A Look Back at Amazing Spider-Man #203 (1980)

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

Welcome back, superhero enthusiasts, 1980s culture enthusiasts, comic book collectors and fans of Marvel Comics! Previously I reviewed Uncanny X-Men #130 (1980) which was the first appearance of Dazzler who eventually became a popular figure for Marvel Comics in the 1980s. Before the company published a monthly comic book series featuring her, Dazzler made another appearance in an issue of the Amazing Spider-Man which was released just a few months after her debut. This, of course, led to a crossover with the iconic webslinger himself.

With those details laid down, here is a look back at Amazing Spider-Man #203, published in 1980 by Marvel Comics with a story written by Marv Wolfman and drawn by Keith Pollard.

The cover.

Early story

The story begins during a night in the city where a swinging Spider-Man gets distracted by fast skating Dazzler who is being followed closely by a streak of light. After Spider-Man speculates about the possible return of Will-o-the-Wisp, he decides to intervene and pulls Dazzler off the road and to himself above. Dazzler faints suddenly.

A short while afterward, Dazzler wakes up and starts talking with the webslinger. In response to the mention of Will-o-the-Wisp’s name, she claims to not knowing what he was talking about. As their talk goes on, Dazzler hears music from the street which strengthens her. Using the small mirror globe she is wearing, Dazzler hits Spider-Man with a blast of light pushing him off the building…

Quality

The crossover between Dazzler and Spider-Man is the main feature of this comic book.

This is one fun crossover between the iconic Spider-Man and the brand-new Dazzler. Marv Wolfman wrote a story that not only followed the further adventures of the webslinger, it also gave readers more to see and learn about Dazzler who just had her unexpected adventure with the X-Men months earlier (in Uncanny X-Men and ). By connecting this story with those two X-Men comic books, it really looked like just got back home in the city only to get chased by streaking light. The interactions between Dazzler and Spider-Man were entertaining. While Dazzler is a known entertainer among New Yorkers, it was the webslinger who remains the big, popular local figure which is clearly reflected in the singer’s verbal exchange with him.

The villain in this comic book, Lightmaster, is pretty cartoonish visually but his super power and high intelligence do make him look threatening. I like the way the story was crafted with concepts that link Lightmaster with Dazzler. Both of them are connected with light and while Dazzler is able to absorb sound like a form of energy and create light beams, Lightmaster has the means to tap on her power and use it for his advantage. There is also another capability of Lightmaster’s which I will just leave unrevealed and you who read this should find out about it.

Conclusion

Lightmaster enters the scene.

Amazing Spider-Man #203 (1980) is a very old yet fun comic book that fans of Spider-Man and Dazzler will enjoy. Not only does it have a meaty encounter between the two, it also succeeds in chronicling Spider-Man’s life both in costume and as civilian Peter Parker. Going back to Dazzler, there is not much character development for her here but that is understandable as such emphasis was only waiting to happen in her own monthly comic book series.

If you are seriously planning to buy an existing hard copy of Amazing Spider-Man #203 (1980), be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition costs $94 while the near-mint copy of the newsstand edition costs $150.

Overall, Amazing Spider-Man #203 (1980) is recommended.

+++++

Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com

A Look Back at Spider-Man 2099 #36

Disclaimer: This is my original work with details sourced from reading the comic book and doing personal research. Anyone who wants to use this article, in part or in whole, needs to secure first my permission and agree to cite me as the source and author. Let it be known that any unauthorized use of this article will constrain the author to pursue the remedies under R.A. No. 8293, the Revised Penal Code, and/or all applicable legal actions under the laws of the Philippines.

It has been months since I last reviewed a Spider-Man 2099 comic book. In recent times, I’ve been reviewing the final issues of X-Men 2099 so I figured now is a good time to revisit Spidey of the far future.

To put things in perspective, my review of Spider-Man 2099 #35 explored the introduction of Venom 2099. Here we get to explore the super villain and discover more about him and how he impacts the this old monthly series.

Here’s a look back at Spider-Man 2099 #36, published in 1995 by Marvel Comics with a story written by Peter David and illustrated by Keith Pollard.

Cover
The cover drawn by Jae Lee.

Early story

Picking right after the end of issue #35, the comic book opens with a charging Venom 2099 hitting Spider-Man 2099, crashing out of a high level of a hospital. As they fall down, hospital personnel enter the hospital room to provide assistance to Dana and a recovering Tyler Stone. Dana urged the personnel to move Tyler to a new location fearing that Venom will return.

While falling down, Spider-Man hits Venom, manages to stop falling down and watches him hit the ground hard. To his shock, Venom survived and proved to be much stronger than he thought. Venom climbs up the building’s wall to go after Spider-Man…

Quality

10
Venom 2099 and the armed personnel.

Dramatic and gripping. That is how I describe the tone of Peter David’s script here. As this is Spider-Man’s first encounter with Venom (which started at the end of the last issue), David not only crafted a very compelling conflict between them but also maintained consistency on developing the supporting cast members. Unsurprisingly, the sufficient focus on Venom made clear to reader that he is not only very dangerous but also uncompromising with his acts which make him a menace not only to people but even to armed personnel. His obsession with Tyler Stone is really something.

Regarding the comic book’s art, guest illustrator Keith Pollard did a fine job capturing the looks of the characters and also maintained the storytelling pace that started with issue #35. He also scored nicely on making the action look dynamic and fun to see. He also paid close attention to key details on the costumes of Spider-Man and Venom. I also like the way Pollard drew Spider-Man when it comes to swinging positions, wall-crawling, etc.

Conclusion

3
Spider-Man hits Venom while falling down.

Spider-Man 2099 #36 is a very good, old comic book! As this is one of the early comic book appearances of Venom 2099, it is significant not just in terms of financial value but also in terms of developing Spider-Man as a character. Partly helped by the massive popularity of the mainstream Venom (Eddie Brock), Venom of 2099 become one of the most significant super villains of Marvel 2099.

If you are seriously planning to buy an existing hard copy of Spider-Man 2099 #36, be aware that as of this writing, MileHighComics.com shows that the near-mint copy of the regular edition (Spider-Man 2099 cover), the “Venom 2099” titled cover regular edition, and the “Venom 2099” titled newsstand edition cost $34, $85 and $255 respectively.

Overall, Spider-Man 2099 #36 is highly recommended!


Thank you for reading. If you find this article engaging, please click the like button below and also please consider sharing this article to others. If you are looking for a copywriter to create content for your special project or business, check out my services and my portfolio. Feel free to contact me as well. Also please feel free to visit my Facebook page Author Carlo Carrasco and follow me at HavenorFantasy@twitter.com