If you are eager to order in advance a copy of the upcoming Saints Row reboot – AKA Saints Row (2022) – you should consider waiting first because the said game’s release has been delayed all the way to August 2022 as confirmed recently by Volition’s Creative Director Jim Boone and the developers simply cannot complete their work on the game based on their current situation.
To put things in perspective, posted below is an excerpt from the Saints Row website post by Jim Boone. Some parts in boldface…
Can you imagine Johnny Gat beating all these four and tell them they are not worthy of carrying the Saints Row title?Also what’s with the SJW look on the character designs?
Saints Row will no longer release on the originally announced date of 25th February 2022, instead it will launch worldwide on 23rd August 2022.
Our priority is to create the best Saints Row game yet and, if we released on the original date, it wouldn’t be up to the standards we’ve set ourselves, and that you’re expecting and deserve. The team just need more time to do our vision justice; we’re doing some fine tuning and there won’t be much change in the game outside of overall quality and polish.
In all honesty, we underestimated the impact COVID would have on our schedule, although everyone adapted very quickly to the working from home arrangement and continued to be incredibly productive.
However, due to the size and scope of our new Saints Row, it’s become apparent that to create the best game possible, we need to give our team longer to perfect their craft.
As you can see in the above excerpt, Volition needs more time and opportunities to polish Saints Row (2022) and make it the best and most enjoyable game possible. Volition’s situation of having employees work at home due to this COVID-19 crisis is not surprising at all. I can only guess that their previous announcement of a February 2022 release was decided rather too aggressively. How long exactly have Volition’s workers been working from their homes remains unclear.
Boone also mentioned on his post that Saints Row (2022) will be their “biggest and best Saints Row game ever,” while confirming that “there will not be any changes to the story or the characters.” With those details declared, it’s obviously clear that revising the story or the characters will consume a lot of time given the creative processes involved. Still, I would prefer that they revise the character designs of the new age Saints Row who currently look more like misfits molded with Commie-oriented diversity concepts. Were Volition’s artists influenced by images of the Cancer Culture and Black Lives Matter mobs?
For those who missed out on updates about Saints Row (2022), the game was recently featured by Game Informer with videos showcasing how it plays, what the concepts are, how the writers reacted to its quality, etc. Check out the Game Informer videos below…
Saints Row (2022) will be released on Xbox One, Xbox Series S and Xbox Series X on August 23, 2022. If you have decided already to order the game in advance, click right here.
In closing this piece, posted below are Xbox and Saints Row-related videos for your viewing pleasure.
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For your excitement, watch this official announcement video…
The next video below is about the production of the game which includes words from varied creators at Volition plus actual gameplay footage. Watch closely and pay attention.
Now to put things in perspective, posted below is the excerpt from the Xbox.com article written by Deep Silver Volition chief creative officer Jim Boone. Some parts in boldface…
Saints Row is back and better than ever! We’ve completely rebooted the game, with a brand-new setting, new characters, and new tone, bringing the Saints franchise up to date for today’s gamer.
The game is set in Santo Ileso, a vibrant fictional city set in the American Southwest with nine unique districts and two deserts, currently controlled by three enemy factions: Los Panteros, The Idols, and Marshall Defense Industries.
You start out as the future Boss, our charismatic murder machine, and you get to decide who you want to be, with extensive customization options; you literally get to be Self Made. You team up with your three best friends, Neenah, Eli, and Kevin and begin your mission to rise to the top and build your criminal empire.
However, as this is Saints Row, it’s not an easy ride. You must defeat the three enemy factions and take Santo Ileso as your own. Experience epic gunfights and highspeed chases as you explore the biggest and best Saints Row playground ever, laced with the signature humor the series is known for.
An arsenal of extensive, customizable weapons is all available to you, with cars, bikes, VTOLs, helicopters, and wingsuits all adding to the enormous fun. And two-player co-op means you can enjoy all this with a friend.
Shooting and high-speed chases are part of the Saints Row formula of gameplay.
I am personally very interested with this brand-new Saints Row game. I first got to play the original Saints Row on Xbox 360 way back in 2006 and it was one of my first games on the console. That original game was developed by Volition and published by THQ. I had even more fun with Saints Row 2 and I had the best and most fun-filled gaming sessions with Saints Row: The Third. Saints Row IV turned me off, however, as it was way too outlandish and it was made at a time of uncertainty.
Going back to the Saints Row reboot, based on the above details and the short gameplay clip, I still see some traces of the key gameplay features that defined the Saints Row franchise’s first three games. Players will get to lead a gang and gain respect as they build themselves up in the presence of rival gangs within a fictional city that is divided into sections. The feature of customizing your weapons and vehicles is also back. Also it has been confirmed that character customization is back.
Honestly, this creative design as the default look of the “Boss” that gamers will get to play is ugly and ill-conceived. Good thing that gamers will be allowed to customize their character.
How many cactuses have you spotted in your city?
Here is hoping that more updates about the features and setting of the new Saints Row game will be released over the next few months heading towards the February 2021 launch. I am hoping that the game developers will seriously pay attention to the features that made the Saints Row: The Third so much fun such as owning properties, cyber blazing and the signature activities like Mayhem, Snatch, Insurance Fraud, Trafficking, Heli Assault, Tank Mayhem and Professor Genki’s Super Ethical Reality Climax.
As the new Saints Row is a reboot and has a very brand new setting as well as an obvious Millennial-inspired cast of characters (it looks like there are some woke, politically correct and diversity-obsessed people inside Volition), it is uncertain if most of the above-mentioned gameplay features will be included.
Saints Row and Xbox
The new in-game setting reminds me of Arizona, Nevada and New Mexico.
A helicopter lifting a car. The in-game action should be wild like before.
The connection between the Saints Row and Xbox brands is notable and real even though it is not obvious enough to be noticed. In my experience, I played the first SR games on my Xbox 360 and by the time I played the 3rd game, my console was already aging. Fortunately my Xbox 360’s problems did not prevent me from fully enjoying Saints Row: The Third.
When backwards compatibility on Xbox One was realized, I replayed the three SR games on my console and had a lot of fun replaying them. As for the remastered version of Saints Row: The Third, I have yet to play it but it has been confirmed to run at 60-frames-per-second with dynamic 4K resolution on Xbox Series X. Just imagine how the new Saints Row will run on Xbox Series X.
Will the Saints Row reboot be a fun and engaging game to play once it finally comes out? We will only find out on February 25, 2021.
In ending this piece, here are some Xbox and Saints Row-related videos for your enjoyment.
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Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
I will just say it straight and clearly – the Terminator film franchise is truly unnecessary today and, having seen its debut in the year 1984 (written and directed by a very young James Cameron), I should say that the saga really ended with 1991’s Terminator 2: Judgment Day (Cameron’s masterpiece).
Ultimately, I left the cinema disappointed yet again although the experience was not as bad as that of 2015 (with Genisys).
Clearly, the filmmakers took inspiration from Star Wars: The Force Awakens and mix the more established film franchise stars (in supporting roles) with the younger actors.
To put it short, Terminator: Dark Fate took creative inspiration from 2015’s Star Wars: The Force Awakens. This means it was made with recycled concepts, told the story through its new characters (played by actors who are much younger and who are supposed to appeal to younger viewers) and back them up with the old, more iconic actors (Arnold Schwarzenegger and Linda Hamilton) limited to supporting roles. When it comes to presentation, this new movie felt more like a roller coaster ride than an actual story laced with spectacle stage-by-stage.
That is pretty much how Terminator: Dark Fate turned out. It does not matter that this was directed by Tim Miller, the guy behind 2016’s Deadpool. It does not matter that the great James Cameron got involved with producing and story credit (he shared with a few other names). It does not matter that this movie was made with a large budget of $185 million and relied heavily on computers to generate the visuals (which look fake most of the time). Whatever the preparations made, they did not matter at all because Terminator: Dark Fate is a rushed and creative disappointment that does not deserve your time nor your money.
The movie opened with archived footage of Sarah Connor expressing the darkness of the future coming. This was immediately followed by a scene set in 1998 showing Sarah and her son John living in an age in which Judgment Day did NOT occur on August 29, 1997. Suddenly another Terminator T-800 Model 101 (another Schwarzenegger-type Terminator) appears and actually kills John Connor leaving Sarah in turmoil.
This is the protector sent through time by the human resistance.
John Connor, who has been a central story element in the 1984 and 1991 (memorably played by Edward Furlong) movies as he was destined to be the human resistance leader in the war with Skynet, was eliminated so quickly in the opening of this new movie very similar to how the character of Dwayne Hicks (played by Michael Biehn in the James Cameron-directed Aliens) got killed in a very dismissive way in the beginning of Alien 3. This move was nothing less than cynical, ill-conceived and even a daring disservice to Terminator fans.
From this point on, Terminator: Dark Fate turns into a “what if John Connor was dead and a new future war followed?” type of story.
Even though Judgment Day got prevented in relation to what Sarah and John achieved in Terminator 2, a new war between man and machines in the far future still occurs only this time Skynet is no more and the new enemy artificial intelligence (AI) this time is called Legion. This new story concept, by the way, is pretty insulting to any fan who loved the first two films directed by James Cameron as those flicks told a complete saga.
This is the new, future leader of the human resistance.
And then the plot of The Terminator got recycled. A human fighter is sent back through time to protect a person who is destined to become the leader of the human resistance. Also sent back through time is a Terminator designed to look human and infiltrate society with a mission to kill the future human resistance leader. This is essentially what Terminator: Dark Fate truly is and even though Sarah Connor returned (plus another Terminator T-800 played by Schwarzenegger), there really is nothing new, nothing fresh and nothing worth enjoying.
When it comes to quality, this movie does not have much standing for it. The new characters are not engaging at all and their respective performers really had nowhere to go to engage moviegoers. Mackenzie Davis playing the new combat-ready protector only served to beef the film with action and there is nothing compelling about her act, nor did the script provide anything to make her androgynous character memorable. The new human resistance leader played by Natalia Reyes is forgettable and unbelievable even though she tried hard being dramatic. Compared with Sarah Connor in 1984’s The Terminator, the chosen one Dani Ramos in the film was transformed from a struggling, working-class person into a brave fighter in a very rushed and unconvincing manner. Also, if you take a close look at Natalia Reyes, she is too short to be a figure of authority, too small to use weapons and her act is clearly sub-par in terms of quality making her big misfire in terms of casting. The performance, script and directing really had no depth when it comes to developing the characters.
The new Terminator (Rev-9) played by Gabriel Luna was nothing more than an uninspired attempt to outdo the T-1000 of Terminator 2. Luna was decent with playing cold and emotionless but when he acts human to infiltrate human society, he’s just generic at best.
This is the new cinematic villain that won’t stop to kill the future leader of the human resistance. Oh, the computer-generated visuals are often fake to look at.
As for Arnold Schwarzenegger and Linda Hamilton returning, it is sad for me to say that these two iconic performers of the film franchise got wasted. Sarah Connor in this movie was poorly written and this modern version ruins the legacy the character had since 1991. Schwarzenegger meanwhile played another T-800 Terminator whose adjustment into human society turned out to be unconvincing, even outlandish. A Terminator adjusting into domestic human life? Totally unbelievable!
If there is anything to admire in this ill-conceived movie, it is Schwarzenegger’s delivery of his lines as the Terminator. He was over 70-years-old at the time of filming and he no longer has the super fit, muscular build he was famous for but he still proved to be excellent in being robotic with the dialogue. Sadly, this good stuff from the ex-governor of California was not enough to save this movie from its dark fate.
The film has a lot of action and there is a notable variety of it here. Even though action-packed and the action quality is an improvement over Terminator 3, Salvation and Genisys, Terminator: Dark Fate is ultimately a ride that can only provide temporary relief from the pain of the weak script. Oh, the use of fake-looking CGI hurts the action and stunts
Conclusion
Let this be the LAST Terminator movie and let it fade away. How? By NOT spending your precious time and money on it.
Terminator: Dark Fate clearly failed to be a solid film and definitely it is NOT worthy of being the official follow-up (the “real Terminator 3”) to the first two films written and directed by James Cameron. Cameron’s involvement with this movie did not really improve the situation of the deteriorating Terminator film franchise and even worse, this big disappointment taints his record of excellence as a producer. Director Tim Miller, in my opinion, should go back to superhero film making or try directing a brand new project of science fiction that does not involve an established intellectual property.
Bottom line – Terminator: Dark Fate is absolutely not recommended. You definitely should NOT spend your money on this movie (the cinema, future release on streaming services, Blu-ray, DVD, etc.). The movie is also woke garbage and the product of DEI (diversity, equity and inclusion).
If you want to experience the cinematic greatness of the Terminator film franchise, go back to watching The Terminator and Terminator 2: Judgment Day instead.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenoris still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Way back in 1994, Warner Bros. released the action movie On Deadly Ground which marked the directorial debut of its star Steven Seagal. The movie had a poster that easily attracted the attention of avid Steven Seagal fans and eventually the film lured quite a lot of moviegoers to the cinemas.
Even though it had a boring design, this image at cinemas excited Steven Seagal fans and moviegoers craving for action.
I never saw it in the cinemas due to a lack of time and money. Instead I saw On Deadly Ground on VHS format (and later on cable TV) in the comfort of home. That comfort however turned into disappointment after watching it.
For starters it’s a Steven Seagal movie which guarantees lots of hard-hitting action with lots of swearing. What makes it feel unique was its focus of the environment and its very forced concept about a very greedy top executive of an oil company is creating danger towards the environment as his team rushes to complete an oil rig called Aegis One in Alaska.
The execution of the movie, to say the least, is rather poor. Just about every character in the movie is one-dimensional. When it comes to action, it is typical (and very predictable) Seagal as the star gets to fight lots of bad guys without ever being hurt by them! Ironically Seagal in the film expresses pain over the treatment of his wounds.
Star-director Steven Seagal and the film crew working on an action sequence.
And then there is the emphasis on the environment. The movie narrowly portrays the fictional oil company as the force of danger to nature and threat to indigenous people of Alaska because it is led by Michael Jennings (played by Michael Caine) who is too greedy and desperate to beat a deadline and prevent the oil rights from reverting back to native Alaskans.
That’s right! Jenning’s Aegis had the oil rights for twenty years and all they could do is try to launch an oil refinery so near the end of the time period. Does it really take that long to construct an oil rig? What exactly did Jennings do during those twenty years? I mean, he acquired the oil rights from the natives and I could speculate he did not prioritize the construction of any oil-related business project using those same rights. Perhaps Jennings spent years touring the world, suddenly was advised that his corporation has financial trouble and only then did he go to work to make oil rig.
More on the environment, Steven Seagal plays Forrest Taft who initially serves Jennings. He eventually checks the computers of the company to find out that faulty equipment has been used and the delivery of better and more reliable equipment is coming in way too late. Taft even asked Jennings (who eventually learned about Taft’s unauthorized computer access) how much money is enough and this predictably leads to a scene in which Taft gets set up to die in an explosion.
Michael Caine and Steven Seagal.
Unfortunately for Jennings and the other bad guys, Taft survived and got assistance from native Alaskans. Very predictably, he makes a comeback, collects weapons, performed a few destructive operations before proceeding to Aegis Oil’s rig to cause further destruction and kill bad guys!
Then the film ends with Taft giving a speech at the Alaska State Capitol focused on uncontrolled pollution, environmental destruction and big businesses’ contribution to environmental decline.
Chinese actress Joan Chen pretending to be a native tribe member.
It’s funny how Taft got to deliver his speech. He was not arrested for causing the oil rig’s devastation nor was held accountable for killing other people. Where were the local authorities who could have initiated an investigation? Even without Michael Jennings, the oil company could have gone to the local authorities or the federal government to accuse Forrest Taft for murder and even acts of terrorism! Also where in the world are those staunch, loudmouth environmental activists, SJWs and climate change activists? The damage caused by Taft on the oil rig clearly caused damage to the natural environment with those toxic fumes from the explosions! Logic was clearly thrown out for the sake of senseless violence.
When it comes to performances, this movie is a showcase of shallow acting and cinematic expressions. Not only are the characters one-dimensional and the script really had no character development, the actors really had no where to go as far as acting is concerned. Chinese actress Joan Chen plays Masu who only serves as the English-speaking expository dialogue delivery person to help the audience understand the norms and concerns of a native tribe. Shari Shattuck (who is an author and has her own Facebook page) played the pretty, bland and straight-forward special assistant to Michael Jennings. R. Lee Ermey, who is best known for playing military officers, plays the leader of a group of mercenaries who got defeated too easily by Seagal.
In terms of directing and overall presentation, this movie is clearly nothing more than a vanity project of Steven Seagal. There were many moments in the film that looked like it suggested viewers to worship and idolize Seagal. The pacing of the film is very lackluster overall.
Poorly directed scenes? One of them is the excessively violent torture scene of Hugh Palmer (played by a then 73-year-old Richard Hamilton) which showed no restraint on the part of filmmakers. The scene, which was clearly designed to make moviegoers see the evil of Michael Jennings through the acts of his henchmen, would have worked better had the on-screen torture been reduced and shortened.
More on the movie’s violence, the scene showing Forrest Taft easily beating up multiple oil workers in response to the mistreatment towards a native man was unnecessary and overly long. Taft looked more like a senseless superhero who does not care about humanity and laws. And then there was that hand-slap game between him and “the man’s man” Big Mike (Mike Starr). The presentation of violence and bloodily injuring a man as means of enlightenment is senseless.
Ultimately On Deadly Ground is a worthless action to film to watch and I believe only die-hard Steven Seagal fans will love it. It was a very bad movie back in 1994, it’s even worse by today’s standards. On Deadly Ground is filled with bad ideas turned into film. A pro-environment concept presented as a senseless action film is a big waste. And then there is the old stereotype that a giant corporation’s head is unabashedly evil, inhuman and greedy (note: not all corporate heads of billion-dollar corporations are like that).
As such, I should say that you should never waste your time nor your money on this piece of crap.
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Note: This retro movie review was originally published at my old blog Geeks and Villagers. What you just read was the updated and expanded version. As such, this retro movie review is the most definitive version.
Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. Also my fantasy book The World of Havenoris still available in paperback and e-book format. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com
Author Carlo Carrasco 