Tag: Maxima

A Look Back at Superman #74 (1992)

A Look Back at Superman #74 (1992)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book.

To be more specific, this retro review goes into one of the chapters of the Death of Superman storyline showing more of Doomsday’s rampage but before the climax of the battle with Superman. I’m talking about the 74th issue of the Superman monthly series of the time.

With those details laid down, here is a look back at Superman #74, published in 1992 by DC Comics with a story written and illustrated by Dan Jurgens.

The cover.

Early story

The story begins with Ice and Maxima in the presence of a suffering Blue Beetle who just got hurt badly by Doomsday. While Ice expresses concern for Blue Beetle, Maxima could only care less about him stating that he shall perish as a warrior fallen in battle and that there is no greater honor one can attain. After Ice pleaded her to help Blue Beetle and realize the need to help others who have fallen, Maxima then uses her power to help Blue Beetle to safety. Ice then proceeds to another direction to stop Doomsday.

Meanwhile, a young guy named Mitch arrives home feeling bad about his situation. His mother is taking care of his infant sibling. After a tense talk between them, Ice suddenly crashes into their home. Mitch and his mother look outside and see Doomsday (still covered in a space suit with only his left arm unrestrained as seen in Superman: The Man of Steel #18) carrying a damaged car with his left arm.  

Suddenly Doomsday notices something – the arrival of Booster Gold and Superman…

Quality

Superman struck really hard by Doomsday!

Apart from being a build-up chapter of the Death of Superman storyline, this comic book is notable for two things: It has the first-ever encounter between Superman and Doomsday in comic book history. Second is the reveal of Doomsday’s face and other physical features as a result of his space suit and restraints getting torn.

The first-ever Superman-Doomsday encounter here is symbolic as it happened just minutes after the Justice League America (JLA) got overwhelmed by the unstoppable creature from outer space. While Superman had his TV interview, his JLA teammates failed miserably during their encounter with Doomsday (as told in Justice League America #69). By the time the Man of Steel and the creature meet, the stage was set for readers to find out once and for all who is more powerful between them.

Superman’s leadership is also emphasized in this story. The JLA in this issue does not have DC’s most famous superheroes as members but Ice, Maxima, Fire, Booster Gold, Bloodwynd and Guy Gardner functioned well and added nicely to the build-up of this storyline.

There is a lot of superhero spectacle to enjoy here but the most noticeable visual features are the scenes of destruction which strongly symbolize Doomsday’s immense strength, violent nature and complete disregard of both life and logic. The showing of an American family coming close to death in the presence of Doomsday remains disturbing to see.

Lastly, I should state the big reveal of Doomsday’s face and other physical features is excellent and even timeless. There is this undeniable combination of fright and intimidation that Dan Jurgens visualized here. In fact, the big reveal (which happened after Superman and the JLA combined their attacks on the creature) alone is a solid reason to read this comic book.  

Conclusion

Doomsday the unstoppable force that completely disregards life and cannot be reasoned with.

Even as a build-up issue of the Death of Superman storyline, Superman #74 (1992) is still a great read on its own. Not only did it mark the first-ever encounter between Superman and Doomsday in the history of comics, it also emphasized how vulnerable and inferior the superheroes here really are. There is also the symbolism of Doomsday as the unstoppable being that completely disregards life (and can never be reasoned with) and still Dan Jurgens managed to spare some room to symbolize how the superheroes struggled in trying to stop the creature and take care of the helpless whenever they can.

Overall, Superman #74 (1992) is highly recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco

A Look Back at Superman: The Man of Steel #20 (1993)

A Look Back at Superman: The Man of Steel #20 (1993)

carlocarrasco

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back superhero enthusiasts, 1990s culture enthusiasts and comic book collectors! Today we go back to the early 1990s and explore a key chapter in the post-Crisis era of DC Comics through a Superman comic book.

Previously, I reviewed Adventures of Superman #498 (1993) which marked the first chapter of the Funeral for a Friend storyline and dramatized the impact left behind by the death of Superman. That particular comic book had strong writing and succeeded in dramatizing how Superman’s friends, associates and other characters coped with his death with the future looking uncertain to them.

With those details laid down, here is a look back at Superman: The Man of Steel , published in 1993 by DC Comics with a story written by Louise Simonson and drawn by Jon Bogdanove. This comic book marked the third chapter of the Funeral for a Friend storyline.

The cover.

Early story

The story begins with people in Metropolis struggling to move forward not only because their hero Superman died but also because of the tremendous damage left behind by Doomsday. In his headquarters, Lex Luthor is talking with the telephone surrounded by several people with Supergirl watching. The matter being discussed was the burial of Superman at Centennial Park particularly in a structure Luthor himself donated. While he has to live on with the fact that he failed to kill Superman, Luthor tells himself he can still bury him.

At the Kent farm far away from Metropolis, Jonathan and Martha Kent are agonizing not only because of the death of their beloved son but also because they realized they cannot even get near him at his funeral as it will be organized as a major event with only the important people allowed to attend…

Quality

It seems like destiny to have the super villain Lex Luthor in the presence of a fictionalized Bill Clinton and Hillary Clinton during the funeral of Superman. By today’s standards, the Clintons made it normal for America to bow to terrorists and make deals with them. That being said, their inclusion in this comic book is just wrong.

To go straight to the point, like Adventures of Superman (1993), this comic book continues to dramatize the impact of Superman’s death on Metropolis and its people in a very engaging manner. It shows that DC’s creative teams in charge of Superman comic book at the time were really organized and coordinated with each other on crafting the Funeral for a Friend storyline. What makes this comic book stand out is the funeral itself which was organized as a public event (with the burial itself done in the presence of important people – including a very evil couple from the Democrats who love abortion and terrorism) and this includes the presence of many other DC Comics superheroes like Wonder Woman, Green Lantern, The Flash, Maxima, Shazam (AKA Captain Marvel) and others. The burial had its own share of intriguing and dramatic moments emphasizing the people’s struggle to adjust themselves knowing they don’t have Superman anymore to help them.

Wonder Woman, Green Lantern and Robin help out as the huge crowd became rowdy.

More on the post-death dramatization, the creative team managed to keep Superman’s associates Lois Lane, Jimmy Olsen and the other Daily Planet people feeling uneasy over the Man of Steel’s death which makes their work covering the funeral professionally a challenge. Unsurprisingly, Lois Lane gets her own fine share of the spotlight agonizing over the fact that she lost her beloved Clark (Superman to the public) whom she was supposed to get married with. The emotional struggle within her intensified as she experiences difficulty of informing the elderly Kent couple about what happened. This is rich writing prepared by the creators.

Not only that, the creative team also went all-out with dramatizing the impact of Superman’s good deeds on the people. You will see several people from Metropolis’ general population talk about how Superman helped them or inspired them. There are certain lines of dialogue that are quite touching to read.

Conclusion

A pretty powerful portrayal of Lois Lane’s struggle on dealing with the new reality that she lost her beloved Superman.

Superman: The Man of Steel (1993) is another solid, post-death story emphasizing the new normal that Metropolis people and Superman’s friends are having difficulty adjusting to…a world without the Man of Steel. Based on the high quality of the storytelling and character development, it is easy to tell that the Superman titles’ creative teams planned ahead and prepared themselves for telling a post-death saga which was pretty risky given the iconic status of Superman and his decades-long legacy in comics and pop culture. This comic book really made Superman’s absence feel powerful and undeniable.

Overall, Superman: The Man of Steel (1993) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below, share this article to others and also please consider making a donation to support my publishing. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me with a private message. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me on Twitter at  @HavenorFantasy as well as on Tumblr at https://carlocarrasco.tumblr.com/ and on Instagram at https://www.instagram.com/authorcarlocarrasco