A Look Back at X-Men 2099 #9 (1994)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, fans of the 2099 universe of Marvel Comics, 1990s culture enthusiasts and comic book collectors! Today we revisit the X-Men 2099 comic book series by focusing on its ninth issue. Since issue , the connection between the mutants of 2099 with the original team founded by Charles Xavier was vague. Sure, Xi’an made verbal references to Charles Xavier and Magneto but there was nothing concrete with regards to his team adapting the team name of the classic X-Men.

With those details laid down, here is a look back at X-Men 2099 (1994), published by Marvel Comics in 1993 with a story written by John Francis Moore and drawn by Ron Lim.

The cover.

Early story

The story begins shortly after the X-Men left the town. Without Eddie/Metalhead (who chose to be left behind), Xi’an and his team arrive at a facility in the middle of nowhere. It turns out, they have been following the coordinates in relation to Krystalin’s assignment to investigate and Xi’an determined there was something odd about her voice during their last communication.

Krystalin suddenly appears to her teammates with Victor Ten Eagles right behind her. Victor was a companion of Xi’an’s during their days together with the group referred to as the Lawless. While the two former Lawless members talk, Skullfire, Shakti and Meanstreak notice there is something very odd with Krystalin. Xi’an notices something is definitely wrong and he remembers that when the Lawless disbanded, he and Ten Eagle never parted on friendly terms.

Suddenly, a very old Asian man appears in front of them floating in the air. He reveals his name as Zhao and he refers to them as his X-Men…

Quality

X-Men 2099’s leader Xi’an in trouble. This page reveals some threads from his past and the concept that Saigon in Vietnam hosted the 2016 Olympics.

Starting with the storytelling, the script was clearly written with a lot of confidence on the part of John Francis Moore as he expands further the lore of America of 2099 through the team of mutants. For one thing, it uses its own version of Marvel Comics universe history (note: one possible history since 2099 was one possible future of the Marvel universe) to establish the link between Charles Xavier’s original X-Men with the mutants of 2099 complete with what happened in between. While I won’t spoil what exactly happened, I can assure all of you reading this that something very intriguing happened and Zhao is not just a mere 2099 character. I also liked the concept about the sad state of mutants in the far future and why extremists emerge claiming to be their hope and tell them to join the movement without hesitation. The pacing of the story was smooth and there was sufficient build-up with the X-Men history that led to a nice payoff when the big revelation was made.

As the art on the cover symbolizes, there is something really wrong with the X-Men 2099 leader. In the previous issues, there were signs of Xi’an getting haunted by his past with the Lawless and this comic book marks a significant change in his portrayal. He also tried to be strong as team leader even though he kept some really undesirable secrets away from them. All of that build-up paid off well here. Clearly, this was one of John Francis Moore’s strongest scripts on the X-Men of 2099.

When it comes to spectacle, there is some superhero action here visualized in both the present-day story and the historical flashbacks. Artist Ron Lim paced the flow of the images properly and was creative with the way he framed what happened.

Conclusion

The X-Men and Zhao.

X-Men 2099 (1994) has a great story concept which successfully and clearly establishes the connection between the original X-Men of Xavier with Xi’an’s X-Men. At the same time, this comic book starts a new chapter in the life of the 2099 mutants’ leader whose dark and painful past keeps disturbing him deeply. At the time of its release, the X-Men of far future were portrayed to be nomadic trying to survive and search for other mutants. This makes them distinct from the mainstream X-Men of the time and ironically they become similar with Freex of the Ultraverse.

If you are seriously planning to buy an existing hard copy of X-Men 2099 (1994), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $30 while the near-mint copy of the newsstand edition costs $90.

Overall, X-Men 2099 (1994) is highly recommended!

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Dazzler #2 (1981)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, comic collectors, 1990s culture enthusiasts and fans of Marvel Comics! Way back in 1981, Marvel Comics had a successful comic book series launch with Dazzler (read my retro review by clicking here) which sold over 400,000 copies and further sealed Dazzler as an advantageous addition for the company’s superhero comics franchise. Dazzler, a creation of a deal between Marvel and a certain record company, debuted in Uncanny X-Men #130 and got involved with the X-Men until Uncanny X-Men . Dazzler appeared with Marvel’s famous webslinger in Amazing Spider-Man #203.

Dazzler ended with a brewing rivalry between the title character and Enchantress. With those laid down, here is a look back at Dazzler , published in 1981 by Marvel Comics with a story written by Tom DeFalco and drawn by John Romita, Jr.

The cover.

Early story

The story begins with Dazzler preparing for her big show at Numero Uno, a prestigious disco in the city of New York. Just before the show starts, a huge crowd of people are in attendance and among them are Wolverine, Peter Parker (Spider-Man), Captain America, Johnny Storm, Ben Grimm and Tony Stark (Iron Man) to name some.

Just as Dazzler appears on-stage and draws a frenzied applause from the audience, the revenger-hungry Enchantress slowly makes her moves to ruin the lady who outclassed her to be the main attraction of the club. Even with her desire for revenge, the Enchantress decides to use her magic sparingly on Dazzler. In the audience, Peter Parker/Spider-Man begins to sense something is about to happen…

Quality

This shows what this comic book is really about.

The way the story was told is disappointing. This is because the spotlight on Dazzler and her anticipated conflict with the Enchantress got overwhelmed by the amount of superhero filler on the narrative. To be clear, it is fun and interesting to see a mix of the varied superheroes of Marvel together but this comic book ended up being an all-star showcase (X-Men, Avengers and Fantastic Four members included) than a real, standalone Dazzler story. In fairness, Tom DeFalco showed how skilled he is with plot structuring and capturing the personalities and tropes of the different superheroes (note: unsurprisingly, DeFalco accurately captured Spider-Man’s personality and he went on to be a major force behind Spider-Man comic books) but that does not change the fact that this comic book should have been more about Dazzler.

When it comes to the conflict between Dazzler and the Enchantress, it was executed with no depth at all. Literally speaking, there is not enough meat to consume here and it the conflict really ended up looking very rushed. As if that was not bad enough, there is not enough justification to show Dazzler defeating a monster summoned by the Enchantress.  Considering how shallow the Dazzler-Enchantress match-up turned out, it’s no wonder why there is so much Marvel all-star filler in the script.

As for the late-stage attempt to shift the narrative back to Dazzler, it is rather over-the-top and unsatisfying.

Conclusion

You recognize someone in the audience?

Dazzler (1981) is an example about a creative team’s lack of confidence on crafting a decent story to develop a new superhero and ultimately resorting to fill it with a mix of other superheroes involved which itself symbolizes desperation. This comic book is not really a Dazzler story but an all-star showcase with Dazzler becoming a minor character in her own monthly series.

If you are seriously planning to buy an existing hard copy of Dazzler (1981), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $28 while the near-mint copy of the newsstand edition costs $60.

Overall, Dazzler (1981) is unsatisfactory. Anyone who loves Dazzler or who wishes to discover more of her will be disappointed with this comic book.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Amazing Spider-Man #203 (1980)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1980s culture enthusiasts, comic book collectors and fans of Marvel Comics! Previously I reviewed Uncanny X-Men #130 (1980) which was the first appearance of Dazzler who eventually became a popular figure for Marvel Comics in the 1980s. Before the company published a monthly comic book series featuring her, Dazzler made another appearance in an issue of the Amazing Spider-Man which was released just a few months after her debut. This, of course, led to a crossover with the iconic webslinger himself.

With those details laid down, here is a look back at Amazing Spider-Man #203, published in 1980 by Marvel Comics with a story written by Marv Wolfman and drawn by Keith Pollard.

The cover.

Early story

The story begins during a night in the city where a swinging Spider-Man gets distracted by fast skating Dazzler who is being followed closely by a streak of light. After Spider-Man speculates about the possible return of Will-o-the-Wisp, he decides to intervene and pulls Dazzler off the road and to himself above. Dazzler faints suddenly.

A short while afterward, Dazzler wakes up and starts talking with the webslinger. In response to the mention of Will-o-the-Wisp’s name, she claims to not knowing what he was talking about. As their talk goes on, Dazzler hears music from the street which strengthens her. Using the small mirror globe she is wearing, Dazzler hits Spider-Man with a blast of light pushing him off the building…

Quality

The crossover between Dazzler and Spider-Man is the main feature of this comic book.

This is one fun crossover between the iconic Spider-Man and the brand-new Dazzler. Marv Wolfman wrote a story that not only followed the further adventures of the webslinger, it also gave readers more to see and learn about Dazzler who just had her unexpected adventure with the X-Men months earlier (in Uncanny X-Men and ). By connecting this story with those two X-Men comic books, it really looked like just got back home in the city only to get chased by streaking light. The interactions between Dazzler and Spider-Man were entertaining. While Dazzler is a known entertainer among New Yorkers, it was the webslinger who remains the big, popular local figure which is clearly reflected in the singer’s verbal exchange with him.

The villain in this comic book, Lightmaster, is pretty cartoonish visually but his super power and high intelligence do make him look threatening. I like the way the story was crafted with concepts that link Lightmaster with Dazzler. Both of them are connected with light and while Dazzler is able to absorb sound like a form of energy and create light beams, Lightmaster has the means to tap on her power and use it for his advantage. There is also another capability of Lightmaster’s which I will just leave unrevealed and you who read this should find out about it.

Conclusion

Lightmaster enters the scene.

Amazing Spider-Man #203 (1980) is a very old yet fun comic book that fans of Spider-Man and Dazzler will enjoy. Not only does it have a meaty encounter between the two, it also succeeds in chronicling Spider-Man’s life both in costume and as civilian Peter Parker. Going back to Dazzler, there is not much character development for her here but that is understandable as such emphasis was only waiting to happen in her own monthly comic book series.

If you are seriously planning to buy an existing hard copy of Amazing Spider-Man #203 (1980), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $94 while the near-mint copy of the newsstand edition costs $150.

Overall, Amazing Spider-Man #203 (1980) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com