 22, 2020June 20, 2020carlocarrasco

In a previous review, Prototype #5 served mainly as a build-up leading to the crossover between the armored superhero and The Strangers. While that comic book had a cover that looked suggestive, Prototype and the group did not appear together until the final page.

The payoff for the crossover happens to be in The Strangers #7.

Will the crossover be worth it? Find in this look back at The Strangers #7, published in 1993 by Malibu Comics with a story written by Steve Englehart (shared plot credit with Tom Mason and Len Strazewski) and drawn by Rick Hoberg. This comic book is part of the Break-Thru crossover.

Early story

Picking up where Prototype #5 ended, the story begins inside the space station wherein The Strangers encounter large, ugly monsters just as Prototype and his two companions – Empire 7 from Vietnam and Supra from the Baltic States – arrive. Equipped with high technology, Prototype proceeds to help the Strangers surprising them as a result.

After some struggle, Prototype, the Strangers plus Empire 7 and Supra start talking about what has been going on. As far as the Strangers are concerned, they need to know why they got their powers which explains why the needed J.D. Hunt’s rocket to reach space. Supra explains that she, Empire 7 and Prototype were sent to reclaim Hunt’s rocket.

After Prototype insists on reclaiming the rocket, Grenade strikes him which leads to Yrial to using her magic on him. The armored hero reacts by bodily attacking Yrial and damaging the wall behind her leading to outer space…

Quality

*A nice scene between Prototype and two of the Strangers.*

As this comic book was wonderfully written, I do confirm that the payoff for the build-up leading to the crossover between Prototype and The Strangers was undeniably worth it! There is a lot of richness in the script and I really enjoyed the interactions between the Strangers and the armored ultra.

I should state that the plot was structured to have the heroes together for initial interaction, have a few of them separated temporarily, bring them back together for unity and separate them into small groups as they search for answers.

In between, there is a lot of character interaction and development. These are the elements that defined this comic book and by the time I reached the end, I managed to grasp how the connection (as well as the level of trust) between Prototype and the Strangers turned out. Along the way, there were a few sub-plots and even some exposition on the in-universe history of ultras (emphasized by Empire 7). There were also some action scenes to balance things out with the characterization.

With no surprise, the art by Rick Hoberg here is great. I should state that his art on Prototype made the character look recognizable. More importantly, Hoberg drew the characters, the monsters and the environments with a good amount of detail. This is hard work that nicely paid off!

Conclusion

*The first interaction between Prototype and the Strangers.*

I really enjoyed The Strangers #7 and it definitely paid off nicely after the build-up to the crossover established in Prototype #5. If I were to make comparisons, the crossover here is just as good as the Hardcase-Strangers crossover. I should also state there is a good amount of fun here.

If you are seriously planning to buy an existing hard copy of The Strangers #7 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $4 while the near-mint copy of the newsstand edition is priced at $8.

Overall, The Strangers #7 (1993) is highly recommended!

A Look Back at Hardcase #6

June 20, 2020June 19, 2020carlocarrasco

Previously, I admired Hardcase #5 for its nice mix of suspense, intrigue and mystery as the series emphasized its lead character who in turn had to accompany Choice (who herself was under the control of a certain corporation).

Will the high engagement continue? Find out as we take a look back at the Ultraverse comic book Hardcase #6, published in 1993 by Malibu Comics with a story written by James Hudnall and drawn by Scott Benefiel.

Early story

The story begins immediately after the end of issue #5 with Tom Hawke/Hardcase down on the ground. As Choice comes to him, Hardwire (the guy who attacked Hardcase) moves in from behind. As he is about strike her, Hardcase’s soul warns Choice to activate her shield. Hardwire strikes her but got hurt as a result of the protective shield. Even as Hardwire tells her he has not orders to kill her, Choice fires her force beams to hit a structure just behind him then grabs Hardcase to fly away to safety.

As they fly away towards the nearest hospital, Hardcase finds himself in the spiritual realm and encounters Linda.

Meanwhile, Hardwire contacts Sandra Trent by phone. Considering the current situation, Sandra tells him that they will have to get Hardcase later and she has another hit job for him…

Quality

With regards to storytelling, this comic book is loaded with twists mixed with some intrigue and action. The dialogue is also well crafted. Speaking of intrigue, there are key details and characters revealed here that serve as a solid build-up for the Break-Thru crossover of the Ultraverse of late-1993. If there is anything lacking here, it’s character development which is understandable since there was emphasis on building up not only Break-Thru but also other mysterious aspects of the Ultraverse as a whole.

Scott Benefiel did a fine job with the art. I really like the way he draws facial expressions (especially on Hardcase and Choice) while maintaining pace with the script and making the few action scenes here look pretty dynamic.

Conclusion

Hardcase #6 is another solid comic book to read. What it lacks in character development, it bounced back a lot with build-up, mystery and intrigue. That being said, before reading the Break-Thru crossover comic books, it is important to read this comic book first.

If you are seriously planning to buy an existing hard copy of Hardcase #6, be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $4 while the near-mint copy of the newsstand edition costs $7.

Overall, Hardcase #6 is recommended.

A Look Back at Prototype #0

June 10, 2020June 9, 2020carlocarrasco

If you are looking for a great origin story set within the Ultraverse, you can’t go wrong with Prototype #0. Before we explore the said comic book, let me remind you that during my review of Prototype #1, I stated that it was great and it had a nice balance between spectacle, storytelling and characterization. There were also references to some threads to the past with regards to Bob Campbell (the original Prototype pilot) who could not help but witness his replacement Jimmy Ruiz have the spotlight being the new Prototype.

That being said, we can take a trip to the events that happened in the past with this look back at Prototype #0, published in 1994 by Malibu Comics with a story written by Tom Mason and Len Strazewski with illustrations done by Gordon Purcell and Keith Conroy.

Early story

The story begins some time in the past with an interview with top executive Stanley Leland who recalls how Bob Campbell got involved with his corporation Ultratech. As it turned out, Campbell was working in Hollywood as a stunt performer in science fiction films. Campbell fit in nicely with Hollywood job having previously served as a member of the United States Army’s special forces and has been experienced with tactical weapons and hand-to-hand combat.

The advertising agency of Leland’s company hired Campbell to wear a multipurpose exoskeleton prototype armor for the filming of a promotional project meant for the military. Campbell used what turned out to be the original Prototype armor which was very bulky and had a dome-style metallic head (that reminds of Marvel’s Mysterio). Even though it was bulky, the armor was still loaded with weapons and enhanced the pilot’s physical strength by twenty times complete with artificial intelligence (AI) assisting with the operation.

*Taking care of Bob Campbell, the original Prototype pilot.*

Even though there was a hitch (something went offline) during the filming, Bob Campbell still managed to make great use of the armor and delivered results so spectacular, Leland hired him with a high-paying contract to work officially as Prototype.

Ultratech benefited nicely in terms of sales with Prototype as their key figure and Campbell had that Rambo style which impressed the military. Shortly after, the success started entering Campbell’s head resulting more costs for Ultratech…

Quality

*The original Prototype saved a pretty lady!*

This is one great and very cleverly crafted superhero origin story! When it comes to the presentation, the exploration of past events by means of recollections and memories of different people interviewed is excellent! Having worked before as a reporter for a local community newspaper, I myself interviewed a lot of people to dig for information about the past and as such, this comic book’s approach is something I personally strongly relate with.

Through the words of Leland, Campbell’s ex-wife, Marjorie Fredericks and Hastings the caretaker, the details of what happened with Bob Campbell as the original Prototype are clearly defined. The same goes with the nature of Ultratech as a corporation and owner/developer of the powered suits of armor, not to mention how they affect the public’s perception and how they treat their employees. The last chapter focused on Jimmy Ruiz and how he became the present-day Prototype was handled in a more conventional way.

Along the way, the dialogue is very well written and the characters are nicely defined which is no surprise considering the combined high talents of Tom Mason and Len Strazewski. The art provided Gordon Purcelli and Keith Conroy is very good. Apart from the in-depth writing, the dynamic action and strong visuals, I should say that this comic book is a lot of fun to read and it perfect connects with issue #1.

Conclusion

*Bob Campbell hired full-time as Prototype pilot.*

Prototype #0 is undoubtedly a great comic book to read and easily one of the very best Ultraverse stories I read (apart from being one of the best superhero origin stories of the UV) so far. I was really engaged from start to finish, and I should state that Bob Campbell’s importance is real even as he became the has-been character in the later Prototype issues. This comic book successfully achieved its purpose on telling the origin of Prototype and made sense out of what Roland Mann said: the race has only just started!

If you are seriously planning to buy an existing hard copy of Prototype #0, be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the comic book costs $4.

Overall, Prototype #0 is highly recommended!

A Look Back at Prototype #5 (1993)

June 5, 2020June 4, 2020carlocarrasco

Previously, I took a look back at the two-part Ultraverse crossover story between Hardcase and the Strangers. It was, indeed, an enjoyable reading experience as a whole to see Hardcase and Choice have an adventure together with the Ultras who previously gained powers while riding a cable car in San Francisco that got hit by energy from the sky. The way the crossover was done resulted an entertaining story and even added to the continued development of some of the characters involved.

This time we examine another crossover of heroes within the Ultraverse by taking a look back at Prototype #5, published in 1993 by Malibu Comics with a story written by Tom Mason and Len Strazewski (with Steve Englehart on the plot) and drawn by Roger Robinson.

Early story

The story begins at North California facility where the Strangers – Atom Bob, Grenade, Electrocute, Zip Zap, Yrial, Spectral and Lady Killer – break in and bring down several uniformed personnel. Their purpose is to get into the rocket and make their way to the moon.

Quite conveniently, the Strangers wore space suits, get into the rocket (the JDH-3000) and launch successfully. This upsets the rich and powerful JD Hunt who rejects the idea of destroying the rocket. The next morning at the office, Hunt is very mad over the fact that his rocket has fallen into the hands of ultras. Knowing where exactly the JDH-3000 is heading, he tells one of his staffers to get him Gordon Bell as he plans to send someone up there to bring it back…

Quality

*Visual build-up of the crossover between Prototype and the Strangers.*

To put things in perspective, Prototype #5 is a well-written part of the big Break-Thru crossover of the Ultraverse that happened in late 1993. On its own, it forms the first part of the crossover between Prototype and The Strangers, and it sure is loaded with a lot of build-up (of key elements within the Ultraverse) and exposition.

In terms of writing, this comic book moved at a medium pace with strong emphasis on build-up. What I really found intriguing here is the politics of the fictional corporate world within the Ultraverse. There were these very powerful corporate executives communicating with each other, and there was JD Hunt who intensely joined a meeting blaming Gorden Bell for costing him billions of Dollars. The corporate politics here are actually connected with Prototype and the Strangers.

As this is a build-up comic book, you won’t get to see Prototype (Jimmy Ruiz the pilot to be precise) physically together with the Strangers until very, very late in the story. In fact, there is a lot development and a few character introductions to go through before Prototype (with two foreign companions developed by his corporate handlers) leaves for space.

Conclusion

*The corporate forces behind the Ultraverse.*

Being heavy on exposition and light on spectacle, Prototype #5 is a decent Ultraverse comic book to read. If you were expecting to see Prototype together with the Strangers for the majority of the comic book (note: the cover art is quite suggestive), you will get disappointed. However, this comic book builds up mainly on other elements of the Ultraverse, specifically the corporate forces behind the scenes. By the time you finish reading Prototype #5, you will gain a better view of what causes events to happen and how they affect the ultras. The ending of the story, I should say, is compelling enough to make you anticipate what would happen next in The Strangers #7.

If you are seriously planning to buy an existing hard copy of Prototype #5 (1993), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $4. The near-mint copy of the newsstand edition meanwhile costs $13.

Overall, Prototype #5 (1993) is satisfactory.

A Look Back at The Strangers #3

June 1, 2020May 29, 2020carlocarrasco

Right from the start, I got hooked with The Strangers and kept on anticipating the next stories. When it comes to superhero comic books, I am fond of superhero teams like the X-Men, the Teen Titans, Freex, Justice League and WildC.A.T.s

One of the things I enjoyed most from The Strangers #1, which was one of the launch titles of the Ultraverse, was the characterization. Each member of the Strangers was efficiently introduced and his/her uniqueness (apart from having a special ability) caught my attention. And then there was the plot structure that kept me reading for more.

When it comes to the very good quality of storytelling and characterization in The Strangers #1, it should not be much of a surprise since the author Steve Englehart worked on Marvel’s The Avengers, The Defenders and the West Coast Avengers. Englehart also wrote Justice League of America for DC Comics.

With that short history lesson done, we can now take a look back at The Strangers #3, published in 1993 by Malibu Comics with a story written by Steve Englehart and illustrated by Rick Hoberg.

Early story

The story begins with the Stangers already in battle with a group called TNTNT composed of Tyrannosaur, Naiad, Torso, Neu-Ronnie and Tugun. The heroic ultras find themselves struggling with their opponents. Just as Tyrannosaur punches one of the Strangers, he states: We want our victims to know us! The work we do precludes us from receiving our proper recognition elsewhere! We are the kings of destruction and death!

The fight goes on…

Quality

*Really in-depth characterization in this flashback.*

Let me make it clear to you all that this comic book is mainly a huge battle between the Strangers and TNTNT. However, it is not exactly the overly long, battle royale at all nor is it a brainless story. In fact, at key segments of the comic book, the narrative switches between the battles and flashbacks that not only explain what happened since the end of issue #2 but also showed other events that happened during the Strangers’ free time.

The flashbacks showed the Strangers interacting with each other like normal people. There was this nice scene showing Atom Bob and his teammates visit his parents’ home and have a nice dinner together. It was also during the flashbacks where the character development really got deep and by the time the story ended, I got to know the Strangers even more.

Going back to the long battle, it is clearly a showcase of spectacle in the form of superhero action and the use of their special abilities. Unsurprisingly, Rick Hoberg’s visuals really brought the script to life here. Really good imagery here and there! Also I should say that Hoberg’s designs on the members of TNTNT were really good, even comparable with the Strangers’ designs.

Conclusion

*This is just a taste of the action-heavy battle.*

The Strangers #3 is fun and compelling to read. What makes this different from issues #1 and #2 is that following the narrative (which switches between the present day battle and the character-driven flashbacks) can be challenging at first. As such, this is a comic book that needs to be re-read in order to fully understand the story. It has a lot of action, super powers showcased and enough character development! Finally, I should say that Steve Englehart and Rick Hoberg crafted a pretty powerful build-up leading to the last page.

If you are seriously planning to buy an existing hard copy of The Strangers #3, be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $4 while the near-mint copy of the newsstand edition costs $8.

Overall, The Strangers #3 is recommended!

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